Dangerous Music 2-BUS-XT The Dangerous Music 2-BUS-XT is a high-end analog summing expander designed to extend existing summing systems in professional mixing and hybrid studio environments. Built as an expansion unit for the Dangerous 2-BUS and 2-BUS+, it adds 16 additional analog summing channels, allowing larger DAW sessions to benefit from extended analog summing outside the digital mix engine. Its fully balanced analog architecture ensures maximum transparency, high headroom and excellent channel separation. By integrating directly with an existing Dangerous summing system, overall signal integrity remains unchanged while additional individual tracks or stem groups can be routed into the analog summing path. The 2-BUS-XT operates purely as an expansion unit without its own output stage and connects directly to the main summing device. This keeps the entire summing process fully analog and sonically consistent, even in large-scale productions with complex routing requirements. ⸻ Sound Character The 2-BUS-XT fully preserves the sonic character of the connected Dangerous summing system. Adding more analog summing channels maintains an open stereo image, stable depth and precise separation. Particularly in large sessions, dense arrangements benefit from improved clarity, tighter low-end control and more focused transient response. Because no additional output stage is introduced, overall transparency remains fully intact. ⸻ Highlights ✔ 16 additional analog summing channels for Dangerous summing systems ✔ expansion unit for Dangerous 2-BUS and 2-BUS+ ✔ fully balanced analog signal path ✔ identical summing architecture to the main unit ✔ extremely high headroom ✔ excellent channel separation for large DAW sessions ✔ seamless integration into hybrid mixing setups ✔ no additional output stage – pure summing expansion ✔ DB25 connectivity (Tascam standard) ✔ 1U 19-inch rack format ⸻ Typical Studio Applications ✔ expansion of large DAW mixing sessions ✔ additional stem summing outside the DAW ✔ hybrid mixing with more than 16 analog summing channels ✔ integration of multiple stem groups into one summing system ✔ extending existing Dangerous summing setups ⸻ Technical Specifications ✔ Device type: analog summing expander ✔ Channels: 16 additional summing channels ✔ Inputs: 16 balanced line inputs (DB25, Tascam standard) ✔ Output: expansion link to main unit ✔ Frequency response: 1 Hz – 100 kHz ✔ THD+N: extremely low ✔ Crosstalk: minimal ✔ Headroom: professional studio level ✔ Format: 19" rack / 1U

Dangerous Music 2-BUS+ Dangerous Music 2-BUS+ is a reference-grade analog summing mixer designed for professional mixing and hybrid studio environments. Built as a dedicated analog summing stage between a DAW and the final stereo output chain, it combines multiple DAW outputs through a fully analog signal path offering maximum transparency, high headroom and exceptional stereo stability. At its core are 16 balanced summing channels feeding a high-resolution stereo mix bus. This allows complex DAW sessions to be summed outside the digital domain with improved depth, clearer separation and more controlled transient response. In addition to classic analog summing, the unit expands tonal flexibility by integrating several switchable analog coloration stages directly into the stereo bus. The fully balanced analog design delivers extremely low distortion, excellent channel separation and a highly stable stereo image even with dense, dynamic mixes. This makes the 2-BUS+ particularly suitable for hybrid workflows where analog summing is intentionally used as part of the sonic signature. Sound Character The 2-BUS+ is designed for open, stable and highly precise analog summing. Its presentation often feels wider and more dimensional than purely digital summing, especially in dense arrangements with many simultaneous elements. Transients remain focused, low frequencies stay tight and controlled, while midrange and high frequencies retain natural openness. Integrated analog tone circuits provide additional tonal shaping directly on the stereo bus: Harmonics adds controlled analog harmonic enhancement Paralimit introduces parallel soft-limiting behavior X-Former engages transformer coloration via output transformers This allows operation ranging from extremely transparent to subtly enhanced analog character. Highlights ✔ 16-channel analog summing mixer for professional hybrid studios ✔ fully balanced analog summing architecture ✔ integrated analog tone circuits: Harmonics, Paralimit, X-Former ✔ stereo insert loop for external bus processors ✔ extremely high headroom for professional DAW outputs ✔ precise stereo imaging and excellent channel separation ✔ dedicated monitor input for A/B comparison ✔ balanced stereo XLR outputs ✔ +27 dBu maximum output level ✔ 1U 19-inch rack design Typical Studio Applications ✔ analog summing of large DAW sessions ✔ hybrid mixing with external outboard processors ✔ stereo bus processing before mastering ✔ summing front end for high-end converters ✔ expanding digital mixing systems with analog depth Technical Specifications ✔ Device type: 16-channel analog summing mixer ✔ Inputs: 16 balanced line inputs (DB25, Tascam standard) ✔ Output: stereo XLR ✔ Insert: stereo insert send / return ✔ Maximum level: +27 dBu ✔ Frequency response: 1 Hz – 100 kHz ✔ THD+N: < 0.005 % ✔ Crosstalk: extremely low ✔ Tone circuits: Harmonics / Paralimit / X-Former ✔ Format: 19" rack / 1U

