Channel Strips – The Complete Signal Chain in a Single Unit
Channel strips combine several essential studio tools into a single signal path. Preamps, equalizers, compressors, and additional processing stages work together seamlessly, creating a fast and highly musical workflow. Tone shaping, dynamic control, and confident decision-making are at the heart of their design.
Rather than combining multiple pieces of equipment individually, high-quality channel strips provide a carefully designed signal flow from input to output. Especially during recording, they can help shape vocals and instruments directly at the source.
The question is rarely which channel strip is objectively “the best.” What matters is which combination of preamp, EQ, dynamics processing, and sonic character best suits the source, workflow, and desired result.
Channel strips have been a core part of efficient recording and mixing workflows in professional studios for decades. By combining key processing stages in a logical order, they make sonic decisions immediate and intuitive.
Whether working with vocals, bass, guitars, drums, or spoken word, a well-chosen channel strip can significantly simplify the recording process. Level, tonal balance, dynamics, and saturation can all be controlled directly during tracking.
At the same time, channel strips differ greatly in both design and character. Some are built for transparency and precision, while others draw inspiration from classic consoles, add deliberate coloration, or combine multiple distinct circuit concepts within a single unit.
In practice, the number of features matters far less than how effectively the individual sections work together and whether they support fast, repeatable decision-making.
That is why you will not find a random collection of channel strips at Peakhouse Audio. Our selection is based on real-world studio experience, direct comparisons, and equipment that has proven itself over time in professional recording, mixing, and broadcast environments.
If you are unsure which channel strip best fits your setup, we are happy to help with equipment selection, integration, and signal-flow planning.
Fewer workarounds — and a signal path that makes sonic decisions faster, more musical, and more confident.
AMS Neve 8801
AMS Neve 8801 The AMS Neve 8801 is a professional analog channel strip that brings the complete signal path of a channel from the legendary Neve 88RS large-format console into a compact 1U rack unit. It combines microphone preamp, filter section, four-band EQ and dynamics processing with compressor and gate/expander. The unit is designed to deliver the sound and workflow of a large Neve console in modern recording and mixing environments. The internal routing allows flexible placement of EQ, filters and dynamics processing within the signal chain. Sound Character The 8801 delivers a clean yet musical Neve sound, characterized by high detail resolution and controlled analog coloration. Derived from the Neve 88RS console channel architecture, the strip provides up to 70 dB of microphone gain along with extensive tone-shaping and dynamics control. The integrated VCA compressor/limiter can operate transparently or provide stronger dynamic shaping, while the gate/expander offers additional control for recording and mixing applications. Highlights ✔ analog channel strip in 1U rack format ✔ derived from the Neve 88RS console channel strip ✔ Neve mic / line / DI preamp ✔ variable high-pass and low-pass filters ✔ 4-band parametric EQ ✔ VCA compressor / limiter ✔ gate / expander with sidechain options ✔ insert send and return ✔ flexible routing of EQ, filters and dynamics ✔ USB connection for Neve Total Recall software ✔ optional 192 kHz A/D converter card
API TCS-II Channel Strip
