Preamps – Where the Signal Begins
Microphone preamps are among the most important building blocks of any recording chain. They do more than simply provide the gain required for microphones and instruments— they often shape the character of a production from the very beginning. Gain, control, and sonic character are at the heart of their role.
Whether transparent, highly detailed, or intentionally colored, a high-quality preamp plays a significant role in how vocals, instruments, and acoustic spaces are captured and ultimately perceived.
The question is rarely which preamp is objectively “the best.” What matters is which circuit design, character, and workflow best suit the source, microphone, and desired result.
Every recording process begins with a signal that must first be amplified. It is at this stage that the amount of detail, depth, and dynamic information available later in the production is often determined.
Modern microphone preamps take very different approaches to this task. Some are designed to remain as neutral and transparent as possible, while others intentionally introduce saturation, density, or harmonic coloration into the signal.
Particularly with vocals, acoustic instruments, drums, and high-end microphones, it quickly becomes apparent how much influence a preamp can have on the final recording. The goal is not necessarily more sound, but often better decisions made right at the recording stage.
In practice, technical specifications tell only part of the story. What matters is how a preamp interacts with the microphone, source, converter, and the rest of the signal chain.
That is why you will not find a random collection of preamps at Peakhouse Audio. Our selection is based on hands-on studio experience, direct comparisons, and equipment that has proven itself in professional recording, broadcast, and mastering environments.
If you are unsure which microphone preamp best suits your setup, we are happy to help with equipment selection, integration, and signal-flow planning.
Less focus on specifications—and more focus on preamps that enable the right decisions from the very beginning.
AEA RPQ 3
AEA RPQ3 Microphone Preamp with CurveShaper™ EQ The AEA RPQ3 is a high-end, discrete microphone preamp of reference quality with an integrated CurveShaper™ equalizer. It is specifically designed for optimal performance with ribbon microphones, while also working exceptionally well with dynamic and condenser mics. As the third generation of the RPQ series, the RPQ3 combines ultra-high input impedance with extremely clean gain and musical tone shaping, making it ideal for demanding studio and recording applications. Sound Character The RPQ3 delivers an open, natural and highly detailed sound with exceptional transparency. Low-end: deep and controlled Mids: clear, neutral and uncolored Highs: airy, detailed and refined Its very high input impedance (approx. 63 kΩ) allows ribbon microphones to perform at their full potential without loading effects or tonal loss. The integrated CurveShaper™ EQ enables precise and musical tone shaping without compromising the natural sound. Highlights ✔ high-end microphone preamp ✔ optimized for ribbon microphones ✔ ultra-high input impedance (approx. 63 kΩ) ✔ wide gain range: approx. 0 – 83 dB ✔ ultra-low noise and distortion ✔ CurveShaper™ EQ (LF/HF shelving, ±20 dB) ✔ continuously variable frequency ranges ✔ switchable high-pass filter ✔ polarity reverse switch ✔ +48 V phantom power Typical Applications ✔ ribbon microphones (optimized impedance matching) ✔ high-end vocal recording ✔ acoustic instruments (guitar, piano, strings) ✔ orchestral and classical recording ✔ low-output sources ✔ premium studio signal chains Technical Specifications ✔ Device type: microphone preamp (desktop / rack-mountable) ✔ Gain: approx. 0 – 83 dB ✔ Input impedance: approx. 63 kΩ (phantom off) ✔ EQ: 2-band shelving (LF: approx. 20 Hz – 1.2 kHz / HF: approx. 1 – 20 kHz) ✔ EQ range: ±20 dB ✔ High-pass filter: variable ✔ Noise: very low (approx. -130 dBu) ✔ THD+N: very low ✔ Max output: approx. +27 dBu ✔ Connectivity: XLR in / XLR out ✔ Power supply: external PSU ✔ Form factor: desktop / optional 19" rack mounting
AEA TDI
AEA TDI Instrument DI Box & Preamp The AEA TDI is a high-quality active DI box and instrument preamp designed specifically for passive pickups and low-output signal sources. Based on the proven circuitry of AEA’s TRP/RPQ series, it offers extremely high input impedance and exceptionally clean gain. The TDI is designed to capture instruments directly with maximum fidelity—especially those with passive pickups that benefit from proper impedance matching. It is ideal for studio and high-end recording applications. Sound Character The TDI delivers an extremely natural, open and detailed sound with excellent dynamics and transparency. Low-end: full, deep and controlled Mids: clear, present and uncolored Highs: open, bright and highly detailed Its very high input impedance preserves the full tonal character of the instrument without loading effects or high-frequency loss. Highlights ✔ active DI box with integrated preamp ✔ very high input impedance (up to approx. 