Wes Audio Dione
Wes Audio Dione Legendary sound of Stereo Bus compressor has been true companion on countless recordings since 40 years. Often recognized as “mixbus glue”, this particular compression sound have become industry standard. We present _DIONE – fully analog, legendary VCA compressor with digital recall. VCA THAT 2181 First and most important point – _DIONE is 100% analog device with +24dBu of headroom. Regardless its digital control nature, fully analog signal path provides top VCA compression sound. Two THAT 2181 VCA in signal chain, and two in side chain detector! MIX KNOB FOR PARALLEL COMPRESSION With MIX knob at your disposal, parallel compression has never been simpler to achieve! With _DIONE your MIX setting can be automated in your DAW, ever wanted to push your compressor harder in chorus? Nothing simpler! Just record automation using touch sensitive encoder, or draw your automation lines in DAW! THD – ADD COLOR TO YOUR MIXES THD stands for “Total harmonic distortion” and it allows to saturate your signal with beautiful analog color. SIDE CHAIN FILTERS DIONE Side chain filter functionality allows to modify signal going into the compressor’s detector. It includes 3 high pass filters at 60,90 and 150 Hz, and 2 tilt filters which are special “curve” designed filters. FOUR RATIO SETTINGS DIONE provides selectable ratios of 1.5:1 and 2:1 for gentle mixbus processing, and 4:1 and 10:1 for large variety of applications 500 SERIES and ng500 SERIES COMPATIBLE Regardless its extensions, _DIONE is fully compatible unit with 500 series standard (*). Digital features can be enabled through front panel mini USB socket. ng500 – Next Generation 500 series is a physical extension to 500 series, which makes _DIONE fully compatible with _TITAN frame – this allows to control all devices in chassis through one USB/Ethernet cable.
Wes Audio Hyperion
Wes Audio Hyperion HYPERION is fully analog parametric EQ with +24dBu of headroom. It features a lot of innovative improvements that no other processor on the market provides. Its innovative design utilizes 15 VCAs per channel to provide essentially noiseless parameter changes and very musical nature. HYPERION is next product in NG500 line where total recall is implemented through front panel USB socket or TITAN chassis. INNOVATIVE HARDWARE CIRCUIT HYPERION is fully analog device with +24 dBu of headroom. It’s innovative design utilizes 18 VCAs per channel.
Wes Audio Mimas
Wes Audio Mimas Since year 1968 this style of compression dominated hundreds of recordings and to this day it is most commonly used signal processor in the industry. Lightning-fast attack and release times became main companions of audio engineers. WesAudio proudly presents _MIMAS – ng500 series implementation of legendary FET compressor. This time along with classic analog sound You will receive most demanded feature in audio industry – DIGITAL RECALL. MIMAS – CARNHILL TRANSFORMERS are foundation of its sound. First and most important point – _MIMAS is fully balanced (IN/OUT) analog device with +24dBu of headroom. Regardless its digital control nature, fully analog signal path provides top FET compression sound. FOUR RATIO SETTINGS AND LEGENDARY “ALL BUTTONS IN”. MIMAS provides selectable classic ratios of 4:1 and 8:1 for compression, and 12:1 and 20:1 for limiting. If more aggresive type of compression is needed, “All Buttons In” mode is right there to use it. Once again we would like to state loud and clear – it is analog compressor, so is “All Buttons In” MODE! SATURATION MODE ONE KNOB to add color and character to your tracks without using compression Classic implementations of 1176 provide functionality to disable compression and still add color and character to signals. _MIMAS is no different, however instead of using INPUT and OUTPUT knobs to create desirable effect, You can do it with ONE knob, which configures amount of saturation affecting a signal. 500 SERIES and ng500 SERIES COMPATIBLE Regardless its extensions, _MIMAS is fully compatible unit with 500 series standard (*). Digital features can be enabled through front panel mini USB socket. ng500 – Next Generation 500 series is a physical extension to 500 series, which makes MIMAS fully compatible with TITAN frame – this allows to control all devices in chassis through one USB/Ethernet cable. HARDWARE A/B Even using MIMAS as pure analog signal processor you can easily switch between two parallel settings with a magic of a simple buttons. TOTAL RECALL AND PLUGIN CONTROL Along with classic analog compressor You receive most demanded feature in audio industry – TOTAL RECALL. Full plugin control through VST2/VST3/AU/AAX/AAX DSP – makes _MIMAS compatible with most, if not all major DAWs. Total integration with your beloved DAW will change your workflow forever!
