Harrison Audio 32Classic Dante High Performance Design mit wichtigen Details – Manuelle PCB Layout Technik für optimierte Leiterbahnverläufe, extrem robuster Aufbau, goldbeschichtete Schalter und Summenbusse auf massiven Leiterbahnen (statt Flachbandkabel) legen den Grundstein für hervorragenden Klang, geringen Stromverbrauch und lüfterloses Design. High Performance Mono Mic/Line Kanäle – Harrison Mic Preamps mit transformersymmetriertem Vorverstärker Design und dem legendären Harrison 4-Band Parametric EQ mit variable High- & Low Pass Filtern Zeitgemäße Features und Details – optimale Intagration in Hybrid Studios durch mögliche Ablageflächen für Tastatur, Maus, Trackball etc und Integration eines 64 Kanal Dante Interface sowie 7.1.4 Atmos Monitoring   Flexible Bus & Routing Architektur mit 8 Bus Mastern für Mono/Stereo Konfiguration, 5 Aux Bussen, In-Line Recording Status, separatem Playback Pfad, Ausgangsmatrix u.v.m.   Technische Daten Verfügbar mit 32 und 48 Kanälen (Custom Built auf Anfrage) Klassischer Harrison 4-Band EQ mit High-/Low Pass Filtern Transormersymmetrierte Mikrofonvorverstärker Transormersymmetrierte Main Mix Ausgänge In-Line oder Split Recording/Monitoring Status Symmetriesche Line Eingänge/ Insertpunkte, Direct Outs Supersmoothe 100mm Premium Fader 8 Multitrack Busse, 4 Aux Sends, Stereo Cue Send 64 Premium AD/DA Wandler Integriertes DANTE AoIP interface 12 Pfad Atmos Monitoring (7.1.4) DAW-taugliches Rahmendesign Zero Fader Lock/Bypass

Harrison Audio 32Classic MS - Channelstrip Seit 50 Jahren dreht sich bei Harrison alles um den “Beautiful Analog Tone”. Auf Harrison Mischpulten wurden eine unglaubliche Anzahl an Musikalben produziert, die Geschichte geschrieben haben - Michael Jackson, ABBA, Led Zeppelin, Queen, Donald Fagan, um nur einige zu nennen. Die ursprüngliche 3232-Konsole hat Harrison zwischenzeitlich in einer modernen Version 32Classic (inkl. Dante Interface und 7.1.4 Monitoring) vorgestellt.   Den legendären Kanalzug dieses ikonischen Mischpults gibt es nun als kaskadierbare 19“ Rack-Variante – inklusive modernen Hybrid-Workflow-Features und einem integrierten Stereomixbus, der mehrere Geräte summieren kann.Basierend auf dem Design der 32Classic-Konsole bietet der 32Classic MS Mix Strip denselben hochwertigen, transformatorgekoppelten Mikrofonvorverstärker (Jensen JT-MB-CPCA), die charakteristischen Harrison Tief- und Hochpassfilter mit einem 3 dB Resonanzpeak sowie den musikalischen Harrison 4-Band-EQ. Außerdem verfügt der Kanalzug über einen symmetrischen Insert-Punkt, um weiteres Outboard-Equipment wie Kompressoren in den Signalweg einzuschleifen. Die zusätzlichen Pre- und Post-Fader-Direktausgänge machen den 32Classic MS Mix Strip zu einem flexiblen, modernen Klassiker.   Noch mehr Flexibilität bietet die integrierte Mixbus und Summing Funktion. Die Outputs mehrerer Geräte können über die Rückseitigen „Summing“-Anschlüsse und beiliegende Jumperkabel summiert werden. Signale können mit dem Fader ausbalanciert und über Stereokanäle im Panorama platziert werden. Alternativ ermöglicht die 0 dB-Fader-Taster Mischungen mit Unity Gain. Perfekt für hybride Workflows, als „Sidecar“ zu Ihrem bestehenden Setup oder für mobile Rigs, bietet der integrierte Mixbus den legendären Harrison-Sound mit außergewöhnlicher Flexibilität und sorgt für Wärme und Tiefe bei jeder Aufnahme und Mischung.   