1 MΩ) – ideal for passive pickups ✔ wide gain range (up to approx. +30 dB) ✔ ultra-low noise and distortion ✔ optimized for low-output instruments ✔ rugged, road-ready design ✔ balanced XLR output ✔ ground lift to eliminate hum Typical Applications ✔ electric guitars and basses (passive pickups) ✔ acoustic instruments with piezo systems ✔ keyboards and synthesizers ✔ direct recording into DAWs ✔ studio and live setups requiring high fidelity Technical Specifications ✔ Device type: active DI box / instrument preamp ✔ Input impedance: up to approx. 1 MΩ ✔ Gain: up to approx. +30 dB ✔ Frequency range: approx. 20 Hz – 20 kHz ✔ Output: XLR (balanced) ✔ Ground lift: yes ✔ Power supply: external power supply ✔ Form factor: desktop / stage unit
AEA TDI Duo
AEA TDI Duo Stereo DI Box & Instrument Preamp The AEA TDI Duo is a high-end active stereo DI box and instrument preamp based on the proven AEA TDI circuit. It expands the original concept into a dual-channel design, making it ideal for stereo instruments or parallel signal paths. Designed by Fred Forssell, the circuit combines an ultra-low-noise Class A JFET buffer with a transformer-balanced output stage, delivering exceptional clarity, low distortion and excellent transient response. Sound Character The TDI Duo delivers an extremely transparent, open and detailed sound with excellent dynamics and accuracy. Low-end: deep and solid Mids: clear and natural Highs: open and highly detailed Its very high input impedance (approx. 10 MΩ) preserves the full tonal character of passive pickups without loading effects or high-frequency loss. Highlights ✔ active stereo DI box (2 channels) ✔ Class A JFET circuit for ultra-clean signal ✔ transformer-balanced outputs ✔ very high input impedance (approx. 10 MΩ) ✔ ultra-low noise and distortion ✔ switchable 20 dB pad for high-level signals ✔ ground lift to eliminate hum ✔ thru outputs for parallel routing ✔ rugged, road-ready design Typical Applications ✔ stereo keyboards and synthesizers ✔ electric guitars and basses (passive pickups) ✔ acoustic instruments with piezo pickups ✔ parallel DI + amp recording setups ✔ studio and live environments requiring high fidelity Technical Specifications ✔ Device type: active stereo DI box / instrument preamp ✔ Channels: 2 (dual mono / stereo) ✔ Input impedance: approx. 10 MΩ (instrument), approx. 55 kΩ with pad ✔ Frequency response: approx. <10 Hz – 50 kHz (±0.5 dB) ✔ THD: approx. 0.002% ✔ Noise floor: < -114 dBu ✔ Inputs: 2× 1/4" TS (Hi-Z) ✔ Thru: 2× 1/4" TS ✔ Outputs: 2× XLR (transformer-balanced) ✔ Pad: -20 dB ✔ Power: 48 V phantom power ✔ Form factor: desktop / stage unit ✔ Weight: approx. 0.8 kg
AEA TRP3
AEA TRP3 Microphone Preamp The AEA TRP3 is a high-end single-channel microphone preamp designed specifically for optimal performance with ribbon microphones. As the successor to the original TRP, it features an ultra-low-noise discrete JFET circuit and extremely high gain capabilities. With its ultra-high input impedance and highly linear signal path, the TRP3 delivers exceptionally clean and transparent amplification, making it ideal for professional recording environments. Its compact desktop design allows flexible integration into modern studio setups. Sound Character The TRP3 delivers an extremely open, natural and transparent sound with outstanding accuracy. Low-end: deep and controlled Mids: clear and uncolored Highs: airy and highly detailed Its focus on pure signal integrity makes it ideal for critical recording and monitoring applications. The very high input impedance allows ribbon microphones to operate at their full potential without tonal loss. Highlights ✔ high-end single-channel microphone preamp ✔ optimized for ribbon microphones ✔ ultra-high input impedance (approx. 63 kΩ) ✔ very wide gain range (up to approx. 85 dB) ✔ discrete JFET circuit ✔ ultra-low noise and distortion ✔ minimal signal path for maximum transparency ✔ switchable high-pass filter (typically 115 Hz / 230 Hz) ✔ polarity reverse switch ✔ +48 V phantom power ✔ compact desktop design Typical Applications ✔ passive ribbon microphones ✔ low-output dynamic microphones ✔ high-end vocal recording ✔ acoustic instruments (guitar, piano, strings) ✔ orchestral and classical recording ✔ low-level signal sources ✔ premium studio signal chains Technical Specifications ✔ Device type: microphone preamp (desktop) ✔ Channels: 1 ✔ Gain: up to approx. 85 dB ✔ Input impedance: approx. 63 kΩ ✔ Circuit: discrete JFET gain stage ✔ High-pass filter: approx. 115 Hz / 230 Hz ✔ Noise: very low (approx. -130 dBu) ✔ THD+N: very low ✔ Max output: approx. +27 dBu ✔ Connectivity: XLR in / XLR out ✔ Power supply: external PSU ✔ Form factor: desktop
AMS Neve 1073 Classic Horizontal