API TCS-II Channel Strip The API TCS-II (The Channel Strip II) is a professional analog mono channel strip designed to deliver the classic API console sound in a compact rack unit. The signal path combines several iconic API circuits, including the 512C microphone preamp, 550A equalizer, 527A compressor and 325 line driver. The TCS-II functions as a complete recording front-end, offering microphone, line and instrument inputs together with dynamics processing, precision equalization and a high-headroom output stage. Each processing section can be individually engaged or bypassed, allowing flexible signal routing for different studio workflows. At its core are the famous API 2520 op-amps and transformer-balanced output stages, delivering the recognizable API tone with fast transients, strong midrange presence and high headroom. Sound Character The API TCS-II delivers the unmistakable API console sound: punchy, fast and highly musical. The 512C preamp provides powerful and transparent gain, while the 527A compressor with the patented THRUST® sidechain maintains tight and punchy low frequencies. The legendary 550A EQ adds musical tone shaping with proportional-Q filtering and classic API character. This makes the TCS-II an excellent channel strip for both tracking and mixing applications. Highlights ✔ complete analog channel strip ✔ API 512C microphone preamp ✔ API 527A compressor with THRUST® circuit ✔ legendary API 550A 3-band equalizer ✔ API 325 line-driver output stage ✔ mic, line and Hi-Z instrument inputs ✔ ±12 dB boost/cut per EQ band ✔ shelving modes and band-pass filter option ✔ insert points and sidechain input ✔ 10-segment LED metering ✔ individually switchable processing sections Technical Specifications ✔ device type: analog mono channel strip ✔ circuitry: API 2520 op-amps with transformer output ✔ preamp gain: 14 dB – 68 dB ✔ compressor ratio: 1:1 – ∞:1 ✔ attack time: 1 ms – 25 ms ✔ release time: 0.1 s – 3 s ✔ EQ: API 550A 3-band ±12 dB ✔ maximum output level: +30 dBu ✔ inputs: XLR mic, TRS line, Hi-Z instrument ✔ output: balanced XLR line output ✔ format: 19-inch rackmount (approx. 1U)
Avalon VT-737SP black
Avalon VT-737SP black Introducing the AVALON VT-737SP: A Premium Single-Channel Valve Channel Strip The AVALON VT-737 SP is an exceptional single-channel valve channel strip renowned for its Class A Circuitry, Opto compressor, and versatile four-band EQ. This high-quality audio equipment has been the go-to choice for countless timeless classics, capable of infusing warmth, sweetness, and vibrancy into even the most lackluster microphones. One of the standout features of the AVALON VT-737 is its preamp section, which boasts top-tier Class A circuitry. With two cascaded dual vacuum tube triodes meticulously designed to minimize negative feedback and preserve the purity of sound, this preamp guarantees an unparalleled audio experience. It offers three selectable inputs, including Mic level input, Line level input, and DI instrument input. Moreover, the preamp section includes a passive and adjustable high-pass filter, phase polarity control, and a bypass option for added flexibility. Following the preamp section is the opto-compressor, featuring a ratio control that ranges from 1:1 to 20:1, along with Threshold, attack, and release controls. This opto-compressor utilizes an optical cell for passive attenuation and twin Class A vacuum tubes for precise gain matching. Its minimal signal path ensures pristine signal integrity. Additionally, the compressor can be set to pre- or post-eq using a dedicated switch on the front panel. Notably, the EQ can also be utilized to shape the side-chain path, enabling dynamic spectral shaping techniques such as De-essing. The large VU meter provides the option to display input, output, or gain reduction, while the link Jack input allows for seamless stereo tracking by linking two vt737-SP units together. The AVALON VT-737SP also incorporates a comprehensive four-band EQ, offering extensive tonal control. This EQ includes Low- and high-shelf filters, as well as two parametric bands. The passive design of the low and high shelves imparts a smooth and pleasing sound, with selectable frequencies for tailored adjustments. The two mid-bands feature variable frequencies and switched Q-width selection for precise sculpting. Additionally, both mid-bands can impact the low and high bands using