Dangerous Music BAX EQ The Dangerous Music BAX EQ is a reference-grade stereo mastering equalizer based on the classic Baxandall filter principle, designed for professional mixing, mastering and hybrid studio environments. It combines extremely transparent analog circuitry with highly musical broad shelving filters, allowing subtle tonal correction without phase harshness or audible artifacts. Unlike many parametric equalizers, the BAX EQ uses very gentle shelving curves for both low and high frequencies. This allows broad tonal shaping without making the sound feel exaggerated or artificial. In mastering applications, this architecture enables highly controlled adjustments that can open, stabilize or tighten a mix while preserving detail and balance. The fully balanced analog design provides high headroom, excellent stereo matching and extremely low distortion. Additional switchable high-pass and low-pass filters extend control in critical low-end and high-frequency areas, making the unit equally effective as a final mastering equalizer or as a stereo bus tone-shaping processor. ⸻ Sound Character The BAX EQ is designed for exceptionally musical and unobtrusive tonal shaping. Low frequencies can be tightened and controlled without losing weight, while highs can be opened with remarkable air and smoothness. One of its defining qualities is its ability to make a mix sound larger and calmer without the equalizer itself becoming obvious. Its broad filter behavior makes it especially valuable for subtle mastering moves, stereo bus enhancement and final tonal balancing in high-resolution productions. ⸻ Highlights ✔ stereo mastering equalizer based on Baxandall topology ✔ highly musical low and high shelving filters ✔ broad tonal shaping without aggressive resonance ✔ additional high-pass and low-pass filters ✔ fully balanced analog signal path ✔ extremely accurate stereo channel matching ✔ very high headroom for mastering levels ✔ relay-based hard bypass ✔ stepped controls for precise recall ✔ 1U 19-inch rack format ⸻ Typical Studio Applications ✔ final tonal shaping in mastering ✔ stereo bus EQ during mixing ✔ low-end control before limiting ✔ adding air without harshness ✔ analog tonal refinement in hybrid setups ⸻ Technical Specifications ✔ Device type: stereo analog mastering equalizer ✔ Filter type: Baxandall shelving EQ ✔ Low shelf frequencies: 12 / 24 / 36 / 54 / 74 Hz ✔ High shelf frequencies: 2.5 / 5 / 10 / 15 / 20 / 28 kHz ✔ High-pass filter: 12 / 24 / 36 / 54 Hz ✔ Low-pass filter: 18 / 22 / 28 kHz ✔ Gain range: ±5 dB shelving ✔ Maximum level: > +27 dBu ✔ THD+N: extremely low ✔ Inputs / outputs: balanced XLR ✔ Format: 19" rack / 1U

Dangerous Music BAX500 The Dangerous Music BAX500 is a premium 500-Series Baxandall equalizer module that brings the sonic character of the renowned Dangerous BAX EQ into the compact 500-Series format. Designed for recording, mixing and mastering, it provides extremely musical tone shaping with minimal intervention. Instead of surgical EQ moves, the BAX500 uses broad shelving curves affecting several octaves at once, allowing subtle adjustments that open the top end, tighten the low frequencies and improve depth and clarity within a mix. The module features a DC-coupled signal path without transformers, mastering-grade components and a relay-controlled hard-bypass for accurate A/B comparisons. Sound Character The BAX500 delivers extremely musical and transparent tonal shaping. Its Baxandall shelves operate across several octaves, gently enhancing highs and lows without introducing harshness or phase issues. Instead of imposing character, it reveals clarity, depth and balance already present in the material. High-cut and low-cut filters remove unwanted extreme frequencies, improving headroom and helping mixes translate better across playback systems. Highlights ✔ 500-Series Baxandall equalizer module ✔ high and low shelving filters with ±5 dB range ✔ broad EQ curves across multiple octaves ✔ high-cut and low-cut filters (12 dB/octave) ✔ DC-coupled signal path without transformers ✔ relay-controlled hard bypass ✔ detented controls for precise recall ✔ mastering-grade components ✔ mono module – stereo operation with two units ✔ hand-built in the USA

