ACME Audio XLA-3 The Acme Opticom XLA-3 MKII is a single channel all-valve optical limiter inspired by the legendary Teletronix LA-2 and built to exacting military-style specifications. The Acme Opticom uses a unique triple opto-electronic circuit which combine the best characteristics of three separate compression curves into a single unit, producing a full range of non-linear dynamic effects, offering a wide range of tones from clean to darn right dirty. At its core the Opticom features high-speed cadmium-selenide optical photocells for detection as well as an all valve circuitry and point-to-point wiring. The unit truly exudes quality through and through from the military grade components employed to its 16 gauge solid steel chassis, feeling reassuringly solid. The addition of custom-ordered bakerlite analogue control knobs, full-sized backlit panel meters and neutrik/cliff connectors also ensures the Opticom will provide years of reliable performance for many years to come.  The Acme Audio Opticom XLA-3 MkII All Valve Limiter Main Features:   All tube circuitryHigh-speed cadmium-selenide (CdSe) photocellsCustom Bakelite analog control knobsFull-sized backlit panel meters15db switchable input padHand-wired 2 stage bypass switchTriple optoelectronic circuitCinemag input transformerIEC power connector115/230V AC MainsNeutrik XLR input and output connectorsStereo link connectorMicalex tube sockets

ACME Audio XLA500 Taking inspiration from the acclaimed XLA-3, Acme Audio has painstakingly squeezed the XLA-3’s topology into a convenient two space 500 series module. Acme Audio Mfg. Co. is proud to introduce the OPTICOM XLA-500.   Taking inspiration from the acclaimed XLA-3, Acme Audio has painstakingly squeezed the XLA-3’s topology into a convenient two space 500 series module.  The XLA-500 is a tube optical audio limiter designed to produce a full range of non-linear, dynamic audio effects. The heart of the XLA-500 is a unique triple optoelectronic circuit that combines the best characteristics of three separate compression curves into a single unit. Combined with Cinemag input and output transformer and a class-A gain stage,  the result is a high-speed optical limiter with tones that range from ‘clean’ to ‘harmonically rich’ to ‘dirty’; and compression curves that range from subtle and slow to very fast and aggressive. The Opticom XLA-500 is the most versatile 500 series optical limiter on the market.  Whether trying to gently control dynamic range on vocals, adding weight to a bass track, or even crushing a drum track – the XLA-500 can perform all of these tasks effortlessly and with great satisfaction to the user, and, ultimately, to the listener.

AEA 1029 Der AEA 1029 ist ein kristallklarer Stereo-VCA-Kompressor in einem Half-Rack-Gehäuse. Er wurde für die Kombination mit dem AEA- Vorverstärkern der TRP- und RPQ-Serie entwickelt und eignet sich perfekt für die Aufnahme und das Mischen von Stereomikrofonen. Eigenschaften 2 Kanäle mit XLR-Ein- und Ausgang 3 Positionen für Peak- Fast-, RMS- und Peak-Slow-Abtastzeiten variabler Schwellenwert von -20dBu bis 20dBu variables Verhältnis von 1:1 – Grenzwert bis zu 20dB Zusatzverstärkung Dry/Wet-Prozentsatz-Drehknopf echte Bypass-Relais-Umschaltung Verstärkungsreduzierung, Summeneingang und Summenausgang mit 6-Segment-LED-Anzeigen handgefertigt in den USA

AEA RPQ 3 Channel Ribbon Mic Preamp RPQ3 – die dritte Generation. Der AEA RPQ3 Vorverstärker nutzt unser neuestes Schaltungsdesign der 3. Generation – das sauberste und musikalischste, das wir bisher entwickelt haben. Damit bietet auch er all die Qualitäten, für die Vorverstärker von AEA bekannt sind, in optimierter Form – vom extrem musikalischen Klang über die kraftvolle Verstärkung bis hin zur ultrahohen Impedanz. Gleichzeitig verfügt er mit dem CurveShaper™ EQ über ein leistungsstarkes Werkzeug, mit dem du den Sound deines Bändchenmikrofons direkt am Anfang des Signalwegs steuern kannst. Mit den einstellbaren Reglern für tiefe und hohe Frequenzen hast du volle Kontrolle über den bändchentypischen Nahbesprechungseffekt und kannst die hohen Frequenzen feinfühlig erweitern. Gleichzeitig verleiht der Hochfrequenz-Filterboost deinem Signal mehr Präsenz und „Luftigkeit“, während der Tieffrequenzregler schnell und unaufdringlich Bassanhebungen entfernt – und das natürlich unabhängig für jeden Kanal. Eigenschaften Zwei Kanäle mit 81 dB rauscharmer JFET-Verstärkung CurveShaper™-EQ für hohe Frequenzen und Nahbesprechungsregelung für niedrige Frequenzen Mikrofon- und Line-Eingänge Umschaltbare Phantomspeisung, Polarität Line/Mikrofon NoLoad™ 10k Ohm Hochimpedanz-Schaltung für bessere Transienten, einen besseren Frequenzgang und eine höhere Ausgangsempfindlichkeit