the X10 frequency multipliers. This EQ is perfect for quick and effective tone enhancement. When in Sidechain mode, the low and high shelves remain in the audio path, allowing for broad sound shaping capabilities. To ensure an exceptional final output, the AVALON VT-737SP utilizes another dual triode valve to drive the discrete Class-A output amplifier. This meticulous design guarantees exceptional audio quality and faithful reproduction of your recordings. Experience unparalleled audio performance with the AVALON VT-737SP, the ultimate single-channel valve channel strip that brings your sound to life with warmth, clarity, and sonic richness. Circuit topology: 4 dual triode vacuum tubes (Sovtek 6922), high-voltage discrete Class A Gain Range Microphone: Transformer balanced 850/2500 ohm, 0dB to +58dB Instrument: Unbalanced 1 meg ohm, 0dB to +30dB Line: Balanced Class A 20k ohms, -27dB to 28dB Maximum input level and connector types: Microphone26dB@25Hz, +30dB@1kHz balanced XLR Instrument+30dB unbalanced front panel jack socket Line +36dB balanced XLR Maximum output level: +30dB balanced 600 ohms, DC coupled, discrete Class A Output type and gain: XLR connector, output trim gain -45dB to20dB Noise 20kHz unweighted: -92dB Noise microphone EIN: -116dB, 22Hz-22kHz unweighted Distortion THD, IMD: 0.5% Frequency response -2.5dB: 10Hz-120kHz input filter included Frequency response -3dB: 1Hz-200kHz line in-out VU meter and gain reduction: High quality illuminated OVU =+4dB and gain reduction to -20dB High cut filter: Variable 6dB per octave 30Hz-140Hz Compressor type: Optical passive attenuator incorporating twin vacuum tubes and stereo link Threshold - Ratio: Threshold variable -30dB to +20dB, ratio-compression variable 1:1 to 20:1 Attack - Release: Attack variable 2mS to 200mS, release variable 100mS to 5 seconds Equalizer type: Discrete Class A, variable active and switched passive design Frequency bands (4): Treble - switched 10kHz, 15kHz, 20kHz, 32kHz, +/-20dB range, shelf High mid - variable 200Hz-28kHz and 2kHz -28kHz, +/-6dB range, hi-lo Q Low mid - variable 30Hz-450Hz and 300Hz-4k5Hz, +/-16dB range, hi-lo Q Bass - switched 15Hz, 30Hz, 60Hz, 150Hz, +/-24dB range, shelf AC power: Internal toroidal 100v to 240v, 50-60Hz selectable, 75 watts maximum Dimensions: 19 x 12 x 3.5 in (482 x 305 x 89mm) Weight: 22lbs. (10kg)
Avalon VT-737SP silver
Avalon VT-737SP silver Introducing the AVALON VT-737SP: A Premium Single-Channel Valve Channel Strip The AVALON VT-737 SP is an exceptional single-channel valve channel strip renowned for its Class A Circuitry, Opto compressor, and versatile four-band EQ. This high-quality audio equipment has been the go-to choice for countless timeless classics, capable of infusing warmth, sweetness, and vibrancy into even the most lackluster microphones. One of the standout features of the AVALON VT-737 is its preamp section, which boasts top-tier Class A circuitry. With two cascaded dual vacuum tube triodes meticulously designed to minimize negative feedback and preserve the purity of sound, this preamp guarantees an unparalleled audio experience. It offers three selectable inputs, including Mic level input, Line level input, and DI instrument input. Moreover, the preamp section includes a passive and adjustable high-pass filter, phase polarity control, and a bypass option for added flexibility. Following the preamp section is the opto-compressor, featuring a ratio control that ranges from 1:1 to 20:1, along with Threshold, attack, and release controls. This opto-compressor utilizes an optical cell for passive attenuation and twin Class A vacuum tubes for precise gain matching. Its minimal signal path ensures pristine signal integrity. Additionally, the compressor can be set to pre- or post-eq using a dedicated switch on the front panel. Notably, the EQ can also be utilized to shape the side-chain path, enabling dynamic spectral shaping techniques such as De-essing. The large VU meter provides the option to display input, output, or gain reduction, while the link Jack input allows for seamless stereo