AEA RPQ 2 Channel Ribbon Mic Preamp Der AEA RPQ mit Curve Formgebung und P48 Power gibt Ihnen alle Steuerelemente für Bändchenmikrofone an die Hand die Sie benötigen: 80 dB von sauberer, ruhiger JFET Verstärkung, P48-Phantomspeisung für aktive Studio-Bändchen wie z.B. das AEA oder das A440. Ausserdem LF Trimm-und Höhenanhebung Controls, die stimm- und abschaltbar sind, so dass Sie Probleme schnell in den Griff bekommen und der Sitze ein Stück näher bringt. Die RPQ hat die Geschwindigkeit, die Ruhe und den Spielraum für eine hohe Auflösung, die bei Bändchen-Aufnahmen benötigt wird. Er klingt auch mit Kondensator und Moving Coil-Mikrofonen sehr gut. Mit der von AEA's DC-gekoppelten Topologie JFET liefert er die Dynamik, den Subwoofer-Bass und die schnellen Transienten, zu der Ihre Bändchen und anderen Mikrofone imstande sind. Seine diskrete Front-End und integrierte Schaltkreis-Architektur verschmelzen mit der Ruhe von Festkörpern mit der Offenheit einer Röhre. Live und bei Raum Aufnahmen sind weiterer Bereiche, wo der RPQ glänzt. Die Low-Energy-Storage (LES ™)-Schaltung erholt sich sofort nach einer Überladungen, was einen großen Vorteil mit unvorhersehbarer Dynamik mit sich bringt und durch seine außergewöhnlichen No Load ™ Eingangsimpedanz von mehr als 10.000 Ω macht es ihn zum idealen aktiven Mikrofon Splitter. Mikrofone spalteten normalerweise die Last nach unten was eine Veränderung des Klangs zur Folge hat, nicht so der RPQ.

AEA TRP3 Ribbon Preamp The AEA TRP3 Ribbon Preamp provides two channels of high-output, high-impedance, and low-noise gain with a rich and natural sound that brings out the full potential of your microphones.   Specifically designed for ribbon microphones, the TRP3 excels at drawing out the warmth and lush sound that ribbons are uniquely known for. Our 3rd generation circuitry is the cleanest and most musical design we've done yet.   Features Two-channel, high-gain, half-rack mic pre Ultra-high 68KΩ input impedance (phantom power off) 7 to 85 dB of gain 48V phantom and polarity switch HPF switchable -3dB at 115 Hz or 230 Hz External PSU Optional rack ears (for one unit) or rack shelf (two units) for mounting purposes

AMS Neve 1073 DPA A superb addition to the Neve® outboard range, providing two of our world-famous Class A 1073® microphone preamplifiers in a single rackspace. The big, punchy sound of the 1073® compliments any musical genre, from rock to pop, hip-hop to rap, thrash to classical. Its lush sound with classic Neve® signature makes it the consummate mic pre for recording vocals, guitars, and acoustic instruments of all descriptions. With the 1073®DPA, the highly sought-after 1073® mic amp sound is now available in a cost-effective 1U stereo rackmount solution, without the additional EQ found on the classic 1073 unit. The 1073®DPA provides the legendary sound of Neve in a remarkably simple format. Two rear-panel Mic inputs and Line inputs feed dual Class A gain stages, with adjustable Gain control and selectable 48V available on the Mic inputs. Class A analogue outputs in XLR format are also found on the rear panel, controlled via adjustable front-panel ±10dB Trim controls. This stereo unit is the perfect solution for studios looking to bring in the very essence of the legendary 1073® sound. Two legendary 1073®  microphone preamps in a convenient 1U rackmount design Hand-crafted and hand-wired by Neve in Burnley, UK Exclusive Neve®  Marinair™ transformers used on input and output stages Dedicated input Gain controls and output Trim controls on both channels +48V Phantom Power and Phase Reverse switch High quality Input Selector switch

AMS Neve 1073 DPD The 1073®DPD combines two of our world-famous Class A 1073®microphone preamplifiers with flexible 192kHz digital output capabilities, for modern recording environments – all in a single rackspace. For those who don’t already know its legacy, the big, punchy sound of the 1073® preamp complements any musical genre, from rock to pop, hip-hop to rap, thrash to classical. Its lush sound with classic Neve® signature makes it the consummate mic pre for recording vocals, guitars, and all acoustic instruments. With the 1073®DPD, two 1073® mic preamplifiers are complemented by superb Neve®-designed analogue-to-digital converters that can capture a performance in any required format. In addition to Neve’s famous Class A analogue outputs are a series of digital options, including all standard PCM sampling rates up to 192kHz, selectable via convenient front-panel controls. A unique feature is the Neve® DSD (Direct Stream Digital) output, providing unsurpassed quality beyond PCM technology. Despite its power, the 1073®DPD is remarkably simple to operate. Two rear-panel Mic inputs and Line inputs feed dual Class A gain stages, with adjustable Gain control and selectable 48V available on the Mic inputs. Class A analogue outputs in XLR format are also found on the rear panel, controlled via adjustable front-panel ±10dB Trim controls. Analogue insert points are provided ahead of the A/D converters, ensure the classic Neve® sound is retained. The combination of legendary analogue circuitry and superior digital quality makes the 1073®DPD the obvious choice as a front-end for recording to digital workstations. Two legendary 1073®  microphone preamps in a convenient 1U rackmount design Exclusive Neve®  Marinair™ transformers used on input and output stages Superior Neve-designed analogue-to-digital 24-bit converters 192Khz operation with DSD conversion, selectable via front-panel controls Dedicated input Gain controls and output Trim controls on both channels +48V Phantom Power and Phase Reverse switch High quality Input Selector switch Hand-crafted and hand-wired by Neve in Burnley, UK