Dangerous Music BAX500 Pair The Dangerous Music BAX500 Pair consists of two matched BAX500 500-Series equalizer modules, designed for stereo mix bus, stem processing and mastering applications. The modules bring the legendary Dangerous BAX Baxandall EQ curves into the compact 500-Series format, offering extremely musical tone shaping with minimal processing. Unlike surgical EQs, the BAX500 uses wide shelving filters that affect multiple octaves simultaneously, allowing subtle adjustments to create significant tonal improvements such as increased openness, depth and low-end solidity. When used as a stereo pair, the BAX500 becomes an ideal tool for mix-bus sweetening, mastering correction and stereo stem processing where transparency and musicality are critical. Sound Character The BAX500 is designed for extremely musical and transparent tone shaping. Its shelving curves operate across multiple octaves, opening the top end while tightening the low frequencies without introducing harshness or phase issues. Instead of imposing character, the EQ reveals clarity, depth and balance already present in the mix. Additional high-cut and low-cut filters remove unwanted extreme frequencies that consume headroom and reduce clarity, improving mix translation across different playback systems. Highlights ✔ stereo pair of Dangerous BAX500 500-Series EQ modules ✔ classic Baxandall shelving curves ✔ high and low shelves with ±5 dB gain range ✔ high-cut and low-cut filters for frequency control ✔ broad musical EQ curves across several octaves ✔ DC-coupled signal path without transformers ✔ relay-controlled hard-wired bypass ✔ detented controls for precise recall ✔ mastering-grade components ✔ hand-built in the USA

Dangerous Music Compressor The Dangerous Music Compressor is a high-end stereo VCA compressor designed for professional mixing and mastering environments. Featuring two fully independent compression circuits, it can operate in dual-mono or stereo mode, making it highly versatile for a variety of studio workflows. Unlike many character compressors, the Dangerous Compressor focuses on extremely transparent dynamic control, allowing engineers to shape dynamics without noticeably altering the tonal balance of the source material. Its advanced sidechain architecture and intelligent dynamics control tools allow engineers to precisely manage both transient peaks and overall signal levels. Sound Character The Dangerous Compressor delivers highly transparent and musical compression. Even with significant gain reduction, the original character of the mix remains intact. Transients stay punchy and the low-end remains stable, making the unit particularly well-suited for mix-bus and mastering applications. The dual-detector design also improves stereo imaging by allowing each channel to respond independently to the incoming signal. Highlights ✔ high-end stereo VCA compressor for mixing and mastering ✔ dual-mono or stereo operation ✔ extremely transparent compression ✔ dual detector architecture for improved stereo imaging ✔ Smart Dynamics processing for peak and average detection ✔ advanced sidechain with HPF, de-esser and external insert ✔ soft- and hard-knee modes ✔ manual or auto attack/release modes ✔ true hard-wire bypass ✔ precision VU metering ✔ 2U rackmount design