AEA RPQ500 Preamp The RPQ500 module, designed after the successful RPQ preamp, provides the same ultra-clean, high-gain signal path that has earned AEA preamps their great reputation, in a 500 series package. The RPQ500 has been enhanced with additional features, turning it into a workhorse tool for your API 500 compatible rack. The preamp delivers the bandwidth and quietness needed for high resolution recording. JFET circuit topology provides all the dynamics, subwoofer bass, and fast transients that your microphones can record. The input impedance of 10,000 Ω means the RPQ500 will not load down a mic and change its sound. Low Energy Storage™ circuit design instantly recovers from overloads for superior dynamic performance. The CurveShaper™ offers a natural option for sculpting your sound right at the start of the signal path. Switchable and tunable low frequency (LF) and high frequency (HF) controls allow you to tame proximity problems and provide HF extension and slope control. The high-frequency CurveShaper™ excels at adding a touch of air or presence, and the low-frequency control can remove boxiness and boominess in a fast and unobtrusive way. The bottom line is a versatile channel strip that will deliver an unadulterated performance in any application. The Line/Mic switch bypasses the microphone gain stage and allows the EQ to be used for tracking with other preamps or during mixdown. Add the output level control and the RPQ500 becomes a high-quality processing tool that can be used for mixing and mastering when combined with summing racks and mixers such as the Purple Audio Moiyn or the Roll Music Folcrom. The original RPQ with CurveShaper™ was designed to fully capture every nuance of ribbon microphones: vintage or modern, passive or phantom-powered. Engineers have discovered that the RPQ also complements their moving coil, tube and solid-state mics. By virtue of its sonic qualities and versatility, the AEA RPQ500 is the tool of choice for all microphones whenever a true and pristine signal path is needed.

AEA RPQ503 Der RPQ503 ist die nächste Evolutionsstufe in AEAs bewährter Reihe von Vorverstärkern mit hoher Impedanz und hoher Verstärkung. Basierend auf dem Schaltungsdesign der dritten Generation unseres renommierten RPQ3 bringt der RPQ503 denselben vollen, natürlichen Klang in das 500-Series-Format. Er verfügt über eine leistungsstarke Kombination aus ultrarauscharmen, verzerrungsarmen Operationsverstärkern, extrem hoher Eingangsimpendanz von 68 kΩ und 85 dB sauberer Verstärkung – und liefert so außergewöhnliche Klarheit und Detailtreue. Mehr als nur ein Vorverstärker enthält der RPQ503 auch die erweiterte EQ-Sektion des RPQ3 mit Anhebungs- und Absenkungsreglern für Bässe und Höhen mit speziellen kompakten, doppelt konzentrischen Potentiometern. Offen und transparent, aber ebenso reaktionsschnell und dynamisch, ist der RPQ503 ein vielseitiges Werkzeug am Anfang jeder Signalkette.Features: • 1-Slot-500-Series-Vorverstärker • AEA-Vorverstärkerschaltung der 3. Generation • Extrem hohe Eingangsimpendanz von 68 kΩ (Phantomspeisung aus) • 7 bis 85 dB Verstärkung • LF/HF stufenlos einstellbare Frequenzbereiche • EQ-Anhebung/-Absenkung: ±20 dB • EQ-Ein/Aus-Schaltung; Mittelrastung bei EQ-Gain-Reglern • +48 V Phantomspeisung • Polaritätsschalter • Mikrofon-/Line-Eingangsschalter (Line-Eingang umgeht Mikrofonvorverstärker) • Hergestellt in den USA

AEA Snaqbox Die AEA Snaqbox™ ist ein transparenter, zweikanaliger 500-Series-Rahmen mit separaten, doppelt linearen Spannungsreglern für jeden Kanal, die eine vollständige Stromisolation zwischen den 500-Modulen gewährleisten. Das Gerät wird von einem externen Schaltnetzteil betrieben, um Schaltgeräusche vom Gerät fernzuhalten. Die Acryl-Seitenplatte des Geräts ist wahlweise in klarer oder fluoreszierend orangener Ausführung erhältlich. Das Gehäuse besteht aus Stahl, und an der Unterseite der Snaqbox™ sind robuste Gummipuffer angebracht. Alle XLR-Anschlüsse der Snaqbox™ stammen von Neutrik. Fünf 1/4″-Flachkopfschrauben (4-40) sind bei jedem Gerät enthalten. Die Snaqbox™ verfügt über einen LINK/CASCADE-Schalter. Wenn dieser aktiviert ist, wird der Audioausgang von Kanal 1 intern auf den Eingang von Kanal 2 geleitet. Der Link-Schalter trennt dabei die Verbindung vom XLR-Eingang von Kanal 2, unterbricht jedoch nicht den Ausgang von Kanal 1 (dadurch sind gleichzeitig Dry- und Wet-Ausgänge möglich).Features: 500-Series-Rahmen für 2 Einschübe Robustes Stahlgehäuse mit klarer oder orangener Acryl-Seitenplatte XLR-Ein- und Ausgänge Link/Cascade-Schalter Externes Schaltnetzteil Hergestellt in den USA

