Patchbays – Bringing Order to Complex Signal Paths
Patchbays are among the least visible yet most important components of a professional studio. They do not change the sound, frequency response, or dynamics of a signal—and yet they can have a significant impact on how efficiently a studio operates on a daily basis. Organization, flexibility, and control are at the heart of their purpose.
Whether for recording, mixing, mastering, or broadcast applications, a well-designed patchbay simplifies routing tasks, reduces the need for constant cable swapping, and makes complex signal paths quickly and reliably accessible.
The question is rarely which patchbay is objectively “the best.” What matters is which solution best fits the studio's signal flow, hardware infrastructure, and workflow requirements.
As the number of converters, preamps, compressors, equalizers, effects processors, and monitoring components grows, so does the complexity of a studio. This is precisely where patchbays become a critical part of the infrastructure.
They allow signal paths to be reconfigured with ease, equipment to be interconnected efficiently, and routing changes to be made within seconds—without constantly reaching behind racks or hardware units.
At the same time, patchbays differ considerably in connector formats, normalling configurations, channel counts, and integration options. The ideal solution always depends on the specific studio layout and the intended workflow.
In practice, the value of a patchbay is not determined by the number of connections it offers. What matters is whether it simplifies routing, reduces potential points of failure, and makes working with hardware more efficient on a day-to-day basis.
That is why you will not find a random collection of patchbays at Peakhouse Audio. Our selection is based on hands-on studio experience, real-world integration scenarios, and solutions that have proven themselves in professional recording, mixing, and mastering environments.
If you are unsure which patchbay best suits your setup, we are happy to help with equipment selection, signal-flow design, and system integration.
Less cable chaos—and more of a studio that remains flexible, organized, and under control at all times.
Black Lion Audio PBR TRS3
Black Lion Audio PBR TRS3 Bedingt durch eine Vielzahl an Routing-Optionen bietet die 96 Klinke (6,35mm) Patchbay eine herausragende Flexibilität für jedes Studio. Verantwortlich hierfür zeigen sich pro Kanal drei schaltbaren Modi: Normal, Half-normal und Thru. Die vergoldeten Anschlüsse liefern die für Black Lion typische höchste Signalqualität. Die Kombination aus der hochwertigen schwarz eloxierten Aluminium-Frontplatte und dem robusten Stahlgehäuse sorgt für eine besonders lange Lebensdauer 96 Klinke Anschlüsse (symmetrisch, 6,3 mm Klinke) 48 frontseitige Ein- und Ausgänge Alle Anschlüsse vergoldet für hervorragende Klangqualität Zahlreiche Routing-Möglichkeiten durch 3-Wege-Modusschalter Routing-Modi: Normal, Half-normal, and Thru Frontplatte aus schwarz-eloxierten Aluminium 1 HE Gehäuse aus Stahl Inklusive Etiketten für die Frontplatte
Black Lion Audio PBR TT
Black Lion Audio PBR TT Black Lion Audio stellt mit der PBR TT eine 4,4-mm-Klinkenstecker-Patchbay für professionelle Ansprüche vor. Die 96 Patch-Punkte im TT-Phone- beziehungsweise Bantam-Format lassen sich pro Paar in ihrer Normalisierung konfigurieren, um verschiedensten Anwendungen individuell gerecht zu werden. Auf der Rückseite wird die Studio-Peripherie über DB-25-Stecker angebunden. Die solide Konstruktion und die vergoldeten Kontakte machen die PBR TT zu einem besonders langlebigen Studio-Werkzeug und zur idealen Möglichkeit, den Signalfluss im eigenen Studio flexibel zu verwalten. 96 Punkt TT-Phone Patchbay in einer Höheneinheit 4,4-mm-Klinkenstecker Für jedes Buchsenpaar lässt sich mit einem Schalter auf der Oberseite die Normalisierung umstellen Zur Verfügung stehen: isoliert, vollnormalisiert und halbnormalisiert Komfortable Signaldistribution Anschluss über 12 DB-25-Anschlüsse Keine Lötkenntnisse erforderlich D-Sub Buchsen sind an einer Stahlplatte montiert Sehr solide Bauweise - Verstärktes Stahlgehäuse & massive Frontplatte Alle Kontakte sind goldbeschichtet – Zum Erhalt der Signalintegrität über eine lange Zeit hinweg Gewicht: 3 kg Maße (L x B x H): 13,34 cm x 48,26 cm x 4,45 cm
Black Lion Audio PBR XLR
Black Lion Audio PBR XLR Black Lion Audio präsentiert mit der PBR Serie drei neue Patchbays im Rackformat. Unter anderem die PBR XLR mit zwölf männlichen und vier weiblichen XLR-Anschlüssen. Zum Erhalt der höchsten Klangqualität in der Signalkette wurden Bauteile und Verarbeitung klassischer Patchbays weitestmöglich optimiert. Mit ihrem praktischen und eleganten Design aus schwarz eloxierter Aluminium-Frontplatte und vergoldeten Anschlussbuchsen fügen sich die Patchbays der PBR Serie hervorragend in jedes anspruchsvolle Studio ein. Patchbay mit 12 männlichen und 4 weiblichen XLR-Anschlüssen alle Vorzüge klassischer Patchbays bei hochwertiger Verarbeitung und Klangqualität Optimierung von Bauteilen und Verarbeitung herkömmlicher Patchbays Umschaltung der Normalisierungsmodi auf der Rückseite per Knopfdruck Alle Anschlüsse vergoldet Frontpanel aus schwarz-eloxierten Aluminium Vielseitiges Routing mit herausragender Klangqualität Gewicht: 1,4 kg Maße (L x B x H): 53 cm x 10 cm x 5 cm
Black Lion Audio PBR XLR 32 DSub
Black Lion Audio PBR XLR 32 DSub Black Lion Audio präsentiert mit dem PBR XLR 32 DSub eine Erweiterung der hochwertigen Patchbay-Serie. Die 32 XLR-Anschlüsse (16 In, 16 Out) und die 4 DB25-Buchsen sorgen für schnelles und flexibles Arbeiten im Studio. Die vergoldeten Patchpunkte liefern die für Black Lion typische höchste Signalqualität. Die Kombination aus der schwarz eloxierten Aluminiumfront und dem robusten Stahlgehäuse ist nicht nur ein optisches Highlight, sondern steht wie das gesamte Produkt auch für besondere Langlebigkeit. 16 Eingänge (männlich XLR), 16 Ausgänge (weiblich XLR) auf der Front 4 DB25 Buchsen auf der Rückseite Die SubD Anschlüsse entsprechen dem Tascam-Standard Alle Anschlüsse vergoldet Vielseitiges Routing mit herausragender Klangqualität Frontplatte aus schwarz-eloxierten Aluminium 2 HE Gehäuse aus Stahl Gewicht: 2,5 kg Maße (LxBxH) : 19,56 cm x 59,44 cm x 14,48 cm
Cranborne Audio C.A.S.T Intro Bundle