Dangerous Music CONVERT-2 The Dangerous Music CONVERT-2 is a reference-grade stereo digital-to-analog converter designed for professional monitoring, mixing and mastering environments. It serves as the final stage between the digital DAW domain and an analog monitoring chain, ensuring maximum playback accuracy and sonic transparency. Its design combines modern digital conversion technology with a carefully engineered analog output stage, resulting in exceptional detail, stable low-frequency reproduction and open high-frequency clarity. Supporting 24-bit resolution and sampling rates up to 192 kHz, the CONVERT-2 integrates easily into modern hybrid studio workflows. Sound Character The CONVERT-2 delivers extremely transparent and accurate D/A conversion. Its sound is highly stable and three-dimensional, allowing engineers to clearly evaluate complex mixes. Low frequencies remain tight and controlled while highs are presented with exceptional clarity and openness. This makes it an excellent reference DAC for high-end monitoring systems. Highlights ✔ stereo digital-to-analog converter for professional studios ✔ 24-bit / 192 kHz conversion ✔ extremely transparent and musical playback ✔ five digital input formats: USB, AES/EBU, S/PDIF, ADAT and Toslink ✔ USB connectivity for direct DAW integration ✔ bi-directional USB audio routing ✔ precision LED metering with peak and RMS display ✔ dedicated volume control with relay hard bypass ✔ word-clock input and thru ✔ compatible with Dangerous Monitor-ST/SR systems ✔ 1U rackmount design

Dangerous Music CONVERT-8 The Dangerous Music CONVERT-8 is a reference-grade 8-channel digital-to-analog converter designed for professional mixing, mastering and monitoring environments. It provides precise multi-channel D/A conversion for routing DAW outputs to analog summing mixers, consoles or monitoring systems. The converter combines modern digital architecture with a meticulously tuned analog output stage designed by Chris Muth. This design delivers an open, detailed and highly musical sound ideal for hybrid production workflows. With eight analog outputs and multiple digital input formats, the CONVERT-8 supports everything from stereo monitoring to surround and immersive formats such as 5.1 and Dolby Atmos. Sound Character The CONVERT-8 is designed for extremely transparent and natural digital-to-analog conversion. Its carefully tuned analog circuitry delivers powerful low frequencies, articulate mids and open high-frequency detail. Combined with JetPLL ultra-low-jitter clocking, the converter produces a stable, fatigue-free listening experience ideal for critical mixing decisions. The result is a spacious and three-dimensional sound image that helps engineers evaluate mixes with maximum accuracy. Highlights ✔ 8-channel digital-to-analog converter for professional studios ✔ 24-bit / 192 kHz conversion ✔ audiophile analog output stage designed by Chris Muth ✔ JetPLL ultra-low-jitter clocking system ✔ digital inputs: USB, AES/SPDIF, ADAT and optical SPDIF ✔ 8 analog outputs for summing or monitoring systems ✔ automatic sample-rate detection ✔ front-panel calibration with selectable reference levels ✔ 8-channel LED metering with clip indicators ✔ Word-clock master capability ✔ compatible with Dangerous Monitor-ST/SR remote systems ✔ 1U rackmount design

Dangerous Music CONVERT-AD+ The Dangerous Music CONVERT-AD+ is a reference-grade stereo analog-to-digital converter designed for professional recording, mixing and mastering environments. It serves as the final stage before digital capture, converting analog signals into the digital domain with exceptional transparency, dynamic range and musical accuracy. Supporting 24-bit resolution and sampling rates up to 192 kHz, the converter combines state-of-the-art digital conversion with optional analog tone-shaping features, allowing engineers to capture signals cleanly or apply subtle analog character. Unique features such as Clip Guard®, X-Former transformer circuitry and the Emphasis stage allow controlled transient shaping and harmonic enhancement without introducing harsh digital artifacts. Sound Character The CONVERT-AD+ delivers extremely transparent and musical conversion. It provides a detailed sound with a powerful low-end response, clear midrange and open high-frequency detail. The integrated tone-shaping circuits can subtly increase harmonic richness and perceived loudness while preserving the natural character of the source. These qualities make it a popular choice for mix-print capture, mastering conversion and hybrid summing workflows. Highlights ✔ stereo A/D converter for recording, mixing and mastering ✔ 24-bit conversion with sampling rates up to 192 kHz ✔ very high dynamic range and extremely low distortion ✔ Clip Guard® for controlled clipping without digital artifacts ✔ X-Former transformer stage for analog coloration ✔ Emphasis circuit for harmonic enhancement ✔ two switchable stereo analog input paths ✔ precision digital metering with zoom and peak hold ✔ parallel digital outputs (AES, S/PDIF, ADAT, USB) ✔ word clock input and output ✔ 1U rackmount design