Technische Daten Jensen JT-MB-CPCA Eingangsüberträger Combo XLR/Klinkeneingang auf der Vorderseite Getrennte Mikrofon-/Instrumenten-Eingänge auf der Rückseite +20 bis +70 dB Gain -20 dB Pad 48V Phantomspeisung Phasenumkehrschalter Hi-Z Impedanz-Wahlschalter Input Overload LED Tief-/Hochpassfilter mit 3 dB Resonanzpeak Parametrischer 4-Band-EQ Pre- und Post-Fader Direct Outs Symmetrischer Insert-Send-Return Mixbus mit Summing-Funktion Mixbus-Regler für Fader, Panorama und 0 dB-Taster Mehrere 32Classic MS sind kaskadierbar 19“-Rack-Format

Harrison Audio 32Cpre+ The 32Cpre+ takes the high-performance, transformer-coupled microphone preamp from the 32Classic studio console, combines it with the renowned Harrison LP/HP filters, and delivers it in 500 Series format. Inspired by the iconic Harrison 3232, the 32Classic mixing console and preamp is an American icon reimagined, delivering the tone that helped create some of the most iconic albums of the 70s’ and 80s’. Thanks to the 32Cpre+, that Harrison sound is now available in 500 series format.   Legacy in analog Harrison consoles have helped create some of the most highly regarded and influential music in history. Michael Jackson, ABBA, Led Zeppelin, Queen, Donald Fagan, and many more iconic artists have relied on Harrison production tools to help create their multi-platinum albums. The latest range of 500 series modules from Harrison harnesses the sound and features that engineers like Bruce Swedien, Roger Nichols, and Reinhold Mack trusted to make music that stands the test of time.    The Harrison tone The 32Cpre+ delivers the warm, rich tone that Harrison is renowned for. Full low-end, open mid-range, and super-smooth, natural highs are what to expect from this Jensen JT-MB-CPCA transformer-coupled mic-pre. The gentle roll-off at each end of the frequency spectrum and delicate phase shift created by the 1:1 ratio transformer produces a mic pre that sounds so sweet you’ll use it on any source material.    Tools for tracking The 32Cpre+ delivers +20 to +70 dB of smooth gain capable of driving a wide range of mic types, including ribbon. In addition to 180 ° Phase, 48V, -20 pad, and HiZ impedance switches, the front panel features combo XLR with ¼” jack connector that lets you plug a microphone or instrument into the 32Cpre+ directly without having to access the rear panel of the 500 Series rack.   Legendary Harrison filters A Harrison mic pre wouldn’t be complete without our legendary filters. As found in the original 3232 and latest 32Classic console, the filters have a musical 12dB/octave slope, with the High Pass Filter featuring a characterful 3 dB resonant peak. The High Pass Filter range is 25 Hz – 3.1 KHz, and the Low Pass Filter is 160 Hz – 20 KHz.      Key features: The sound of Harrison. Jensen JT-MB-CPCA transformer-coupled mic-pre. +20 to +70 dB of gain. Front-mounted combo XLR with ¼” jack connector. 48V phantom power switch. Polarity reverse switch. HiZ impedance switch. Input overload LED. Compatible with 500 Series format chassis.  