AMS Neve 1073 DPX The quality is legendary.  Designed and built in England, the modern-day 1073®DPX is produced to the exact specifications of the original with matched components to ensure the sound remains true. The 1073®DPX has two channels of the 1073® Class A design microphone preamplifiers, each with 3-band EQ (fixed HF plus two switchable bands with cut/boost capability) and high pass filter, adding warmth and depth to recordings, bringing out subtle ambience, maintaining spatial positioning, and capturing a more precise image – embodying, think many engineers and producers, the essence of the genuine Neve® sound. Building on the 1073® classic module features, the 1073®DPX introduces extra functionality with integrated DI input, phantom power, selectable Insert feature, level meters, selectable headphone monitoring and front input connectors on each channel for easy and direct connection of microphones and instruments. The 19” rack-mount 2U unit includes an external multi-voltage PSU. An optional Digital I/O module can be fitted into the 1073®DPX and provides AES and FireWire digital connectivity at a range of sample rates.  Mastering-grade converters are used and the simple configuration and convenience of digital connectivity make the 1073®DPX the ultimate front-end for capturing the best possible recordings. 2 independent, genuine 1073® transformer-coupled microphone preamplifier / EQ circuits, in a single 2U 19″ rack mount enclosure Exclusive Neve®  Marinair™ transformers used on each input and output stage. Convenient connections for Mic, Line & DI inputs on front of unit, with switchable mic/line input connections on the rear of the unit Switchable +48v Phantom Power, Hi/Lo impedence, -20dB pad and DI ground lift on the input stage Switchable Phase, and EQ in/out Insert send and return loop feature allows external equipment to be connected easily to the 1073DPX audio chain, such as mono/stereo limiter/compressors; Pre-EQ insert send/return – a line level send is available from the mic-preamp output stage and a return just before the EQ stage Post-EQ insert send/return – a line level send is available from the post-EQ stage and a return just before the main output stage Independent channel output level controls 7-stage LED signal level meters for each channel – can show mic/line/DI input-stage level, EQ-stage level or output-stage level up to +24dB Headphone output with adjustable volume control, can listen to channel 1, channel 2 or both channels combined External multi-voltage PSU Optional Digital I/O module

AMS Neve 1073 OPX Launched in 1970, the 1073® soon became the mic preamp of choice for leading producers and engineers and has since become the world’s most desirable preamplifier. Designed and manufactured in England by AMS Neve to this day, it’s unique tonal quality, warmth, low-mid punch and subtle harmonic distortion gives studios of all sizes the most prestigious front-end for their recordings. The 1073OPX continues the 1073® pedigree, packing eight legendary preamps into a 2U rack unit. Front and rear connectors give comprehensive connectivity to any Studio/Live/Broadcast environment and modern remote-control software gives two-way control with Total Recall™ of all settings with Save/load feature. Mic input sources benefit from the Marinair(R) transformer-coupled input stage and sources can be connected directly to the front-mounted Mic/Line/DI input for recording in the studio control-room. The 1073OPX’s analogue and digital monitor signal path allows use as a complete standalone I/O interface or as a live room remote preamp with a full, latency-free monitoring cue mix signal path. The optional digital I/O card comes with Neve’s industry-revered mastering-grade converters with up to 192kHz/24-Bit A/D conversion over USB connection for use as a Primary Audio Interface to any connected DAW-enabled computer as well as Primary and Secondary Dante®  connectivity for Audio-over-IP applications. 8 Channels of remote-controlled 1073 Mic/Line/Instrument Preamplifiers.   Exclusive Neve® Marinair® transformers on Microphone input. Class-A transformer-less DI input Remote control software can control up to 8 1073® OPX racks at a time (64 preamps!) Automatic Total Recall™ of all settings. Front Mic/Line combi input Rear Mic/Line D-Type connection 80Hz High pass filter -25dB pad Phase flip Smart Phantom Power control Hi/Lo Impedance selector from 300Ω to 1.3KΩ Separate stereo monitor path with Independent level control Latency-free monitoring of all signal sources Eight front D.I inputs for instrument tracking Front mounted Headphone output Digital Option containing: USB connection for use as standalone primary audio interface/core audio device.    Dante Primary and Secondary connection for Audio-over-IP application.  Word Clock Sync In/Out  Selectable Headroom from +18, +24, +26dB 

