DirectOut Andiamo LEGACY EVOLVED! ANDIAMO is a powerful, high-end AD/DA converter offering simultaneous conversion of 32 audio channels from analog to digital and vice-versa and sharing the extremely high sonic quality with the PRODIGY Series. The third generation of ANDIAMO takes the features that made the product famous worldwide and expands them to reach a new level. Housed in an elegant, space-saving 1U 19” casing, it allows conversion to and from MADI via two SFP ports, while the optional network audio cards support RAVENNA/AES67, Dante or SoundGrid, bringing the total channel count of the device up to 288 inputs and outputs. ManagementANDIAMO can be managed remotely via globcon remote software using the dedicated ethernet port placed in the back of the unit. Basic functions are quickly accessible via two function buttons on the front panel. Remote control via globcon (Windows® / macOS®) offers access to the following features: Signal routing on a per-channel basis 8 Summing Busses Level control for input and output channels (gain and level trim) Redundancy management (EARS™) Quick OverviewThe front panel provides status LEDs for real-time monitoring of signal condition for all analog input and output channels. ClockingSelectable clock sources are word clock, MADI input, network audio or the internal clock. The current system clock is provided at the word clock output at any time. Redundancy & Safe operationTwo MADI ports offer seamless port redundancy and switchover. Two audio network ports are connected to independent NICs and can be configured to offer network redundancy – ST 2022-7 (RAVENNA) or Primary/Secondary (Dante). EARS™ (Enhanced Automatic Redundancy Switching™) is also available on all digital inputs. It is a unique technology to prevent interruption of the output signal. EARS™ uses either the proven BLDS™ technology or pilot tone triggering. A logic monitors the condition of the trigger signal on the selected digital input. In case of a failure it switches automatically to the backup input (MADI or audio network). Thanks to two phase-redundant power supplies with separate IEC inlets and AC power switches on the rear panel the device offers the highest reliability.

DirectOut ANNA-LISA MADI Analyser ANNA-LISA (`Analyser') is a battery powered, mobile MADI signal analyser and generator. Analysis results are displayed on the device itself via easy readable `traffic light' LEDs, detailed information can be read out with a remote software that connects via Bluetooth®. GeneratorStandard MADI streams can be configured on the device itself. Three presets store detailed settings for signal sources (white/pink noise, sine waves, routing of incoming channels), gains and MADI settings. Analyzing Features: Sample Rate Conformity with AES10 specification Signal Amplitude Jitter Signal level and jitter combined Remote SoftwareA remote software* connects to ANNA-LISA via Bluetooth®. It is used for extended analysis and configuration of the device.

DirectOut BREAKOUT.AES The BREAKOUT Series is a range of adaptor boxes available in different variants to extend the coverage of the ANDIAMO series. They are equipped with XLR or BNC connectors on the front panel and DSUB-25 connectors on the rear panel. Audio signals are carried passively between the front and rear panels. The small form factor and angle brackets also allow for mounting the devices on the back of an ANDIAMO unit. 5 Variants: BREAKOUT.AN8 - analog input / output, 8 channels BREAKOUT.AN16I - analog input, 16 channels BREAKOUT.AN16O - analog output, 16 channels BREAKOUT.AES - digital input / output, 8 AES ports (16 channels) BREAKOUT.AESid - digital input / output, 16 AESid ports (32 channels)

DirectOut BREAKOUT.AESid The BREAKOUT Series is a range of adaptor boxes available in different variants to extend the coverage of the ANDIAMO series. They are equipped with XLR or BNC connectors on the front panel and DSUB-25 connectors on the rear panel. Audio signals are carried passively between the front and rear panels. The small form factor and angle brackets also allow for mounting the devices on the back of an ANDIAMO unit. 5 Variants: BREAKOUT.AN8 - analog input / output, 8 channels BREAKOUT.AN16I - analog input, 16 channels BREAKOUT.AN16O - analog output, 16 channels BREAKOUT.AES - digital input / output, 8 AES ports (16 channels) BREAKOUT.AESid - digital input / output, 16 AESid ports (32 channels)

DirectOut BREAKOUT.AN16I The BREAKOUT Series is a range of adaptor boxes available in different variants to extend the coverage of the ANDIAMO series. They are equipped with XLR or BNC connectors on the front panel and DSUB-25 connectors on the rear panel. Audio signals are carried passively between the front and rear panels. The small form factor and angle brackets also allow for mounting the devices on the back of an ANDIAMO unit. 5 Variants: BREAKOUT.AN8 - analog input / output, 8 channels BREAKOUT.AN16I - analog input, 16 channels BREAKOUT.AN16O - analog output, 16 channels BREAKOUT.AES - digital input / output, 8 AES ports (16 channels) BREAKOUT.AESid - digital input / output, 16 AESid ports (32 channels)