Dangerous Music D-Box+ The Dangerous Music D-Box+ is a professional monitor controller with integrated 8-channel analog summing mixer and high-end D/A conversion, designed for modern hybrid studios. It combines the core functions of a large console’s center section—monitor control, routing, talkback and analog summing—into a compact 1U rack unit. At the heart of the unit is an 8-channel analog summing mixer, allowing multiple DAW outputs to be combined outside the digital domain for improved depth, punch and stereo imaging. At the same time, the D-Box+ functions as a powerful monitor controller with multiple speaker outputs, high-quality headphone amplifiers and flexible source selection. The device also includes modern connectivity such as USB audio, AES/SPDIF and Bluetooth streaming, allowing it to function as both an audio interface and a central monitoring hub in a studio environment. Sound Character The D-Box+ focuses on transparent monitoring combined with powerful analog summing. Its summing section can deliver wider stereo imaging and greater depth compared to purely digital summing inside a DAW, while the high-quality D/A converters provide accurate and detailed monitoring. For this reason, many engineers use the D-Box+ as the central hub for hybrid mixing workflows. Highlights ✔ monitor controller with integrated 8-channel analog summing mixer ✔ high-end D/A converters for precise monitoring ✔ five input sources: analog, summing input, USB, AES/SPDIF and Bluetooth ✔ three independent stereo speaker outputs ✔ programmable speaker selector with mono and sub options ✔ two powerful headphone amplifiers ✔ integrated talkback microphone ✔ remote control via macOS, Windows, iOS and Android app ✔ Bluetooth audio streaming ✔ digitally controlled precision volume control ✔ 1U rackmount design ✔ hand-built in the USA

Dangerous Music LIAISON The Dangerous Music LIAISON is a high-end analog insert matrix and programmable patchbay designed for professional recording, mixing and mastering studios. It allows engineers to permanently connect multiple pieces of analog outboard gear and flexibly route them into the signal path without repatching, signal loss or interruptions. At its core are six stereo insert loops that can be assigned to two independent stereo busses. This architecture enables complex analog processing chains to be configured, compared and recalled instantly, making it particularly valuable for mastering workflows and A/B comparisons between different processing chains. The fully analog relay-switched signal path with true hard-wire bypass ensures maximum transparency. Any connected processor can be engaged, bypassed or reordered instantly via the front panel. With built-in preset memory, frequently used signal paths can be stored and recalled instantly, providing the flexibility and workflow speed modern hybrid studios require. Routing & Workflow The LIAISON dramatically simplifies complex analog routing tasks. Multiple hardware processors can remain permanently connected while their order, activation and routing can be changed instantly. This allows engineers to compare different signal chains or processing orders in real time. An integrated parallel processing bus enables latency-free blending of processed and unprocessed signals, a feature traditionally requiring large consoles or complex patchbay systems. Highlights ✔ programmable analog insert matrix for outboard processors ✔ six stereo insert loops (up to 12 mono paths) ✔ two independent stereo busses (A / B) ✔ integrated parallel processing bus ✔ relay-based true hard-wire bypass ✔ instant A/B comparison of analog processing chains ✔ four preset memories for instant recall ✔ audiophile-grade analog circuits designed by Chris Muth ✔ four monitor outputs for pre- and post-insert monitoring ✔ seamless integration with Dangerous MASTER or additional LIAISON units ✔ 19-inch rack format (2U) Typical Studio Applications ✔ mastering insert matrix for analog processing chains ✔ quick comparison of different EQ or compressor combinations ✔ routing hub for hybrid mixing setups ✔ parallel analog processing (parallel compression / EQ) ✔ efficient studio workflow without repatching hardware Technical Specifications ✔ Device type: analog insert matrix / mastering patchbay ✔ Insert loops: 6 stereo (up to 12 mono) ✔ Busses: 2 independent stereo busses ✔ Parallel processing: integrated parallel bus ✔ Presets: 4 memory slots for routing configurations ✔ Maximum level: > +28 dBu ✔ Frequency response: 10 Hz – 100 kHz (±0.1 dB) ✔ THD+N: < 0.002 % ✔ Noise floor: < −94.5 dBu (22 Hz – 22 kHz bandwidth) ✔ Input impedance: 20 kΩ ✔ Output impedance: 20 Ω ✔ Connections: balanced XLR I/O ✔ Format: 19" rack / 2U