AMS Neve 1073 Classic Horizontal The AMS Neve 1073 Classic Horizontal is an authentic reissue of the legendary Neve 1073 microphone preamp and EQ module, originally introduced in the early 1970s as part of the famous Neve 80-Series recording consoles. The module is still hand-built and hand-wired in England according to the original design specifications. Designed for 80-Series console frames or compatible rack systems, the module includes the complete signal path with mic preamp, 3-band EQ and high-pass filter, delivering the unmistakable sound that defined countless classic recordings. Sound Character The 1073 is widely regarded as one of the most iconic microphone preamps ever built, known for its rich midrange, powerful low end and smooth high-frequency presence. Its transformer-balanced Class-A design with Marinair® transformers adds musical harmonic coloration and exceptional headroom, creating recordings with depth, clarity and character. With up to 80 dB of gain, it easily accommodates condenser, dynamic and ribbon microphones. Highlights ✔ authentic Neve 1073 Class-A mic preamp and EQ ✔ 3-band inductor EQ design ✔ hand-wired Class-A circuitry ✔ Neve Marinair® input and output transformers ✔ up to 80 dB gain ✔ high-pass filter (50 / 80 / 160 / 300 Hz) ✔ ±16 dB high-shelf at 12 kHz ✔ ±18 dB mid band with selectable frequencies ✔ ±16 dB low-shelf EQ ✔ polarity reverse and phantom power ✔ 80-Series horizontal console module
AMS Neve 1073 Classic Vertical
AMS Neve 1073 Classic Vertical The AMS Neve 1073 Classic Vertical is an authentic reissue of the legendary Neve 1073 microphone preamp and EQ module, originally introduced in the early 1970s as part of the famous Neve 80-Series recording consoles. The module is still hand-built and hand-wired in England to the exact specifications of the original design. The vertical module format is designed for classic 80-Series console frames or compatible rack systems and provides the full signal path including Class-A microphone preamp, 3-band inductor EQ and high-pass filter. Sound Character The 1073 is widely regarded as one of the most iconic microphone preamps ever built, known for its rich midrange, powerful low end and smooth high-frequency presence. Its transformer-balanced Class-A circuitry provides musical harmonic coloration and exceptional headroom. With up to 80 dB of gain, it can easily handle condenser, dynamic and ribbon microphones. Highlights ✔ authentic Neve 1073 Class-A mic preamp and EQ ✔ 3-band inductor EQ design ✔ hand-wired Class-A circuitry ✔ Marinair-spec transformers ✔ up to 80 dB gain ✔ high-pass filter (50 / 80 / 160 / 300 Hz) ✔ ±16 dB high-shelf at 12 kHz ✔ ±18 dB mid band with selectable frequencies ✔ ±16 dB low-shelf EQ ✔ phantom power and polarity reverse ✔ 80-Series vertical console module
AMS Neve 1073 DPA
AMS Neve 1073 DPA The AMS Neve 1073 DPA is a premium 2-channel microphone preamp that brings the legendary sound of the classic Neve 1073 console preamp into a modern rackmount format. Both channels use the original Class-A transformer-balanced circuit, delivering the unmistakable Neve sound with warmth, punch and musical harmonic coloration. Unlike EQ-equipped versions such as the SPX or DPX, the 1073 DPA focuses entirely on pure preamplification and is ideal for high-end recording, broadcast and hybrid studio environments. Sound Character The 1073 DPA delivers the classic Neve sound with powerful mids, solid low end and smooth high frequencies. Its fully discrete Class-A topology provides musical saturation and excellent headroom. With up to 80 dB of gain, the unit is equally suitable for ribbon microphones, dynamic microphones and condenser microphones. The transformer-coupled output stage adds density and depth, making vocals, guitars, drums and acoustic instruments sit naturally in the mix. Highlights ✔ 2-channel Class-A microphone preamp ✔ based on the original Neve 1073 design ✔ Marinair transformers for authentic Neve tone ✔ up to 80 dB gain ✔ Mic and line inputs per channel ✔ 48 V phantom power, phase reverse and pad ✔ switchable input impedance ✔ independent gain and output control per channel ✔ LED signal monitoring ✔ 1U 19" rackmount chassis
AMS Neve 1073 DPD
AMS Neve 1073 DPD The AMS Neve 1073 DPD is a premium dual-channel Class-A microphone preamp with integrated A/D conversion, combining the legendary sound of the classic Neve 1073 console preamp with modern digital connectivity. Each channel features the original discrete Class-A circuitry with transformer-balanced inputs and outputs, delivering the unmistakable Neve tone with warmth, punch and musical harmonic coloration. In addition to its analog signal path, the 1073 DPD includes high-quality 24-bit / 192 kHz A/D conversion with AES digital output, allowing it to function as a high-end recording front-end for modern digital workstations. Sound Character The 1073 DPD delivers the classic Neve sound with powerful midrange, rich low end and smooth high frequencies. Its transformer-balanced Class-A design provides musical saturation and excellent headroom, while the integrated converters allow pristine digital capture of the analog signal. With up to 80 dB of gain, the unit easily handles condenser, dynamic and ribbon microphones. Highlights ✔ dual-channel Class-A microphone preamp ✔ based on the legendary Neve 1073 design ✔ integrated 24-bit / 192 kHz A/D converter ✔ AES digital output for direct DAW integration ✔ simultaneous analog and digital outputs ✔ up to 80 dB gain ✔ switchable input impedance ✔ 48 V phantom power and phase reverse ✔ ±10 dB output trim ✔ Word-clock and AES synchronization ✔ 1U rackmount chassis