Cranborne Audio C.A.S.T. Intro Bundle The Cranborne Audio C.A.S.T. Intro Bundle is a complete entry-level package for Cranborne's C.A.S.T. – Cat 5 Analogue Signal Transport system, providing a flexible way to distribute professional balanced analogue audio using standard shielded network cable. The bundle combines the central N8 Distribution Hub with an N22 breakout box, an N22H breakout box with reference-grade headphone amplifier, the appropriate 19" rackmount kit and two 10-metre Cat cables. It therefore provides everything required to establish a sophisticated audio infrastructure between control rooms, live rooms, vocal booths and remote recording positions without installing conventional analogue multicores. The concept is remarkably straightforward: a single C.A.S.T. cable can replace four balanced analogue audio cables. C.A.S.T. is not Audio-over-IP or a digital networking protocol. Audio remains entirely analogue, with no A/D or D/A conversion, no drivers, no software and no digital network latency. Shielded Cat 5e, Cat 6 and Cat 7 cables can be used over distances of up to 100 metres / 330 feet. At the heart of the package is the N8 C.A.S.T. Distribution Hub. Two Tascam-standard DB25 connections integrate eight inputs and eight outputs from an audio interface, mixing console or other studio equipment into the C.A.S.T. system. Four independent C.A.S.T. ports – A through D – each provide two send and two return paths. N22 and N22H units can then be positioned wherever analogue connectivity is required. Sound Character The C.A.S.T. Intro Bundle is intentionally designed not to impart a sonic signature. N8 and N22 are completely passive and contain no preamplification, conversion or DSP stages. Their purpose is simply to transport professional balanced analogue audio while dramatically simplifying studio cabling. C.A.S.T. makes use of the twisted conductor pairs found within shielded network cable. A single Cat cable carries four balanced analogue audio paths, effectively replacing four conventional XLR cable runs. Cranborne recommends high-performance Cat 6 or Cat 7 cable where optimum crosstalk performance is required. The system also fully supports 48 V phantom power, allowing condenser microphones and active DI boxes to operate from remote C.A.S.T. breakout points. The included N22H adds a high-performance active headphone amplifier to the passive C.A.S.T. infrastructure. This makes it possible, for example, to create a complete vocal booth connection with a single Cat cable: the microphone signal travels back to the control room while a stereo cue mix is simultaneously delivered to the performer. The headphone amplifier requires power, and the appropriate 9 V power supply is included. Highlights ✔ complete C.A.S.T. starter system for studio and mobile recording ✔ includes N8 Distribution Hub, N22 and N22H ✔ fully analogue audio distribution over shielded network cable ✔ one C.A.S.T. cable can replace up to four conventional XLR runs ✔ 8 analogue inputs + 8 analogue outputs on N8 via DB25 ✔ Tascam-standard DB25 connectivity ✔ four independent C.A.S.T. ports A–D ✔ supports up to four C.A.S.T. breakout boxes simultaneously ✔ two breakout boxes included ✔ N22 provides completely passive remote analogue I/O ✔ N22H incorporates a reference-grade headphone amplifier ✔ ideal for creating a complete vocal booth connection over one Cat cable ✔ fully balanced analogue audio paths ✔ no A/D or D/A conversion ✔ no DSP or digital network latency ✔ no drivers or software required ✔ N8 and N22 operate completely passively ✔ N22H power supply included ✔ compatible with shielded Cat 5e / Cat 6 / Cat 7 cable ✔ distances up to 100 m / 330 ft ✔ supports 48 V phantom power ✔ compatible with all Cranborne C.A.S.T.-enabled products ✔ compatible with Camden EC1 and Camden EC2 ✔ 19" rackmount kit for N8 included ✔ two 10-metre Cat cables included ✔ rugged metal construction for studio and stage use Typical Applications ✔ control-room to live-room connectivity ✔ vocal booths ✔ drum rooms ✔ multiple recording positions throughout a studio ✔ artist cue monitoring ✔ headphone monitoring directly beside the performer ✔ remote microphone connections ✔ condenser microphones requiring 48 V phantom power ✔ DI and instrument recording ✔ mobile recording systems ✔ location recording ✔ live and stage applications ✔ podcast and broadcast studios ✔ replacing conventional analogue multicores ✔ making use of existing Cat cabling ✔ Camden EC1 and EC2 integration ✔ flexible studio infrastructure without permanent XLR snakes Technical Specifications Bundle Contents: ✔ 1 × Cranborne Audio N8 C.A.S.T. Distribution Hub ✔ 1 × Cranborne Audio N22 passive C.A.S.T. Breakout Box / Cat 5 Snake ✔ 1 × Cranborne Audio N22H C.A.S.T. Breakout Box with reference-grade headphone amplifier ✔ 1 × 19" Rackmount Kit for N8 ✔ 1 × 9 V power supply for N22H ✔ 2 × 10 m Cat cables with Cranborne Audio Velcro cable ties ✔ Cranborne Audio sticker N8 Distribution Hub: ✔ audio I/O: 8 inputs + 8 outputs ✔ connectivity: 2 × DB25, Tascam pinout ✔ C.A.S.T. ports: 4 × RJ45, A–D ✔ signal paths per port: 2 × send + 2 × return ✔ total analogue signal paths: 16 ✔ operation: completely passive ✔ external power: not required C.A.S.T. System: ✔ signal format: balanced analogue audio ✔ audio paths per Cat cable: 4 ✔ compatible cable: shielded Cat 5e / Cat 6 / Cat 7 ✔ maximum recommended distance: 100 m / 330 ft ✔ Cat 6 / Cat 7 recommended for improved crosstalk performance ✔ 48 V phantom power: supported ✔ A/D-D/A conversion: none ✔ DSP: none ✔ digital network protocols: none ✔ conversion/network latency: none Breakout System: ✔ N22: passive C.A.S.T. breakout box / Cat 5 snake ✔ N22H: C.A.S.T. breakout box with active reference-grade headphone amplifier ✔ N22H power: 9 V PSU included ✔ maximum breakout boxes connected to N8: 4 simultaneously ✔ compatible devices: N22, N22H, Camden EC1, Camden EC2 and other C.A.S.T.-enabled Cranborne products The C.A.S.T. Intro Bundle is therefore an elegant solution for studios requiring a flexible analogue infrastructure. Rather than installing multiple XLR runs for every new recording position, a single Cat cable can simultaneously carry microphone, line and monitoring signals. For vocal booths, separate recording rooms and mobile sessions in particular, this creates a professional, tidy and easily expandable cabling system.