AMS Neve 1073 SPX Looking for a high-quality mic preamp and EQ unit? The Neve 1073 SPX has got you covered. This modern iteration of the legendary Neve 1073 mic preamp and EQ is a single-channel Class A unit, housed in a 1U 19” rack for easy integration. Crafted to exact specifications using matched components, including exclusive Neve Marinair input and output transformers, the Neve 1073 SPX delivers the authentic Neve 1073 sound. It features the classic 3-band EQ and high-pass filter of the 1073 Classic console module, as well as new functionalities like a DI input, selectable insert point, level meters, and output level control. The mic/line level inputs can be found at the front or back of the unit, allowing for easy integration and use at the mixing stage. And if you're working with a digital recording system, there's an optional mastering-grade digital card available for seamless communication. Get the warmth and depth of the classic 1073 sound, along with the essence of the Neve sound, including subtle detail, ambience, and precise imaging, with the Neve 1073 SPX. Genuine 1073® transformer-coupled microphone preamplifier / EQ circuit, in a single 1U 19″ rack mount enclosure Exclusive Neve®  Marinair™ transformers used on input and output stages Convenient connections for Mic, Line & DI inputs on front of unit, with switchable mic/line input connections on the rear of the unit Switchable +48v Phantom Power, Hi/Lo impedence, -20dB pad and DI ground lift on the input stage Switchable Phase, and EQ in/out Insert send and return loop feature allows external equipment to be connected easily to the 1073SPX audio chain, such as mono limiter/compressors; Pre-EQ insert send/return – a line level send is available from the mic-preamp output stage and a return just before the EQ stage Post-EQ insert send/return – a line level send is available from the post-EQ stage and a return just before the main output stage 7-stage LED signal level meter – can show mic/line/DI input-stage level, EQ-stage level or output-stage level up to +24dB Output level control External multi-voltage PSU

API 312 Mic Pre The 312 is one of API’s most sought after and famous mic preamps. First introduced in the 1970s, it is well known and respected throughout the recording industry, and is the building block of the modern 3124 rack unit. Based on API co-founder Saul Walker’s original designs, the API 312 Mic Pre combines our 2520 op-amps and proprietary transformers. It delivers the analog warmth, massive headroom and unmistakable sound for which API is known, in a convenient 500 series format. Following the success of the hand wired 312 50th Anniversary Edition, this standard production version offers the classic API sound at an affordable price. Like all API products, the 312 is backed by API's unique five year warranty. 312 Mic Preamp Features: API's Classic 312 Microphone Preamp in a 500 Series Vintage Style Analog VU Meter Maximum 69dB of gain Traditional API fully discrete circuit design with 2520 Op Amp Proprietary AP2516 Input Transformer 20 dB pad switch 3:1 Output Transformer Tap Selection Switchable 48V phantom power Peak LED API’s Five Year Warranty

API 3122V The new 3122V provides 2 channels of API's signature analog sound and features the same legendary circuit design found in the 3124V and 3124MV, as well as the 312, 512V, and 512c mic preamps. In addition to the familiar combination of 2520 Op Amps and proprietary output transformers that give all API mic preamps that punch and massive headroom, the 3122V also includes front and rear panel XLR and 1/4" inputs (conveniently selectable on the faceplate), a fixed-frequency HP filter, GAIN and the popular Variable Output Level control, as well as 48V, POL, and PAD. Rounding out the expansive feature set are the 3:1 Output Transformer Tap and 2 stunning analog VU meters with a separate peak LED. Features  2 Channels of Classic API Circuit Design API 2520 and Output Transformer Proprietary AP2516 Input Transformer Variable Output Control Fixed Frequency High Pass filter Vintage Style Analog VU Meters 3:1 Output Transformer Tap Selection Two Switchable front or rear XLR Input Front panel 1/4" Hi Z Instrument Input Front panel mic/instrument selection switch Front panel polarity switch Front panel 48V power switch Front panel -20dB pad switch Peak LED Maximum 68dB of gain

API 3124V APIs 4-Kanal-Preamp mit Outputregler Like the API 3124+, the 3124V is a high quality, compact, 4-channel mic preamp. It is equipped with the RE-115 K mic input transformer and the proprietary output transformer found in all API mic pres and throughout the API product line. Additionally, the 3124V offers Variable Output Level Control and switchable 3:1 output transformer selection. The unit has an internal 48-volt phantom power supply, which is switchable for each channel, as well as -20dB pad switches that affect both the mic and Hi-Z instrument inputs, both located on the front panel. The 3124V also features up to 65dB of gain. Additionally, the Hi-Z front panel inputs feed directly to the op amps, which allow a low level input such as a guitar or bass to be amplified without a matching transformer or direct box. These Hi-Z inputs can take levels as high as +20dBu, making them perfect for keyboards and other high level devices. The mic preamp outputs are on rear panel male XLR connectors. Features Classic API Circuit Design Uses API 2520 Op Amps Variable Output Level Control 3:1 Output Transformer Tap Selection Four female XLR mic inputs Four front panel 1/4" Hi Z instrument inputs Front panel polarity switches Front panel -20dB pad switches Front panel mic/instrument switches Front panel 48V power switches