AEA Snaqbox Orange - Retoure - Aus Retoure, minimale Gebrauchsspuren möglich, volle Garantie - Die AEA Snaqbox™ ist ein transparenter, zweikanaliger 500-Series-Rahmen mit separaten, doppelt linearen Spannungsreglern für jeden Kanal, die eine vollständige Stromisolation zwischen den 500-Modulen gewährleisten. Das Gerät wird von einem externen Schaltnetzteil betrieben, um Schaltgeräusche vom Gerät fernzuhalten. Die Acryl-Seitenplatte des Geräts ist wahlweise in klarer oder fluoreszierend orangener Ausführung erhältlich. Das Gehäuse besteht aus Stahl, und an der Unterseite der Snaqbox™ sind robuste Gummipuffer angebracht. Alle XLR-Anschlüsse der Snaqbox™ stammen von Neutrik. Fünf 1/4″-Flachkopfschrauben (4-40) sind bei jedem Gerät enthalten. Die Snaqbox™ verfügt über einen LINK/CASCADE-Schalter. Wenn dieser aktiviert ist, wird der Audioausgang von Kanal 1 intern auf den Eingang von Kanal 2 geleitet. Der Link-Schalter trennt dabei die Verbindung vom XLR-Eingang von Kanal 2, unterbricht jedoch nicht den Ausgang von Kanal 1 (dadurch sind gleichzeitig Dry- und Wet-Ausgänge möglich).Features: 500-Series-Rahmen für 2 Einschübe Robustes Stahlgehäuse mit klarer oder orangener Acryl-Seitenplatte XLR-Ein- und Ausgänge Link/Cascade-Schalter Externes Schaltnetzteil Hergestellt in den USA

AEA TDI Das AEA TDI ist eine aktive Mono-DI-Box für alle Instrumente, die eine erstklassige Symmetrierung benötigen Dank eines von Fred Forssell entwickelten Schaltkreises und eines supersauberen Lehle-Abwärtstransformators kann der ultratransparente TDI herausragende klangliche Leistungen mit minimalen Verzerrungen, Rauschstörungen und Signalverlusten bei langen Kabelwegen erzielen.Eigenschaften Supersaubere und störungsfreie Signalübertragung Kompaktes, roadtaugliches Design mit robuster Stabilität 20 dB-Pad, Ground-Lift-Schalter und Through-Schaltung Made in USA

AEA TDI Duo Das AEA TDI Duo ist eine aktive Stereo-DI-Box für alle Instrumente, die eine erstklassige Symmetrierung benötigen. Dank eines von Fred Forssell entwickelten Schaltkreises und eines supersauberen Lehle-Abwärtstransformators kann der ultratransparente TDI herausragende klangliche Leistungen mit minimalen Verzerrungen, Rauschstörungen und Signalverlusten bei langen Kabelwegen erzielen. TDI und TDI Duo haben ein äußert stabiles Stahlgehäuse, genau richtig für Anwendungen auf Tour, auf der Bühne oder den jahrelangen Einsatz im Studio. Drei TDI Duos können für eine sechskanalige DI-Station mit einer HE auf einem handelsüblichen 19″-Rack-Tray montiert werden.Eigenschaften phantomgespeiste Stereo-DI-Box mit aktiver Elektronik geräuscharmer JFET-Puffer steuert einen außergewöhnlihch sauberen Lehle-Übertrager an supersaubere und störungsfreie Signalübertragung kompaktes, roadtaugliches Design mit robuster Stabilität 20 dB-Pad, Ground-Lift-Schalter und Through-Schaltung made in USA

AEA TRP3 Ribbon Preamp The AEA TRP3 Ribbon Preamp provides two channels of high-output, high-impedance, and low-noise gain with a rich and natural sound that brings out the full potential of your microphones.   Specifically designed for ribbon microphones, the TRP3 excels at drawing out the warmth and lush sound that ribbons are uniquely known for. Our 3rd generation circuitry is the cleanest and most musical design we've done yet.   Features Two-channel, high-gain, half-rack mic pre Ultra-high 68KΩ input impedance (phantom power off) 7 to 85 dB of gain 48V phantom and polarity switch HPF switchable -3dB at 115 Hz or 230 Hz External PSU Optional rack ears (for one unit) or rack shelf (two units) for mounting purposes