tracking by linking two vt737-SP units together. The AVALON VT-737SP also incorporates a comprehensive four-band EQ, offering extensive tonal control. This EQ includes Low- and high-shelf filters, as well as two parametric bands. The passive design of the low and high shelves imparts a smooth and pleasing sound, with selectable frequencies for tailored adjustments. The two mid-bands feature variable frequencies and switched Q-width selection for precise sculpting. Additionally, both mid-bands can impact the low and high bands using the X10 frequency multipliers. This EQ is perfect for quick and effective tone enhancement. When in Sidechain mode, the low and high shelves remain in the audio path, allowing for broad sound shaping capabilities. To ensure an exceptional final output, the AVALON VT-737SP utilizes another dual triode valve to drive the discrete Class-A output amplifier. This meticulous design guarantees exceptional audio quality and faithful reproduction of your recordings. Experience unparalleled audio performance with the AVALON VT-737SP, the ultimate single-channel valve channel strip that brings your sound to life with warmth, clarity, and sonic richness. Circuit topology: 4 dual triode vacuum tubes (Sovtek 6922), high-voltage discrete Class A Gain Range Microphone: Transformer balanced 850/2500 ohm, 0dB to +58dB Instrument: Unbalanced 1 meg ohm, 0dB to +30dB Line: Balanced Class A 20k ohms, -27dB to 28dB Maximum input level and connector types: Microphone26dB@25Hz, +30dB@1kHz balanced XLR Instrument+30dB unbalanced front panel jack socket Line +36dB balanced XLR Maximum output level: +30dB balanced 600 ohms, DC coupled, discrete Class A Output type and gain: XLR connector, output trim gain -45dB to20dB Noise 20kHz unweighted: -92dB Noise microphone EIN: -116dB, 22Hz-22kHz unweighted Distortion THD, IMD: 0.5% Frequency response -2.5dB: 10Hz-120kHz input filter included Frequency response -3dB: 1Hz-200kHz line in-out VU meter and gain reduction: High quality illuminated OVU =+4dB and gain reduction to -20dB High cut filter: Variable 6dB per octave 30Hz-140Hz Compressor type: Optical passive attenuator incorporating twin vacuum tubes and stereo link Threshold - Ratio: Threshold variable -30dB to +20dB, ratio-compression variable 1:1 to 20:1 Attack - Release: Attack variable 2mS to 200mS, release variable 100mS to 5 seconds Equalizer type: Discrete Class A, variable active and switched passive design Frequency bands (4): Treble - switched 10kHz, 15kHz, 20kHz, 32kHz, +/-20dB range, shelf High mid - variable 200Hz-28kHz and 2kHz -28kHz, +/-6dB range, hi-lo Q Low mid - variable 30Hz-450Hz and 300Hz-4k5Hz, +/-16dB range, hi-lo Q Bass - switched 15Hz, 30Hz, 60Hz, 150Hz, +/-24dB range, shelf AC power: Internal toroidal 100v to 240v, 50-60Hz selectable, 75 watts maximum Dimensions: 19 x 12 x 3.5 in (482 x 305 x 89mm) Weight: 22lbs. (10kg)
Chandler Limited TG Channel MKII
Chandler Limited TG Channel MKII The Chandler Limited TG Channel MKII is a high-end, fully discrete channel strip (mic preamp + EQ + DI) that combines several classic EMI TG circuits from Abbey Road Studios into a single unit. It merges the legendary TG2 microphone preamp (EMI TG12428) with an EQ derived from the TG12410 transfer/mastering console, delivering an authentic vintage signal chain in one device. Often described as a “TG preamp combined with a Pultec-style EQ”, it offers both tone shaping and harmonic character in a single workflow. Sound Character The TG Channel MKII delivers the classic “TG console sound”—warm, punchy and highly musical. Key characteristics include: rich transformer-based preamp tone silky, open high frequencies full, inductor-driven low end smooth, musical EQ curves The EQ is designed for musical shaping rather than surgical precision, similar to vintage Pultec-style equalizers. Highlights ✔ complete channel strip (preamp + EQ + DI) ✔ based on EMI TG console circuits (Abbey Road) ✔ TG2 preamp + TG12410 EQ combination ✔ fully discrete transformer-balanced design ✔ passive inductor EQ (Pultec-style behavior) ✔ input/output