AMS Neve 1073 DPX
AMS Neve 1073 DPX – Zweikanal Mikrofon-Vorverstärker mit 3-Band-EQ und Marinair-TransformatorenDer AMS Neve 1073 DPX bringt zwei vollständige Channel-Strips des legendären Neve 1073 Mikrofon-Vorverstärkers in ein modernes 19"-Rackgerät. Jeder Kanal kombiniert einen diskreten Class-A-Vorverstärker, den berühmten 3-Band-Neve-Equalizer sowie einen Hochpassfilter und bietet damit den klassischen Neve-Sound für professionelle Recording-Setups. Durch den Einsatz originaler Neve Marinair® Transformatoren im Ein- und Ausgang liefert der 1073 DPX die charakteristische analoge Klangsignatur – warme Mitten, kraftvollen Bass und musikalische harmonische Sättigung. Highlights auf einen Blick✔ 2 unabhängige Neve 1073 Mic/Line/DI Channel-Strips ✔ Diskrete Class-A-Schaltung nach klassischem 1073-Design ✔ Musikalischer 3-Band Induktor-Equalizer ✔ Original Neve Marinair® Transformatoren an Ein- und Ausgang ✔ Gain bis 80 dB – ideal für Ribbon-Mikrofone ✔ Hochpassfilter mit 18 dB/Oktave ✔ Separate Insert-Schleifen pro Kanal ✔ 19" Rackformat (2U) für professionelle Studiointegration Der legendäre Neve-1073 SoundDer ursprüngliche Neve 1073 gilt als einer der begehrtesten Mikrofon-Vorverstärker der Studiogeschichte. Seit den 1970er-Jahren prägt er den Sound unzähliger Produktionen und steht für einen warmen, musikalischen Klangcharakter mit großer Dynamik und Tiefe. Typische Klangmerkmale:kräftige, präsente Mittenwarme harmonische Sättigungoffenes High-Endgroßer HeadroomDer 1073 DPX überträgt diesen Klang in eine moderne Dual-Channel-Racklösung, die perfekt für Stereo-Aufnahmen oder parallele Recording-Setups geeignet ist. Zwei vollständige 1073 Channel-StripsDer 1073 DPX enthält zwei unabhängige Vorverstärker-Kanäle, die jeweils über eigene Preamp-, EQ- und Filtersektionen verfügen. Typische Anwendungen:Stereo-Mikrofonierung (z. B. Piano oder Overheads)Vocal + Instrument RecordingDrum- und Gitarrenaufnahmenhochwertige analoge Channel-Strips für DAW-RecordingBeide Kanäle können vollständig unabhängig betrieben werden.Hochwertiger Class-A Mikrofon-VorverstärkerDer Vorverstärker basiert auf dem diskreten Class-A-Transistor-Design des originalen 1073 und bietet eine enorme Verstärkungsreserve. Preamp-FeaturesGain: +20 dB bis +80 dBMic-, Line- und DI-Inputs48 V Phantomspeisung-20 dB PadPhasenumschaltungschaltbare Eingangsimpedanz (300 Ω / 1200 Ω) Diese Flexibilität ermöglicht den Einsatz mit nahezu allen Mikrofontypen – von Kondensator- bis zu Ribbon-Mikrofonen.Musikalischer 3-Band-Neve-EqualizerDer Equalizer basiert auf dem klassischen Induktor-Design, das für die charakteristische musikalische Klangformung der Neve-Konsolen bekannt ist. EQ-SektionHigh Shelf±16 dB bei 12 kHzMid Band±18 dBFrequenzen: 0.36 / 0.7 / 1.6 / 3.2 / 4.8 / 7.2 kHzLow Shelf±16 dBFrequenzen: 35 / 60 / 110 / 220 Hz Dieser EQ eignet sich sowohl für subtile Klangkorrekturen als auch für charakterstarkes Sound-Design.Hochpassfilter und Insert-IntegrationZusätzlich verfügt jeder Kanal über einen Hochpassfilter mit 18 dB/Oktave:50 Hz80 Hz160 Hz300 Hz Ein schaltbarer Insert-Punkt ermöglicht außerdem das Einschleifen externer Dynamikprozessoren oder Effekte direkt im Signalweg. Flexible AnschlussmöglichkeitenDer 1073 DPX bietet zahlreiche Konnektivitätsoptionen für moderne Studios.FrontpanelMic / Line / DI InputsInstrument-DI-InputsPegelanzeige und MonitoringRückseiteseparate XLR Mic- und Line-InputsXLR Line OutputsInsert Send / Return pro KanalKopfhörerausgang mit Monitor-Control Technische Daten (Auszug)Typ: Dual Mic Preamp & EQKanäle: 2Gain: bis 80 dBEQ: 3-Band Induktor-EQHochpassfilter: 50 / 80 / 160 / 300 HzTransformatoren: Neve Marinair® Input & OutputFormat: 19" Rack / 2UGewicht: ca. 10 kg
AMS Neve 1073 OPX
AMS Neve 1073 OPX The AMS Neve 1073 OPX is a premium 8-channel microphone, line and instrument preamp, bringing the legendary sound of the classic Neve 1073 into a modern multi-channel design. Featuring eight independent Class-A preamps with Marinair® transformers and remote control functionality, it combines classic analog tone with modern studio integration. Housed in a 2U rack chassis, the unit provides flexible connectivity for studio, broadcast and live environments. Optional digital expansion cards allow USB, ADAT or Dante connectivity, enabling the unit to function as a multichannel audio interface if required. Sound Character The 1073 OPX delivers the signature Neve sound with powerful midrange, warm low end and musical harmonic coloration. Its Marinair® transformer-coupled inputs provide the harmonic richness and headroom that made the original Neve consoles legendary. With up to 70 dB of gain, the preamps easily handle both modern condenser microphones and low-output ribbon microphones. Highlights ✔ 8-channel Class-A microphone preamp ✔ based on the legendary Neve 1073 design ✔ Marinair® transformer-coupled inputs ✔ Mic / Line / DI inputs ✔ precise 1-dB stepped gain control ✔ remote control software with total recall ✔ front and rear panel connectivity ✔ optional USB, ADAT or Dante digital interface ✔ DB-25 multichannel outputs ✔ 2U rackmount chassis