AEA TRP500Der TRP500 basiert auf der Schaltung und Topologie des originalen AEA TRP-Vorverstärkers. Damit bietet auch er all die Qualitäten, für die Vorverstärker von AEA bekannnt sind – vom extrem musikalischen Klang über die kraftvolle Verstärkung bis hin zur ultrahohen Impedanz von 100.000 Ohm. Er unterstreicht auf musikalische Weise die unvergleichliche Wärme und den satten Klang von Bändchen- und anderen Spitzenmikrofonen. 85 dB rauscharme, DC-gekoppelte JFET-Verstärkung Schaltbare Phantomspeisung & Polaritätsumkehr Ultrahohe Impedanz (66.000 Ohm) Umschaltbarer 115 Hz oder 230 Hz Hochpassfilter Made in USA

AMS Neve 1073 DPA A superb addition to the Neve® outboard range, providing two of our world-famous Class A 1073® microphone preamplifiers in a single rackspace. The big, punchy sound of the 1073® compliments any musical genre, from rock to pop, hip-hop to rap, thrash to classical. Its lush sound with classic Neve® signature makes it the consummate mic pre for recording vocals, guitars, and acoustic instruments of all descriptions. With the 1073®DPA, the highly sought-after 1073® mic amp sound is now available in a cost-effective 1U stereo rackmount solution, without the additional EQ found on the classic 1073 unit. The 1073®DPA provides the legendary sound of Neve in a remarkably simple format. Two rear-panel Mic inputs and Line inputs feed dual Class A gain stages, with adjustable Gain control and selectable 48V available on the Mic inputs. Class A analogue outputs in XLR format are also found on the rear panel, controlled via adjustable front-panel ±10dB Trim controls. This stereo unit is the perfect solution for studios looking to bring in the very essence of the legendary 1073® sound. Two legendary 1073®  microphone preamps in a convenient 1U rackmount design Hand-crafted and hand-wired by Neve in Burnley, UK Exclusive Neve®  Marinair™ transformers used on input and output stages Dedicated input Gain controls and output Trim controls on both channels +48V Phantom Power and Phase Reverse switch High quality Input Selector switch

AMS Neve 1073 DPD The 1073®DPD combines two of our world-famous Class A 1073®microphone preamplifiers with flexible 192kHz digital output capabilities, for modern recording environments – all in a single rackspace. For those who don’t already know its legacy, the big, punchy sound of the 1073® preamp complements any musical genre, from rock to pop, hip-hop to rap, thrash to classical. Its lush sound with classic Neve® signature makes it the consummate mic pre for recording vocals, guitars, and all acoustic instruments. With the 1073®DPD, two 1073® mic preamplifiers are complemented by superb Neve®-designed analogue-to-digital converters that can capture a performance in any required format. In addition to Neve’s famous Class A analogue outputs are a series of digital options, including all standard PCM sampling rates up to 192kHz, selectable via convenient front-panel controls. A unique feature is the Neve® DSD (Direct Stream Digital) output, providing unsurpassed quality beyond PCM technology. Despite its power, the 1073®DPD is remarkably simple to operate. Two rear-panel Mic inputs and Line inputs feed dual Class A gain stages, with adjustable Gain control and selectable 48V available on the Mic inputs. Class A analogue outputs in XLR format are also found on the rear panel, controlled via adjustable front-panel ±10dB Trim controls. Analogue insert points are provided ahead of the A/D converters, ensure the classic Neve® sound is retained. The combination of legendary analogue circuitry and superior digital quality makes the 1073®DPD the obvious choice as a front-end for recording to digital workstations. Two legendary 1073®  microphone preamps in a convenient 1U rackmount design Exclusive Neve®  Marinair™ transformers used on input and output stages Superior Neve-designed analogue-to-digital 24-bit converters 192Khz operation with DSD conversion, selectable via front-panel controls Dedicated input Gain controls and output Trim controls on both channels +48V Phantom Power and Phase Reverse switch High quality Input Selector switch Hand-crafted and hand-wired by Neve in Burnley, UK