Cranborne Audio N22
Cranborne Audio N22 The Cranborne Audio N22 is a completely passive 4-channel Cat 5 audio snake and C.A.S.T. breakout box, designed to transport balanced analogue audio between live rooms, control rooms, stages and other studio locations using a single shielded Cat 5e, Cat 6 or Cat 7 cable. Instead of running multiple long XLR cables or a conventional analogue multicore, N22 can distribute up to four channels of analogue audio over distances of up to 100 metres / 330 feet. Importantly, this is not Audio-over-IP or a digital network connection. Cranborne's C.A.S.T. (Cat 5 Analogue Signal Transport) system simply repurposes the copper conductors inside shielded network cable to carry fully balanced analogue audio. There is no A/D or D/A conversion, no DSP, no latency and N22 requires no external power. N22 becomes particularly powerful when integrated with C.A.S.T.-enabled equipment including the Cranborne Audio 500R8, 500ADAT and Camden EC2. Alternatively, two N22 units can form a completely standalone passive Cat 5 analogue snake without requiring any other Cranborne equipment. Sound Character The N22 is intentionally sonically transparent. As a completely passive device with no amplifier, converter or DSP stages, its sole purpose is to transport analogue audio cleanly between locations. Cranborne optimises its C.A.S.T. connections for the electrical properties of shielded network cable. According to the manufacturer, balanced analogue audio can be transported over distances of up to 100 m / 330 ft with very low crosstalk and without significant high-frequency roll-off. High-performance Cat 6 and Cat 7 cabling can provide further improvements in crosstalk performance. Another important advantage is support for 48 V phantom power. C.A.S.T. does not generate phantom power itself, but it can pass phantom power from a connected microphone preamplifier or audio interface through the shielded Cat cable to the remote N22. Condenser microphones and active DI boxes can therefore be powered remotely just as they would through a conventional XLR connection. Highlights ✔ passive 4-channel audio distribution over a single Cat cable ✔ Cranborne C.A.S.T. – Cat 5 Analogue Signal Transport ✔ completely analogue signal transmission ✔ no A/D or D/A conversion ✔ no digital signal processing ✔ zero latency ✔ completely passive – no power supply required ✔ replaces up to four balanced XLR runs with one shielded Cat cable ✔ transmission distances up to 100 m / 330 ft ✔ compatible with shielded Cat 5e, Cat 6 and Cat 7 cable ✔ supports transmission of 48 V phantom power ✔ two analogue inputs and two analogue outputs at the remote location ✔ XLR and ¼" connectivity for flexible integration ✔ functions as a breakout box for Cranborne C.A.S.T. systems ✔ direct integration with 500R8 and 500ADAT ✔ integration with Camden EC2 ✔ compatible with N22H ✔ two N22 units create a standalone passive Cat 5 audio snake ✔ significantly reduces conventional studio cable infrastructure ✔ suitable for permanent and mobile recording systems Typical Applications ✔ control room to live room connectivity ✔ vocal booths ✔ drum rooms ✔ reverb chambers and remote spaces ✔ relocating microphone inputs ✔ relocating line-level I/O ✔ monitor and cue signal distribution ✔ 500R8 and 500ADAT integration ✔ Camden EC2 system expansion ✔ mobile recording systems ✔ live and stage applications ✔ replacing conventional analogue multicores ✔ temporary recording setups in large spaces ✔ remote microphone operation with 48 V phantom power Technical Specifications ✔ type: passive Cat 5 audio snake / C.A.S.T. breakout box ✔ signal format: balanced analogue audio ✔ audio channels via C.A.S.T.: 4 ✔ local configuration: 2 inputs / 2 outputs ✔ inputs: 2 × XLR/TRS combo ✔ outputs: 2 × XLR + 2 × ¼" jack ✔ C.A.S.T. Input: RJ45 ✔ C.A.S.T. Output: RJ45 ✔ cable compatibility: shielded Cat 5e / Cat 6 / Cat 7 ✔ maximum recommended cable length: 100 m / 330 ft ✔ transmission: passive, analogue and balanced ✔ A/D-D/A conversion: none ✔ DSP: none ✔ latency: none ✔ phantom power: supports transmission of 48 V ✔ external power: not required ✔ standalone operation: yes, with a second N22 or N22H ✔ C.A.S.T. integration: including 500R8, 500ADAT and Camden EC2 ✔ enclosure: rugged metal construction ✔ applications: studio, installation, mobile recording and live sound
Cranborne Audio N22H
Cranborne Audio N22H The Cranborne Audio N22H combines a high-performance reference-grade headphone amplifier with a passive 4-channel Cat 5 audio snake and C.A.S.T. breakout box. Designed to place premium headphone amplification and analogue audio connectivity exactly where it is required, N22H is equally at home beside a musician in the live room, inside a vocal booth or as part of a mobile recording system. Cranborne's C.A.S.T. (Cat 5 Analogue Signal Transport) technology carries up to four channels of balanced analogue audio over a single shielded Cat 5e, Cat 6 or Cat 7 cable. This is not Audio-over-IP: the signals remain completely analogue, with no A/D or D/A conversion and no digital latency. Cable runs of up to 100 metres / 330 feet are supported. Unlike the passive N22, the N22H incorporates a powerful headphone amplifier based on the custom design used in Cranborne's 500R8. Delivering up to 950 mW per channel into 100 ohms, with switchable power modes and exceptionally wide bandwidth, it can accommodate everything from sensitive in-ear monitors to demanding professional studio headphones. Sound Character The N22H headphone amplifier is designed for transparency, high dynamic range and exceptionally low distortion. In High Power mode its −1 dB frequency response extends from below 0.8 Hz to beyond 250 kHz, while THD+N is specified below 0.0009% at +6 dBu into a high-impedance measurement load. This level of performance makes N22H suitable not only for artist monitoring during tracking, but also for critical listening, mixing and mastering. Two operating modes optimise performance for different headphones. High Power maximises headroom and output capability for high-impedance and open-back studio headphones. Low Power optimises level range, power consumption and battery life for low-impedance headphones and sensitive in-ear monitors. N22H can also operate as a completely standalone headphone amplifier. Simply connect the line outputs of an audio interface, mixer, synthesizer, pedalboard or outboard device directly to its two inputs and select Inputs as the headphone source. This makes N22H useful even without any other C.A.S.T.