AMS Neve 1073 OPX + Dante/USB Bundle
AMS Neve 1073 OPX + Dante/USB Bundle The AMS Neve 1073 OPX + Dante/USB Bundle combines eight legendary Neve 1073 Class-A microphone preamps with the powerful Digital I/O Option Card, providing USB and Dante connectivity for modern studio and network-audio workflows. The integrated digital card provides 8 channels of A/D conversion and 2 channels of D/A monitoring at up to 24-bit / 192 kHz, allowing the 1073 OPX to function as a high-end USB audio interface or as a Dante-enabled network preamp. With remote-controlled preamps, Marinair® transformers and Total Recall software, the system combines classic Neve analog tone with modern digital connectivity. Highlights ✔ 8 Neve 1073 Class-A microphone preamps ✔ Dante / USB digital option card included ✔ 8-channel A/D conversion + 2-channel D/A monitoring ✔ USB audio interface functionality ✔ Dante audio-over-IP connectivity with redundancy ✔ Marinair® transformer-coupled inputs ✔ remote control software with total recall ✔ 1-dB stepped gain control ✔ front-panel DI inputs ✔ stereo monitor path and headphone output
AMS Neve 1073 OPX + USB/ADAT-Karte Bundle
AMS Neve 1073 OPX + USB/ADAT Card Bundle The AMS Neve 1073 OPX + USB/ADAT Card Bundle combines eight legendary Neve 1073 Class-A microphone preamps with a powerful digital expansion card, turning the unit into a USB audio interface with ADAT connectivity. This bundle delivers the classic Neve analog tone while integrating seamlessly into modern DAW-based studio workflows. The included USB/ADAT digital option card provides 8 channels of A/D conversion and 2 channels of D/A monitoring, enabling direct DAW connectivity via USB or expansion of existing interfaces through ADAT optical connections. Remote control software allows engineers to adjust gain, routing and settings with Total Recall, and up to eight OPX units can be controlled simultaneously, providing up to 64 remotely controlled 1073 preamps. Highlights ✔ 8 classic Neve 1073 Class-A microphone preamps ✔ USB / ADAT digital option card included ✔ 8-channel A/D conversion + 2-channel D/A monitoring ✔ USB audio interface (up to 16 inputs / 10 outputs) ✔ ADAT expansion for existing audio interfaces ✔ Marinair® transformers for authentic Neve tone ✔ remote control software with total recall ✔ 1-dB stepped gain control ✔ front-panel DI inputs for instruments ✔ headphone output with dedicated level control ✔ expandable to 64 preamps (8 OPX units)
AMS Neve 1073 SPX
AMS Neve 1073 SPX The AMS Neve 1073 SPX is a classic single-channel microphone preamp and 3-band EQ, bringing the legendary sound of the original Neve 1073 console module into a modern rackmount format. Its transformer-balanced Class-A circuitry delivers the iconic Neve tone known for warmth, punch and musical coloration. The 1073SPX retains the original preamp and EQ signal path while adding modern features such as DI input, insert routing, output level control and LED metering, making it highly suitable for modern hybrid studio workflows. Sound Character The Neve 1073 has been one of the most sought-after microphone preamps since the 1970s. Its signature tone is characterized by rich midrange, powerful low end and smooth high frequencies. With up to 80 dB of gain, the 1073SPX easily handles low-output microphones while delivering the distinctive harmonic coloration that defines the Neve sound. Highlights ✔ classic Neve 1073 Class-A microphone preamp ✔ 3-band inductor EQ ✔ up to 80 dB gain ✔ Marinair input and output transformers ✔ Mic / Line / DI inputs ✔ switchable insert loop for external processing ✔ high-pass filter (18 dB/octave) ✔ LED metering and output level control ✔ 1U 19" rackmount chassis
AMS Neve 1073/1084 R2 Rack – 2-Slot 3U Rack mit PSU
AMS Neve 1073/1084 R2 Rack – 2-Slot 3U Rack with PSU The AMS Neve 1073/1084 R2 Rack is a professional 19-inch, 3U rack chassis with integrated power supply, designed to host classic Neve 80-Series modules. The rack provides two horizontal module slots and supports modules such as the Neve 1073, 1084 or 2264A. With built-in power supply, phantom power and full XLR connectivity, the rack allows classic Neve modules to be used as standalone outboard processors in modern studio environments. Its sturdy 3U enclosure provides the necessary power distribution and connectivity required to operate two classic Neve modules in a compact rack configuration. Highlights ✔ 2-slot rack chassis for Neve 80-Series modules ✔ compatible with Neve 1073, 1084 and 2264A modules ✔ 19" rackmount format (3U) ✔ integrated power supply (PSU) ✔ built-in 48V phantom power ✔ XLR input and output connections ✔ output gain control ✔ robust metal chassis for studio installations ✔ enables standalone use of classic Neve channel modules
AMS Neve 1073/1084/2264A Rack 8 Slot 5U
