Effects – Tools for Space, Depth and Character
Effects processors are among the most creative tools in audio production. They do more than simply alter the sound of a signal—they influence how space, movement, scale, and atmosphere are perceived. Depth, character, and musical expression are at the heart of their purpose.
Whether it is reverb, delay, modulation, saturation, or specialized effects processors, high-quality outboard equipment offers possibilities that go far beyond basic signal processing and can help give a production its own identity.
The question is rarely which effects processor is objectively “the best.” What matters is which tool best suits the material, the production, the workflow, and the desired sonic aesthetic.
Since the earliest days of studio recording, effects processors have shaped the character of countless productions. From classic echo chambers and tape delays to modern hybrid and DSP-based systems, many iconic sounds were born through the creative use of effects.
At the same time, effects serve a much broader purpose than simple sonic enhancement. They create depth, help position elements within a mix, generate movement, and give voices and instruments a distinctive identity.
Different effects processors approach these tasks in very different ways. Some operate transparently and subtly, while others deliberately leave a strong sonic imprint and become part of the musical expression itself.
In practice, the number of presets or features is rarely what matters most. What matters is how intuitively a device supports creative decisions and how effectively it integrates into an existing workflow.
That is why you will not find a random collection of effects processors at Peakhouse Audio. Our selection is based on hands-on studio experience, direct comparisons, and solutions that have proven themselves in professional recording, mixing, and mastering environments.
If you are unsure which effects processor best suits your setup, we are happy to help with equipment selection, integration, and application.
Less emphasis on effects for their own sake—and more focus on tools that bring greater depth, character, and expression to a production.
AMS Neve RMX16-500
AMS Neve RMX16-500 The AMS Neve RMX16-500 is a high-end digital reverb module in 500-series format, bringing the legendary sound of the original RMX16 from the 1980s into a modern studio workflow. Developed by AMS Neve, it uses the exact same “bit-for-bit” algorithms as the original unit, delivering the iconic sound heard on countless recordings. Originally introduced as one of the first microprocessor-controlled digital reverbs, the RMX16 became a defining tool in music production—especially throughout the 1980s. The 500-series version enhances this legacy with modern DSP, improved noise performance and additional features such as preset storage and wet/dry control. Sound Character The AMS Neve RMX16-500 delivers a rich, dense and musical reverb with a distinctive vintage character. Its most famous feature is the “NonLin” algorithm, which produces the iconic gated reverb sound widely used on 1980s recordings. In addition to classic reverb types (Ambience, Room, Hall, Plate), the unit offers creative effects such as reverse reverb, chorus and delay. It ranges from subtle spatial enhancement to highly characterful effects while always remaining musical and mix-ready. Highlights ✔ classic digital reverb in 500-series format ✔ original RMX16 algorithms (bit-accurate recreation) ✔ iconic 80s gated reverb (NonLin2) ✔ 18 programs including original and expansion algorithms ✔ modern 32-bit DSP with 24-bit / 48 kHz conversion ✔ 100 user preset slots ✔ wet/dry mix control and extended parameter editing ✔ OLED display with intuitive encoder control ✔ significantly lower noise than vintage units ✔ API 500 Series format (3-slot module) Typical Applications ✔ drum and snare reverb (gated / nonlinear) ✔ vocal processing with character ✔ 80s-style effects and retro sound design ✔ mixing and post-production ✔ creative FX (reverse, freeze, modulation) Technical Specifications ✔ device type: digital reverb (500 series module) ✔ DSP: 32-bit processing ✔ converters: 24-bit / 48 kHz ✔ programs: 18 (NonLin, Hall, Plate, Room, Echo, etc.) ✔ presets: 100 user slots ✔ dynamic range: >100 dB ✔ I/O: depends on 500-series rack ✔ format: API 500 Series (3 slots) ✔ configuration: mono-in / stereo-out
Bricasti M10
Bricasti M10 The Bricasti M10 is a dedicated hardware remote controller designed for the legendary Bricasti M7 reverb. It allows full control of one or multiple M7 units directly from the listening position, eliminating the need to access rack-mounted gear. Built with the same design philosophy as the M7, the M10 features a solid milled aluminum chassis, high-quality controls, and an intuitive interface. It connects via RS422 and can control multiple units simultaneously, making it ideal for complex studio setups and immersive audio environments. Function & Workflow The M10 is not an audio processor but a dedicated control surface: full control over all M7 parameters operation from the sweet spot multi-unit control capability identical interface to the M7 Especially in larger studios, it significantly improves workflow and efficiency. Highlights ✔ dedicated hardware remote for Bricasti M7 / M7M ✔ control of up to 8 units ✔ RS422 connection (stable, low latency) ✔ identical interface to M7 ✔ solid milled aluminum construction ✔ 8-channel metering ✔ powered via M7 (no external PSU required) ✔ ideal for large and immersive setups
Bricasti M7
Bricasti M7 The Bricasti M7 is a reference-class stereo digital reverb and widely considered one of the best hardware reverbs ever made. Designed by former Lexicon engineers, it was built specifically for high-end studio, mixing, mastering, and post-production environments. Unlike convolution reverbs, the M7 uses advanced algorithmic processing to generate highly realistic and musically flexible spaces. Powered by multiple DSP processors, it delivers extremely dense, natural, and immersive reverb textures. Its combination of modern DSP design, dedicated analog output stage, and linear power supply ensures top-tier audio performance and reliability. Sound Character The M7 is known for its exceptionally natural, dense, and three-dimensional reverb: Rooms: realistic and believable Tails: smooth and cohesive Depth: outstanding spatial placement Blend: integrates into the mix instead of sitting on top Often described as “space in a box”, it can place sounds convincingly into acoustic environments rather than simply adding effect reverb. Highlights ✔ reference-class stereo digital reverb ✔ algorithmic true stereo processing (not convolution) ✔ over 200 high-quality presets ✔ extremely dense and natural reverb tails ✔ up to 24-bit / 192 kHz processing ✔ powerful multi-DSP architecture ✔ dedicated analog output stage + linear PSU ✔ extensive parameter control ✔ MIDI control + optional remote ✔ 19” rackmount (1U)
Bricasti M7M
Bricasti M7M The Bricasti M7M is the modular “mainframe” version of the legendary M7 reverb, designed for professional studio and post-production environments requiring scalable setups. It is sonically identical to the M7, but removes the front panel controls and is operated via the external M10 remote. This design allows multiple M7M units to be controlled from a single interface, making it ideal for large-scale or immersive workflows. Sound Character The M7M delivers the exact same reference-grade reverb sound as the M7: highly realistic spatial reproduction extremely dense and smooth tails precise depth and imaging seamless integration into mixes Its algorithmic processing creates real-time spaces with exceptional musicality and realism. Highlights ✔ identical sound engine to the Bricasti M7 ✔ mainframe version without front panel controls ✔ requires M10 remote for operation ✔ true stereo algorithmic reverb ✔ over 200 presets + user memory ✔ high-performance multi-DSP architecture ✔ premium analog output stage + linear PSU ✔ scalable multi-unit system ✔ ideal for immersive audio setups ✔ 19” rackmount (1U)
Bricasti System 1