AMS Neve 1073 DPX The quality is legendary.  Designed and built in England, the modern-day 1073®DPX is produced to the exact specifications of the original with matched components to ensure the sound remains true. The 1073®DPX has two channels of the 1073® Class A design microphone preamplifiers, each with 3-band EQ (fixed HF plus two switchable bands with cut/boost capability) and high pass filter, adding warmth and depth to recordings, bringing out subtle ambience, maintaining spatial positioning, and capturing a more precise image – embodying, think many engineers and producers, the essence of the genuine Neve® sound. Building on the 1073® classic module features, the 1073®DPX introduces extra functionality with integrated DI input, phantom power, selectable Insert feature, level meters, selectable headphone monitoring and front input connectors on each channel for easy and direct connection of microphones and instruments. The 19” rack-mount 2U unit includes an external multi-voltage PSU. An optional Digital I/O module can be fitted into the 1073®DPX and provides AES and FireWire digital connectivity at a range of sample rates.  Mastering-grade converters are used and the simple configuration and convenience of digital connectivity make the 1073®DPX the ultimate front-end for capturing the best possible recordings. 2 independent, genuine 1073® transformer-coupled microphone preamplifier / EQ circuits, in a single 2U 19″ rack mount enclosure Exclusive Neve®  Marinair™ transformers used on each input and output stage. Convenient connections for Mic, Line & DI inputs on front of unit, with switchable mic/line input connections on the rear of the unit Switchable +48v Phantom Power, Hi/Lo impedence, -20dB pad and DI ground lift on the input stage Switchable Phase, and EQ in/out Insert send and return loop feature allows external equipment to be connected easily to the 1073DPX audio chain, such as mono/stereo limiter/compressors; Pre-EQ insert send/return – a line level send is available from the mic-preamp output stage and a return just before the EQ stage Post-EQ insert send/return – a line level send is available from the post-EQ stage and a return just before the main output stage Independent channel output level controls 7-stage LED signal level meters for each channel – can show mic/line/DI input-stage level, EQ-stage level or output-stage level up to +24dB Headphone output with adjustable volume control, can listen to channel 1, channel 2 or both channels combined External multi-voltage PSU Optional Digital I/O module

AMS Neve 1073 LBEQ The first choice of countless leading producers and artists, the 1073® delivers the unique Neve® sound featured on many of the most famous recordings of the past 40 years. The big, punchy sound of the 1073® classic complements any musical genre – from rock to pop, hip hop to rap, thrash to classical. And now the EQ section of that classic unit is available for your 500 series rack. Crafted in England by Neve® engineers, the 1073® LBEQ mono EQ module retains the unique sonic characteristics of the original 1073® classic EQ by using the same EQ circuit architecture and matching components. And it delivers it in a modern and portable form-factor that professional producers and engineers demand. With new features like a signal presence LED and Neve’s cleverAudio Processing Insert design, the 1073®LBEQ takes your 500 series rack to the next level. Simply install into an empty slot in your compatible 500 series rack, connect your line level signals and inject the legendary Neve® EQ sound into your audio creations. And it’s the perfect pairing for the incredible 1073®LB microphone preamp module. The 1073®LBEQ module can be inserted between the input and output stages of the 1073®LB module, creating a true 1073® classic audio path. Legendary 3-band EQ design Rotary controls provide accurate adjustment of the 1073 3-band EQ and High Pass filter Signal presence LED illuminates green from a level of -25dB and red from a level of +24dB Switch for EQ IN/OUT function, with LED indication Electronically balanced circuits used in Line Input and Line Output stages for standalone module use Audio Processing Insert design allows the audio to/from the 1073LBEQ module to be inserted into the audio path of an existing 1073LB module (modules must be fitted in the same 500-series rack) Compatible 500-series rack/enclosure with Power Supply and line-level input/output connectors required, not supplied.

AMS Neve 1073 OPX Launched in 1970, the 1073® soon became the mic preamp of choice for leading producers and engineers and has since become the world’s most desirable preamplifier. Designed and manufactured in England by AMS Neve to this day, it’s unique tonal quality, warmth, low-mid punch and subtle harmonic distortion gives studios of all sizes the most prestigious front-end for their recordings. The 1073OPX continues the 1073® pedigree, packing eight legendary preamps into a 2U rack unit. Front and rear connectors give comprehensive connectivity to any Studio/Live/Broadcast environment and modern remote-control software gives two-way control with Total Recall™ of all settings with Save/load feature. Mic input sources benefit from the Marinair(R) transformer-coupled input stage and sources can be connected directly to the front-mounted Mic/Line/DI input for recording in the studio control-room. The 1073OPX’s analogue and digital monitor signal path allows use as a complete standalone I/O interface or as a live room remote preamp with a full, latency-free monitoring cue mix signal path. The optional digital I/O card comes with Neve’s industry-revered mastering-grade converters with up to 192kHz/24-Bit A/D conversion over USB connection for use as a Primary Audio Interface to any connected DAW-enabled computer as well as Primary and Secondary Dante®  connectivity for Audio-over-IP applications. 8 Channels of remote-controlled 1073 Mic/Line/Instrument Preamplifiers.   Exclusive Neve® Marinair® transformers on Microphone input. Class-A transformer-less DI input Remote control software can control up to 8 1073® OPX racks at a time (64 preamps!) Automatic Total Recall™ of all settings. Front Mic/Line combi input Rear Mic/Line D-Type connection 80Hz High pass filter -25dB pad Phase flip Smart Phantom Power control Hi/Lo Impedance selector from 300Ω to 1.3KΩ Separate stereo monitor path with Independent level control Latency-free monitoring of all signal sources Eight front D.I inputs for instrument tracking Front mounted Headphone output Digital Option containing: USB connection for use as standalone primary audio interface/core audio device.    Dante Primary and Secondary connection for Audio-over-IP application.  Word Clock Sync In/Out  Selectable Headroom from +18, +24, +26dB 