AMS Neve 1073/1084/2264A Rack – 8-Slot 5U The AMS Neve 1073/1084/2264A Rack – 8-Slot 5U is a professional 19-inch rack chassis with integrated power supply, designed to host classic Neve 80-Series modules. The unit provides eight vertical module slots and supports legendary modules such as the Neve 1073, 1084 and 2264A. With built-in power distribution, phantom power and full XLR connectivity, the rack allows classic Neve modules to operate as standalone outboard processors in modern recording and mixing studios. The rugged 5U rack enclosure makes it possible to build multi-channel analog signal chains using authentic Neve modules while maintaining a compact rack format. Highlights ✔ 8-slot rack chassis for Neve 80-Series modules ✔ compatible with Neve 1073, 1084 and 2264A modules ✔ 19" rackmount format (5U) ✔ integrated power supply (PSU) ✔ built-in 48 V phantom power ✔ gain control per module ✔ XLR input and output connections ✔ robust steel chassis for studio installation
AMS Neve 1081 Horizontal
AMS Neve 1081 Classic Horizontal The AMS Neve 1081 Classic Horizontal is a legendary microphone preamp and equalizer module originally introduced in the early 1970s for Neve’s modular 80-Series recording consoles. The unit combines a high-gain mic/line preamp with a versatile four-band EQ and high-/low-pass filters, making it one of the most flexible classic Neve channel modules. The horizontal version is designed for rack-mount installations or modular rack systems, while maintaining the original discrete circuitry and transformer-balanced signal path. AMS Neve continues to hand-build the module to the original specifications, including custom Neve transformers. Sound Character The 1081 delivers the classic Neve sound with detailed transients, strong midrange presence and musical analog coloration. With up to 80 dB of microphone gain, the preamp easily handles low-output microphones such as dynamic and ribbon models. The transformer-balanced architecture contributes subtle harmonic saturation and excellent headroom. Its four-band EQ features two fully parametric mid bands with Hi-Q options, allowing both broad tonal shaping and precise frequency correction. Highlights ✔ classic Neve 80-Series microphone preamp and EQ module ✔ based on the original 1972 Neve 1081 channel design ✔ discrete Class-A/B signal path ✔ custom Neve transformers ✔ up to +80 dB microphone gain ✔ four-band equalizer with parametric mid bands ✔ Hi-Q option for precise midrange shaping ✔ switchable shelf or bell filters ✔ high-pass and low-pass filters ✔ 48 V phantom power and polarity reverse ✔ hand-built in the UK to original specifications
AMS Neve 1081 Rack 2-Slot – 3U Rack mit PSU
AMS Neve 1081 Rack 2-Slot – 3U Rack with PSU The AMS Neve 1081 Rack 2-Slot (3U) is a professional 19-inch rack chassis designed to house two Neve 1081 Classic modules. It allows engineers to integrate legendary Neve microphone preamp and EQ modules into modern rack-based studio setups while providing a dedicated power supply and professional connectivity. The rack is supplied without modules and serves as a power and mounting solution for classic Neve modules such as 1081, 1073, 1084 and 2264A. The modules are installed horizontally and powered via the integrated PSU including 48 V phantom power for microphone inputs. Its robust construction and professional connectivity make the rack ideal for high-end recording studios and hybrid production environments using classic Neve outboard equipment. Highlights ✔ 2-slot rack chassis for Neve 1081 Classic modules ✔ compatible with Neve 1081, 1073, 1084 and 2264A modules ✔ 19-inch rack format (3U) ✔ integrated power supply unit (PSU) ✔ 48 V phantom power support ✔ balanced XLR inputs and outputs ✔ output level control ✔ robust metal rack construction ✔ horizontal installation for Neve 10-series modules
AMS Neve 1081 Vertical
AMS Neve 1081 Classic Vertical The AMS Neve 1081 Classic Vertical is a legendary microphone preamp and equalizer module originally introduced in 1972 for Neve’s modular 80-Series recording consoles. The unit combines a high-gain mic/line preamp with a versatile four-band equalizer and high-/low-pass filters, making it one of the most flexible classic Neve channel modules ever produced. Modern AMS Neve versions are hand-built to the original specifications, featuring transformer-balanced input and output stages and discrete amplifier circuitry that preserve the iconic Neve console sound. The Vertical version replicates the layout of the original console modules and is intended for classic Neve console installations or compatible rack systems. Sound Character The 1081 delivers the classic Neve sound with strong midrange presence, musical saturation and exceptional headroom. The preamp provides up to 80 dB of gain, making it suitable for low-output microphones such as dynamic and ribbon models. Its four-band EQ with dual parametric midrange bands and Hi-Q options allows both subtle tonal shaping and precise frequency correction. Highlights ✔ classic Neve 80-Series microphone preamp and EQ module ✔ based on the original 1972 Neve 1081 channel design ✔ discrete Class-A/B signal path ✔ Marinair transformer-balanced input and output ✔ up to +80 dB microphone gain ✔ four-band equalizer with Hi-Q mid bands ✔ switchable shelving or bell filters ✔ high-pass and low-pass filters ✔ 48 V phantom power and polarity reverse ✔ hand-built in the UK to original Neve specifications