Bricasti System 1 The Bricasti System 1 is a complete high-end reverb solution consisting of the M7M reverb mainframe and the M10 remote controller. It is designed for professional studio, post-production, and immersive environments requiring maximum flexibility and scalability. At its core, the system delivers the same legendary sound as the M7, while separating processing and control into two dedicated units. This allows for expandable multi-unit setups and streamlined workflows. System Architecture System 1 includes: M7M Reverb Mainframe → same sound engine as M7, no front panel M10 Remote Controller → full control from the listening position The remote connects via RS422 and is powered directly by the reverb unit. Sound Character The System 1 delivers the classic Bricasti M7 sound: highly realistic spatial reproduction extremely dense and smooth reverb tails precise depth and imaging seamless integration into mixes Its real-time algorithmic processing avoids convolution, resulting in a more natural and musical response. Highlights ✔ complete reverb system (M7M + M10) ✔ reference-class true stereo reverb ✔ identical sound to the M7 ✔ over 200 presets + user memory ✔ control of up to 8 units via one remote ✔ scalable for larger systems ✔ high-end DSP architecture + analog stage ✔ stable RS422 remote connection ✔ handcrafted in the USA
Drawmer 1976
Drawmer 1976 Stereoprozessor 1976 – Stereoprozessor mit 3-Band-Sättigung und Manipulation der Stereobasisbreite Der Drawmer 1976 ist ein 3-bandiger Stereoprozessor für Sättigungseffekte und zur Bearbeitung der Stereobasisbreite, der mit dem Ziel entwickelt wurde, Aufnahmen und Live-Sound mit dem Charakter und der Klangfärbung von klassischem Equipment aus den 1970er Jahren zu veredeln. Die komplett analog erzeugte Sättigung des 1976 bietet eine Authentizität, die Plug-Ins nur anstreben, aber nicht erreichen können. Hier wird steriler und harscher Digitalklang durch Fülle, Weichheit und Wärme ersetzt. Die drei Sättigungsbänder im 1976 basieren auf den hochgelobten Schaltungen zur Sättigung und Manipulation der Stereobasisbreite in unserem digitalen Masteringprozessor DC2476 und fügen dem Klangbild die typischen Artefakte hinzu, die man an klassischen Geräten so schätzt. Sättigung eignet sich perfekt, um Musik Klangfülle hinzuzufügen und diese von einer kalten, kargen Landschaft in ein warmes, helles Panorama zu verwandeln. Im Unterschied zu anderen Sättigungsprozessoren bietet der 1976 gleich drei Bänder zur Kontrolle der Stereobasisbreite und Sättigung. Mit seinem einfachen, aber leistungsstarken und zudem stereophon ausgelegten Regler-Set arbeiten Sie Tiefe und zusätzliche Transparenz in Ihrer Mischung heraus. Sättigung kann den Sound einer Musikproduktion tatsächlich verbessern, indem sie dem Klang durch subtile Verzerrungen wohlklingende Obertöne und zusätzlich Charakter verleiht. Der 1976 erlaubt diesen Klangcharakter in vollständig analoger Form zu generieren. Mit drei unabhängig regelbaren Sättigungsbändern bietet der 1976 beeindruckende Bearbeitungsmöglichkeiten, die sich mit konventionellen 1-bandigen Modellen nicht erreichen lassen. Ohne eine Stereoverbreiterung springt die Mischung den Zuhörer nicht an – und genau dafür lassen sich die drei Bänder des 1976 nutzen: Sie erzeugen eine neue Dimension, die eine Mischung von einer zweidimensionalen Klangfläche weg in ein umfassendes, dreidimensionales Klangerlebnis verwandelt. Im 1976 lässt sich die Stereobasisbreite besonders einfach mit den zugehörigen Reglern für die Tiefen-, Mitten- und Höhenbänder anpassen. Der Vorteil einer unabhängigen Kontrolle über die Stereobasisbreite für jedes Frequenzband besteht darin, den Höhenbereich breiter aufzufächern, ohne gleichzeitig den Bassbereich zu beeinflussen. Eigenschaften des Drawmer 1976 Stereoprozessors: • Leistungsstarke analoge Sättigung über drei Bänder zur Erzeugung analoger Wärme für digitalen und analogen Kläng • Akustische Veredelung von Aufnahmen mit dem Klangcharakter der 1970er Jahren und Entfernung der klinischer Härte aus digitalen Aufnahme • 3-bandige, variable Kontrolle über die Stereobasisbreite für eine perfekt abgestimmte Tiefe und Präsenz • Vollständig variable Übergangsfrequenzen zwischen den Bändern gestatten eine maßgeschneiderte Bearbeitung mit individueller Sättigung innerhalb des Frequenzspektrums • Echter Stereobetrieb mit einem Regler-Set für beide Kanäle • Betriebsmöglichkeit in Mono und Stereo • Der Monoschalter erlaubt die Erkennung möglicher Probleme bei Stereomischungen • Integriertes lineares Netzteil mit einstreuungsarmem • Gewohnt hohe Drawmer-Fertigungsqualität mit robustem Stahlblechgehäuse und Aluminiumfront. • Von Drawmer in Großbritannien entwickelt und gefertigt. Technische Spezifikationen des Drawmer 1976 Soundprozessors: • Eingangsimpdanz: > 20k Ohm • Eingangspegel, max.: +18dB • Ausgangsimpedanz: <100 Oh • Ausgangspegel, max.: +21dBu (10k Ohm Lastimpedanz) • Frequenzgang: 20Hz bis 20kHz +/-0,2d • Verzerrung (THD+N) @ 1kHz/ 0 dB: 0,006% • Trennfrequenzen: 70 Hz bis 1,5 kHz, 800Hz bis 15kH • Spannungsversorgung: 230V oder 115V, 15V • Abmessungen: 482mm (B) x 44mm (H) x 202mm (T) • Gewicht: 2,6 kg
Echo Fix EF-X3 Desktop
Echo Fix EF-X3 Desktop The Echo Fix EF-X3 Desktop is a premium fully analog tape echo unit in a desktop format, combining classic tape delay technology with modern features. Inspired by legendary units such as the Roland Space Echo and Maestro EP-3, it delivers authentic delay effects along with analog chorus and spring reverb. Built with durability and sound quality in mind, the EF-X3 is designed for professional studios, sound designers and demanding musicians. Sound Character The EF-X3 delivers the classic organic tape echo sound with all its desirable characteristics: ✔ warm, slightly saturated delay repeats ✔ natural modulation from tape movement ✔ rich, three-dimensional depth Its integrated BBD chorus and spring reverb provide additional tonal options, from subtle enhancement to pronounced vintage textures. Highlights ✔ true analog tape echo (no DSP) ✔ integrated BBD chorus and spring reverb ✔ three playback heads + additional “sound-on-sound” head ✔ individual outputs per playback head for stereo setups ✔ FET preamp section (can be used as a signal booster) ✔ CV and expression control for speed and feedback ✔ balanced inputs and outputs ✔ auto tape stop to extend tape life ✔ solid desktop construction Typical Applications ✔ vintage tape delay for recording and mixing ✔ sound design and creative processing ✔ guitar, synth and vocal effects ✔ re-amping and analog signal processing ✔ stereo delay setups using individual head outputs Technical Specifications ✔ device type: tape echo / analog multi-effect ✔ effects: tape delay, BBD chorus, spring reverb ✔ signal path: 100% analog ✔ delay time: approx. 56 – 800 ms depending on head configuration ✔ connections: line/instrument input, XLR I/O, head outputs, CV/expression ✔ controls: speed, feedback, EQ (bass/treble), chorus, reverb ✔ power supply: external (24 V) ✔ format: desktop
Echo Fix EF-X3 Tolex
Echo Fix EF-X3 Tolex The Echo Fix EF-X3 Tolex is a version of the EF-X3 tape echo housed in a classic tolex-covered enclosure, combining vintage aesthetics with modern, reliable analog engineering. It is a fully analog tape echo unit featuring integrated BBD chorus and spring reverb, designed for professional studio and live applications. Built with durability and sound quality in mind, the EF-X3 combines classic tape echo character with enhanced functionality and reliability. Sound Character The EF-X3 Tolex delivers the classic organic tape echo sound with rich analog depth and movement. Typical characteristics include: ✔ warm, slightly saturated delay repeats ✔ natural modulation from tape movement ✔ lively and “breathing” sound texture The integrated analog chorus and real spring reverb add further tonal depth and creative possibilities. Highlights ✔ true analog tape echo (no DSP) ✔ classic tolex enclosure with vintage look ✔ integrated BBD chorus and spring reverb ✔ three playback heads + sound-on-sound head ✔ individual outputs per playback head for stereo ping-pong effects ✔ FET preamp section for tonal coloration ✔ CV and expression control for speed and feedback ✔ balanced inputs and outputs ✔ auto tape stop for extended tape life ✔ robust, road-ready construction with tolex finish Typical Applications ✔ vintage tape delay for recording and mixing ✔ sound design and creative processing ✔ guitar, synth and vocal effects ✔ re-amping and analog processing ✔ stereo delay setups using individual head outputs Technical Specifications ✔ device type: tape echo / analog multi-effect ✔ signal path: 100% analog ✔ effects: tape delay, BBD chorus, spring reverb ✔ delay time: up to approx. 800 ms depending on head configuration ✔ playback heads: 3 + 1 (sound-on-sound) ✔ connections: line/instrument input, XLR I/O, head outputs, CV/expression ✔ controls: speed, feedback, EQ (bass/treble), chorus, reverb ✔ power supply: external (100–240 V) ✔ format: desktop (tolex enclosure) ✔ weight: approx. 12 kg