Wes Audio Mimas Gemini
Wes Audio Mimas Gemini Fully Analog FET Stereo Pairs with digital recall The _MIMAS Stereo Pair delivers a true stereo compression experience, ensuring precise andconsistent performance across both channels. Thanks to Dynamic Link Technology, the sidechain signal levels are dynamically adjusted via a specialized potentiometer, automatically compensating for component tolerances. This ensures perfect alignment between both units, maintaining accurate stereo imaging without unwanted drift. MAIN FEATURES _MIMAS Gemini: A True Stereo Compression Experience 100% analog FET compressor (1176-style) with 24dBu headroom for pristine audio quality.Two units fully calibrated for true stereo operation using the dedicated stereo plugin.Four ratio settings including the legendary “All Buttons In” mode and any combination.New, modern DAW plugin design tailored to meet the demands of professional audio engineers.Fully linked parameters via dedicated software—adjustments on one channel automatically update the linked unit.Selectable compression modes: True stereo compression or dual mono operation, switchable via the SC LINK button on the front panel.Carnhill transformers for enhanced audio quality.500 Series and ng500 Series compatible.Total recall and plugin control for easy session management.Analog automation for seamless DAW integration.
Wes Audio NG76
Wes Audio NG76 WesAudio ng76: Next-Generation FET Compressor with Digital Recall and Automation Redefining the Analog Experience The WesAudio ng76 is a revolutionary next-generation FET compressor that seamlessly blends the classic analog sound of legendary FET compressors with the convenience of modern digital control. This groundbreaking unit delivers the renowned lightning-fast compression and punchy sonic character that has made FET compressors a staple in recording studios for decades, while introducing innovative features that enhance its versatility and workflow integration. Key Features: 100% analog FET compressor with 24dBu of headroom Two mono-channel devices can be linked together through dedicated software for true stereo compression or dual mono compression MIX knob for parallel compression Carnhill transformers (input and output) for added warmth and sonic saturation Saturation mode for introducing additional harmonic distortion Two independent side chain EQ circuits for precise control over the compression response THD (total harmonic distortion) control for tailoring the compressor's sonic character Digital Control for Enhanced Workflow The ng76 goes beyond traditional analog compressors by incorporating sophisticated digital control features that elevate its versatility and integration into modern DAW environments. Full plugin control through VST2/VST3/AU/AAX/AAX DSP for compatibility with virtually any DAW Total Recall for saving and recalling compressor settings Analog Automation for automating compressor parameters within your DAW Ethernet and USB connectivity for seamless integration with your digital workflow
Wes Audio ngBusComp
Wes Audio ngBusComp Legendary sound of Stereo Bus compressor has been true companion on countless recordings since 40 years. Often recognized as “mixbus glue”, this particular compression sound have become industry standard. Now, we improve this design creating whole new level of versitality with unbeliveble modern DAW integration – We present ngBusComp – fully analog, dual mono, stereo, mid-side compressor, with digital recall. TRUE QUAD VCA THAT 2181 First and most important point – ngBusComp is 100% analog device with +26dBu of headroom. Regardless its digital control nature, fully analog signal path provides top VCA compression sound. Four THAT 2181 VCA in signal chain, and one in side chain detector for each channel! STEREO / DUAL MONO compression! ngBusComp detectors can be linked and unlinked anytime – what allows us true bus compression behavior, as dual mono compression when needed! Relative channel linking! Channels can be linked/unlinked anytime! It is allowed to have different settings on both channels and still manage those in a relative way! We can work on Mid-Side mix separately for each channel, but if we would like to change ballance of whole track, it is enough to engage “parameter link” and both channels Make Up gain will be adjusted relatively keeping same amount of volume difference! ngBusComp supports mid-side opeartion, you can give your side channel diffferent compression settings then middle channel! SELECTABLE OUTPUT CIRCUIT – CHOOSE YOUR SIDE! With ngBusComp you can select your output stage to be either electronically balanced, or transformer balanced with preceise output PAD! Drive Carnhill transformers! In IRON mode it is possible to use Make up gain to drive the transformers, and special output PAD allow to turn signal down! PAD – passive attenuator managed via relay cascade up to 15dB with 1dB step. MIX KNOB FOR PARALLEL COMPRESSION With MIX knob at your disposal, parallel compression has never been simpler to achieve! With ngBusComp your MIX setting can be automated in your DAW, ever wanted to push your compressor harder in chorus? Nothing simpler! Just record automation using touch sensitive encoder, or draw your automation lines in DAW! Proprietary THD implementation with very detailed variable control! THD stands for “Total harmonic distortion” and it allows to saturate your signal with beautiful analog color. For ngBusComp it can be dialed in very gently or very appearent thanks to variable control with dedicated knob! PREDEFINED SIDE CHAIN FILTERS ngBusComp Side chain filter functionality allows to modify signal going into the compressor’s detector. It includes 3 high pass filters at 60,90 and 150 Hz, and 2 tilt filters which are special “curve” designed filters. FIVE RATIO SETTINGS ngBusComp provides selectable ratios of 1.5:1 and 2:1 for gentle mixbus processing, 4:1 and 10:1 for large variety of applications, and INF mode – to hit and crash your transients! External Side chain! ngBusComp allows to create custom side chain signal to control each channel of compressor! HARDWARE A/B/C Even using ngBusComp as pure analog signal processor you can easily switch between three memory settings with a magic of a simple buttons. TOTAL RECALL AND PLUGIN CONTROL Along with classic analog compressor You receive most demanded feature in audio industry – TOTAL RECALL. Full plugin control through VST2/VST3/AU/AAX/AAX DSP – makes ngBusComp compatible with most, if not all major DAWs. Total integration with your beloved DAW will change your workflow forever!