Audient ASP880 8 Kanal Mikrofonvorverstärker mit Insert-Punkten und A/D-Wandler Der ASP880 bietet acht der renommierten, von Design-Legende David Dearden entwickelten audient ASP8024 Class-A Konsolen Mic Preamps in einzigartiger Qualität. Der 8-Kanal Mikrofonvorverstärker und AD Wandler ist die perfekte Ergänzung zu bestehenden Recording Setups wie z.B. audient iD22 oder iD14 und bringt jede Session auf Weltklasseniveau. Seine herausragende Burr Brown Wandlertechnologie garantiert eine bestmögliche Wandlung aller Signale mit unglaublichem Detailreichtum. Auf gerade einmal 1HE Rack runden ein umfangreiches Feature-Set, eine variable Impedanz, ein variabler Hochpassfilter sowie ein Metallgehäuse mit Aluminiumknöpfen den professionellen Anspruch ab. Die für jeden Kanal vorhandenen symmetrischen Inserts erlauben es, externe Geräte wie Kompressoren oder Equalizer einzuschleifen, um das Audio-Signal noch vor der Aufnahme zu bearbeiten. Features: Class-A Mikrofonvorverstärker mit acht Kanälen Hochwertige 123 dB Burr Brown A/D-Wandler 2 Hi-Z Class-A Instrumenteneingänge für Gitarre und Bass Symmetrische Inserts zwischen Vorverstärker und A/D-Wandler für jeden Kanal Insertwege über zwei DB25-Buchsen Variabler High Pass Filter (25 Hz-250 Hz) XLR/Klinke-Kombibuchsen Variable Eingangsimpedanz Mikrofon Gain -10 bis +60 dB (-10 dB Pad) Line Gain -16 bis +44 dB (-10 dB Pad) Signal-Rausch-Abstand (SNR) Mikrofoneingänge >90 dB ADAT, AES & S/PDIF Digitalausgänge 9-polige Sub-D-Buchse Wordclock Eingang 44.1-96 kHz Lüfterloses, eingebautes Universalnetzteil (90-264 Volt) Entwickelt von David Dearden 19″/1 HE Leistungsaufnahme 40 Watt Gewicht: 4000 g Inklusive umfangreichem Audient ARC Download-Softwarepaket: Steinberg Cubase LE + Cubasis LE 2, Steinberg Retrologue 2 Synth, TwoNotes Wall of Sound, Loopmasters Sample Pack, Waldorf Edition 2 LE, kostenlose Kurse an der Produce Like a Pro Academy sowie G-Force M-Tron Pro LE und ein Subitopiano.com Gutschein.

Avalon V5 black Introducing the AVALON V5: Exceptional Class A Preamp and DI Box The AVALON V5 is a compact half-rack/desktop mounted preamp and DI box renowned for its exceptional sound quality and versatile tone shaping capabilities. Combining a unique blend of active and passive circuits, the AVALON V5 takes the renowned excellence of Avalon Design to new heights. Designed to bring out the full potential of vocalists, the AVALON V5 preamp features top-of-the-line Class A solid-state circuitry, delivering unparalleled sound and dynamic range. Its passive tone-shaper section allows you to achieve silky smooth singing sounds with enhanced airiness using six onboard tone contours and filter curves. However, the versatility of the AVALON V5 extends beyond vocalists, as its tone-shaper stage optimizes bass tones, offering a warm, rounded, and well-defined sound that was previously unattainable with inferior DI boxes. Moreover, the AVALON V5 restores the sonic sparkle to your guitars, revitalizing their sound. The AVALON V5 is capable of handling high input signals, making it ideal for modern ribbon microphones. Additionally, it provides a perfect re-amping solution, a feature not commonly found in regular DI boxes, thanks to its transformer-isolated outputs. Like all products from Avalon Design, the AVALON V5 preamp and DI box embody a commitment to excellence. It is a versatile and outstanding performer, elevating the sound quality of any instrument you connect to it. Experience the unmatched audio performance of the AVALON V5, a compact powerhouse that delivers exceptional sound and empowers you to achieve your desired tonal characteristics. Pure Class A, 100% discrete design Forward musical detail and sonic excellence Minimum audio signal path High-quality transformer input & isolated output Microphone and Hi-Z inputs to +36dB Very low noise -100dB High headroom +30dB Switched 2dB, high-gain preamplifer to +66dB DC coupled Pure Class A output Large illuminated professional VU meter Twin LED peak signal indicators Regulated +48v phantom power supply Low distortion less than 0.5% THD and IMD Variable passive high pass (bass cut) filter All signal routing with sealed silver relays

Avalon V5 silver Introducing the AVALON V5: Exceptional Class A Preamp and DI Box The AVALON V5 is a compact half-rack/desktop mounted preamp and DI box renowned for its exceptional sound quality and versatile tone shaping capabilities. Combining a unique blend of active and passive circuits, the AVALON V5 takes the renowned excellence of Avalon Design to new heights. Designed to bring out the full potential of vocalists, the AVALON V5 preamp features top-of-the-line Class A solid-state circuitry, delivering unparalleled sound and dynamic range. Its passive tone-shaper section allows you to achieve silky smooth singing sounds with enhanced airiness using six onboard tone contours and filter curves. However, the versatility of the AVALON V5 extends beyond vocalists, as its tone-shaper stage optimizes bass tones, offering a warm, rounded, and well-defined sound that was previously unattainable with inferior DI boxes. Moreover, the AVALON V5 restores the sonic sparkle to your guitars, revitalizing their sound. The AVALON V5 is capable of handling high input signals, making it ideal for modern ribbon microphones. Additionally, it provides a perfect re-amping solution, a feature not commonly found in regular DI boxes, thanks to its transformer-isolated outputs. Like all products from Avalon Design, the AVALON V5 preamp and DI box embody a commitment to excellence. It is a versatile and outstanding performer, elevating the sound quality of any instrument you connect to it. Experience the unmatched audio performance of the AVALON V5, a compact powerhouse that delivers exceptional sound and empowers you to achieve your desired tonal characteristics. Pure Class A, 100% discrete design Forward musical detail and sonic excellence Minimum audio signal path High-quality transformer input & isolated output Microphone and Hi-Z inputs to +36dB Very low noise -100dB High headroom +30dB Switched 2dB, high-gain preamplifer to +66dB DC coupled Pure Class A output Large illuminated professional VU meter Twin LED peak signal indicators Regulated +48v phantom power supply Low distortion less than 0.5% THD and IMD Variable passive high pass (bass cut) filter All signal routing with sealed silver relays