Echo Fix EF-X3 Vintage Voice Blue Desktop
Echo Fix EF-X3 Vintage Voice Blue Desktop The Echo Fix EF-X3 Vintage Voice Blue Desktop is a premium version of the EF-X3 tape echo, combining the authentic sound of classic tape echo machines with modern features for recording, sound design and live performance. Built on the proven EF-X3 platform, the Vintage Voice Edition adds adjustable Wow & Flutter controls, an extended motor speed range, advanced modulation options and an innovative tape-looping workflow. Its distinctive Vintage Blue front panel highlights the instrument's classic aesthetic while being handcrafted in Australia. Its entirely analog signal path combines a genuine tape echo with an analog BBD chorus, spring reverb, vintage FET preamp and four playback heads. New modulation controls allow seamless blending between sine-wave and sample-and-hold modulation for authentic tape instability, while dedicated Record and Erase switches unlock advanced sound-on-sound looping and overdubbing capabilities. Sound Character The EF-X3 Vintage Voice delivers the warm, organic and highly animated sound associated with the finest vintage tape echo machines. Its adjustable Wow & Flutter controls recreate the subtle mechanical instability of classic tape systems, while the analog spring reverb and BBD chorus add exceptional depth and spaciousness. Variable tape speed produces everything from pristine vintage echoes to heavily degraded lo-fi textures. Combined with natural tape saturation, self-oscillation and extended looping functions, the EF-X3 becomes more than an effects processor—it becomes a highly expressive musical instrument for creative sound design. Highlights ✔ genuine analog tape echo with continuous tape loop ✔ Vintage Voice Edition with exclusive Vintage Blue front panel ✔ 100% analog signal path ✔ adjustable Wow & Flutter with sine and sample-and-hold modulation ✔ analog BBD chorus with rate and depth controls ✔ analog spring reverb ✔ four playback heads including dedicated Sound-on-Sound head ✔ seven playback-head combinations ✔ Record and Erase Off functions for live tape looping ✔ extended motor speed range for longer delays and lo-fi textures ✔ vintage FET preamp for instrument and line sources ✔ individual outputs for all playback heads ✔ balanced XLR inputs and outputs ✔ CV control for motor speed and feedback ✔ Auto Tape Stop extends tape life ✔ handcrafted in Australia Typical Applications ✔ vintage tape delay for studio and stage ✔ creative sound design and experimental processing ✔ guitars, synthesizers and drum machines ✔ dub, ambient and psychedelic productions ✔ tape looping and sound-on-sound recording ✔ analog self-oscillation and feedback effects ✔ hybrid studios with premium analog outboard Technical Specifications ✔ device type: analog tape echo ✔ signal path: fully analog ✔ delay system: continuous tape loop with four playback heads ✔ maximum delay time: approx. 1.2 seconds ✔ tape speed: approx. 3–15 IPS ✔ chorus: analog BBD chorus ✔ reverb: analog spring reverb ✔ modulation: Wow & Flutter with Rate, Depth and Shape controls ✔ inputs: instrument, line, balanced XLR ✔ outputs: balanced XLR, wet output, four individual playback-head outputs ✔ control: CV for motor speed and feedback, remote footswitch inputs ✔ power supply: universal 100–240 V PSU ✔ weight: approx. 12 kg ✔ origin: Australia
Echo Fix EF-X3 Vintage Voice Blue Tolex
Echo Fix EF-X3 Vintage Voice Blue Tolex The Echo Fix EF-X3 Vintage Voice Blue Tolex combines the unmistakable sound of classic tape echo machines with a durable road-ready tolex enclosure and the expanded feature set of the exclusive Vintage Voice Edition. Handcrafted in Australia, this fully analog tape echo integrates genuine tape delay, analog BBD chorus, spring reverb and a vintage FET preamp while adding advanced modulation and creative tape-loop functionality. The distinctive Vintage Blue tolex enclosure provides both classic aesthetics and enhanced durability for studio and live applications. Built upon the proven EF-X3 platform, the Vintage Voice Edition introduces adjustable Wow & Flutter, an extended tape-speed range and enhanced Sound-on-Sound capabilities. Four playback heads, seven playback-head combinations and individual outputs offer exceptional routing flexibility, while variable modulation accurately recreates the organic imperfections of vintage tape echo machines. Sound Character The EF-X3 Vintage Voice Blue Tolex delivers an exceptionally warm, spacious and organic tape echo sound with unmistakable vintage character. Adjustable Wow & Flutter controls introduce authentic tape movement and subtle pitch variations, creating rich, animated repeats. The analog spring reverb adds classic ambience, while the BBD chorus provides additional width and modulation. Natural tape saturation completes the sound, allowing everything from subtle vintage warmth to heavily degraded lo-fi textures. With self-oscillation, tape looping and variable tape speed, the EF-X3 becomes far more than a delay unit—it is a highly expressive creative instrument for modern music production and sound design. Highlights ✔ genuine analog tape echo with continuous tape loop ✔ Vintage Voice Edition in Vintage Blue tolex enclosure ✔ 100% analog signal path ✔ adjustable Wow & Flutter with sine and sample-and-hold modulation ✔ analog BBD chorus ✔ analog spring reverb ✔ four playback heads including dedicated Sound-on-Sound head ✔ seven playback-head combinations ✔ Record and Erase Off functions for tape looping and overdubbing ✔ extended tape-speed range for vintage and lo-fi effects ✔ vintage FET preamp for instrument and line sources ✔ individual outputs for all playback heads ✔ balanced XLR inputs and outputs ✔ CV control for motor speed and feedback ✔ Auto Tape Stop for extended tape and motor life ✔ handcrafted in Australia Typical Applications ✔ premium vintage tape delay for studio and live performance ✔ creative sound design and experimental processing ✔ guitars, synthesizers and drum machines ✔ dub, ambient, psychedelic and cinematic productions ✔ tape looping and sound-on-sound recording ✔ analog self-oscillation and feedback effects ✔ premium analog outboard for recording and hybrid studios Technical Specifications ✔ device type: analog tape echo ✔ signal path: fully analog ✔ delay system: continuous tape loop with four playback heads ✔ maximum delay time: approx. 1.2 seconds ✔ tape speed: approx. 4–15 IPS ✔ chorus: analog BBD chorus ✔ reverb: analog spring reverb ✔ modulation: Wow & Flutter with Rate, Depth and Shape controls ✔ inputs: instrument, line, balanced XLR ✔ outputs: balanced XLR, wet output, four individual playback-head outputs ✔ control: CV for motor speed and feedback, remote footswitch inputs ✔ power supply: universal 100–240 V AC ✔ weight: approx. 12 kg ✔ enclosure: Vintage Blue tolex ✔ origin: Australia
Echo Fix EF-X3R