Dangerous Music MASTER The Dangerous Music MASTER is a professional analog mastering console designed for high-end mastering studios. It acts as the central control hub for an analog mastering chain, allowing engineers to integrate EQs, compressors, limiters and other outboard processors with maximum precision and flexibility. The console provides multiple stereo insert points, precise level control and mid/side processing, enabling clean signal routing without the complexity of large mastering consoles or patchbay-heavy setups. Its built-in gain-matching capability allows engineers to perform accurate A/B comparisons between processed and unprocessed signals without being misled by loudness differences. Sound Character The Dangerous MASTER is designed for maximum transparency and signal integrity. Rather than coloring the sound, it ensures that external mastering processors operate within an optimal gain structure and routing environment. This results in a stable stereo image, consistent dynamics processing and precise mastering control. For complex analog mastering setups, the MASTER provides a clean and reliable backbone for the entire signal chain. Highlights ✔ analog mastering console for professional mastering studios ✔ central hub for integrating multiple outboard processors ✔ three front-panel switchable stereo insert loops ✔ mid/side processing capability ✔ precise level control for accurate A/B comparison ✔ integrated gain-matching system ✔ stereo width control for adjusting stereo image ✔ high-quality analog signal path ✔ optimized for hybrid mastering workflows ✔ rackmount design

Dangerous Music MONITOR SR The Dangerous Music MONITOR SR is a professional remote control unit designed for the Dangerous Monitor ST monitor controller in high-end recording, mixing and mastering studios. Built as an ergonomic desktop control center, it provides direct access to all essential monitoring functions while allowing the main audio unit to remain installed remotely in the rack. The control surface offers immediate access to volume control, speaker selection, source switching, mono, dim, mute and talkback functions. Its high-resolution volume control ensures precise channel matching and highly repeatable monitoring levels, which is especially important for critical mixing and mastering work. The MONITOR SR communicates with the Monitor ST via dedicated analog control architecture and does not affect the audio signal path itself. This preserves the full sonic transparency of the Dangerous monitoring system while providing convenient operation directly at the listening position. ⸻ Operation & Workflow The MONITOR SR is designed for fast and precise monitoring decisions. All major control functions are immediately accessible from the desktop unit, allowing engineers to switch speakers, compare sources or check mono compatibility without interrupting workflow. In mastering environments, this enables fast A/B comparison between sources and speaker systems while maintaining perfectly repeatable monitoring levels. ⸻ Highlights ✔ remote controller for Dangerous Monitor ST ✔ highly precise volume control with exact channel matching ✔ direct speaker switching ✔ source selection for multiple inputs ✔ mono, dim, mute and talkback functions ✔ ergonomic desktop operation ✔ analog control without affecting audio quality ✔ professional monitoring control for mixing and mastering ✔ rugged metal construction ✔ remote cable connection to Monitor ST ⸻ Typical Studio Applications ✔ desktop control of a Dangerous Monitor ST system ✔ central speaker control in control rooms ✔ fast A/B comparison between sources ✔ mastering monitoring with repeatable level control ✔ convenient talkback control in recording sessions ⸻ Technical Specifications ✔ Device type: remote monitor controller ✔ Compatibility: Dangerous Monitor ST ✔ Control functions: volume, source select, speaker select, mono, dim, mute, talkback ✔ Connection: proprietary remote link to Monitor ST ✔ Format: desktop controller ✔ Housing: metal chassis