DirectOut BREAKOUT.AN16O The BREAKOUT Series is a range of adaptor boxes available in different variants to extend the coverage of the ANDIAMO series. They are equipped with XLR or BNC connectors on the front panel and DSUB-25 connectors on the rear panel. Audio signals are carried passively between the front and rear panels. The small form factor and angle brackets also allow for mounting the devices on the back of an ANDIAMO unit. 5 Variants: BREAKOUT.AN8 - analog input / output, 8 channels BREAKOUT.AN16I - analog input, 16 channels BREAKOUT.AN16O - analog output, 16 channels BREAKOUT.AES - digital input / output, 8 AES ports (16 channels) BREAKOUT.AESid - digital input / output, 16 AESid ports (32 channels)

DirectOut BREAKOUT.AN8 The BREAKOUT Series is a range of adaptor boxes available in different variants to extend the coverage of the ANDIAMO series. They are equipped with XLR or BNC connectors on the front panel and DSUB-25 connectors on the rear panel. Audio signals are carried passively between the front and rear panels. The small form factor and angle brackets also allow for mounting the devices on the back of an ANDIAMO unit. 5 Variants: BREAKOUT.AN8 - analog input / output, 8 channels BREAKOUT.AN16I - analog input, 16 channels BREAKOUT.AN16O - analog output, 16 channels BREAKOUT.AES - digital input / output, 8 AES ports (16 channels) BREAKOUT.AESid - digital input / output, 16 AESid ports (32 channels)

DirectOut EXBOX.MD 2.0 EXBOX.MD is a Dante / MADI converter linking Audinate’s audio networking technology Dante and MADI (AES10). Equipped with three MADI ports and four network ports it offers straight-forward conversion of 64 audio channels between MADI and Dante. The handy size of the popular EXBOX series (1/3 of 19’’), combined with the rock-solid housing and redundant power supplies, makes the EXBOX.MD a perfect connectivity tool for touring live shows, OB vans as well as studio applications. OVERVIEW LEDs at the front panel inform about clocking, sample rate, device state and power supply at a glance. AUDIO STREAMING Up to 32 streams with a total number of 64 audio channels are supported. The device also features the latest Dante firmware with activated AES67 support. ALL-ROUND FUNCTIONALITY EXBOX.MD offers highest flexibility as it provides three MADI ports of different interface types: optical SC (single-mode or multi-mode) coaxial (BNC) SFP The Small Form Factor Pluggable cage can be fitted with any SFP module suitable for the particular application. One of the three MADI ports is selected as input automatically, all three outputs work in parallel. BUILT-IN SWITCH Four network ports are connected to an internal switch and give the opportunity to use Dante’s redundancy mode (Primary <> Secondary), while more EXBOX.MDs or other Dante devices can be connected in switched mode directly to increase the number of channels. REMOTE CONTROL EXBOX.MD can be controlled by Audinate‘s remote software ‚Dante Controller‘ and is ‚Dante Domain Manager‘ ready. SAFE OPERATION The device can be powered by up to two external power-supplies as well as PoE (Power over Ethernet). RACK-READY EXBOX.MD can be mounted into a standard 19’’-rack by using the optional kit BOXMOUNT.XL. Up to three devices may fit side-by-side within 1 RU.