Wes Audio ngSumBox
Wes Audio ngSumBox For decades, analog summing has been the foundation of depth, width, and musical cohesion in professional mixes. ngSumBox redefines this concept for the modern hybrid studio, combining true analog summing with full digital recall, automation, and deep integration with external control surfaces. Designed as a high-end 18×2 summing solution, ngSumBox delivers the unmistakable sound of analog summing while offering the precision, flexibility, and workflow speed demanded by today’s productions. With support for MC and HUI controllers, ngSumBox brings back the tactile, console-like mixing experience — without sacrificing modern DAW convenience. MAIN FEATURES ngSumBox Next Generation Analog Summing System with Digital Recall, Automation, and Advanced Controller Integration 18 × 2 Analog Summing Architecture16 Channels with Full Level Control and AutomationVariable THD per ChannelLCR Routing per Channel16 Direct Outputs – Pre or Post FaderAdvanced MeteringWIDTH Control – Proprietary Stereo EnhancementDual Insert Section with Full RecallSelectable Output StagesExternal Controller Integration – A True Console ExperienceThe Centerpiece of the Hybrid StudioPlug-Ins for Control and Recall from Your DAW
Wes Audio ngTubeComp
Wes Audio ngTubeComp Wes Audio ngTubeComp: Next-Generation Tube Compressor with Digital Recall and Automation Introducing the Wes Audio ngTubeCompThe Wes Audio ngTubeComp reimagines the revered vari-mu compressor, combining the warmth and musicality of classic analog compression with the precision and convenience of modern digital technology. Designed for professional audio engineers and producers, the ngTubeComp delivers an exquisite compression experience with unparalleled versatility. Whether you're working in dual mono, stereo, or mid-side mode, this powerful compressor provides exceptional control and tonal flexibility, making it a must-have tool for any recording studio. Embrace the synergy of timeless analog craftsmanship and cutting-edge functionality with the Wes Audio ngTubeComp. This innovative compressor sets a new standard for shaping your sound with authenticity and ease. Seamless DAW Integration and Digital Control One of the standout features of the ngTubeComp is its plug-in integration, which allows for complete control and recall directly from your DAW. With this feature, you can streamline your workflow while maintaining the unmatched quality of analog audio.
Wes Audio ngTubeEq
Wes Audio ngTubeEq Next generation tube EQ with digital recall and automation For decades, tube equalizers have been cherished for their rich, musical sound, shaping the sonic character of countless classic recordings. Our ngTubeEQ elevates this legacy, offering a refined, analog experience seamlessly integrated into the modern digital workflow. With its lush tonal quality and intuitive digital control, the ngTubeEQ is set to become an indispensable tool in studios worldwide, continuing our tradition of blending vintage charm with contemporary functionality. Experience the best of both worlds – the soul of vintage sound and the ease of digital technology with ngTubeEQ. MAIN FEATURES ngTubeEQ fully analog tube equalizer with digital recall. Purely analog equalizer boasting an impressive 26dBu headroom. Features four fully passive, inductor-based bands spanning a frequency range of 22Hz to 28kHz. Equipped with active low-pass and high-pass variable filters, which can be completely bypassed as needed. Offers flexible control via DAW/Live plug-in for quick and effortless recall settings. Dual output design, featuring both a Tube and Carnhill transformer with an IRON PAD, alongside an electronically balanced option. Includes adjustable Total Harmonic Distortion (THD) control for tailored sound dynamics. Choice of Proportional Q or Constant Q for versatile equalization shaping. The equalizer's operational range can be set to either moderate (-5dB to 5dB) or extended (-15dB to 15dB) levels.