Dangerous Music MONITOR ST The Dangerous Music MONITOR ST is a reference-grade analog monitor controller designed for professional recording, mixing and mastering studios. Acting as the central hub between multiple audio sources, loudspeaker systems and cue feeds, it provides complete control over complex monitoring environments while maintaining fully transparent analog signal integrity. The MONITOR ST architecture is based on fully balanced analog circuitry with relay-switched signal paths and highly precise level control. This ensures the audio signal remains completely transparent even in complex studio configurations. In mastering applications, this allows highly repeatable monitoring levels and extremely accurate stereo imaging. The controller manages multiple stereo sources, several speaker outputs and dedicated cue and talkback functions. When combined with the optional MONITOR SR remote unit, full system control becomes available directly from the listening position while the main audio unit remains rack-mounted. ⸻ Monitoring & Workflow The MONITOR ST is designed for professional monitoring decisions in demanding studio environments. Multiple sources can be compared instantly, different speaker systems can be switched without affecting monitoring level, and essential functions such as mono, dim, mute and subwoofer integration remain immediately accessible. Its highly precise level control makes the system especially valuable for critical mixing, mastering and advanced recording workflows. ⸻ Highlights ✔ high-end analog monitor controller for professional studios ✔ fully balanced analog signal path ✔ relay-switched circuitry for maximum transparency ✔ multiple stereo inputs for different audio sources ✔ multiple speaker outputs for different monitor systems ✔ mono, dim, mute and speaker select functions ✔ integrated talkback system ✔ dedicated cue outputs for recording applications ✔ compatible with Dangerous MONITOR SR remote ✔ expandable for complex monitoring systems ✔ 19-inch rack format ⸻ Typical Studio Applications ✔ central monitoring control in mixing studios ✔ mastering monitoring with multiple speaker systems ✔ switching between multiple DAW or analog sources ✔ cue management in recording studios ✔ integration into complex hybrid monitoring environments ⸻ Technical Specifications ✔ Device type: analog monitor controller ✔ Inputs: multiple balanced stereo inputs ✔ Outputs: multiple speaker outputs + cue outputs ✔ Level control: high-precision analog attenuation ✔ Additional functions: mono, dim, mute, talkback ✔ Remote control: compatible with MONITOR SR ✔ Signal path: relay-switched, balanced ✔ Format: 19" rack / 1U

Dangerous Music SOURCE The Dangerous Music SOURCE is a compact high-end monitor controller featuring a reference-grade DAC and powerful headphone amplifier. Designed to provide professional monitoring quality both in the studio and on the road, it acts as the central link between digital or analog audio sources and a monitoring system. Its high-quality digital-to-analog conversion combined with a carefully designed analog output stage delivers a detailed, transparent and highly accurate sound. Two independent reference DACs handle USB and AES/SPDIF signals separately, ensuring precise playback across a wide range of sample rates. The SOURCE provides four stereo inputs — two analog, one AES/SPDIF digital input and one USB interface — allowing multiple signals to be managed simultaneously. Independent headphone and speaker sections make it possible to monitor different sources at the same time, for example providing an artist cue mix in headphones while monitoring the main DAW mix through speakers. Its compact form factor and optional rack-mount kit make it suitable for both fixed studio installations and portable production setups. Sound Character The SOURCE is designed for neutral, high-resolution monitoring. Its integrated DACs deliver a precise stereo image with clear depth and excellent high-frequency detail. At the same time, the built-in headphone amplifier provides sufficient power reserves to drive demanding studio headphones with clarity and control. This makes the unit ideal for critical mixing, editing and mobile monitoring applications. Highlights ✔ compact high-end monitor controller with integrated DAC ✔ dual reference-grade D/A converters (USB and AES/SPDIF) ✔ USB audio interface up to 24-bit / 192 kHz ✔ four stereo inputs (2× analog, AES/SPDIF, USB) ✔ two speaker outputs for switching between monitor pairs ✔ two headphone outputs with powerful amplifier ✔ independent source selection for headphones and speakers ✔ simultaneous monitoring of multiple signal sources ✔ line-level control-room output for meters or external gear ✔ portable desktop design with optional rack-mount kit Typical Studio Applications ✔ central monitor controller for compact studios ✔ high-quality USB DAC for DAW monitoring ✔ headphone monitoring during recording sessions ✔ portable monitoring solution for producers and engineers ✔ interface between laptop setups and professional studio monitors Technical Specifications ✔ Device type: monitor controller with integrated DAC ✔ Resolution: up to 24-bit / 192 kHz (USB) ✔ D/A converters: dual independent reference DACs ✔ Analog inputs: 1 × XLR/TRS combo 1 × 3.5 mm stereo ✔ Digital inputs: AES/SPDIF USB ✔ Speaker outputs: 2 stereo pairs (balanced) ✔ Headphone outputs: 2 × 6.3 mm ✔ Maximum output level: > +26 dBu ✔ Frequency response: <10 Hz – >80 kHz (±0.5 dB) ✔ THD+N: < 0.0025 % ✔ Power supply: external 12 V PSU ✔ Format: desktop / optional 19" rack mount