gain staging for saturation control ✔ flexible EQ section with boost & cut bands ✔ built-in DI input ✔ +48V phantom power and polarity reverse ✔ classic Abbey Road tone in a 1U rack unit Typical Studio Applications ✔ high-end vocal tracking ✔ drum recording (overheads, rooms) ✔ guitar (amp & DI) ✔ bass tracking ✔ analog front-end for DAW workflows ✔ tracking with “finished” analog tone Technical Specifications ✔ device type: channel strip (mic preamp + EQ + DI) ✔ channels: mono ✔ circuit: discrete transistor, transformer-balanced Preamp ✔ gain: mic −15 to +55 dB (stepped) ✔ line gain: ±15 dB ✔ input impedance: 600 Ω (mic), 10 kΩ (line) EQ Section ✔ high shelf: +2 to +18 dB (6.8–16 kHz) ✔ mid boost: +2 to +18 dB (1.2–5.8 kHz) ✔ mid cut: −2 to −20 dB (300–850 Hz) ✔ low boost: +2 to +20 dB (50–200 Hz) ✔ low cut: 30 / 60 / 90 / 150 / 300 Hz Additional Features ✔ DI input: 1/4" ✔ phantom power: +48V ✔ polarity reverse ✔ I/O: XLR (transformer-balanced) ✔ power: external PSU-1 required ✔ format: 19" rack, 1U
Chandler Limited TGMC
Chandler Limited TGMC The Chandler Limited TGMC (TG Microphone Cassette) is a full high-end channel strip that combines the complete signal path of a classic EMI TG console from Abbey Road Studios into a single unit. Developed in collaboration with Abbey Road, it merges iconic vintage circuits with modern studio functionality. The design is based on the original EMI TG12345 console (late 1960s / 1970s) and integrates three core components: TG2 microphone preamp (EMI TG12428) Curve Bender EQ (TG12345) TG1 Opto Limiter (EMI TG12413) This makes the TGMC a complete recording front-end—from microphone input to final dynamics processing in one device. Sound Character The TGMC delivers the classic “TG sound”—punchy, rich and musically cohesive. The combination of discrete transistor preamp, musical EQ and optical limiter creates a three-dimensional sound with strong midrange presence and controlled low-end. The TG1 Opto Limiter provides smooth “glue-style” compression, keeping signals cohesive without sounding aggressive—ideal for vocals, drums and even mix-bus processing. Highlights ✔ full channel strip based on EMI TG12345 console ✔ combines preamp + EQ + limiter in one unit ✔ TG2 preamp with up to +70 dB gain ✔ Curve Bender EQ (expanded TG12345 design) ✔ TG1 Opto Limiter (vintage EMI compression circuit) ✔ independent limiter section operation ✔ front-panel DI input ✔ switchable high-pass filter ✔ +48V phantom power, polarity reverse ✔ stereo link capability (limiter section) ✔ external PSU for optimal audio performance ✔ handcrafted vintage-style design Typical Studio Applications ✔ high-end vocal recording (complete signal chain) ✔ drum tracking and bus processing ✔ guitar recording (amp & DI) ✔ tracking with finished analog sound ✔ mix bus / summing with character ✔ hybrid studio front-end Technical Specifications ✔ device type: channel strip (preamp / EQ / compressor) ✔ preamp: TG2 (EMI TG12428) ✔ gain: up to approx. +70 dB ✔ EQ: Curve Bender (TG12345, shelving + presence) ✔ compressor: TG1 Opto Limiter (EMI TG12413) ✔ inputs: XLR mic/line, 1/4” DI ✔ outputs: XLR ✔ filter: multi-step high-pass ✔ phantom power: +48V ✔ stereo link: yes (limiter section) ✔ power: external PSU-1 required ✔ form factor: 19” rack, 2U
Drawmer 1970
Drawmer 1970 – Dual FET-Kompressor und VorverstärkerDer Drawmer 1970 ist ein vielseitigster Mikrofonvorverstärker und FET-Kompressor und überzeugt durch seine klassischen Klangeigenschaften zu einem erschwinglichen Preis. Dabei orientiert er sich an dem berühmten Drawmer 1960 Röhren- Kompressor, bietet allerdings einen stark erweiterten Funktionsumfang und besser abgestimmten EQ. In den beiden Mikrofonvorverstärkern des 1970 kommt die neueste Technologie der THAT Corporation zum Einsatz, die eine extrem saubere, transparente und exakte Abnahme ermöglicht, wobei sich das Signal im weiteren Signalfluss nach Belieben mit Sättigungs-, Röhren-, Übertrager- oder Tape-Effekten veredeln lässt. Jeder Kanal erlaubt eine maximale Verstärkung von 66 dB und mit der schaltbaren Impedanz lässt