Wes Audio Pandora
Wes Audio Pandora _PANDORA stereo multi-band compressor For years, multiband compressors have been revered for their ability to finely control dynamic ranges across different frequencies, shaping the balance and punch of countless iconic productions. _Pandora takes this to the next level, delivering an unparalleled analog compression experience seamlessly integrated with modern digital recall and automation. With its precise multiband control and intuitive digital interface, _Pandora is poised to become a cornerstone in studios worldwide, offering the perfect fusion of analog warmth and contemporary convenience. Experience the future of compression – the classic depth of analog sound with the flexibility and power of digital technology in _Pandora. MAIN FEATURES Purely Analog: 3-band multiband compressor with 24dBu headroom.3-Band Control: Crossover filters from 40Hz to 15kHz for precise processing.THD: Tailored distortion per band, optimized by frequency.Flexible VCA Compression: Independent compressors for each band.Low Band SC Filters: 3 sidechain high-pass filters for low-frequency control.High Band SC Filters: 3 sidechain low-pass filters for precise triggering.Parallel Compression: MIX knob for blending dry and compressed signals.Gain reduction metering on both the hardware and plugin for each band, with input metering for each band in the plugin.Modern GUI: Full control over hardware via plugin interface.Accurate Metering: GR metering on hardware and plugin, input metering in plugin.Compatible with 500 series and ng500 series (e.g., _TITAN).Total Recall and plugin control, compatible with most DAWs.Supports analog automation within DAWs for seamless integration.Occupies 3 slots in the 500 series format but provides purely stereo processing, utilizing only slots 1 and 2 for audio routing.
Wes Audio Phoebe
Wes Audio Phoebe WesAudio PHOEBE: Next-Generation Microphone Preamplifier with Digital Recall Elevating Analog Audio with Digital Control The WesAudio PHOEBE is a groundbreaking microphone preamplifier that seamlessly blends the pristine sound quality of analog circuitry with the convenience of modern digital control. This innovative unit captures the essence of classic British preamplifiers, delivering exceptional warmth, clarity, and punch, while introducing advanced features that enhance its versatility and workflow integration. Key Features: 100% analog microphone/line preamplifier with +28dBu of headroom Class A fully analog design inspired by renowned British preamplifiers Microphone gain up to 75dB Carnhill transformers (input and output) for exceptional sonic character Output signal metering on the front panel with clip detection Phantom power and phase invert control Switchable input impedance (1200/300Ohm) for compatibility with vintage microphones Full remote control and parameter recall via the WesAudio GCon DAW plug-in 15dB OUTPUT PAD – passive output attenuation circuit with 1 dB step for precise level control Front panel XLR/TS socket supports HiZ instrument input (TS), line input (XLR), and microphone input (XLR)
Wes Audio Prometheus
Wes Audio Prometheus PROMETHEUS is fully analog passive EQ with +24dBu of headroom. It features pultec-style warm sound with a lot of innovative improvements. Its modern approach to design allows instant recall of your classic vibe through very flexible plugin available in most common formats. PROMETHEUS as all ng500 products, integrates with your DAW environment via front panel USB socket or TITAN chassis. INNOVATIVE DESGIN with fully ANALOG CIRCUIT PROMETHEUS is fully analog equalizer with +24 dBu of headroom.
Wes Audio Rhea
Wes Audio Rhea Since digital footprint became part of the modern age, analog flavor was demanded more than ever. It is hard to imagine more musical and rich sounding compression than vari-mu desgin. This time ng500 line presents _RHEA – most noble of all, where modern age meets vintage, literally. TRUE TUBE COMPRESSION _RHEA is true tube compressor, where gain reduction is literally implemented via tube circuit. As vari-mu design is feed backward compression, its behavior is known for amazing musical results! INTERSTAGE TRANSFORMERS To properly integrate tubes into modern audio levels, just before signal is passed to the tubes, transformers are doing its magic! And that strongly emphasize the low end! MIX KNOB FOR PARALLEL COMPRESSION With MIX knob at your disposal, parallel compression has never been simpler to achieve! With _RHEA your MIX setting can be automated in your DAW. Did You ever wanted to push your compressor harder in chorus? Nothing simpler! Just record automation using touch sensitive encoder, or draw your automation lines in DAW! THD – ADD COLOR TO YOUR MIXESTHD stands for “Total harmonic distortion” and it allowsto saturate your signal with beautiful analog color. SIDE CHAIN FILTERS _RHEA Side chain filter functionality allows to modify signal going into the compressor’s detector. It includes 3 high pass filters at 60,90 and 150 Hz. 500 SERIES and ng500 SERIES COMPATIBLE Regardless its extensions, _RHEA is fully compatible unit with 500 series standard (*). Digital features can be enabled through front panel mini USB socket. ng500 – Next Generation 500 series is a physical extension to 500 series, which makes _RHEA fully compatible with _TITAN frame – this allows to control all devices in chassis through one USB/Ethernet cable. HARDWARE A/B Even using _RHEA as pure analog signal processor you can easily switch between two parallel settings with a magic of a simple buttons. TOTAL RECALL AND PLUGIN CONTROL Along with classic analog compressor You receive most demanded feature in audio industry – TOTAL RECALL. Full plugin control through VST2/VST3/AU/AAX/AAX DSP – makes _RHEA compatible with most, if not all major DAWs. Total integration with your beloved DAW will change your workflow forever!