Echo Fix EF-X3R The Echo Fix EF-X3R is the rackmount version of the EF-X3, a fully analog tape echo system designed for professional studio and post-production environments. It combines classic tape echo technology with modern features and is built for installation in standard 19" racks. Like all EF-X3 models, the EF-X3R uses real tape processing and enhances it with analog BBD chorus and spring reverb, resulting in a highly versatile effect unit with authentic vintage character. Sound Character The EF-X3R delivers the classic organic tape echo sound with rich analog depth and movement. Typical characteristics include: ✔ warm, slightly saturated delay repeats ✔ natural modulation from tape movement ✔ rich, three-dimensional sound The integrated chorus and spring reverb expand the sonic palette, from subtle enhancement to strong vintage textures. Highlights ✔ true analog tape echo (no DSP) ✔ 19" rackmount version of the EF-X3 ✔ integrated BBD chorus and spring reverb ✔ three playback heads + sound-on-sound head ✔ individual outputs per playback head for stereo setups ✔ FET preamp section for tonal coloration ✔ CV and expression control for speed and feedback ✔ balanced inputs and outputs ✔ auto tape stop to extend tape and motor life ✔ optimized for rack integration Typical Applications ✔ tape delay for recording, mixing and mastering ✔ permanent installation in studio racks ✔ sound design and creative processing ✔ guitar, synth and vocal effects ✔ re-amping and analog processing ✔ stereo delay setups using individual head outputs Technical Specifications ✔ device type: tape echo / analog multi-effect ✔ format: 19" rackmount ✔ signal path: 100% analog ✔ effects: tape delay, BBD chorus, spring reverb ✔ delay time: up to approx. 800 ms depending on head configuration ✔ playback heads: 3 + 1 (sound-on-sound) ✔ connections: line/instrument input, XLR I/O, head outputs, CV/expression ✔ controls: speed, feedback, EQ (bass/treble), chorus, reverb ✔ power supply: external
Echo Fix EF-X3R Vintage Voice Blue
Echo Fix EF-X3R Vintage Voice Blue The Echo Fix EF-X3R Vintage Voice Blue is the 19-inch rackmount version of the exclusive Vintage Voice Edition, designed for professional recording, mixing and post-production environments seeking the authentic sound of classic tape echo machines in a studio-ready rack format. Handcrafted in Australia, the fully analog EF-X3R combines genuine tape echo, analog BBD chorus, spring reverb and a vintage FET preamp with advanced routing and creative modulation features. Its distinctive Vintage Blue front panel gives the unit a timeless studio appearance. Building upon the standard EF-X3R platform, the Vintage Voice Edition introduces a dedicated Wow & Flutter section with Rate, Depth and Shape controls, an extended tape-speed range and independent Record and Erase controls for advanced tape looping and sound-on-sound recording. Four playback heads including a dedicated Sound-on-Sound head, seven playback-head combinations and individual playback-head outputs provide exceptional routing flexibility, while balanced connectivity and CV control ensure seamless integration into modern hybrid studios. Sound Character The EF-X3R Vintage Voice Blue delivers an exceptionally warm, spacious and organic tape echo sound with unmistakable vintage character. Its dedicated Wow & Flutter section recreates the natural mechanical instability of classic tape machines, ranging from subtle tape movement to heavily degraded lo-fi modulation. Combined with the analog spring reverb, BBD chorus and natural tape saturation, it produces deep, immersive delay textures full of movement and harmonic richness. Variable tape speed, self-oscillation and advanced tape-loop functions transform the EF-X3R into far more than a delay processor—it becomes a highly expressive creative instrument for producers, engineers and sound designers. Highlights ✔ genuine analog tape echo in 19-inch rackmount format (3U) ✔ Vintage Voice Edition with Vintage Blue front panel ✔ fully analog signal path ✔ dedicated Wow & Flutter section with Rate, Depth and Shape controls ✔ sine and sample-and-hold modulation ✔ analog BBD chorus ✔ analog spring reverb ✔ four playback heads including dedicated Sound-on-Sound head ✔ seven playback-head combinations ✔ independent Record and Erase controls for tape looping and overdubbing ✔ extended tape-speed range for longer delays and lo-fi textures ✔ vintage FET preamp for instrument and line sources ✔ individual playback-head outputs ✔ balanced inputs and outputs ✔ CV control for motor speed and feedback ✔ Auto Tape Stop for extended tape and motor life ✔ handcrafted in Australia Typical Applications ✔ professional tape delay for recording and mixing studios ✔ creative sound design and experimental processing ✔ guitars, synthesizers and drum machines ✔ dub, ambient, psychedelic and cinematic productions ✔ tape looping and sound-on-sound recording ✔ analog self-oscillation and feedback effects ✔ premium analog outboard for hybrid studios Technical Specifications ✔ device type: analog tape echo / rackmount ✔ format: 19-inch, 3U ✔ signal path: fully analog ✔ delay system: continuous tape loop with four playback heads ✔ maximum delay time: approx. 1.2 seconds ✔ tape speed: approx. 4–15 IPS ✔ chorus: analog BBD chorus ✔ reverb: analog spring reverb ✔ modulation: Wow & Flutter with Rate, Depth and Shape controls ✔ inputs: instrument, line, balanced ✔ outputs: balanced, dedicated wet output and individual playback-head outputs ✔ control: CV for motor speed and feedback, remote footswitch inputs ✔ power supply: 100–240 V AC universal ✔ weight: approx. 12 kg ✔ origin: Australia
Empirical Labs EL7X FATSO
Empirical Labs EL7X FATSO The Empirical Labs EL7X FATSO is a unique analog stereo processor that combines tape emulation, compression, saturation, and transient shaping in a single unit. Designed as an alternative to analog tape machines, it brings the desirable characteristics of tape, tubes, and Class-A circuitry into modern digital workflows. It features a digitally controlled analog signal path, blending multiple non-linear processes to make digital audio sound warmer, denser, and more musical. It is specifically designed to reduce the “cold” and harsh nature of digital recordings. Sound Character The FATSO is not just a compressor—it’s a character processor. It combines: Soft clipping & saturation for analog-style transient rounding Warmth circuit to dynamically smooth high frequencies Transformer emulation for low-end richness Compression for glue and density The result is a thicker, warmer, and more cohesive sound with reduced digital harshness and increased perceived loudness. Highlights ✔ 2-channel analog tape emulator and compressor ✔ combines saturation, soft clipping, compression, and filtering ✔ “Warmth” circuit for dynamic high-frequency control ✔ transformer emulation (“Tranny”) for harmonic depth ✔ multiple compression modes incl. “Spank” and “Eleven” ✔ stereo link for consistent stereo processing ✔ ideal for mix bus and tracking ✔ enhances perceived loudness and analog feel ✔ 19” rackmount design (1U)
Eventide H9000
Eventide H9000 Der Eventide H9000 ist das Flaggschiff unserer Multieffektprozessoren und setzt unsere ungebrochene Tradition fort, der Pro-Audio-Gemeinschaft die leistungsstärksten Signalprozessoren der Branche zur Verfügung zu stellen. Als Höhepunkt einer nahezu fünfzigjährigen Forschungs- und Entwicklungsarbeit ist der H9000 mit 1.600 einzigartigen Algorithmen bestückt, die sowohl geschätzte Klassiker als auch die neuesten und besten von Eventide bereithalten. Mit seiner Fülle an mitgelieferten Effekten garantiert der H9000 auf Jahre hinaus neue Entdeckungen und Inspiration. Eigenschaften Vier Quadcore-ARM-Prozessoren: 16 DSP-Engines Analoge Audioein- und -ausgänge: 8 Kanäle USB-Audio: 16 Kanäle AES/EBU, ADAT, S/PDIF: bis zu 8 Kanäle Audio-Netzwerk-Optionen: 32 Kanäle pro Erweiterungskarte. Drei Erweiterungs-Slots für optionale Audioschnittstellen. Dante und MADI verfügbar Fernsteuerbarkeit: Fernsteuersoftware für Mac/Windows sowie als DAW-Plug-In FX Chains: Innovativer Ansatz zur Konfiguration und Verwaltung komplexer Effekte Direct I/O: Digitales Audio-Interface der Spitzenklasse Umfassende Live-Steuerung: MIDI, Expression-Pedale, Aux-Schalter und USB-Controller Preset-Transfer: Speichern und Laden von Presets über USB-Sticks Netzwerkanbindung für Steuerung und Software-Updates: LAN- und WLAN-Konnektivität
Eventide H9000 Avid ProTools Expansion Board
Eventide H9000 Avid ProTools Expansion Board The user-installable expansion card allows Pro Tools HDX or HD Native users to connect the H9000 directly for up to 32 channels of direct I/O with Pro Tools|HD via its Primary DigiLink port. It can alternatively be daisy-chained with other Pro Tools interfaces via the Secondary DigiLink port with the included 12’ mini-Digilink cable. The H9000 can either sync to an external clock via loop sync/word clock, or the H9000 can be the clock source. Concurrent with the release of the Pro Tools|HD Expansion Card is the release of version 1.3 operating software for the H9000.