Harrison Audio Comp The story behind Harrison and compression In the realm of audio engineering, Dave Harrison, the founder of Harrison Audio, stands out as a pioneer in the development of music production technology. Ironically, Dave Harrison himself was initially skeptical about compressors, a sentiment shared by his friend and legendary music producer and engineer, Bruce Swedien. Both held the belief that music should be captured authentically, without interference. However, the requirement for a compressor arose from the broadcast market's demands, seeking a tool to control dynamics and prevent clipping. To meet this demand, Harrison Audio ventured into the realm of compressors, with the result proving extremely effective. Its transparent 'leveling' capabilities, achieved with just a few dBs of gain reduction, quickly made it indispensable in music production for delicately smoothing signals, particularly on vocals, guitars, and other instruments with wide dynamic range. Over time, this compressor's ability to 'dig in' became apparent, transforming it into a sought-after vibe compressor when higher levels of gain reduction were applied. Dave Harrison's initial skepticism gave birth to a tool that not only met the broadcast market’s demands but also became relied on in the world of music production. Thanks to the Comp module, the distinctive Harrison sound is now accessible in the 500 Series format.   Legacy in analog Harrison production tools have helped create some of the most highly regarded and influential music in history. Michael Jackson, ABBA, Led Zeppelin, Queen, Donald Fagan, and many more iconic artists have relied on Harrison to help create their multi-platinum albums. The latest range of 500 series modules from Harrison harnesses the sound and features that engineers like Bruce Swedien, Roger Nichols, and Reinhold Mack trusted to make music that stands the test of time.    Comp design The Comp 500 Series module is based on a classic ‘feed-forward’ design, using a THAT 2180 VCA chip for outstanding analog performance. The compressor’s Attack is program-dependent, adapting to the input signal and offering an optimal Attack time depending on the source material. The Release time is continuously variable. These parameters can turn the Comp module from a transparent leveler to a highly saturated, vibe compressor, adding character and excitement to a wide range of sources.   Harrison's secret sauce – put it on everything The Comp module is a very flexible dynamics processor. From a transparent ‘leveler’ on guitars and vocals, using a 1:2 ratio and fast release, applying 2-3 dB of gain reduction. To a sizzling vibe compressor on drums and bass, slamming the ratio in combination with a slow release. The Comp 500 Series module is a well-crafted, no-nonsense compressor that is your secret production ‘sauce’ – you’ll put it on everything.   Key features: The Harrison sound. Extremely flexible compressor; from transparent ‘leveler’ to ‘character’ comp. Classic feed-froward design. THAT 2180 VCA chip for outstanding analog performance. Program-dependant ‘Attack’ time. Continually variable Release time from ‘Fast’ to ‘Slow’. Input overload LED. Compatible with 500 Series format chassis.

Harrison Audio MR3eq Originally developed for the Harrison MR3 studio console, the MR3eq stands out as one of Harrison's most popular EQ designs, renowned for its punchy, smooth sound, and powerful sculpting capabilities. Introduced in 1981, the Music Recording 3 (MR3) console rapidly became the preferred tool for numerous leading engineers and studios worldwide, helping to create some of the most iconic albums from the 70s and 80s. Like all Harrison production tools, the MR3 EQ delivers the vibe to inspire artists and the precision for engineers to excel. Thanks to the MR3eq module, the distinctive Harrison sound is now accessible in the 500 series format.   Legacy in analog Harrison consoles have helped create some of the most highly regarded and influential music in history. Michael Jackson, ABBA, Led Zeppelin, Queen, Donald Fagan, and many more iconic artists have relied on Harrison production tools to help create their multi-platinum albums. The latest range of 500 series modules from Harrison harnesses the sound and features that engineers like Bruce Swedien, Roger Nichols, and Reinhold Mack trusted to make music that stands the test of time.    MR3eq design The MR3eq is a high-performance analog EQ, crafted from decades of experience in equalizer and filter design. The circuit design of this EQ allows for precision in surgical tasks or the creation of broad musical strokes with lots of band interaction for a rich and colorful sonic character.   3-band parametric with HPF This powerful three-band parametric equalizer features Low and High-frequency 6 dB/octave Shelf bands, which can be switched to a 2nd order Bell response with Harrison’s renowned proportional Q. The Mid-band offers a continuously variable Q, while a separate High Pass Filter section includes a distinctive 3 dB resonant peak. The MR3eq’s flexible design and powerful sculpting capabilities make it a versatile tool that enhances a wide array of source materials, proving equally effective in both tracking and mixdown scenarios.   Key features: The Harrison sound. Perfect for both precision EQ’ing and broad musical strokes. Three-band parametric EQ with+/- 10 dB boost/cut range. High-frequency (800 Hz –15 kHz) 6 dB/octave Shelf band, switchable to 2nd order bell. Low-frequency (40 Hz – 800 Hz) 6 dB/octave Shelf band, switchable to 2nd order bell. Mid-band (400 Hz – 8 kHz) with continuously variable, proportional Q. Separate High Pass Filter with characterful 2 dB resonant peak. Separate ‘In’ switches for EQ and HPF sections. Input overload LED Compatible with 500 Series format chassis.