Avalon V55 Introducing the AVALON V55: Pure Class A Dual-Channel Mic Preamp and DI Box The AVALON V55 is a top-of-the-line, Pure Class A dual-channel microphone preamplifier equipped with a DI instrument input and transformer-isolated outputs for Reamping. Designed to capture every intricate detail of your performance, the V55 delivers a deep, controlled bass, a musical midrange, and ultra-high impedance "transparent" instrument inputs. With two studio-quality preamplifiers and an added sonic enhancement inspired by the renowned Avalon U5 DI functions, the AVALON V55 offers a unique sonic character not found in other Avalon preamplifiers. Two alternate solid-state topologies are combined to create a rich, low midrange harmonic content, elevating the sound quality to a whole new level. This makes the V55 an excellent choice for professionals who demand superior audio performance. The AVALON V55 DI-RE-MIC Preamplifier is a versatile and high-performance device that offers maximum flexibility. Its sonic signature, characterized by "Deep and Controlled Bass, Musical Mid-range, and Enhanced Vocal Projection," is complemented by a range of user-friendly features. These include 100% discrete Pure Class A amplification, Avalon's unique "passive" TONE-BANK™ for precise tonal adjustments, a professional VU meter with dual peak LED indicators, and multiple outputs, including an instrument-level transformer isolated Re-amp output. The V55 is perfectly suited for use with ribbon, dynamic, and condenser microphones, as well as bass guitars, acoustic instruments, electric guitars, keyboards, synthesizers, and low-output passive pickups. It is meticulously designed to optimize signal integrity and ensure exceptional musical performance. The state-of-the-art DI input stage provides a very-high impedance, "zero-load" effect on sensitive pickups and keyboards, while offering massive input headroom up to +36dB before overload. Experience the pinnacle of audio excellence with the AVALON V55. This Pure Class A dual-channel mic preamp and DI box redefine sonic possibilities, delivering unmatched clarity, depth, and versatility for capturing your sound with precision and finesse. Dual channel, Pure Class A Microphone Preamplifier, andDI Instrument preamp Transformer isolated outputs for Reamping Deep and controlled bass, musical midrange for enhanced vocal projection and ultra high impedance "transparent" instrument inputs Two alternate solid-state topologies are cascaded to provide a rich, low midrange harmonic content not offered in other Avalon preamplifiers 100% discrete Pure Class A amplification and Avalon's unique "passive" TONE-BANK™ Professional VU meter with dual peak LED's and multiple outputs including an instrument level transformer isolated Re-amp Ideal for ribbon, dynamic and condenser microphones, bass guitar, acoustic instruments, electric guitars, keyboards, synthesizers, and very low output passive pickups State-of-the-art DI input stage provides a very-high impedance, "zero-load" effect on sensitive pickups and keyboards Very high quality input transformer (same as the Avalon VT-737sp) with dual microphone input impedance loading for perfect mic/cable matching High-cut switch for eliminating unwanted acoustic pickup and high frequency noise, headphone monitor amp DC coupled, 100% Class A output amplifiers for defined bass control Buffered "thru" output for zero-instrument-load tuners or power amp inputs Internal toroid power transformer with discrete high-voltage power supplies for low noise Sealed silver relays for transparent signal routing