Eventide H9000 Dante Expansion Board
Eventide H9000 Dante Expansion Board Audinate Brooklyn II Dante Module based design 32 In / 32 Out operation at all supported H9000 sample rates Sample Rate Clock Sources: Brooklyn II Module, Dante network, H9000 AES67 Support Either 2 Primary and 2 Redundant Networks Connections or 4 Primary Network Connections
Eventide H9000 MADI Expansion Board
Eventide H9000 MADI Expansion Board Supports full AES5 compatibility Sample Rate Clock Sources: H9000 or the selected MADI RX Stream 32 In / 32 Out operation at at all supported H9000 sample rates Optical, Coax or ExpressCard (RME proprietary) connections.
Eventide H9000R
Eventide H9000R Der Eventide H9000 ist das Flaggschiff unserer Multieffektprozessoren und setzt unsere ungebrochene Tradition fort, der Pro-Audio-Gemeinschaft die leistungsstärksten Signalprozessoren der Branche zur Verfügung zu stellen. Als Höhepunkt einer nahezu fünfzigjährigen Forschungs- und Entwicklungsarbeit ist der H9000 mit 1.600 einzigartigen Algorithmen bestückt, die sowohl geschätzte Klassiker als auch die neuesten und besten von Eventide bereithalten. Mit seiner Fülle an mitgelieferten Effekten garantiert der H9000 auf Jahre hinaus neue Entdeckungen und Inspiration. Eigenschaften Vier Quadcore-ARM-Prozessoren: 16 DSP-Engines Analoge Audioein- und -ausgänge: 8 Kanäle USB-Audio: 16 Kanäle AES/EBU, ADAT, S/PDIF: bis zu 8 Kanäle Audio-Netzwerk-Optionen: 32 Kanäle pro Erweiterungskarte. Drei Erweiterungs-Slots für optionale Audioschnittstellen. Dante und MADI verfügbar Fernsteuerbarkeit: Fernsteuersoftware für Mac/Windows sowie als DAW-Plug-In FX Chains: Innovativer Ansatz zur Konfiguration und Verwaltung komplexer Effekte Direct I/O: Digitales Audio-Interface der Spitzenklasse Umfassende Live-Steuerung: MIDI, Expression-Pedale, Aux-Schalter und USB-Controller Preset-Transfer: Speichern und Laden von Presets über USB-Sticks Netzwerkanbindung für Steuerung und Software-Updates: LAN- und WLAN-Konnektivität
Freqport FreqInOut FO1
Freqport FreqInOut FO1 The Freqport FreqInOut FO1 is an innovative hybrid audio solution that allows external analog outboard gear to be used seamlessly as plug-ins within a DAW. As a dedicated hardware insert interface, it bridges classic studio hardware with modern digital workflows while eliminating complex routing, latency issues and cabling overhead. The compact desktop unit features 4 analog inputs and outputs and connects via USB-C. Combined with the Freqport plug-in (VST, AU, AAX), external hardware appears directly inside the DAW like a native plug-in, with full control over routing, gain and configuration. Its integrated hardware matrix and automatic latency compensation enable simultaneous use of multiple analog processors—from compressors and EQs to creative effects—without the limitations of traditional insert setups. Sound Character The FO1 is designed for maximum transparency and accurate signal integrity. Thanks to high-quality ESS converters, the signal remains clean, detailed and uncolored even after multiple A/D and D/A stages. The focus is not on coloration, but on neutral, phase-accurate transmission, ensuring the full character of connected outboard gear is preserved. This makes the FO1 an ideal interface for integrating high-end analog processing into digital production environments. Highlights ✔ hardware insert interface for integrating outboard gear into a DAW ✔ 4 × analog inputs and outputs (balanced TRS) ✔ USB-C connectivity for direct computer integration ✔ plug-in control (VST3, AU, AAX) with full recall ✔ latency-compensated routing via integrated hardware matrix ✔ configurable as 4 mono or 2 stereo insert channels ✔ parallel processing (dry/wet) and M/S mode ✔ high-quality ESS 32-bit converters up to 192 kHz ✔ expandable via cascading (up to 8 channels) ✔ simplified workflow without complex routing ✔ USB bus-powered or optional external PSU Typical Studio Applications ✔ integrating analog compressors, EQs and effects into DAWs ✔ hybrid mixing workflows with hardware outboard ✔ insert processing on tracks, buses and master ✔ parallel processing (compression / saturation) ✔ expanding existing audio interfaces with additional I/O Technical Specifications ✔ device type: hardware insert interface / hybrid audio system ✔ analog I/O: 4 × inputs / 4 × outputs (¼″ TRS) ✔ audio resolution: 32-bit ✔ sample rates: up to 192 kHz ✔ dynamic range: approx. 120 dB (D/A) / 116 dB (A/D) ✔ routing: integrated hardware matrix with latency compensation ✔ plug-in formats: VST3, AU, AAX ✔ connectivity: USB-C ✔ power: USB bus or external 12 V PSU ✔ expansion: cascading of two units supported ✔ form factor: desktop / half-rack
Freqport FreqTube FT-1
Freqport FreqTube FT-1 The Freqport FreqTube FT-1 is an innovative analog-digital hybrid processor that brings real tube saturation directly into your DAW. As a hardware-based effect with plug-in control, it combines classic analog tone shaping with modern digital workflow and full recall capability. The system consists of a compact desktop unit with integrated tube circuitry and a software interface that allows the FT-1 to operate like a plug-in within your DAW. Via a simple USB-C connection, audio can be processed through real analog circuits without complex routing. Inside, four selected vacuum tubes (2× E83CC/12AX7 and 2× 12AT7) provide a wide range of tonal options, from subtle saturation to aggressive distortion. Sound Character The FT-1 delivers true analog tube harmonics with exceptional flexibility. Its sound ranges from subtle warmth and harmonic enhancement to heavy saturation and creative distortion. One of its key strengths is the ability to bring elements forward in a mix without introducing harshness. Transients remain intact while harmonic content is enhanced, making it suitable for both transparent mix enhancement and bold sound design. Highlights ✔ real analog tube processor with plug-in integration ✔ four tubes: 2× E83CC/12AX7 + 2× 12AT7 ✔ USB-C connectivity for direct DAW integration ✔ 32-bit / up to 192 kHz audio resolution ✔ up to 2 stereo or 4 mono instances simultaneously ✔ eight assignable hardware controls ✔ fully controllable via VST, AU, AAX plug-in ✔ adjustable harmonics (even/odd), drive and overdrive ✔ integrated hardware filters for tone shaping ✔ full parameter recall within sessions ✔ no traditional analog routing required Typical Studio Applications ✔ analog saturation within digital DAW workflows ✔ vocal and instrument enhancement ✔ drum bus saturation and mix glue ✔ creative sound design with tube character ✔ hybrid setups without complex cabling Technical Specifications ✔ device type: analog hardware processor with plug-in integration ✔ tubes: 2× E83CC/12AX7, 2× 12AT7 ✔ audio resolution: 32-bit ✔ sample rates: 44.1 – 192 kHz ✔ dynamic range: approx. 120 dB (DAC) / 116 dB (ADC) ✔ channels: up to 2× stereo or 4× mono ✔ control: software plug-in + 8 hardware encoders ✔ connectivity: USB-C ✔ plug-in formats: VST3, AU, AAX ✔ form factor: desktop (optional rack mount)
Pope Audio Dirty-DC Desktop Analogue Chorus Module