-enabled equipment. Highlights ✔ reference-grade headphone amplifier and C.A.S.T. breakout box ✔ headphone amplifier derived from Cranborne's 500R8 design ✔ up to 950 mW × 2 into 100 ohms ✔ exceptionally low distortion ✔ frequency response extending beyond 250 kHz ✔ switchable High and Low Power modes ✔ suitable for high-impedance studio headphones and sensitive IEMs ✔ precision logarithmic headphone level control ✔ operates as a standalone premium headphone amplifier ✔ two balanced combo inputs ✔ two balanced XLR and ¼" outputs ✔ C.A.S.T. IN and C.A.S.T. OUT ✔ balanced analogue audio distribution over shielded Cat cable ✔ transmission distances up to 100 m / 330 ft ✔ compatible with Cat 5e, Cat 6 and Cat 7 ✔ Cat 6 and Cat 7 recommended for improved crosstalk performance ✔ supports transmission of 48 V phantom power via C.A.S.T. ✔ direct integration with Cranborne 500R8 and 500ADAT ✔ standalone Cat 5 snake operation with N22 or another N22H ✔ powered from 9 V DC or an internal 9 V battery ✔ up to approximately 10 hours battery operation in Low Power mode ✔ rugged metal enclosure ✔ integrated microphone-stand mounting thread ✔ fixing and cable-tie points for permanent installations Typical Applications ✔ live-room headphone monitoring ✔ vocal booths ✔ drum tracking ✔ artist cue monitoring ✔ mobile recording systems ✔ location recording ✔ headphone mixing and mastering ✔ premium standalone desktop headphone amplification ✔ expanding 500R8 and 500ADAT systems ✔ analogue audio distribution between control and live rooms ✔ Cat 5 multicore systems with N22 or another N22H ✔ remote microphone and line-level connectivity ✔ condenser microphone recording with 48 V phantom power over C.A.S.T. Technical Specifications ✔ type: Reference Headphone Amplifier / Cat 5 Snake / C.A.S.T. Breakout Box ✔ inputs: 2 × balanced XLR/TRS combo ✔ outputs: 2 × balanced XLR + 2 × ¼" jack ✔ headphone output: ¼" stereo jack ✔ C.A.S.T. IN: RRTT RJ45 ✔ C.A.S.T. OUT: TTRR RJ45 ✔ maximum C.A.S.T. cable length: 100 m / 330 ft ✔ cable compatibility: shielded Cat 5e / Cat 6 / Cat 7 ✔ phantom power: supports 48 V transmission Headphone Amplifier – High Power: ✔ maximum input level: +28 dBu ✔ input impedance: 44 kΩ ✔ frequency response: −0.5 dB, <1.2 Hz to >200 kHz ✔ frequency response: −1 dB, <0.8 Hz to >250 kHz ✔ THD+N: <0.0009% @ +6 dBu, 1 kHz, A-weighted, 100 kΩ load ✔ output impedance: 0.33 Ω ✔ output power: 252 mW × 2 @ 600 Ω ✔ output power: 502 mW × 2 @ 300 Ω ✔ output power: 950 mW × 2 @ 100 Ω ✔ output power: 470 mW × 2 @ 32 Ω ✔ dynamic range: up to 116.5 dB A-weighted Headphone Amplifier – Low Power: ✔ maximum input level: +21.7 dBu ✔ input impedance: 44 kΩ ✔ output impedance: 1 Ω ✔ optimised for low-impedance headphones and in-ear monitors Power & Construction: ✔ power: 9 V DC, centre negative ✔ included PSU: 9 V / 500 mA ✔ recommended third-party PSU: 9 V / 1000 mA ✔ battery: 1 × 9 V ✔ average battery life: approx. 9.5 hours Low Power / 2 hours High Power ✔ dimensions: 150 × 46 × 120 mm (W × H × D) ✔ weight: 0.91 kg
Cranborne Audio N8
Cranborne Audio N8 The Cranborne Audio N8 is a completely passive C.A.S.T. Distribution Hub designed to distribute up to eight analogue inputs and eight analogue outputs from an audio interface, mixing console or studio system using standard shielded Cat 5e, Cat 6 or Cat 7 cables. Four independent C.A.S.T. ports can connect N22 and N22H breakout boxes, Camden EC preamps and other C.A.S.T.-enabled devices throughout a studio over distances of up to 100 metres / 330 feet. Crucially, C.A.S.T. is not a digital Audio-over-IP system. Audio remains fully analogue and balanced throughout the signal path. N8 requires no A/D or D/A conversion, network switches, drivers, software or external power. Each Cat cable carries four analogue audio paths, effectively replacing a conventional four-channel XLR multicore. At the heart of N8 are two Tascam-standard DB25 connectors, allowing direct connection to eight inputs and eight outputs of an audio interface or other professional equipment. These signals are distributed across four independent C.A.S.T. ports, each providing two audio paths in each direction. In total, N8 provides 16 analogue signal paths – 8 inputs and 8 outputs – across four Cat cables. Sound Character The N8 is intentionally sonically transparent. Its completely passive design contains no preamplification, conversion or DSP stages. Its sole purpose is to transport high-quality balanced analogue signals between different areas of a studio or stage environment. Cranborne's C.A.S.T. – Cat 5 Analogue Signal Transport technology uses the twisted pairs within shielded network cable as analogue audio paths. As a single Cat cable can transport four channels of fully balanced analogue audio, conventional multicore installations can be dramatically simplified. Cranborne specifies cable runs of up to 100 m / 330 ft, with high-performance Cat 6 and Cat 7 cables recommended for improved crosstalk performance. The system also supports transmission of 48 V phantom power. A condenser microphone can therefore be connected to an N22 in the live room while receiving phantom power from a microphone preamp or interface located in the control room. Highlights ✔ central C.A.S.T. Distribution Hub ✔ 8 analogue inputs and 8 analogue outputs via DB25 ✔ Tascam-standard DB25 connectivity ✔ 16 analogue signal paths in total ✔ 4 independent C.A.S.T. ports A–D ✔ two send and two return paths per C.A.S.T. connection ✔ completely analogue signal transmission ✔ fully balanced audio paths ✔ no A/D or D/A conversion ✔ no DSP ✔ no drivers or software required ✔ completely passive operation ✔ no external power required ✔ cable distances up to 100 m / 330 ft ✔ compatible with shielded Cat 5e, Cat 6 and Cat 7 ✔ high-performance Cat 6 and Cat 7 recommended for improved crosstalk performance ✔ full support for 48 V phantom power ✔ flexible C.A.S.T. output routing from front-panel switches ✔ same stereo output can be distributed to multiple C.A.S.T. devices ✔ alternatively provides discrete stereo mixes for different performers ✔ compatible with N22 and N22H ✔ compatible with Camden EC1 and Camden EC2 ✔ ideal as a central connection point between an audio interface and multiple recording spaces ✔ rugged metal enclosure ✔ half-rack format ✔ optional rack kit for 19" installation Typical Applications ✔ central studio audio distribution ✔ control-room to live-room connectivity ✔ vocal booths ✔ drum rooms ✔ multiple isolated recording spaces ✔ artist cue systems ✔ headphone distribution with N22H ✔ remote microphone connectivity with N22 ✔ remote preamps using Camden EC1 or EC2 ✔ individual stereo cue mixes for performers ✔ broadcast installations ✔ podcast and production studios ✔ mobile recording rigs ✔ live and stage applications ✔ replacement for conventional analogue multicores ✔ using existing shielded Cat cabling ✔ permanent studio installations Technical Specifications ✔ type: C.A.S.T. Distribution Hub / Analogue Audio Distribution System ✔ operating principle: completely passive ✔ signal format: balanced analogue audio ✔ total I/O: 8 inputs + 8 