Pope Audio Dirty-C 500
Pope Audio Dirty-C 500 The Pope Audio Dirty-C authentically recreates the character and vibe of the original Roland RE-501 chorus effect (arguably the best chorus Roland made) whilst adding a host of useful features, including effect rate and depth control, a mix blend knob and hi-Z instrument input. Three separate modulation modes – “Vibrato”, “RE501” and “Ring Mod” – offer slightly different variations of the chorus effect; from subtle movement and character to more extreme settings. Utilising an original BBD MN-3007 chip, (the same chip used in the original RE-501 chorus), the Dirty-C perfectly replicates the lush, lo-fi sound of the original, albeit in a much smaller (and more affordable) package. Features: Genuine Bucket Brigade MN-3007 chip as used in original RE-501 Chorus Fully analogue path Fully balanced I/O Optional hi-Z instrument input (unbalanced) Hand-built in the UK
Pope Audio Dirty-DC Desktop Analogue Chorus Module
Pope Audio Dirty-DC Desktop Analogue Chorus Module The Pope Audio Dirty-DC is essentially the Dirty-C in a standalone desktop unit. It features the exact same circuit/sound and controls with an external 24 VDC power supply. Utilizing an original BBD MN-3007 chip, (the same chip used in the original RE-501 chorus), the Dirty-DC perfectly replicates the lush, lo-fi sound of the original, albeit in a much smaller (and more affordable) package. It features pseudo-stereo L&R out puts like the RE501 (really a full wet against a full dry). An instrument output allows you to use the Dirty-DC in a guitar pedal chain. Use as a reamp output if the balanced line input is chosen. It also features a footswitch input for “IN/OUT” control and an expression pedal input for the modulation Speed control. Features: Same circuitry as the Dirty C in a convenient desktop format Genuine Bucket Brigade MN-3007 chip as used in original RE-501 Chorus Fully analog path Fully balanced I/O Hand-built in the UK
Pope Audio PRE-BX 500
Pope Audio PRE-BX 500 The Pre BX is an all analogue Class A/B microphone preamplifier with character and versatility at the forefront of its design ethos. It features transformer-balanced high-gain mic/instrument I/O, integrated BAX EQ for subtle sculpting of tones, and a clean, intuitive interface for ease of operation. Sculpt Your Sound Uniquely, The PRE-BX employs an integrated Baxandall EQ with both high-end and low-ends controls independently adjustable via the dual-concentric pot. Whether adding remarkably natural-sounding top-end sparkle to acoustic instruments or darkening harsher sounding program material it is perfect for honing the perfect tone at the source. A 1:1/3:1 output attenuator switch allows the Carnhill Transformer to be driven for added character and saturation on bass-heavy material, alongside controls for phase switching, Mic/Hi-Z front input selector and +48v Phantom power for condenser microphones. Features High Gain Mic preamp Integrated Baxandall EQ Fully analogue path Phase Switch Transformer-balanced I/O with 3:1 optional attenuator Alternative front-panel mic/hi-Z input Hand-built in the UK