AMS Neve 1073 SPX Looking for a high-quality mic preamp and EQ unit? The Neve 1073 SPX has got you covered. This modern iteration of the legendary Neve 1073 mic preamp and EQ is a single-channel Class A unit, housed in a 1U 19” rack for easy integration. Crafted to exact specifications using matched components, including exclusive Neve Marinair input and output transformers, the Neve 1073 SPX delivers the authentic Neve 1073 sound. It features the classic 3-band EQ and high-pass filter of the 1073 Classic console module, as well as new functionalities like a DI input, selectable insert point, level meters, and output level control. The mic/line level inputs can be found at the front or back of the unit, allowing for easy integration and use at the mixing stage. And if you're working with a digital recording system, there's an optional mastering-grade digital card available for seamless communication. Get the warmth and depth of the classic 1073 sound, along with the essence of the Neve sound, including subtle detail, ambience, and precise imaging, with the Neve 1073 SPX. Genuine 1073® transformer-coupled microphone preamplifier / EQ circuit, in a single 1U 19″ rack mount enclosure Exclusive Neve®  Marinair™ transformers used on input and output stages Convenient connections for Mic, Line & DI inputs on front of unit, with switchable mic/line input connections on the rear of the unit Switchable +48v Phantom Power, Hi/Lo impedence, -20dB pad and DI ground lift on the input stage Switchable Phase, and EQ in/out Insert send and return loop feature allows external equipment to be connected easily to the 1073SPX audio chain, such as mono limiter/compressors; Pre-EQ insert send/return – a line level send is available from the mic-preamp output stage and a return just before the EQ stage Post-EQ insert send/return – a line level send is available from the post-EQ stage and a return just before the main output stage 7-stage LED signal level meter – can show mic/line/DI input-stage level, EQ-stage level or output-stage level up to +24dB Output level control External multi-voltage PSU

AMS Neve 1073LB Designed and manufactured in England, the 1073®LB retains the unique sonic characteristics of the original 1073® Classic microphone preamplifier by using the same architecture, matching components and original hand-wound transformers. And it delivers it in a modern and portable form-factor that professional producers and engineers demand.With new features like a fine TRIM control, switchable microphone input impedance, signal presence LED, intelligent protected switching of front combi-XLR input connector and Neve’s clever Audio Processing Input design, the 1073®LB takes your 500 series rack to the next level.Simply install into an empty slot in your compatible 500 series rack, connect your microphone or line level signals and inject that legendary sound into your audio creations. Classic transformer microphone preamp amp (Class A design) Exclusive Neve®  Marinair™ transformers used on input and output stages Both Mic and Line inputs are transformer balanced and earth free Gain knob with Signal Presence LED +5/-20dB level Trim control with integrated phantom power on/off switch Phase, Impedance and Front Input selector switches Front combi-XLR connector with intelligent switching of phantom power Audio Processing Insert design allows processing from adjacent 1073® LBEQ and/or 2264ALB modules in same 500-series rack to be inserted into the 1073LB’s pre-output stage Microphone Input: Gain -80db to -20dB in 5dB steps Line Input: Input impedance 4k ohms bridging, gain -20dB to +10dB in 5dB steps Output is transformer balanced and earth free Distortion: Not more than 0.07% from 50Hz to 10kHz at +20dBu output (80kHz bandwidth) Freq Response: ±0.5dB 20Hz to 20kHz, -3dB at 40kHz Crafted in England by Neve®  engineers Compatible 500-series rack/enclosure with Power Supply and line-level input/output connectors required, not supplied.

AMS Neve 33609 Coupled with the unit’s unparalleled ease of use, this inimitable sound quality has made the 33609 a worldwide studio standard for three decades. The hallmark 33609 compression sound is very smooth, and extreme settings may be used with the compression or limiting remaining relatively transparent. After several versions of this classic Neve compressor over the years, today’s 33609 provides the best of both worlds: original Neve 33609 sound, with enhanced internal and external I/O switching compared to the original model. The 33609 also utilises a discrete output stage like the original model, for a slightly warmer sound that is preferred by many professionals over previous iterations. Multiple units can be easily linked for multi-channel operation.The 33609 features independent sidechains for the compressor and limiter sections, with similarly independent threshold, recovery and attack controls. The compressor features a selection of ratios from 1.5:1 to 6:1 and a gain make-up control that comes before the limiter. Overall gain reduction is indicated on a moving coil meter. Much like our classic 1073 and 1081 microphone preamplifiers, the 33609 Stereo Compressor is often cited as a “desert island” compressor – one which a healthy sampling of the world’s top engineers and producers would choose above all others. Classic Stereo Compressor / Limiter designed to exacting 1970’s specifications Made using hand-wired Neve transformers in Burnley, England Classic 2254 feedback compression circuitry Brick Wall Limiting Transparent level control Perfect for mixing, broadcast, and mastering applications Hard Limit feature for digital recording Limit in/out Compress in/out Discrete output stage for slightly warmer sound