AMS Neve 1081R Rack 12-Slot – 4U Rack mit PSU
AMS Neve 1081R Rack 12-Slot – 4U Rack with PSU The AMS Neve 1081R Rack (12-slot) is a professional 19-inch rack chassis designed to house up to twelve Neve 1081R microphone preamp modules. The system allows engineers to integrate classic Neve preamps into modern recording environments while maintaining full remote control over all channels. The rack includes an integrated power supply unit (PSU) and supports installation of up to twelve 1081R or Air Montserrat microphone preamp modules. By placing the rack close to the microphones in the recording space, engineers can minimize microphone cable runs and preserve signal integrity. All operational parameters such as gain, polarity and pad can be controlled from a computer, Neve console or Encore system, with settings stored and recalled via software. Highlights ✔ 12-slot rack for Neve 1081R or Air Montserrat preamp modules ✔ 19-inch 4U rack chassis ✔ integrated power supply unit (PSU) ✔ remote control via computer or Neve console ✔ microprocessor-controlled channel management ✔ software recall for gain, phase and pad settings ✔ ideal for remote placement in recording rooms ✔ minimizes microphone cable length ✔ compatible with Neve Encore systems and 88RS consoles ✔ RS485 serial control interface (9-pin)
AMS Neve 1084 Classic Horizontal
AMS Neve 1084 Classic Horizontal The AMS Neve 1084 Classic Horizontal is a legendary Class-A microphone preamp and equalizer based on the design of the classic Neve 80-Series recording consoles from the 1970s. Developed as an expanded version of the famous Neve 1073, the 1084 offers a more flexible EQ section and additional filtering options. The horizontal version is designed for installation in 80-series racks and modular rack systems, matching the layout of the original console modules. Its discrete Class-A circuitry and Marinair transformer-balanced stages deliver the classic Neve tone known from countless recordings. Sound Character The 1084 provides the classic Neve sound with strong midrange presence, warm harmonic coloration and excellent headroom. Its transformer-balanced signal path produces musical saturation and detailed transient response. Compared with the 1073, the 1084 includes additional EQ frequencies, a high-Q switch in the mid band and integrated high-pass and low-pass filters for more precise tonal shaping. With up to 80 dB of microphone gain, the preamp can easily drive low-output dynamic and ribbon microphones. Highlights ✔ classic Neve Class-A microphone preamp with EQ ✔ derived from the Neve 80-Series console architecture ✔ discrete Class-A signal path ✔ Marinair transformer-balanced input and output ✔ up to +80 dB microphone gain ✔ 3-band equalizer with expanded frequency options ✔ high-Q switch for precise midrange shaping ✔ high-shelf frequencies: 10 / 12 / 16 kHz ✔ low-shelf frequencies: 35 / 60 / 110 / 220 Hz ✔ high-pass filter: 45 / 70 / 160 / 360 Hz ✔ low-pass filter: 6 / 8 / 10 / 14 / 18 kHz ✔ 180° polarity reverse ✔ hand-built in the UK to original Neve specifications
AMS Neve 1084 Classic Vertical
AMS Neve 1084 Classic Vertical The AMS Neve 1084 Classic Vertical is a legendary Class-A microphone preamp and equalizer originally designed for the classic Neve 80-Series recording consoles of the 1970s. The modern AMS Neve version is still hand-built to the original specifications and combines the iconic Neve preamp design with an expanded EQ section and flexible filtering options. While sharing the same preamp architecture as the famous Neve 1073, the 1084 expands its tonal capabilities with additional EQ frequency options, switchable Q settings and integrated high-pass and low-pass filters. The Vertical version is designed for installation in classic Neve 80-series consoles or compatible rack systems, matching the layout of the original console modules. Sound Character The 1084 delivers the classic Neve sound with strong midrange presence, warm harmonic saturation and excellent headroom. Its transformer-balanced Class-A signal path with original Marinair transformers provides musical coloration and detailed transient response. The expanded EQ section allows even greater tonal flexibility compared to the 1073. Highlights ✔ classic Neve Class-A microphone preamp with EQ ✔ derived from the Neve 80-Series console architecture ✔ discrete Class-A signal path ✔ Marinair transformer-balanced input and output ✔ up to +80 dB microphone gain ✔ 3-band equalizer with expanded frequency options ✔ high-Q switch for precise midrange shaping ✔ high-shelf frequencies: 10 / 12 / 16 kHz ✔ low-shelf frequencies: 35 / 60 / 110 / 220 Hz ✔ high-pass filter: 50 / 80 / 160 / 300 Hz ✔ low-pass filter: 6 / 8 / 10 / 18 kHz ✔ 180° phase reverse ✔ hand-built in the UK to original Neve specifications
AMS Neve 4081
