Overstayer M-A-S The Overstayer M-A-S was designed to be an analog ‘more’ control. More color, more harmonics, more tone. It gives you the harmonic character and peak rounding of classic recording and mixing chains in a simple, highly controllable rack-mount unit. The limiting nature of the M-A-S stages rounds and bends peaks resulting in increased apparent volume, without the timing artifacts associated with compression. Its integrated pushbutton High and Low EQ presets, High Pass Filter and Emphasis circuits help further shape the harmonic content of source material. Use it on the individual tracks for cumulative (console to tape like) benefits. The M-A-S can add consistency as peaks and harsh transients get smoothed and absorbed into the performance, making balancing tracks in the mix easier, and lessening the need for bus limiting down the line. Used on a full mix, the added harmonic content can energize, and add cohesiveness and detail. The Mix control allows the character to be balanced to taste. Bring harmonics and tone to your bass, synths, drum machines and samplers with the integrated front panel high impedance input.

Overstayer Modular Channel 8755DM The Overstayer Modular Channel 8755DM is a flexible stereo Mic, Line and Instrument channel designed to add a subtle enhancement or complete sonic mayhem. Ideal for tracking and mixing it includes a preamp section, Low- and high-pass filters, EQ, compression and distortion. The Overstayer Modular Channel 8755DM boasts a preamp loosely inspired by Helios’ Type69 mic pre providing 40dB of discrete gain and provides a choice of microphone, balanced line and high impedance inputs. Direct outputs let you pick the signal directly after the preamp stage and can be used independently when Line input is selected. Next are high-pass and low-pass filters, inspired by filters found on synthesizers. They include a resonance control to let you boost the cut-off frequency before the filter slope to create a really tight sound. Immediately after the filter section, a two-band EQ provides both low and high shelves. Each band has three frequency points for shaping your tone quickly. In addition to the main signal, the EQ can also be used as a side-chain filter for the compressor stage. The compressor stage uses the VCA architecture similar to that of the Stereo Voltage Control. It provides Peak and RMS detection and Attack and Release controls with three positions each. A Behavior control affects the compression curve ranging from slow levelling type to more extreme settings thanks to the use of negative ratios. A three-stage Harmonics section comprises can be engaged in any combination with subtle enhancing with the MAS low order harmonics, the more coloured sound of SAT to the extreme settings of Hex. A final Mixer Matrix provides flexible routing between parallel and in series processing. Versatile stereo analogue channel strip for tracking and Mixing Offers subtle sound sculpting or sonic mayhem Works with Balanced Line and high Impedance sources. 40dB Discrete preamp gain Resonant high-pass and Low-pass filter Two-band Shelving EQ Peak/RMS VCA Compressor with Attack and Release Powerful Harmonics section with independent modes for subtle enhancement to all-out distortion. Powerful Mixer Matrix for extensive parallel mixing

Overstayer Modular Channel 8755DM-LI The Overstayer Modular Channel 8755DM is a flexible stereo Line and Instrument channel designed to add a subtle enhancement or complete sonic mayhem. Ideal for tracking and mixing it includes a preamp section, Low- and high-pass filters, EQ, compression and distortion. Next are high-pass and low-pass filters, inspired by filters found on synthesizers. They include a resonance control to let you boost the cut-off frequency before the filter slope to create a really tight sound. Immediately after the filter section, a two-band EQ provides both low and high shelves. Each band has three frequency points for shaping your tone quickly. In addition to the main signal, the EQ can also be used as a side-chain filter for the compressor stage. The compressor stage uses the VCA architecture similar to that of the Stereo Voltage Control. It provides Peak and RMS detection and Attack and Release controls with three positions each. A Behavior control affects the compression curve ranging from slow levelling type to more extreme settings thanks to the use of negative ratios. A three-stage Harmonics section comprises can be engaged in any combination with subtle enhancing with the MAS low order harmonics, the more coloured sound of SAT to the extreme settings of Hex. A final Mixer Matrix provides flexible routing between parallel and in series processing. Versatile stereo analogue channel strip for tracking and Mixing Offers subtle sound sculpting or sonic mayhem Works with Balanced Line and high Impedance sources. Resonant high-pass and Low-pass filter Two-band Shelving EQ Peak/RMS VCA Compressor with Attack and Release Powerful Harmonics section with independent modes for subtle enhancement to all-out distortion. Powerful Mixer Matrix for extensive parallel mixing

Overstayer Saturator NT-02A The Overstayer Saturator NT-02A is a unique dual-channel harmonics and distortion processor designed to add color and warmth to your mixes, from subtle tape-like colouration to sonic mayhem and is equally at home on drums, vocals, guitars, bass, keyboards or an entire mix. The Overstayer Saturator NT-02A features an impressive set of controls designed to provide a wide choice of tones and colours to suit your productions. At the core of the Saturator lies a unique distortion circuit controlled by the Saturation knob and the Shape 3 button. The Saturation knob lets you dial in as much colour as you wish, from subtle harmonic enhancement to extreme analogue saturation while the Shape 3 button shapes the distortion further by adding pre and post emphasis filtering as well as engaging a 3rd harmonics distortion circuit. The Shape 3 brings a tape-like quality to your sound. Both the Saturation and Shape 3 can be used in conjunction or independently.

Overstayer Stereo Field Effect The Overstayer Stereo Field Effect Model 3706 Limiter/Compressor is an evolution of our passion for FET compressors and classic analog recording chains. The Stereo Field Effect, or SFE, is a stereo unit with ganged controls that combines compression and limiting, with analog tone shaping and harmonics stages to evoke the tonality of a classic analog recording and mixing chain. Classic FET ratios, as well as subtle low and hard limit ratios, allow the balance of compression to harmonics to be tailored, while wide-ranging attack and release options allow the envelope to shape exactly what hits the harmonics stages. The integrated sidechain filter and tone shaping of the discrete harmonics stages allows the signal to remain full even with large amounts of gain reduction. The Nonlinear mode engages an alternate aggressive personality, giving you new and unique dynamic textures.

Overstayer Stereo Voltage Control The Overstayer Stereo Voltage Control Model 3722 is like having and entire mixing signal chain in a single rack space. It goes beyond the capabilities of a typical compressor/limiter and enables new sonic possibilities while streamlining workflow. The SVC combines the gain control and punch of VCA gain cells, the warmth and character of our discrete analog Harmonics circuitry, and the sculpting power of an ultra-smooth 2-band shelving EQ. The SVC has dynamics control from fast peak limiting to smooth RMS compression, with multiple starting ratios and a Behavior control to create new and unique envelopes. Use the LEVEL control to drive into Harmonics to further bend transient peaks, adding musical harmonic color and cohesiveness as well as increasing apparent volume. The EQ and filters allow you to shape and drive as much low warmth or smooth top presence as desired. Each of its multiple stages can add its character and harmonics, cumulatively transforming the signal in a way not normally possible within a single device. The integrated blend control allows even aggressive settings to be balanced tastefully. You can further create custom compression shaping by using the sidechain high-pass filter for low end response, or even further by using the external sidechain insert.