Pope Audio Dirty-DC Desktop Analogue Chorus Module The Pope Audio Dirty-DC is essentially the Dirty-C in a standalone desktop unit. It features the exact same circuit/sound and controls with an external 24 VDC power supply. Utilizing an original BBD MN-3007 chip, (the same chip used in the original RE-501 chorus), the Dirty-DC perfectly replicates the lush, lo-fi sound of the original, albeit in a much smaller (and more affordable) package. It features pseudo-stereo L&R out puts like the RE501 (really a full wet against a full dry). An instrument output allows you to use the Dirty-DC in a guitar pedal chain. Use as a reamp output if the balanced line input is chosen. It also features a footswitch input for “IN/OUT” control and an expression pedal input for the modulation Speed control. Features: Same circuitry as the Dirty C in a convenient desktop format Genuine Bucket Brigade MN-3007 chip as used in original RE-501 Chorus Fully analog path Fully balanced I/O Hand-built in the UK
Sherman Dual Filterbank 2
Sherman Dual Filterbank 2 Die Sherman Dual Filterbank 2 beherbergt zwei identische Filterbank 2-Einheiten in einem flachen 19"-Gehäuse, das auch einfach auf dem Tisch gelegt werden kann. Alle Ein- und Ausgänge befinden sich auf der Frontplatte, was unzählige Verknüpfungen zwischen den beiden Geräten, aber vor allem auch mit anderen Tischgeräten einfach macht. Über 'link'-Buchsen lassen sich die beiden Filter verknüpfen und parrallel bespielen. Wie auch die einfache Rackversion haben hier beide LFOs auch einen Wellenform-Ausgang.
Sherman Filterbank II classic
Sherman Filterbank II classic Die Filterbank 2 von Sherman ist ein Musikinstrument in deutlicher Abgrenzung zur einfachen Klangformung eines "gewöhnlichen" Filters. Mit zwei parallel oder seriell verwendbaren sehr komplexen Filtern, LFO, Hüllkurven, einer satten Verzerrung und diversen modularen Verknüpfungsmöglichkeiten kann mit der Filterbank 2 schon aus dem einfachen Rauschen eines losen Kabels ein satter Beat generiert werden. Das Gerät ist für unbegrenzte Klangformungsanwendungen die richtige Antwort, wenn man es erst einmal verstanden hat. In einem ungewöhlichen Gehäuse und mit einem sagenhaft übersichtlichen Manual ist die Filterbank 2 unerwartet funktional und auch noch ausgesprochen schön. Unabhängige Tiefpass-, Bandpass- und Hochpassfilter mit Resonanz-, Frequenz- und ADSR-Regler (positiv - negativ) Diese sind umschaltbar zwischen parallel und seriell Das zweite Filter hat einen 6-Oktaven-Schalter und ist mit dem ersten Filter synchronisierbar 1 ADSR-Generator für diese Filter mit einem externen Ausgang zur Verwendung mit mehreren Filterbänken oder modularen Systemen, ausgelöst durch das eingehende Signal, durch eine zweite Schallquelle oder durch ein Gate 1 FM-Eingang für die Filter, internes oder externes Audio, LFO oder CV 1 VCA-Overdrive auch mit AR-Generator 1 Ringmodulator-Eingang, internes oder externes Audio, LFO oder CV
Sherman Filterbank II COMPACT
Sherman Filterbank II COMPACT Die Filterbank 2 von Sherman ist ein Musikinstrument in deutlicher Abgrenzung zur einfachen Klangformung eines "gewöhnlichen" Filters. Mit zwei parallel oder seriell verwendbaren sehr komplexen Filtern, LFO, Hüllkurven, einer satten Verzerrung und diversen modularen Verknüpfungsmöglichkeiten kann mit der Filterbank 2 schon aus dem einfachen Rauschen eines losen Kabels ein satter Beat generiert werden. Das Gerät ist für unbegrenzte Klangformungsanwendungen die richtige Antwort, wenn man es erst einmal verstanden hat. In einem ungewöhlichen Gehäuse und mit einem sagenhaft übersichtlichen Manual ist die Filterbank 2 unerwartet funktional und auch noch ausgesprochen schön. Die kompakte Version ist viel kleiner und hat alle Anschlüsse auf der Oberseite. Unabhängige Tiefpass-, Bandpass- und Hochpassfilter mit Resonanz-, Frequenz- und ADSR-Regler (positiv - negativ) Diese sind umschaltbar zwischen parallel und seriell Das zweite Filter hat einen 6-Oktaven-Schalter und ist mit dem ersten Filter synchronisierbar 1 ADSR-Generator für diese Filter mit einem externen Ausgang zur Verwendung mit mehreren Filterbänken oder modularen Systemen, ausgelöst durch das eingehende Signal, durch eine zweite Schallquelle oder durch ein Gate 1 FM-Eingang für die Filter, internes oder externes Audio, LFO oder CV 1 VCA-Overdrive auch mit AR-Generator 1 Ringmodulator-Eingang, internes oder externes Audio, LFO oder CV
Sherman Filterbank II single rack
Sherman Filterbank II single rack Die Filterbank 2 von Sherman ist ein Musikinstrument in deutlicher Abgrenzung zur einfachen Klangformung eines "gewöhnlichen" Filters. Mit zwei parallel oder seriell verwendbaren sehr komplexen Filtern, LFO, Hüllkurven, einer satten Verzerrung und diversen modularen Verknüpfungsmöglichkeiten kann mit der Filterbank 2 schon aus dem einfachen Rauschen eines losen Kabels ein satter Beat generiert werden. Das Gerät ist für unbegrenzte Klangformungsanwendungen die richtige Antwort, wenn man es erst einmal verstanden hat. In einem ungewöhlichen Gehäuse und mit einem sagenhaft übersichtlichen Manual ist die Filterbank 2 unerwartet funktional und auch noch ausgesprochen schön. Unabhängige Tiefpass-, Bandpass- und Hochpassfilter mit Resonanz-, Frequenz- und ADSR-Regler (positiv - negativ) Diese sind umschaltbar zwischen parallel und seriell Das zweite Filter hat einen 6-Oktaven-Schalter und ist mit dem ersten Filter synchronisierbar 1 ADSR-Generator für diese Filter mit einem externen Ausgang zur Verwendung mit mehreren Filterbänken oder modularen Systemen, ausgelöst durch das eingehende Signal, durch eine zweite Schallquelle oder durch ein Gate 1 FM-Eingang für die Filter, internes oder externes Audio, LFO oder CV 1 VCA-Overdrive auch mit AR-Generator 1 Ringmodulator-Eingang, internes oder externes Audio, LFO oder CV
SSL Fusion
Solid State Logic Fusion The Solid State Logic Fusion is a high-end analog stereo outboard processor designed for mix bus and mastering applications. It combines multiple processing tools in one unit, allowing engineers to add musical polish and character to their mixes. Fusion features six analog processing sections: Vintage Drive, Violet EQ, HF Compressor, Stereo Image, Transformer, and Master Insert. These modules can be used individually or together to shape and enhance the overall sound. Its flexible signal path makes it ideal as a final processing stage in both analog and hybrid workflows. Sound Character Fusion delivers musical, warm, and refined processing. Rather than aggressive processing, it focuses on subtle enhancements that improve depth, width, and harmonic richness. It can range from transparent polishing to more noticeable coloration and saturation. It is particularly effective on mix buses, adding cohesion, clarity, and analog depth. Highlights ✔ analog stereo outboard processor for mix bus and mastering ✔ 6 processing modules in one unit ✔ vintage drive for harmonic saturation ✔ violet EQ for musical tone shaping ✔ HF compressor for high-frequency control ✔ stereo image for width adjustment ✔ transformer stage for analog coloration ✔ master insert for external gear integration ✔ fully analog signal path ✔ ideal for hybrid workflows Typical Applications ✔ mix bus processing (final polish) ✔ mastering with analog enhancement ✔ stereo bus processing ✔ enhancing DAW mixes ✔ hybrid studio setups Technical Specifications ✔ device type: stereo analog processor ✔ circuit: fully analog ✔ format: 19” rack ✔ channels: stereo ✔ modules: drive, EQ, HF comp, stereo image, transformer ✔ insert: stereo insert loop ✔ processing: analog