outputs ✔ DB25 Input: 8 × line input, Tascam pinout ✔ DB25 Output: 8 × line output, Tascam pinout ✔ C.A.S.T. ports: 4 × RJ45 – A, B, C, D ✔ signal paths per C.A.S.T. port: 2 × send + 2 × return ✔ total analogue signal paths: 16 ✔ supported cable: shielded Cat 5e / Cat 6 / Cat 7 ✔ maximum cable distance: 100 m / 330 ft ✔ Cat 6 / Cat 7: recommended for improved crosstalk performance ✔ phantom power: supports 48 V transmission ✔ conversion: none ✔ DSP: none ✔ digital networking: none ✔ external power: not required ✔ enclosure: rugged metal construction ✔ rack mounting: optional Half Rack Kit OBDRK001 ✔ compatible C.A.S.T. products: including N22, N22H, Camden EC1 and Camden EC2 N8 is particularly useful for studios requiring flexible analogue routing without the complexity of a conventional permanently installed multicore system. An N8 in the control room combined with N22/N22H breakout boxes in recording spaces creates an elegant infrastructure in which microphone, line and headphone signals travel over inexpensive Cat cabling while the audio interface and central studio equipment remain in one location.
DirectOut BREAKOUT.AES
DirectOut BREAKOUT.AES The BREAKOUT Series is a range of adaptor boxes available in different variants to extend the coverage of the ANDIAMO series. They are equipped with XLR or BNC connectors on the front panel and DSUB-25 connectors on the rear panel. Audio signals are carried passively between the front and rear panels. The small form factor and angle brackets also allow for mounting the devices on the back of an ANDIAMO unit. 5 Variants: BREAKOUT.AN8 - analog input / output, 8 channels BREAKOUT.AN16I - analog input, 16 channels BREAKOUT.AN16O - analog output, 16 channels BREAKOUT.AES - digital input / output, 8 AES ports (16 channels) BREAKOUT.AESid - digital input / output, 16 AESid ports (32 channels)
DirectOut BREAKOUT.AESid
DirectOut BREAKOUT.AESid The BREAKOUT Series is a range of adaptor boxes available in different variants to extend the coverage of the ANDIAMO series. They are equipped with XLR or BNC connectors on the front panel and DSUB-25 connectors on the rear panel. Audio signals are carried passively between the front and rear panels. The small form factor and angle brackets also allow for mounting the devices on the back of an ANDIAMO unit. 5 Variants: BREAKOUT.AN8 - analog input / output, 8 channels BREAKOUT.AN16I - analog input, 16 channels BREAKOUT.AN16O - analog output, 16 channels BREAKOUT.AES - digital input / output, 8 AES ports (16 channels) BREAKOUT.AESid - digital input / output, 16 AESid ports (32 channels)
DirectOut BREAKOUT.AN16I
DirectOut BREAKOUT.AN16I The BREAKOUT Series is a range of adaptor boxes available in different variants to extend the coverage of the ANDIAMO series. They are equipped with XLR or BNC connectors on the front panel and DSUB-25 connectors on the rear panel. Audio signals are carried passively between the front and rear panels. The small form factor and angle brackets also allow for mounting the devices on the back of an ANDIAMO unit. 5 Variants: BREAKOUT.AN8 - analog input / output, 8 channels BREAKOUT.AN16I - analog input, 16 channels BREAKOUT.AN16O - analog output, 16 channels BREAKOUT.AES - digital input / output, 8 AES ports (16 channels) BREAKOUT.AESid - digital input / output, 16 AESid ports (32 channels)
DirectOut BREAKOUT.AN16O
DirectOut BREAKOUT.AN16O The BREAKOUT Series is a range of adaptor boxes available in different variants to extend the coverage of the ANDIAMO series. They are equipped with XLR or BNC connectors on the front panel and DSUB-25 connectors on the rear panel. Audio signals are carried passively between the front and rear panels. The small form factor and angle brackets also allow for mounting the devices on the back of an ANDIAMO unit. 5 Variants: BREAKOUT.AN8 - analog input / output, 8 channels BREAKOUT.AN16I - analog input, 16 channels BREAKOUT.AN16O - analog output, 16 channels BREAKOUT.AES - digital input / output, 8 AES ports (16 channels) BREAKOUT.AESid - digital input / output, 16 AESid ports (32 channels)
DirectOut BREAKOUT.AN8
DirectOut BREAKOUT.AN8 The DirectOut BREAKOUT.AN8 is a professional analog breakout box designed to provide convenient access to the analog inputs and outputs of DirectOut ANDIAMO and PRODIGY systems. As a passive signal distribution solution, it converts two AES59-compliant DSUB-25 connectors into eight XLR inputs and eight XLR outputs, greatly simplifying the integration of professional audio interfaces into studio, broadcast and live production environments. The BREAKOUT.AN8 is entirely passive and requires no external power supply. All audio signals are routed transparently between the rear-panel DSUB-25 connectors and the front-panel XLR connectors without active circuitry. Its compact 1U rack design and supplied mounting brackets also allow installation directly on the rear of compatible DirectOut devices, creating clean and efficient cabling layouts. Sound Character The DirectOut BREAKOUT.AN8 contains no active electronics and therefore introduces no sonic coloration whatsoever. Its fully passive signal path preserves the integrity of analog audio while high-quality connectors and AES59-compliant wiring ensure reliable, low-noise connectivity between professional audio equipment and DirectOut systems. Highlights ✔ passive analog breakout box for DirectOut systems ✔ 8 analog inputs and 8 analog outputs ✔ 8 × female XLR input connectors ✔ 8 × male XLR output connectors ✔ 2 × AES59-compliant DSUB-25 connectors (TASCAM pinout) ✔ no external power supply required ✔ completely passive signal transmission ✔ professional-grade XLR connectivity for studio and broadcast environments ✔ compatible with DirectOut ANDIAMO and PRODIGY series ✔ rack mounting or rear mounting on compatible DirectOut devices ✔ rugged 19-inch, 1U steel enclosure Typical Applications ✔ professional studio wiring ✔ DirectOut ANDIAMO systems ✔ DirectOut PRODIGY systems ✔ broadcast facilities ✔ recording studios ✔ live sound racks ✔ fixed installations ✔ analog patching and I/O expansion Technical Specifications ✔ device type: passive analog breakout box ✔ channels: 8 inputs / 8 outputs ✔ front connectors: 8 × female XLR, 8 × male XLR ✔ rear connectors: 2 × AES59-compliant DSUB-25 ✔ signal transmission: passive ✔ power requirement: none ✔ format: 19-inch, 1U ✔ dimensions: 483 × 44.5 × 65 mm ✔ mounting: rack or rear mounting on compatible DirectOut devices
Flock Audio CX
Flock Audio CX CX is a 8 Channel Hardware Module Compatible with all Flock Audio PATCH Series Models allowing all types of Analog Audio Signals to correctly route through the PATCH Series (+4 Line Level Design) for the cleanest and transparent analog audio routing experience possible. Assignable, Customizable & Controlled through the PATCH APP and PATCH APP DX.