Avalon VT-737SP black Introducing the AVALON VT-737SP: A Premium Single-Channel Valve Channel Strip The AVALON VT-737 SP is an exceptional single-channel valve channel strip renowned for its Class A Circuitry, Opto compressor, and versatile four-band EQ. This high-quality audio equipment has been the go-to choice for countless timeless classics, capable of infusing warmth, sweetness, and vibrancy into even the most lackluster microphones. One of the standout features of the AVALON VT-737 is its preamp section, which boasts top-tier Class A circuitry. With two cascaded dual vacuum tube triodes meticulously designed to minimize negative feedback and preserve the purity of sound, this preamp guarantees an unparalleled audio experience. It offers three selectable inputs, including Mic level input, Line level input, and DI instrument input. Moreover, the preamp section includes a passive and adjustable high-pass filter, phase polarity control, and a bypass option for added flexibility. Following the preamp section is the opto-compressor, featuring a ratio control that ranges from 1:1 to 20:1, along with Threshold, attack, and release controls. This opto-compressor utilizes an optical cell for passive attenuation and twin Class A vacuum tubes for precise gain matching. Its minimal signal path ensures pristine signal integrity. Additionally, the compressor can be set to pre- or post-eq using a dedicated switch on the front panel. Notably, the EQ can also be utilized to shape the side-chain path, enabling dynamic spectral shaping techniques such as De-essing. The large VU meter provides the option to display input, output, or gain reduction, while the link Jack input allows for seamless stereo tracking by linking two vt737-SP units together. The AVALON VT-737SP also incorporates a comprehensive four-band EQ, offering extensive tonal control. This EQ includes Low- and high-shelf filters, as well as two parametric bands. The passive design of the low and high shelves imparts a smooth and pleasing sound, with selectable frequencies for tailored adjustments. The two mid-bands feature variable frequencies and switched Q-width selection for precise sculpting. Additionally, both mid-bands can impact the low and high bands using the X10 frequency multipliers. This EQ is perfect for quick and effective tone enhancement. When in Sidechain mode, the low and high shelves remain in the audio path, allowing for broad sound shaping capabilities. To ensure an exceptional final output, the AVALON VT-737SP utilizes another dual triode valve to drive the discrete Class-A output amplifier. This meticulous design guarantees exceptional audio quality and faithful reproduction of your recordings. Experience unparalleled audio performance with the AVALON VT-737SP, the ultimate single-channel valve channel strip that brings your sound to life with warmth, clarity, and sonic richness. Circuit topology: 4 dual triode vacuum tubes (Sovtek 6922), high-voltage discrete Class A Gain Range Microphone: Transformer balanced 850/2500 ohm, 0dB to +58dB Instrument: Unbalanced 1 meg ohm, 0dB to +30dB Line: Balanced Class A 20k ohms, -27dB to 28dB Maximum input level and connector types: Microphone26dB@25Hz, +30dB@1kHz balanced XLR Instrument+30dB unbalanced front panel jack socket Line +36dB balanced XLR Maximum output level: +30dB balanced 600 ohms, DC coupled, discrete Class A Output type and gain: XLR connector, output trim gain -45dB to20dB Noise 20kHz unweighted: -92dB Noise microphone EIN: -116dB, 22Hz-22kHz unweighted Distortion THD, IMD: 0.5% Frequency response -2.5dB: 10Hz-120kHz input filter included Frequency response -3dB: 1Hz-200kHz line in-out VU meter and gain reduction: High quality illuminated OVU =+4dB and gain reduction to -20dB High cut filter: Variable 6dB per octave 30Hz-140Hz Compressor type: Optical passive attenuator incorporating twin vacuum tubes and stereo link Threshold - Ratio: Threshold variable -30dB to +20dB, ratio-compression variable 1:1 to 20:1 Attack - Release: Attack variable 2mS to 200mS, release variable 100mS to 5 seconds Equalizer type: Discrete Class A, variable active and switched passive design Frequency bands (4): Treble - switched 10kHz, 15kHz, 20kHz, 32kHz, +/-20dB range, shelf High mid - variable 200Hz-28kHz and 2kHz -28kHz, +/-6dB range, hi-lo Q Low mid - variable 30Hz-450Hz and 300Hz-4k5Hz, +/-16dB range, hi-lo Q Bass - switched 15Hz, 30Hz, 60Hz, 150Hz, +/-24dB range, shelf AC power: Internal toroidal 100v to 240v, 50-60Hz selectable, 75 watts maximum Dimensions: 19 x 12 x 3.5 in (482 x 305 x 89mm) Weight: 22lbs. (10kg)

Avalon VT-737SP silver Introducing the AVALON VT-737SP: A Premium Single-Channel Valve Channel Strip The AVALON VT-737 SP is an exceptional single-channel valve channel strip renowned for its Class A Circuitry, Opto compressor, and versatile four-band EQ. This high-quality audio equipment has been the go-to choice for countless timeless classics, capable of infusing warmth, sweetness, and vibrancy into even the most lackluster microphones. One of the standout features of the AVALON VT-737 is its preamp section, which boasts top-tier Class A circuitry. With two cascaded dual vacuum tube triodes meticulously designed to minimize negative feedback and preserve the purity of sound, this preamp guarantees an unparalleled audio experience. It offers three selectable inputs, including Mic level input, Line level input, and DI instrument input. Moreover, the preamp section includes a passive and adjustable high-pass filter, phase polarity control, and a bypass option for added flexibility. Following the preamp section is the opto-compressor, featuring a ratio control that ranges from 1:1 to 20:1, along with Threshold, attack, and release controls. This opto-compressor utilizes an optical cell for passive attenuation and twin Class A vacuum tubes for precise gain matching. Its minimal signal path ensures pristine signal integrity. Additionally, the compressor can be set to pre- or post-eq using a dedicated switch on the front panel. Notably, the EQ can also be utilized to shape the side-chain path, enabling dynamic spectral shaping techniques such as De-essing. The large VU meter provides the option to display input, output, or gain reduction, while the link Jack input allows for seamless stereo tracking by linking two vt737-SP units together. The AVALON VT-737SP also incorporates a comprehensive four-band EQ, offering extensive tonal control. This EQ includes Low- and high-shelf filters, as well as two parametric bands. The passive design of the low and high shelves imparts a smooth and pleasing sound, with selectable frequencies for tailored adjustments. The two mid-bands feature variable frequencies and switched Q-width selection for precise sculpting. Additionally, both mid-bands can impact the low and high bands using the X10 frequency multipliers. This EQ is perfect for quick and effective tone enhancement. When in Sidechain mode, the low and high shelves remain in the audio path, allowing for broad sound shaping capabilities. To ensure an exceptional final output, the AVALON VT-737SP utilizes another dual triode valve to drive the discrete Class-A output amplifier. This meticulous design guarantees exceptional audio quality and faithful reproduction of your recordings. Experience unparalleled audio performance with the AVALON VT-737SP, the ultimate single-channel valve channel strip that brings your sound to life with warmth, clarity, and sonic richness. Circuit topology: 4 dual triode vacuum tubes (Sovtek 6922), high-voltage discrete Class A Gain Range Microphone: Transformer balanced 850/2500 ohm, 0dB to +58dB Instrument: Unbalanced 1 meg ohm, 0dB to +30dB Line: Balanced Class A 20k ohms, -27dB to 28dB Maximum input level and connector types: Microphone26dB@25Hz, +30dB@1kHz balanced XLR Instrument+30dB unbalanced front panel jack socket Line +36dB balanced XLR Maximum output level: +30dB balanced 600 ohms, DC coupled, discrete Class A Output type and gain: XLR connector, output trim gain -45dB to20dB Noise 20kHz unweighted: -92dB Noise microphone EIN: -116dB, 22Hz-22kHz unweighted Distortion THD, IMD: 0.5% Frequency response -2.5dB: 10Hz-120kHz input filter included Frequency response -3dB: 1Hz-200kHz line in-out VU meter and gain reduction: High quality illuminated OVU =+4dB and gain reduction to -20dB High cut filter: Variable 6dB per octave 30Hz-140Hz Compressor type: Optical passive attenuator incorporating twin vacuum tubes and stereo link Threshold - Ratio: Threshold variable -30dB to +20dB, ratio-compression variable 1:1 to 20:1 Attack - Release: Attack variable 2mS to 200mS, release variable 100mS to 5 seconds Equalizer type: Discrete Class A, variable active and switched passive design Frequency bands (4): Treble - switched 10kHz, 15kHz, 20kHz, 32kHz, +/-20dB range, shelf High mid - variable 200Hz-28kHz and 2kHz -28kHz, +/-6dB range, hi-lo Q Low mid - variable 30Hz-450Hz and 300Hz-4k5Hz, +/-16dB range, hi-lo Q Bass - switched 15Hz, 30Hz, 60Hz, 150Hz, +/-24dB range, shelf AC power: Internal toroidal 100v to 240v, 50-60Hz selectable, 75 watts maximum Dimensions: 19 x 12 x 3.5 in (482 x 305 x 89mm) Weight: 22lbs. (10kg)