DirectOut EXBOX.RAV EXBOX.RAV is an Audio-over-IP to MADI converter running on DirectOut’s well-proven RAVENNA (AES67/ST 2110-30 / -31) implementation. It supports NMOS for stream and device discovery and connection management. Four gigabit ports with an internal switch and PoE, plus three MADI ports in BNC, SC and SFP format offer bidirectional conversion and routing of 64 audio channels, with built-in SRC functions (FastSRC™) and automatic redundancy switching (EARS™). The handy size of the popular EXBOX series (1/3 of 19’’), combined with the rock-solid housing and redundant power supplies, makes EXBOX.RAV a compact and affordable solution to migrate baseband audio to IP. Audio StreamingUp to 32 streams with a total number of 64 audio channels are supported. The device complies with AES67, ST 2110-30 / -31, and supports all ST 2022-7 classes. All-Round FunctionalityEXBOX.RAV offers highest flexibility as it provides three MADI ports of different interface types: optical SC (single-mode or multi-mode) coaxial (BNC) SFP The Small Form Factor Pluggable cage can be fitted with any SFP module suitable for the particular application. FastSRC™The FastSRC™ is a low latency sample rate converter, switchable for the audio network I/O, and ensures seamless exchange between MADI and IP when both sources are not synchronised. EARS™Enhanced Automatic Redundancy Switching™ is a system to prevent interruption of the output signal. It uses either the proven BLDS™ technology or pilot tone triggering. A logic monitors the condition of the trigger signal on the RAVENNA input. In case of a failure it switches automatically to the backup input (RAVENNA or MADI). Built-in SwitchTwo independent NICs can be connected to four network ports of the built-in switch, supporting redundant audio streaming as per ST 2022-7. Remote controlDevice functions of EXBOX.RAV, such as the channel based routing matrix, FastSRC™ or EARS™ are accessible via globcon and a browser UI. NMOS standards IS-04 and IS-05 are supported for stream and device discovery and connection management. Safe operationThe device can be powered by up to two external power-supplies as well as PoE (Power over Ethernet). Rack-ReadyEach EXBOX can be mounted into a standard 19’’-rack by using the optional kit BOXMOUNT.XL. Up to three devices may fit side-by-side within 1 RU.

DirectOut EXBOX.SG 2.0 EXBOX.SG is a SoundGrid / MADI converter linking Waves‘ audio networking technology SoundGrid and MADI (AES10).   Equipped with three MADI ports and four network ports it offers low latency conversion of 128 audio channels between SoundGrid and MADI. The handy size of the popular EXBOX series (1/3 of 19’’), combined with the rock-solid housing and redundant power supplies, makes the EXBOX.SG a perfect connectivity tool for mixing in OB vans or live sound environments, for recording sessions as well as studio applications integrating numerous Waves and third party plugins.   Overview LEDs at the front panel inform about clocking, sample rate, device state and power supply at a glance..   Audio Streaming Interfacing with up to 128 audio channels at 48 kHz or 64 audio channels at 96 kHz is supported.   All-Round Functionality EXBOX.SG offers highest flexibility as it provides three MADI ports of different interface types: optical SC (single-mode or multi-mode) coaxial (BNC) SFP The Small Form Factor Pluggable cage can be fitted with any SFP module suitable for the particular application.   EARS™ Enhanced Automatic Redundancy Switching™ is a system to prevent interruption of the output signal. It uses either the proven BLDS™ technology or pilot tone triggering. A logic monitors the condition of the trigger signal on the audio network or the MADI inputs. In case of a failure it switches automatically to the defined backup input (audio network or MADI).   Built-in Switch Four network ports can be used to connect directly to redundant recording systems and plugin servers without the need of an additional switch.   Remote control EXBOX.SG is managed by a Soundgrid device control panel and globcon control.   Safe operation The device can be powered by up to two external power-supplies with lockable plugs as well as PoE (Power over Ethernet).   Rack-Ready Each EXBOX can be mounted into a standard 19’’-rack by using the optional kit BOXMOUNT.XL. Up to three devices may fit side-by-side within 1 RU.

DirectOut MA2CHBOX.XL MA2CHBOX.XL is a reference class headphone amplifier for MADI (AES10) and AES3 signals. The device features three MADI ports, an AES3 port, a headphones output and a stereo line level output.  Any stereo pair or single mono channel out of three MADI streams or the AES input can be routed independently to either headphones, AES output or line out. The AES input signal may also be embedded into the MADI stream. All-Round MA2CHBOX.XL offers highest flexibility for MADI monitoring and line checking as it provides three interface standards for MADI:  optical SC (single-mode or multi-mode)  coaxial (BNC) SFP The Small Form Factor Pluggable cage can be fitted with any SFP module suitable for the customer’s application. A port routing offers independent output feeds for each MADI output. Remote Control The integral USB port allows for firmware updates, serial data embedding and remote control for extended features, e.g. an internal routing matrix. A channel based routing can be defined through a remote control software and stored inside the device. External Monitors The MADI signal from the mixing desk is fed to MADI 1. The selected channel pair is output at the stereo line out / AES3 port feeding (analog or digital) studio monitors. A laptop is connected at MADI 2 out for recording. MADI 3 could additionally be used to monitor another input signal or for output of the mixer signal.

DirectOut Rosendahl MIF4 MIDI Timecode Interface Digital audio workstations as well as lighting and show control software make use of MTC midi timecode for synchronisation. The new mif4 provides professional interfacing to standard LTC (SMPTE) timecode. Rosendahl sync algorithms suppress timecode jitter and drop outs.