Flock Audio Patch
Flock Audio Patch Das Flock Audio Patch ist eine digital gesteuerte analoge Patchbay, die entwickelt wurde, um beispiellose Flexibilität und Recall-Fähigkeiten im Routing von Outboard Equipment zu erreichen. Mit dieser Kombination aus Hard- und Software gehören Patchkabel der Vergangenheit an! Es gibt keine AD / DA Wandlung, lediglich die Pfade der analogen Signale werden digital gesteuert. Patch bietet Ihnen das Beste aus beiden Welten – rein analoge Audioqualität und vollständige digitale Kontrolle. Der Hardwareteil ist eine analoge Patchbay im robusten 1HE-Gehäuse. Auf der Rückseite befinden sich je 32 Ein- und Ausgänge als DB-25 Buchsen ausgeführt. Ebenfalls rückseitig ist ein USB-to-Host-Anschluss mit dem die Kommunikation mit dem Softwareteil, der benutzerfreundlichen Patch-App (Mac/Win), ermöglicht wird. Die Patch-App bietet dem Benutzer Routing-Speicher und sofortige Abrufe. Features 64 Anschlusspunkte (32 Eingänge / 32 Ausgänge) DB-25/D-SUB (Standard Tascam Belegung) 32 unabhängige Kanäle mit 48V Phantomspeisung Frontblende: Zusätzlich die Pfade 31/32 mit XLR- / TRS Kombo (Eingang) und XLR (Ausgang) PATCH APP Routing Software (OSX & Windows) (iOS iPad kommt bald) Erstellen, speichern & wiederherstellen von Einstellungen in Sekunden Erstellung komplexer Kombinationen duplizierter Signale ohne Impedanzprobleme Keine AD / DA Wandlung, 100% transparenter analoger Signalpfad Patentierte Flock Audio Matrix Technologie Beliebig erweiterbar mit allen Modellen der PATCH Serie (PATCH, LT & XT)
Flock Audio Patch LT
Flock Audio Patch LT Das Flock Audio Patch ist eine digital gesteuerte analoge Patchbay, die entwickelt wurde, um beispiellose Flexibilität und Recall-Fähigkeiten im Routing von Outboard Equipment zu erreichen. Mit dieser Kombination aus Hard- und Software gehören Patchkabel der Vergangenheit an! Es gibt keine AD / DA Wandlung, lediglich die Pfade der analogen Signale werden digital gesteuert. Patch bietet Ihnen das Beste aus beiden Welten – rein analoge Audioqualität und vollständige digitale Kontrolle. Der Hardwareteil ist eine analoge Patchbay im robusten 1HE-Gehäuse. Auf der Rückseite befinden sich je 16 Ein- und Ausgängen als DB-25 Buchsen ausgeführt. Ebenfalls rückseitig ist ein USB-to-Host-Anschluss mit dem die Kommunikation mit dem Softwareteil, der benutzerfreundlichen Patch-App (Mac/Win), ermöglicht wird. Die Patch-App bietet dem Benutzer Routing-Speicher und sofortige Abrufe. Features 32 Anschlusspunkte (16 Eingänge / 16 Ausgänge) DB-25/D-SUB (Standard Tascam Belegung) 16 unabhängige Kanäle mit 48V Phantomspeisung Frontblende: Eingang 16/16 mit XLR- / TRS Kombo (Eingang) und XLR (Ausgang) PATCH APP Routing Software (OSX & Windows) (iOS iPad kommt bald) Erstellen, speichern & wiederherstellen von Einstellungen in Sekunden Erstellung komplexer Kombinationen duplizierter Signale ohne Impedanzprobleme Keine AD / DA Wandlung, 100% transparenter analoger Signalpfad Patentierte Flock Audio Matrix Technologie Beliebig erweiterbar mit allen Modellen der PATCH Serie (PATCH, LT & XT)
Flock Audio Patch LV
Flock Audio Patch LV Innovative Routing for Live Sound Engineers The PATCH LV is the first digitally controlled analog routing solution designed specifically for live sound applications. Featuring 24 channels of Flock Audio’s multi-patented analog routing technology and 16 channels of DANTE, it enables seamless integration of analog hardware into live audio systems. With virtually no latency and minimal AD/DA conversion, PATCH LV delivers uncompromising performance and sets a new benchmark in live sound engineering. Key Features Comprehensive I/O: 64-point connections: 24 analog inputs/outputs and 8 DANTE-enabled inputs/outputs (192 kHz / 32-bit). DB-25/D-SUB Tascam standard pinout format connectors for efficient hardware integration. PATCH APP Software: Compatible with macOS and Windows. Create, store, and recall routings instantly for maximum efficiency. Design complex multing combinations without impedance issues. Unmatched Audio Quality: 100% transparent analog signal path with no AD/DA conversion (24 Ins x 24 Outs). Multi-patented Flock Audio Matrix Technology for precision routing. DANTE Integration: Expandable via DANTE for larger I/O systems, offering flexibility for evolving setups. Robust Build and Accessories: External 5-pin 24VDC locking power supply with included IEC cable. Threaded locking USB connector and 10 ft USB 2.0 cable (USB-A to USB-B). Compact 1U rackmount design for professional setups. Specifications Dimensions: 1.75” (H) x 19” (L) x 8” (D). Weight: 15 lbs.