AMS Neve 4081 The AMS Neve 4081 is a professional 4-channel microphone and line preamp based on the circuitry of the classic Neve 1081 console preamps. It combines the legendary Neve analog sound with modern remote-control capabilities, allowing all parameters to be controlled directly from the front panel or remotely via Mac or PC software. Designed for professional recording studios, broadcast facilities and live production environments, the unit provides four high-quality preamp channels in a compact enclosure. Multiple units can be linked together to create large recording systems with up to 64 channels of remotely controlled preamps. Sound Character The 4081 delivers the classic Neve sound with clear transient response, strong dynamics and musical warmth. Its Class-A/B preamp design provides up to 70 dB of gain, allowing the unit to handle a wide range of microphones, including low-output dynamic and ribbon models. The fast transient response makes it particularly suitable for detailed recordings of vocals, drums and acoustic instruments. Highlights ✔ 4-channel microphone / line preamp ✔ based on the Neve 1081 preamp design ✔ remote control via Mac or PC software ✔ up to +70 dB microphone gain ✔ mic or line input per channel ✔ 48 V phantom power, phase reverse and -20 dB pad ✔ analog insert per channel ✔ signal and overload LED indicators ✔ optional AES / FireWire digital interface up to 192 kHz ✔ link multiple units for large recording systems ✔ compact 9.5" half-rack chassis (2U)
AMS Neve 8801
AMS Neve 8801 The AMS Neve 8801 is a professional analog channel strip that brings the complete signal path of a channel from the legendary Neve 88RS large-format console into a compact 1U rack unit. It combines microphone preamp, filter section, four-band EQ and dynamics processing with compressor and gate/expander. The unit is designed to deliver the sound and workflow of a large Neve console in modern recording and mixing environments. The internal routing allows flexible placement of EQ, filters and dynamics processing within the signal chain. Sound Character The 8801 delivers a clean yet musical Neve sound, characterized by high detail resolution and controlled analog coloration. Derived from the Neve 88RS console channel architecture, the strip provides up to 70 dB of microphone gain along with extensive tone-shaping and dynamics control. The integrated VCA compressor/limiter can operate transparently or provide stronger dynamic shaping, while the gate/expander offers additional control for recording and mixing applications. Highlights ✔ analog channel strip in 1U rack format ✔ derived from the Neve 88RS console channel strip ✔ Neve mic / line / DI preamp ✔ variable high-pass and low-pass filters ✔ 4-band parametric EQ ✔ VCA compressor / limiter ✔ gate / expander with sidechain options ✔ insert send and return ✔ flexible routing of EQ, filters and dynamics ✔ USB connection for Neve Total Recall software ✔ optional 192 kHz A/D converter card
API 312
API 312 Mic Pre The API 312 Mic Pre is a legendary discrete microphone preamplifier in the 500-series format, based on the original design created by Saul Walker in the early 1970s. The 312 became one of the first API mic preamps and formed the foundation for many of the company’s console designs and later rack units. The circuit combines API’s famous 2520 discrete op-amp with a proprietary AP2516 input transformer and transformer-balanced output stage. This architecture produces the unmistakable API sound characterized by high headroom, fast transient response and powerful midrange punch. With up to 69 dB of gain, the 312 can drive everything from dynamic microphones to low-output ribbon microphones. Features such as a 20 dB pad, phantom power, polarity switch and transformer output tap selection make it highly versatile in modern recording environments. Sound Character The API 312 delivers a fast, punchy and forward-sounding tone that has become a staple of countless professional recordings. Its discrete circuitry and transformer design provide excellent transient response, strong midrange presence and tight low-frequency control. For drums, electric guitars and rock vocals in particular, the 312 is widely associated with the classic “American console sound.” Driving the input stage can also introduce subtle analog saturation, adding harmonic richness and character. Highlights ✔ classic API microphone preamp in 500-series format ✔ based on the original 1970s API 312 circuit ✔ discrete design featuring the API 2520 op-amp ✔ proprietary AP2516 input transformer ✔ up to 69 dB of gain ✔ -20 dB pad switch ✔ 48 V phantom power ✔ polarity reverse switch ✔ 3:1 output transformer tap selection ✔ integrated VU meter and peak indicator Typical Studio Applications ✔ drum recording (kick, snare, overheads) ✔ electric guitar amplifiers ✔ rock and pop vocals ✔ bass DI recording ✔ synthesizers and drum machines ✔ general recording front-end in API-based studios Technical Specifications ✔ device type: microphone preamplifier (500-series module) ✔ gain range: +34 dB to +69 dB ✔ frequency response: 20 Hz – 40 kHz (±0.5 dB) ✔ maximum output level: +31 dBu ✔ signal-to-noise ratio: approx. 120 dB ✔ pad: -20 dB ✔ phantom power: 48 V switchable ✔ output impedance: < 75 Ω transformer balanced ✔ format: API 500-series module