sich der Vorverstärker perfekt an das angeschlossene Mikrofon anpassen und sorgt so für den bestmöglichen Klang. Zudem ist eine Phasenumkehrschaltung integriert. Der 1970 ist das perfekte und vielseitige Werkzeug für jedes Studio und empfiehlt sich für die Aufnahme von Instrumente über den dezidierten DI-Eingang, für die Gesangsproduktion über die extrem sauberen Mikrofonvorverstärker, für die Abnahme einer Gitarren-Lautsprecherbox mit zwei Mikrofonen oder die Aufnahme eines Sängers, der sich selbst auf der Gitarre begleitet. Dank seiner umfangreichen Link- und Mix-Funktionen eignet er sich ebenfalls als Stereo-Bus-Kompressor zur Bearbeitung von Summen-Signalen verwendet werden. Eigenschaften Zwei extrem saubere Mikrofonvorverstärker der THAT Corporation mit einer Verstärkung von 66 dB, Phantomspeisung und schaltbarer Mikrofonimpedanz für eine perfekte Abstimmung auf das angeschlossene Mikrofon Separate XLR-Eingänge für Line & Mikrofon Professioneller DI-Eingang für Instrumente mit EQ für Bässe und Höhen Für den Einsatz als Tracking-Kompressor mit zwei unabhängigen Kanälen oder als Stereo-Bus-Kompressor, dank funktional ausgereifter und umfassender Möglichkeiten für den Link-Betrieb True-Bypass der Kompressorsektion für ein extrem sauberes Ausgangssignal Standard-Bedienelemente wie Threshold, Ratio, Attack und Release sowie eine 8-stufige LED-Anzeige zur Darstellung der Pegelreduktion pro Band Zusätzliche Steuerungsmöglichkeiten über rückseitige Sidechain-Insert-Punkte Über die Modi „Big“ und „Air“ lassen sich Tiefbassanteile erhalten und die Höhen betonen Eine variable Wet/Dry-Mischung sowie separate Output-Gain-Regler pro Kanal ermöglichen Paralell-Kompression ohne den Einsatz eines externen Mixers und sorgen damit für eine umfassende und problemlose Steuerung der effektiven Kompression und des Ausgangspegels Hintergrundbeleuchtete analoge VU-Meter Pegelanzeigen mit schaltbarem +10 dB Rescale-Modus Nebengeräuschfreies Ein- und Ausschalten dank zeitgesteuerter Relais in den Ausgängen Integriertes lineares Netzteil mit einstreuungsarmem Ringkerntrafo und Spannungswahlschalter Gewohnt hohe Drawmer-Fertigungsqualität mit robustem Stahlblechgehäuse und Aluminiumfrontblende Von Drawmer in Großbritannien entwickelt und von Hand gefertigt Technische Spezifikationen Anschlüsse: Mic/Line: XLR symmetrisch; Aux Input: 6,35 mm Klinke, unsymmetrisch Eingangsimpedanz: Line: 20 kOhm, Mic: 200 Ohm bis 2,4 kOhm, Instrument: 2,2 MOhm Mic EIN: -130 dB Maximaler Eingangspegel: +21 dBu Ausgangsimpedanz: 100 Ohm Maximaler Ausgangspegel: +21 dBu Frequenzgang: 20 Hz bis 20 kHz, +/-0,5 dB Übersprechen: < -75 dB Rauschabstand: > 93 dB THD+N: 0,01% (0 dB) Spannungsversorgung: 115 oder 230 V, 63 VA Abmessungen: 482 mm (B) x 88 mm (H) x 270 mm (T) Gewicht: 4,2 kg
Drawmer 1977
Drawmer 1977 1977 - Channel Strip Der Drawmer 1977 ist ein kompletter Channel Strip mit einem extrem neutralen Preamp, einem parametrischen Dreiband-Equalizer, einem Soft-Knee-Kompressor und einer variablen Sättigungsstufe. Hochwertiger und vielseitiger Vorverstärker Die Vorverstärkersektion besitzt getrennte Eingänge für Mikrofon, Line und Instrument (DI) und eine Eingangsverstärkung von 66 dB in 6 dB Schritten. Der extrem saubere, transparente Klang ermöglicht präzise Aufnahmen, peppt dumpfe Audiosignale und perfektioniert den Gitarrensound auf. Dank der variablen Eingangsimpedanz holt der Preamp das Beste aus jedem Mikrofon heraus, egal ob High-End-, Bändchen- oder dynamisches Mikrofon. Präziser parametrischer Equalizer mit variabler Bandbreite Der 1977 verfügt über einen echten parametrischen Equalizer, der von analogen Geräten der 1970er Jahre inspiriert ist. Mit drei Bändern mit jeweils variabler Frequenzregelung und einem Cut und Boost von +/-12 dB, sowie einer variablen Bandbreitenregelung des Mittenbandes ist der Equalizer extrem vielseitig und universell einsetzbar, von der subtilen Feinabstimmung bis hin zur Klangformung problematischer Aufnahmen. Vintage-Kompression Mit dem integrierten, vollwertigen Kompressor lässt sich die Dynamik jeder Aufnahme problemlos