Flock Audio Patch SE
Flock Audio Patch SE Flock Audio Patch SE ist eine digital gesteuerte analoge Patchbay für moderne Studios, die flexible Hochleistungs-Signalführung ohne die Nachteile herkömmlicher Patchkabel benötigen. Sie bietet 48 analoge Routing-Punkte (24 Eingänge und 24 Ausgänge) über DB-25-Anschlüsse im Tascam-Standard und ermöglicht so den schnellen und präzisen Anschluss von Audio-Interfaces, Outboard-Geräten und Prozessoren auf professionellem Niveau. Hauptmerkmale 48-Punkt-Analog-Routing-Matrix mit 24 Eingängen und 24 Ausgängen für umfassendes Signalmanagement 100 % analoger Signalweg, keine AD-/DA-Wandlung – volle Klangtransparenz und -integrität bleiben erhalten Digital gesteuertes Routing mit sofortigem Recall über die mitgelieferte PATCH App und PATCH App DX für macOS, Windows und iOS Frontseitige I/O-Anschlüsse: ein Combo-TRS/XLR-Eingang und ein XLR-Ausgang für schnellen Zugriff auf Mikrofone oder Instrumente Komplexe Multing-Funktionen ohne Pegelverlust oder Impedanzprobleme Nahtlose Integration in das gesamte PATCH-Series-Ökosystem, erweiterbar mit weiteren Modellen USB-Anschluss (USB-A-auf-USB-B-Kabel im Lieferumfang enthalten) für zuverlässige Steuerung und System-Updates Lüfterloses, robustes Design, optimiert für den langfristigen Studioeinsatz Professionelle Vorteile Patch SE macht herkömmliche Patchkabel überflüssig und ermöglicht das Erstellen, Speichern und Abrufen komplexer Routings mit nur wenigen Klicks. Das beschleunigt den Workflow beim Recording, Mischen und Bearbeiten erheblich. Der vollständig analoge Signalweg stellt sicher, dass Ihr Klang unverfälscht bleibt – kombiniert mit digitalem Bedienkomfort und perfekter Reproduzierbarkeit. Typische Einsatzbereiche Projekt-, Hybrid- und Profi-Studios mit Bedarf an effizientem Outboard-Routing Produzenten und Engineers, die schnelle Setup-Änderungen und sofortigen Recall benötigen Systeme, die mit weiteren Modellen der Flock Audio PATCH-Serie erweitert werden sollen Technische Daten Routing-Punkte: 48 (24 In, 24 Out) Anschlüsse: DB-25 / D-SUB (Tascam-Standard) Front-I/O: 1 × Combo-TRS/XLR-Eingang, 1 × XLR-Ausgang Signalweg: 100 % analog Software: PATCH App und PATCH App DX kompatibel USB: USB-A-auf-USB-B im Lieferumfang Rack-Größe: 1 HE Warum Patch SE? Patch SE bringt professionelle analoge Routing-Technologie in noch mehr Studios – mit leistungsstarker Steuerung, sofortigem Recall und kompromissloser Klangreinheit in einer schlanken und erschwinglichen Lösung. Dank seiner umfangreichen Ausstattung und Erweiterbarkeit wird es zum zentralen Knotenpunkt jedes Analog-Setups.
Flock Audio Patch VT
Flock Audio Patch VT Newest PATCH Model to the popular and growing PATCH Series family of products: PATCH VT - 128 Channel/Point (64 In x 64 Out). Same Flock Audio Patented Analog Routing Technology. PRODUCT DETAILS 128 Point Connections (64 Inputs / 64 Outputs) DB-25/D-SUB Tascam Standard Pinout Format Connectors (Rear Panel 32 Assignable Independent Channels of 48V Phantom Power Front Panel - Includes (2 Combo TRS/XLR Input & 2 XLR Output) PATCH APP & PATCH APP DX - Routing Software (OSX, Windows, iOS) Compatibility Create, Store & Recall Routings in Seconds Create Complex Multing Combinations w/ No Level or Impedance Changes No AD/DA Conversion, No Latency, 100% Sonically Transparent Analog Routing Remote Sleep/Wake Mode Control of PVT Hardware Input Signal Audio Detection Integration Patented Flock Audio Matrix Technology Multiple Unit Expansion with 10 of any PATCH Series Model (PATCH LT, PATCH, PATCH VT, PATCH XT) Internal Power Supply w/ IEC Cable Included 6 Ft. - USB 2.0 (USB-A to USB-B) Threaded Locking USB Connector - Unit Dimensions: 3U - 5.25”(H) x 19” (L) x 13” (D) - 24 lbs Compatible with XTH Cable Hanger/Management Accessory (Product Code: XTH Cable Hanger) Compatible
Flock Audio Patch XT
Flock Audio Patch XT Das Flock Audio Patch ist eine digital gesteuerte analoge Patchbay, die entwickelt wurde, um beispiellose Flexibilität und Recall-Fähigkeiten im Routing von Outboard Equipment zu erreichen. Mit dieser Kombination aus Hard- und Software gehören Patchkabel der Vergangenheit an! Es gibt keine AD / DA Wandlung, lediglich die Pfade der analogen Signale werden digital gesteuert. Patch bietet Ihnen das Beste aus beiden Welten – rein analoge Audioqualität und vollständige digitale Kontrolle. Der Hardwareteil ist eine analoge Patchbay im robusten 3E-Gehäuse. Auf der Rückseite befinden sich je 96 Ein- und Ausgänge als DB-25 Buchsen ausgeführt. Ebenfalls rückseitig ist ein USB-to-Host-Anschluss mit dem die Kommunikation mit dem Softwareteil, der benutzerfreundlichen Patch-App (Mac/Win), ermöglicht wird. Die Patch-App bietet dem Benutzer Routing-Speicher und sofortige Abrufe. Features 192 Anschlusspunkte (96 Eingänge / 96 Ausgänge) DB-25/D-SUB (Standard Tascam Belegung) 96 unabhängige Kanäle mit 48V Phantomspeisung Frontblende: Zusätzlich die Pfade 31/32 mit XLR- / TRS Kombo (Eingang) und XLR (Ausgang) PATCH APP Routing Software (OSX & Windows) (iOS iPad kommt bald) Erstellen, speichern & wiederherstellen von Einstellungen in Sekunden Erstellung komplexer Kombinationen duplizierter Signale ohne Impedanzprobleme Keine AD / DA Wandlung, 100% transparenter analoger Signalpfad Patentierte Flock Audio Matrix Technologie Beliebig erweiterbar mit allen Modellen der PATCH Serie (PATCH, LT & XT) CAT5 Netzwerkfähigkeit (optionale Steuerung) Integration der Eingangssignal-Audioerkennung Internes Netzteil •Rückseitig montierte Kabel-Zugentlastung als optionales Zubehör (product code: XTH)