BAE Audio 1023 mit Netzteil The 1023 is completely handwired using Carnhill (St. Ives) transformers. It has the exact same mic/line preamp as the 1073, but with significantly more frequencies in the mid and high sections. Aside from simply offering more frequency settings to play with, these expanded EQ sections also allow you to play the mid bell curve directly against the high and low shelves where they overlap. This capability opens the tone shaping possibilities in very interesting and musical ways. High Frequency: +/-16dB shelving with selectable frequencies of 10kHz, 12kHz, 16kHz, 20kHz and 24kHz. Low Frequency: +/-16dB shelving with selectable frequencies of 35Hz, 60Hz, 110Hz & 220Hz. Mid Range: +/-12dB or +/-18dB peaking with switchable selectable centre frequencies of 160Hz, 270Hz, 360Hz, 510Hz, 700Hz, 1.6kHz, 3.2kHz, 4.8kHz, 7.2kHz, 8.2kHz, 10kHz. High Pass Filter: 18dB per octave slope, switchable between 45Hz, 70Hz, 160Hz & 360Hz. EQ Button: Switches the equaliser on or off Phase Button: 180º

BAE Audio 1028 mit Netzteil 1028 Mic Pre/EQ Rackmount & Module The 1028 is completely hand-wired using Carnhill (St. Ives) transformers. It has the exact same mic/line preamp as the 1073, but with significantly more frequencies in the mid and hi sections. Aside from simply offering more frequency settings to play with, these expanded EQ sections also allow you to play the mid bell curve directly against the high and low shelves where they overlap. This capability opens the tone shaping possibilities in very interesting and musical ways. The 1028 includes the same low pass filter as the 1084, giving it 28 frequencies. Features High Frequency: +/-16dB shelving with selectable frequencies of 10kHz, 12kHz, 16kHz, 20kHz and 24kHz Low Frequency: +/-16dB shelving with selectable frequencies of 35Hz, 60Hz, 110Hz & 220Hz. Mid Range: +/-12dB or +/-18dB peaking with switchable selectable centre frequencies of 160Hz, 270Hz, 360Hz, 510Hz, 700Hz, 1.6kHz, 3.2kHz, 4.8kHz, 7.2kHz, 8.2kHz, 10kHz. High Pass Filter: 18dB per octave slope, switchable between 45Hz, 70Hz, 160Hz & 360Hz. Low Pass Filter: 18dB per octave slope, switchable between 6kHz, 8kHz, 10kHz, 14kHz, & 18kHz. EQ Button: Switches the equaliser on or off Phase Button: 180º

BAE Audio 1073 mit Netzteil The BAE 1073 is as authentic as you can get to the original, featuring the same St Ives (Carnhill) transformers as the vintage modules, Elma switches and Canford wire. The BAE 1073 looks identical to the original vintage module and will happily retrofit in vintage Neve 80 Series consoles because the entire product is engineered in exactly the same way as the originals: the same chassis construction, connectors, printed circuit board layouts, hand-wired looms, and circuitry.  Features 1073 BAE: High Frequency: +/-16dB fixed frequency shelving at 12kHz Low Frequency: +/-16dB shelving with selectable frequencies of 35Hz, 60Hz, 110Hz & 220Hz. Mid Range: +/-18dB peaking, fixed 'Q' with, selectable centre frequencies of 0.36kHz, 0.7kHz, 1.6kHz, 3.2kHz, 4.8kHz & 7.2kHz High Pass Filter: 18dB per octave slope, switchable between 50Hz, 80Hz, 160Hz & 300Hz