Wes Audio Supercarrier II
Wes Audio Supercarrier II WesAudio Supercarrier II: 11-Slot 500 Series Rack with Exceptional Power and Versatility Elevating Your 500 Series Experience The WesAudio Supercarrier II is a premium 11-slot 500 series rack that redefines the standard for power, flexibility, and sonic excellence. Building upon the success of its predecessor, the Supercarrier II introduces groundbreaking ISP (Independent Slot Power) technology, delivering exceptional isolation and performance for each module. Key Features: 11 slots with ISP (Independent Slot Power) technology Linear power supply capable of delivering 5A of power Tantalum caps on each slot for pristine signal quality XLR sockets in/out for each slot DB-25 socket for first 8 slots Internal stereo link switches Power mode switch – 115V/230V Unleash the True Potential of Your Modules The Supercarrier II's innovative ISP technology sets it apart from conventional 500 series racks. Each slot is equipped with its own dedicated linear power supply, eliminating crosstalk and interference between modules. This ensures that each module operates at its optimal level, delivering pristine sound quality and consistent performance. Exceptional Power and Flexibility The Supercarrier II is powered by a robust 100W toroidal external supply, capable of delivering up to 5A of power. This ample headroom ensures that even the most demanding modules can operate without power limitations. Additionally, the internal stereo link switches allow you to easily create stereo pairs within your rack. Unparalleled Versatility The Supercarrier II accommodates a wide range of 500 series modules, from compressors and EQs to preamps and effects units. Its XLR sockets in/out for each slot provide convenient access for signal routing and connection. Additionally, the DB-25 socket on the first 8 slots allows for multi-channel connectivity and integration with external devices.
Wes Audio Titan
Wes Audio Titan TITAN is complete recall system designed to provide total integration with your beloved analogue equipment. It extends 500 series connector with additional pins where modules can be designed to support digital recall or any other vendor specific functionalities. This extension is part of new open standard “ng500” – “Next Generation 500 series” which allows other manufacturers to design and implement digitally controlled analog devices. We are proud to present TITAN – Future of analog processors. HIGH END LINEAR POWER SUPPLY Linear power supply capable to deliver 5A of power will bring sound of your units to the next level! 10 SLOTS FOR 500-SERIES or ng500-SERIES MODULES(*) TITAN can host standarized 500 series module (Please read Important Note below). Of course it was designed to recall up to 10 units with signle USB or Ethernet connection! CONTROL ALL MODULES THROUGH ONE CONNECTION! TITAN allows to control/recall all hosted modules through one connection: 1) USB – for direct connection with your workstation. 2) Ethernet – dedicated LAN connection to access all devices in your local network. Features summary: 10 SLOTS FOR 500-SERIES or ng500-SERIES MODULES(*) HIGH END LINEAR POWER SUPLY capable to deliver 5A of power CONTROL/RECALL ALL MODULES THROUGH ONE CONNECTION OPEN SPECIFICATION (**) – documentation and software framework including communication drivers for any Vendor that would like to adopt to this standard, REMOTELY CONTROLED STEREO LINKS through standalone application, IAC – INTERNAL AUDIO CONNECTOR – for future integration with audio interface, summing modules or patchbays, Other features: Stereo links are integrated with modules, and pressing “Link” button on modules which supports GCon protocol (e.g. _Mimas) sets stereo link on the Titan. Remote firmware upgrade – _Titan & all modules inside can be upgraded remotely through USB or Ethernet connection. XLR sockets in/out for each slot. Internal stereo link switches which can be also managed through GConManager standalone application. Power mode switch – 115V/230V.