Flock Audio Switch
Flock Audio Switch Designed for Studio & StageFlock Audio’s SWITCH empowers audio engineers, musicians, and music creators to seamlessly toggle between 8 mono/stereo inputs and a set of stereo outputs. Whether you’re in the studio or performing live, SWITCH delivers unparalleled flexibility and control to inspire your creativity. Key Features I/O Configuration: 8 TRS/TS inputs (mono/stereo) and 2 XLR outputs. Analog Audio & AES/EBU Compatibility: Ideal for high-quality signal routing. Customizable LCD Display: Personalize colors, images, and text for your unique workflow. Under Glow Ambient Lighting: Adjustable color for enhanced aesthetics. SWITCH App Compatibility: Fully functional routing software for macOS and Windows. Flexible Controls: Bypass or mute individual input channels, or mute all channels with short or long knob presses. Noise-Free Switching: Eliminates clicks and pops when toggling between channels. Pure Signal Routing: No AD/DA conversion, no latency, and complete sonic transparency. Ergonomic Design: Desktop-friendly with intuitive controls. USB-C Power & Control: Includes a 10 ft USB-C to USB-C cable for seamless integration. Specifications Dimensions: 2” (H) x 9” (L) x 6” (D). Weight: 5 lbs.
RME DTOX-16 I/O
RME DTOX-16 I/O The RME DTOX-16 I/O is a professional passive 19-inch analogue breakout panel designed to convert multichannel 25-pin D-Sub connections into convenient XLR connectivity. The I/O version provides eight XLR inputs and eight XLR outputs, connected to two separate 25-pin D-Sub connectors using the Tascam pinout. It is an elegant solution for recording studios, broadcast installations and professional racks where multichannel converters or audio interfaces need to be permanently and conveniently presented on XLR connectors. Instead of relying on loose D-Sub-to-XLR breakout looms, DTOX-16 I/O provides a rugged rack-mounted connection point. Eight female XLR connectors accommodate incoming signals, while eight male XLR connectors provide the outputs. On the D-Sub side, the eight input and eight output channels are carried by their own dedicated 25-pin connectors. DTOX-16 I/O is not restricted to RME hardware. It can be used with professional equipment featuring appropriately wired analogue D-Sub I/O following the relevant Tascam/RME pinout. RME specifically lists products including the ADI-8 QS, ADI-8 DS Mk III, M-32 AD/DA, M-16 AD/DA and M-32 Pro series among the compatible devices. Sound Character As a purely passive breakout solution, the DTOX-16 I/O has no sound character of its own. There are no microphone preamps, converters, active amplifier stages or DSP processing inside the unit. Its purpose is simply to provide a reliable physical connection between balanced analogue D-Sub and XLR formats. This straightforward architecture is particularly desirable in professional installations: audio performance remains determined by the connected converter, interface, preamp or outboard equipment, while DTOX-16 I/O provides an organised and mechanically robust connection point. RME uses Neutrik XLR connectors, making the panel particularly well suited to professional environments where connections may be changed regularly and mechanical reliability is essential. Highlights ✔ professional analogue XLR ↔ D-Sub breakout panel ✔ 8 analogue XLR inputs ✔ 8 analogue XLR outputs ✔ 16 analogue audio channels in total ✔ 2 × 25-pin D-Sub connectors ✔ one D-Sub carries eight input channels ✔ one D-Sub carries eight output channels ✔ Tascam/RME-format D-Sub pinout ✔ high-quality Neutrik XLR connectors ✔ balanced analogue signal paths ✔ completely passive architecture ✔ no A/D or D/A conversion ✔ no electronic or DSP processing ✔ no drivers or software required ✔ no power supply required ✔ professional rack-mounted alternative to breakout looms ✔ simplifies studio cabling and troubleshooting ✔ ideal for permanently wired studio installations ✔ universally applicable to appropriately wired analogue D-Sub equipment ✔ compatible with numerous professional RME converters and interfaces Typical Applications ✔ multichannel A/D and D/A converters ✔ professional audio interfaces with D-Sub I/O ✔ connecting converters to analogue outboard equipment ✔ patchbay integration ✔ mixing-console and summing-system connectivity ✔ analogue insert systems ✔ recording studios ✔ mixing and mastering studios ✔ broadcast installations ✔ post-production facilities ✔ live and touring racks ✔ permanent installations ✔ replacing D-Sub/XLR breakout looms ✔ centralised professional XLR connectivity ✔ RME ADI-8 QS and ADI-8 DS Mk III ✔ RME M-16 and M-32 systems Technical Specifications ✔ product type: passive analogue breakout panel ✔ version: DTOX-16 I/O ✔ audio format: balanced analogue ✔ total audio channels: 16 ✔ inputs: 8 × female XLR ✔ outputs: 8 × male XLR ✔ XLR connectors: Neutrik ✔ D-Sub connectors: 2 × DB25 / 25-pin ✔ D-Sub input group: 8 channels ✔ D-Sub output group: 8 channels ✔ D-Sub pinout: Tascam format / RME compatible ✔ Ground: pins 2, 5, 8, 11, 16, 19, 22 and 25 ✔ Pin 13: not connected ✔ active electronics: none ✔ A/D-D/A conversion: none ✔ DSP: none ✔ external power: not required ✔ software/drivers: not required ✔ installation: 19-inch rack ✔ compatibility: analogue D-Sub I/O equipment with corresponding pinout ✔ RME-listed compatible products: ADI-8 QS, ADI-8 DS Mk III, M-32 AD, M-32 DA, M-16 AD, M-16 DA, M-32 Pro AD and M-32 Pro DA