BAE Audio 1073 MP Dual Channel mit Netzteil This is the mic pre-amp version of the 1073 equaliser having the same well-known characteristic Class A sound with its harmonically rich low end, slight resonant highs, and maintained focused mids. A transformer coupled input, with two selectable impedances makes the 1073MP work well with a variety of microphones. There is also a line input feature for adding depth to 2-bus mixes and a DI input for all passive and active instruments. As a coloured and versatile mic-pre, the 1073MP maintains its sonic signature across a wide bandwidth. All Class A, transformer-coupled design in a 19" 1U chassis. Line level XLR inputs for extra versatility as a line preamp. High impedance DI for guitar and synth.  The same Class A components as the 1073 and 1084. Illuminated phase reverse and phantom power pushbuttons. Input impedance selector switch between 1200 and 300 ohms. Same modular design and hand-wiring BAE is known for. Regulated linear power supply will run up to four channels.

BAE Audio 1073 MP mit Netzteil This is the mic pre-amp version of the 1073 equaliser having the same well-known characteristic Class A sound with its harmonically rich low end, slight resonant highs, and maintained focused mids. A transformer coupled input, with two selectable impedances makes the 1073MP work well with a variety of microphones. There is also a line input feature for adding depth to 2-bus mixes and a DI input for all passive and active instruments. As a coloured and versatile mic-pre, the 1073MP maintains its sonic signature across a wide bandwidth. All Class A, transformer-coupled design in a 19" 1U chassis. Line level XLR inputs for extra versatility as a line preamp. High impedance DI for guitar and synth.  The same Class A components as the 1073 and 1084. Illuminated phase reverse and phantom power pushbuttons. Input impedance selector switch between 1200 and 300 ohms. Same modular design and hand-wiring BAE is known for. Regulated linear power supply will run up to four channels.

BAE Audio 1073 MPF Dual Channel mit Netzteil This is the high-pass filter version of the 1073MP. The 1073MPF is the mic pre-amp version of the 1073 equaliser, sharing the the same well-known characteristic Class A sound with its harmonically rich low end, slight resonant highs and maintained focused mids. A transformer coupled input, with two selectable impedances makes the 1073MP work well with a variety of microphones. There is also a line input feature for adding depth to 2-bus mixes and a DI input for all passive and active instruments.  As a coloured and versatile mic-pre, the 1073MP maintains its sonic signature across a wide bandwidth. All Class A, transformer-coupled design in a 19" 1U chassis. Inductor based high pass filter Line level XLR inputs for extra versatility as a line preamp. High impedance DI for guitar and synth.  The same Class A components as the 1073 and 1084. Illuminated phase reverse and phantom power pushbuttons. Input impedance selector switch between 1200 and 300 ohms. Same modular design and hand-wiring BAE is known for. Regulated linear power supply will run up to four channels.

BAE Audio 1073 MPF Single Channel mit Netzteil This is the high-pass filter version of the 1073MP. The 1073MPF is the mic pre-amp version of the 1073 equaliser, sharing the the same well-known characteristic Class A sound with its harmonically rich low end, slight resonant highs and maintained focused mids. A transformer coupled input, with two selectable impedances makes the 1073MP work well with a variety of microphones. There is also a line input feature for adding depth to 2-bus mixes and a DI input for all passive and active instruments.  As a coloured and versatile mic-pre, the 1073MP maintains its sonic signature across a wide bandwidth. All Class A, transformer-coupled design in a 19" 1U chassis. Inductor based high pass filter Line level XLR inputs for extra versatility as a line preamp. High impedance DI for guitar and synth.  The same Class A components as the 1073 and 1084. Illuminated phase reverse and phantom power pushbuttons. Input impedance selector switch between 1200 and 300 ohms. Same modular design and hand-wiring BAE is known for. Regulated linear power supply will run up to four channels.

BAE 1084 mit Netzteil The BAE 1084 is as authentic as you can get to the original, featuring the same St Ives (Carnhill) transformers as the vintage modules, Elma switches and Canford wire. The BAE 1084 looks identical to the original vintage module and will happily retrofit in vintage Neve 80 Series consoles because the entire product is engineered in exactly the same way as the originals: the same chassis construction, connectors, printed circuit board layouts, hand-wired looms, and circuitry. High Frequency: +/-16dB shelving with selectable frequencies of 10kHz, 12kHz and 16kHz Low Frequency: +/-16dB shelving with selectable frequencies of 35Hz, 60Hz, 110Hz & 220Hz. Mid Range: +/-12dB or +/-18dB peaking with switchable 'High Q', selectable centre frequencies of 0.36kHz, 0.7kHz, 1.6kHz, 3.2kHz, 4.8kHz & 7.2kHz. High Pass Filter: 18dB per octave slope, switchable between 45Hz, 70Hz, 160Hz & 360Hz EQ Button: Switches the equaliser on or off Phase Button: 180º