Teaching Machines Fuzzbillion - B-Stock
Teaching Machines Fuzzbillion The Teaching Machines Fuzzbillion is a unique analogue multi-gain distortion and fuzz processor designed for guitars, basses, synthesizers and line-level studio signals. Instead of conventional knobs, the device uses a series of numbered rotary wheels that directly reconfigure the internal circuit, creating an extremely flexible distortion design platform. Sound shaping is handled by eleven “component wheels”, each controlling a different stage of the distortion circuit such as boost stages, clipping types, tone shaping, octave fuzz and a phase-locked-loop oscillator. Combining these parameters results in up to 10 billion theoretical tone variations. The circuit is entirely analog and uses a variety of amplification and clipping components including germanium, silicon and LED diodes, allowing a wide range of tonal characteristics. Exact settings can easily be recalled simply by writing down or photographing the numeric configuration. Hand-built in the UK and developed in collaboration with Life Is Unfair Audio Devices, the Fuzzbillion functions both as a powerful distortion unit and an experimental analog sound-design tool. Sound Character The Fuzzbillion delivers an extremely wide range of analog gain textures, from subtle clean boosts to heavy distortion and chaotic fuzz effects. Its combination of boost stages, clipping structures and filters enables sounds such as: warm vintage overdrive aggressive high-gain distortion classic germanium fuzz tones octave fuzz textures PLL-based oscillating effects In practice, the Fuzzbillion behaves less like a single pedal and more like an analog distortion design workstation. Highlights ✔ analogue multi-gain distortion and fuzz processor ✔ 11 numbered component wheels for circuit configuration ✔ up to 10 billion theoretical sound combinations ✔ fully analog circuit using germanium, silicon and LED diodes ✔ covers everything from clean boost to extreme fuzz ✔ integrated octave fuzz and PLL oscillator effects ✔ tilt EQ and high-cut tone shaping ✔ total recall via numeric settings ✔ switchable instrument or transformer-balanced line level ✔ hand-built in the UK Typical Studio Applications ✔ distortion and fuzz effects for guitars ✔ creative synthesizer sound design ✔ analog distortion processing for drum machines and samplers ✔ experimental noise and feedback textures ✔ studio and live performance effects processor Technical Specifications ✔ device type: analog distortion / fuzz processor ✔ design: fully analog circuitry ✔ control system: 11 component wheels (0–9 settings) ✔ possible tone combinations: up to ~10 billion ✔ clipping components: germanium, silicon, LED and op-amp stages ✔ inputs: instrument or transformer-balanced line input (1/4" TS) ✔ outputs: mono 1/4" output ✔ power supply: 9 V DC (center-negative) ✔ dimensions: approx. 17.5 × 15 × 9.2 cm ✔ weight: approx. 1.6 kg
Teaching Machines Wellspring Stereo Spring Reverb Machine
Teaching Machines Wellspring Stereo Spring Reverb Machine The Teaching Machines Wellspring is a boutique analogue stereo spring reverb processor that combines classic spring-reverb character with modern sound-design tools. The unit integrates spring reverb, delay, filters and modulation in a single analog effects processor designed for studios and creative musicians. At its core are two full-size spring reverb tanks with four springs in total, producing a wide and immersive stereo reverb field. The reverb is fed by a stereo delay stage, allowing long evolving reverb tails and rhythmic echo textures. The Wellspring also features analog stereo filters, modulation controls and a unique feedback crossover system that routes the spring signal back into the delay. This “magic loop” enables complex feedback networks and extremely long reverb textures. The result is a highly versatile analog effects processor capable of producing everything from subtle ambience to wild experimental soundscapes. Sound Character The Wellspring delivers authentic vintage spring reverb tone with deep stereo imaging and organic texture. Thanks to the integrated delay, filters and modulation sections, the unit goes far beyond traditional spring reverbs, enabling: classic surf-style spring ambience dub-style delay and reverb combinations evolving ambient textures experimental feedback-based sound design This makes it a powerful hybrid between classic studio reverb, tape-echo aesthetics and modular-style sound processing. Highlights ✔ analogue stereo spring reverb processor ✔ two full-size spring tanks (four springs total) ✔ integrated stereo delay section with feedback control ✔ four analogue stereo filters ✔ LFO-based modulation for delay and filter ✔ “magic” cross-feedback loop for extreme effects ✔ ping-pong delay routing ✔ high-impedance guitar input + stereo line inputs/outputs ✔ 19" rackmount (3U) or desktop operation ✔ boutique hand-built studio effects unit Typical Studio Applications ✔ spring reverb for guitars, synthesizers and keyboards ✔ dub and reggae-style delay/reverb sound design ✔ ambient and experimental sound creation ✔ analog outboard reverb for mixing ✔ live performance effects processor Technical Specifications ✔ device type: analogue stereo spring reverb / effects processor ✔ reverb: 2 spring tanks / 4 springs total ✔ delay: stereo delay lines with feedback and sync ✔ filters: 4 analogue stereo filters (LP / HP / BP / Notch) ✔ modulation: stereo LFO modulation ✔ feedback: cross-channel feedback loop (“Magic”) ✔ inputs: front guitar input + stereo line inputs ✔ outputs: stereo line outputs ✔ format: 19" rack / 3U or desktop ✔ power supply: external PSU
Thermionic Culture Culture Vulture Super 15
Thermionic Culture CULTURE VULTURE SUPER 15 The Thermionic Culture CULTURE VULTURE Super 15 is a high-end stereo valve distortion and harmonic enhancement processor designed for professional recording, mixing and sound-design environments. This special edition expands the classic Culture Vulture architecture with additional distortion modes, extended drive range and improved tonal shaping options. Thermionic Culture Culture Vulture Super 15 Released as a 15-year anniversary model, the Super 15 combines all features of earlier special editions while introducing new controls such as Presence shaping and additional harmonic processing modes. Its fully valve-based signal path uses selected NOS tubes designed for long life, low noise and high gain capability, allowing the processor to function either as a subtle harmonic enhancer or as an aggressive tube distortion unit. Sound Character The CULTURE VULTURE Super 15 is designed as a creative harmonic distortion processor. Compared to earlier versions, the Super 15 offers significantly expanded tonal options with up to ten different distortion characters, ranging