AMS Neve BCM Console Als 10, 16, 24, 48 Channel Version erhältlich   Designed in 1969, the classic BCM10 was the ultimate tracking console for the world's premier studios. Its class A design, transformer balanced topology, and 1073® modules delivered the ultimate in audio performance throughout the golden era of studio recording.   When designing the modern BCM10/2 Mk2, Neve® engineers painstakingly reverse-engineered the classic BCM10 console. No expense was spared when sourcing original components in order to deliver the legendary Neve sound heard on countless recordings spanning the past five decades.   The BCM10/2 Mk2 introduces modern routing and monitoring options, bringing the console fully up to date for use in today’s most demanding studios, and its compact size allows this Class A legend to be housed in a premier home studio environment for artists and producers looking to access the legendary Neve sound.   Designed, manufactured, and assembled by hand in the UK, the BCM10/2 Mk2 is the preeminent console choice for discerning Artists, Producers, and Engineers and is guaranteed to delight even the most demanding ear.  Technical Overview Neve classic sound using Class A topology  Console sizes: 10,16,24, 32 or 48 channels 1073N microphone preamp and EQ module in each channel Classic voltage mixing using 1272 balanced mixing topology 2x 500-series slots fitted with Neve 2264ALB compressors, patchable or selectable across the Mix Bus Direct outputs on every channel selectable pre or post channel insert Simple Input to each channel doubles the mix inputs when mixing and also allows monitor and cue mixes 4x Auxes, 1x Stereo Cue, 1x Stereo Main Mix Bus Stereo and 5.1 monitor with passive 24 position gold plated monitor level control 3x Stereo & 1x 5.1 selectable loudspeaker output sets Comprehensive Solo system with destructive and safe/isolate modes 2x Stereo reverb returns with width, mono and balance controls & 2x mono DI to bus inputs Main Mix output insertion selectable pre or post fade with IMR (Insert Mix Return) parallel processing controls 25-way D-sub connectivity for easy installation into home or studio environments Optional side car stand on castors 

AMS Neve Genesys Black G16 Als 16, 32, 48, 64, 96 Channel Version erhältlich. Optinional 1084 Classic Upgrade.    In the beginning, there was analogue, and it was good. It was warm, it was intuitive, and Neve–with the industry’s favourite mic preamps, flying fader automation and hand-built-in-England quality and reliability–was the brand to own. If you could afford it.   Including legendary microphone preamplifiers and highly revered analogue circuit design, the extensive digital control and connectivity puts Genesys Black at the creative heart of your studio. To start, Genesys Black offers 8 channels of 1073 mic/line preamps, 16-channels DAW/Tape monitoring, hands-on DAW control for Pro Tools, Nuendo and more, 8 channels of Neve digitally controlled analogue 4-band EQ,  (optional) 8 channels of Neve digitally controlled analogue VCA dynamics and optional channel and monitor section A/D/D/A conversion via MADI, AES and FireWire formats A central touch screen, 6 auxiliary buses, 8 group buses, 2 main outputs, 4 effects returns, comprehensive metering, 5.1 monitoring, 2 cue mixes, talkback services and an integrated footprint with internal power supply provides all the power you need Genesys Black, hand-built in our UK factory, combines superb analogue design and true Neve preamp circuitry with hands-on DAW control and connectivity for Pro Tools, etc. And it’s modular, meaning you don’t have to wait until you can afford the full 32-fader system to become a Neve-equipped studio. In its basic 8-channel configuration you get 8 channels of mic/line preamps plus 16 channels of DAW control and 16-channel analogue summing at mixdown. And eight auxiliary buses, and eight group buses. And 5.1 monitoring.There’s a ‘classic Neve’ look and feel to the controls, but take a closer look and you’ll see they’re ultra modern too: every switch is ‘soft’. The benefits go far beyond letting you customize your set up to suit the way you work. It also means every routing decision and every switch setting can be saved and instantaneously reset. Add the legendary sounding Neve analogue EQ and optional dynamics cassettes and you can instantly recall these settings too. Just think of the reconfiguration time that saves when you’re juggling multiple projects in your studio. GenesysControl Plugin - Automate the Console from the DAW This exciting DAW plugin for the iconic Neve Genesys and Genesys Black consoles gives DAW users the ability to connect to and control the console’s analogue hardware and also automate the EQ and Dynamics processing parameters, fader levels, channel strip settings and more.  All of the elements available within the GenesysControl plugin can be fully controlled and automated from your DAW. The GenesysControl plugin can be applied in the DAW to a mono, stereo or master track and can be assigned to control selected channels on the Genesys or Genesys Black console. The GenesysControl plugin automatically recognises the fitted Genesys analogue processing hardware and allows control & automation of all parameters of the digitally controlled, analogue Neve 1084 EQ, 88R EQ and VCA Dynamics plus Channel strip control, REV Return & 8-Track section control and Master fader control.