from classic triode saturation to extreme SQ distortion modes. By combining Drive, Bias and Function controls, engineers can shape the harmonic structure from subtle analog warmth to extreme tube distortion. It is widely used for drums, vocals, synthesizers and stereo mix bus processing. Highlights ✔ stereo valve distortion and harmonic enhancer ✔ fully tube-based signal path ✔ up to 10 distortion modes ✔ 15-step Drive control for extended gain range ✔ Drive switch with Normal / +10 dB / Overdrive ✔ Presence switch for additional brightness ✔ Bias control for adjusting tube operating point ✔ switchable low-pass filter for smoothing harsh harmonics ✔ additional mid-lift functions in pentode modes ✔ −10 dB output pad for level comparison ✔ bypass switch for direct A/B comparison ✔ handcrafted in the United Kingdom Typical Studio Applications ✔ tube saturation for vocals and instruments ✔ creative distortion for synthesizers and drum loops ✔ harmonic enhancement on stems or mix bus ✔ sound design and experimental processing ✔ parallel distortion techniques in mixing Technical Specifications ✔ Device type: stereo valve distortion / harmonic enhancer ✔ Channels: 2 (stereo or dual-mono) ✔ Distortion types: up to 10 modes ✔ Gain: 15-step Drive control ✔ Distortion range: approx. 0.2 % – >90 % THD ✔ Frequency response: Normal Drive: 40 Hz – 18 kHz (±1.5 dB) Overdrive: 50 Hz – 11 kHz (±1.5 dB) ✔ Maximum output level: approx. +17 dBu @ 2 % THD ✔ Noise floor: approx. 85 dB below maximum output ✔ Input impedance: 20 kΩ line / 50 kΩ DI ✔ Output impedance: approx. 1 kΩ ✔ Connections: XLR line inputs / ¼″ DI inputs ✔ Format: 19-inch rack (approx. 2U–3U)
Thermionic Culture Ultra Vulture
Thermionic Culture ULTRA VULTURE The Thermionic Culture ULTRA VULTURE is a high-end stereo valve harmonic enhancer and distortion processor designed for professional mixing, mastering and sound-design environments. Developed by the British manufacturer Thermionic Culture, it builds upon the legendary Culture Vulture design and introduces improvements aimed specifically at precise stereo processing and mastering workflows. Compared to the original model, the Ultra Vulture provides lower noise, wider bandwidth and improved stereo matching of controls, making it particularly suitable for stereo mix-bus processing and subtle harmonic enhancement. The fully valve-based signal path uses carefully selected tubes and transformer-balanced inputs and outputs. This design allows the unit to operate either as a gentle analog enhancer or as a powerful tube distortion processor. Sound Character The ULTRA VULTURE is designed for controlled harmonic saturation and analog distortion. Four distortion modes provide different tonal characteristics: Triode (T) – mainly even-order harmonics for warm saturation Pentode P1 – stronger odd-order harmonics for aggressive tone Pentode P2 – added compression and heavier distortion Pentode P3 – extreme distortion for creative effects The Drive and Bias controls allow precise shaping of the distortion intensity and harmonic structure. Thanks to its extended bandwidth and accurate channel matching, the Ultra Vulture is especially well suited for stereo bus processing and mastering applications. Highlights ✔ stereo valve harmonic enhancer and distortion processor ✔ fully tube-based signal path ✔ four distortion modes: Triode, Pentode P1, P2 and P3 ✔ Drive and Bias controls for harmonic shaping ✔ Normal / +10 dB / Overdrive gain settings ✔ Presence switch for additional high-frequency lift ✔ switchable low-pass filter to tame distortion artifacts ✔ stereo-matched controls for mix-bus processing ✔ transformer-balanced XLR inputs and outputs ✔ true bypass switching ✔ handcrafted in the United Kingdom Typical Studio Applications ✔ analog saturation on stereo mix bus or master bus ✔ harmonic enhancement of digital productions ✔ creative distortion for synthesizers and drums ✔ sound design and experimental processing ✔ tube soft-limiting for transient control Technical Specifications ✔ Device type: stereo valve distortion / harmonic enhancer ✔ Channels: 2 (stereo or dual-mono) ✔ Gain: approx. 46 dB line / 52 dB DI ✔ Frequency response: approx. 20 Hz – 25 kHz (±1 dB) ✔ Maximum output level: approx. +19 dBm ✔ Distortion range: approx. 0.2 % to >90 % THD ✔ Noise floor: approx. 90 dB below maximum output level ✔ Input impedance: approx. 20 kΩ line / 50 kΩ DI ✔ Output impedance: approx. 1 kΩ ✔ Connections: XLR line I/O + 6.35 mm DI input ✔ Format: 19-inch rack / 2U ✔ Weight: approx. 6 kg
Vermona Filter Lancet
Vermona Filter Lancet Unser Schweizer Taschenmesser zur Nachbearbeitung von Einzelstimmen oder ganzen Tracks. Mehr als nur eine Filterbox Seine Verwandtschaft zum Retroverb Lancet kann Filter Lancet nicht verleugnen. Kein Wunder, in beiden Geräten arbeiten dasselbe Multimode-Filter mit Tief-, Hoch- und Bandpass sowie die Overdrive-Schaltung und der diskret aufgebaute VCA. Mit dieser geschickten Kombination kannst Du mit Filter Lancet die unterschiedlichsten Effekte erzeugen. Das Spektrum reicht von klassischen Filtersweeps über Wah-Sounds bis hin zu Tremolo und mehr. Mit der flexibel triggerbaren Hüllkurve und dem LFO kannst Du Filter Lancet taktgenau in Deinen Track integrieren, Flächen rhythmisch zerhacken und auch Drumsounds komplett verfremden. Offen für alles Filter Lancet ist ein großartiges Werkzeug zur Erweiterung elektronischer Klangerzeuger, lässt sich darauf aber keinesfalls reduzieren. Auch für kreative Gitarristen und Bassisten ist Filter Lancet unglaublich vielseitig einsetzbar. Und natürlich spricht nichts dagegen, Filter Lancet für originelle Klänge auch mal mit Gesang zu füttern! Wir versprechen Dir nicht, dass mit Filter Lancet alles perfekt klingt und zum Hit wird, aber wir versprechen Dir, dass Du mit Filter Lancet jede Menge Spaß haben wirst und zu Ergebnissen kommst, die Du Dir vorher nicht vorstellen konntest.
Vermona Retroverb Lancet
Vermona Retroverb Lancet Analoger Zauberkasten für Effekt-Enthusiasten! Effektiv gegen Langeweile, fördernd für die kreative Klanggestaltung Mit dem einmaligen Zusammenspiel aus Federhall, analogem Multimode-Filter, Verzerrer und VCA, moduliert durch einen ultraschnellen LFO und eine flexibel triggerbare Hüllkurve, hältst Du mit Retroverb Lancet ein umfassendes Arsenal unterschiedlichster Effekte für verschiedenste Anwendungsbereiche in der Hand. Das Spektrum reicht weit über klassischen Hall, Filtersweeps oder Overdrive hinaus, denn bist Du stets in der Lage, jeden Parameter schnell und intuitiv anzupassen und nach Belieben zu verbiegen. Retroverb Lancet verändert die Art und Weise, wie Du mit Effekten arbeitest. Es integriert sich in die Klangerzeugung, beflügelt diese und wird zum wesentlichen Bestandteil Deiner Sounds. Die Quelle der Effektivität Wir haben Retroverb Lancet so ausgelegt, dass es perfekt mit Signalen aller Art zurechtkommt: Gitarre, Bass, Synthesizer, Orgel oder Mikrofon. Obendrein kannst Du mit der triggerbaren Crash-Funktion von Retroverb Lancet selbst perkussive Klänge erzeugen. Retroverb Lancet ist ein echtes Multitalent mit Charakter für experimentierfreudige Soundtüftler und Klangforscher.