AMS Neve Genesys G32 (32 Input 16 Fader) In the beginning, there was analogue, and it was good. It was warm, it was intuitive, and Neve–with the industry’s favourite mic preamps, flying fader automation and hand-built-in-England quality and reliability–was the brand to own. If you could afford it. Things change. Along came digital workstation technology – less warm and much less intuitive, to be sure, but cheaper and very flexible – to put more mixing power within reach of the smaller studio. But guess what… not everything changed. People welcomed digital’s flexibility and power, but they also wanted Neve’s analogue warmth. The trouble was, that meant juggling two mixing surfaces and spending valuable control room time sorting out a mess of wiring and a mass of interface problems. We at Neve knew we could come up with a better solution. Welcome to the brave new world The brief to our design team wasn’t just to create a brand new console that encapsulates the best of both (digital and analogue) worlds. We also asked them to see if there wasn’t a way to make owning a Neve console a realistic prospect for smaller studios – without compromising on sound quality. They did it. Genesys, hand-built in our UK factory, combines superb analogue design and true Neve preamp circuitry with hands-on DAW control and connectivity for Pro Tools, etc. And it’s modular, meaning you don’t have to wait until you can afford the full 64-fader system to become a Neve-equipped studio. In its basic 16-fader configuration you get 16 channels of mic/line preamps plus 16 channels of DAW mixing and 32-channel analogue summing at mixdown. And eight auxiliary buses, and eight group buses. And 5.1 monitoring. There’s a ‘classic Neve’ look and feel to the controls, but take a closer look and you’ll see they’re ultra modern too: every switch is ‘soft’. The benefits go far beyond letting you customize your set up to suit the way you work. It also means every routing decision and every switch setting can be saved and instantaneously reset. Add the legendary sounding Neve analogue EQ and dynamics cassettes and you can instantly recall these settings too. Just think of the reconfiguration time that saves when you’re juggling multiple projects in your studio. GenesysControl Plugin This exciting DAW plugin for the iconic Neve Genesys and Genesys Black consoles gives DAW users the ability to connect to and control the console’s analogue hardware and also automate the EQ and Dynamics processing parameters, fader levels, channel strip settings and more. Click below to read more.

AMS Neve Genesys G48 (48 Input 24 Fader) In the beginning, there was analogue, and it was good. It was warm, it was intuitive, and Neve–with the industry’s favourite mic preamps, flying fader automation and hand-built-in-England quality and reliability–was the brand to own. If you could afford it. Things change. Along came digital workstation technology – less warm and much less intuitive, to be sure, but cheaper and very flexible – to put more mixing power within reach of the smaller studio. But guess what… not everything changed. People welcomed digital’s flexibility and power, but they also wanted Neve’s analogue warmth. The trouble was, that meant juggling two mixing surfaces and spending valuable control room time sorting out a mess of wiring and a mass of interface problems. We at Neve knew we could come up with a better solution. Welcome to the brave new world The brief to our design team wasn’t just to create a brand new console that encapsulates the best of both (digital and analogue) worlds. We also asked them to see if there wasn’t a way to make owning a Neve console a realistic prospect for smaller studios – without compromising on sound quality. They did it. Genesys, hand-built in our UK factory, combines superb analogue design and true Neve preamp circuitry with hands-on DAW control and connectivity for Pro Tools, etc. And it’s modular, meaning you don’t have to wait until you can afford the full 64-fader system to become a Neve-equipped studio. In its basic 16-fader configuration you get 16 channels of mic/line preamps plus 16 channels of DAW mixing and 32-channel analogue summing at mixdown. And eight auxiliary buses, and eight group buses. And 5.1 monitoring. There’s a ‘classic Neve’ look and feel to the controls, but take a closer look and you’ll see they’re ultra modern too: every switch is ‘soft’. The benefits go far beyond letting you customize your set up to suit the way you work. It also means every routing decision and every switch setting can be saved and instantaneously reset. Add the legendary sounding Neve analogue EQ and dynamics cassettes and you can instantly recall these settings too. Just think of the reconfiguration time that saves when you’re juggling multiple projects in your studio. GenesysControl Plugin This exciting DAW plugin for the iconic Neve Genesys and Genesys Black consoles gives DAW users the ability to connect to and control the console’s analogue hardware and also automate the EQ and Dynamics processing parameters, fader levels, channel strip settings and more. Click below to read more.