kontrollieren. Drawmers Markenzeichen, die Modi 'Big' und 'Air', helfen dabei, die sehr tiefen Bässe zu erhalten und die brillanten Höhen zu verstärken. Regelbare Sättigung Ein besonderes Feature des 1977 ist die in den Kompressor integrierte Sättigungsstufe, mit der dem komprimierten Signal harmonische Verzerrungen hinzufügt werden können. Mit drei verschiedenen Charakteristika lassen sich vielfältige Klangfärbungen von clean, warm bis zu übersteuert erzeugen. Variabler Signalweg Der 1977 ermöglicht die die Kontrolle über die Reihenfolge des Signalwegs. Je nach Anwendung folgt der Equalizer dem Kompressor oder umgekehrt und erzeugt so eine deutlich unterschiedliche Klangformung und -färbung. Ausgangssektion Für eine parallele Bearbeitung verfügt die Ausgangssektion über einen Wet/Dry-Mixregler, mit dem sich der Anteil von EQ, Kompression und Sättigung bearbeitetem Signal mit dem originalen Signal stufenlos mischen lässt. Der Fade Regler steuert den Ausgangspegel und ermöglicht die Anpassung des Pegels an nachfolgende Geräte. Für die genaue Kontrolle des Pegels steht ein großes, hintergrundbeleuchtetes VU-Meter zur Verfügung und der Preamp-Direct-Schalter überbrückt die EQ-, Kompressor- und Sättigungsstufen, sodass am Ausgang das reine vorverstärkte Eingangssignal anliegt. Modern Vintage Das Ergebnis all dieser Funktionen ist ein moderner Channel Strip mit Vintage-Charakter - mit einzigartigen Kontrollmöglichkeiten zur Klangformung, die in jedem Szenario perfekte Aufnahmen ermöglichen. Eigenschaften Vintage-inspirierter Channel Strip für die moderne Ära.Ein extrem transparenter THAT Corporation Mikrofonvorverstärker mit 66 dB Verstärkung, Phantomspeisung und schaltbarer Eingangsimpedanz für eine präzise Mikrofonanpassung.Separate XLR-Eingänge für Line- und Mikrofone sowie ein Instrumenten-DI-Eingang mit Direktausgang. Dedizierter Vorverstärkerausgang für das reine Vorverstärkersignal.Gesamt-Bypass für EQ, Kompressor und Sättigung ermöglicht das unverfälschte Vorverstärkersignal am Ausgang.Variabler Hochpassfilter entfernt tieffrequente Störgeräusche und ermöglicht die Optimierung des unteren Frequenzbandes. Phasenumkehrschalter.Vollparametrischer Dreiband-EQ im Vintage-Stil der 1970er Jahre mit variabler Frequenz, +/-12 dB Cut und Boost und variabler Bandbreite im Mittenband. Schaltbare Flankensteilheit und Peak-Einstellungen im Bass ermöglichen die Anpassung des Fokusbereichs, sowie die Verstärkung der unteren und oberen Frequenzen.Der Kompressor verfügt über Standardregler und die Modi 'Big' und 'Air' ermöglichen es, tiefe Bässe zu bewahren und die brillanten Höhen zu verstärken.Sidechain-Insert auf der Rückseite für externe Kontrolle des Kompressors.Vintage-Wärme dank drei variabler Sättigung Charakteristiken.Wählbare Reihenfolge von EQ und Kompressor, sowie Hard-Bypass der EQ und Kompressor-Sektionen.Wet/Dry Mix- und Output Gain-Regler ermöglichen ein parallele EQ- und Kompressor-Bearbeitung, ohne dass ein externes Mischpult erforderlich ist und bieten so eine vollständige und einfache Kontrolle über den Grad der Entzerrung und Kompression sowie den Ausgangspegel.Hintergrundbeleuchtetes analoges VU-Meter mit schaltbarem +10dB Rescale-Modus.Zeitgesteuerte Relais am Ausgang für saubere Ein- und Ausschaltvorgänge.Internes lineares Ringkern-Netzteil.Gewohnt hohe Drawmer-Fertigungsqualität mit robustem Stahlblechgehäuse und Aluminiumfrontblende.Von Drawmer in Großbritannien entwickelt und von Hand gefertigt. Technische Daten Eingangsimpedanz: 20 kOhm oder höherMaximaler Eingangspegel: +21dBuMikrofon EIN: -130dBEingangsverstärkung: 0 - +66dB (Mikrofon) oder -24 - +42dB (Instrument)Ausgangsimpedanz: 100 OhmMaximaler Ausgangspegel: +21dBu (10k Ohm Load)Ausgangsverstärkung: off - +12dBFrequenzgang: 20Hz bis 20kHz +/-0.5dBRauschen (Unity Gain, 20Hz - 20kHz): > 93dBVerzerrung (THD+N @ 1kHz): 0dB: 0,01%, 10dB: 0,01%Eingang, Hochpassfilter: 16Hz - 130HzEQ, Low Band: 40Hz - 725Hz, Steigung: 6dB / 9dB / 12dB / Peak, Cut/Boost: -12dB - +12dBEQ, Mid Band: 140Hz - 13kHz, Bandbreite: 0,25 - 2,75 Oktaven, Cut/Boost: -12dB - +12dBEQ, High Band: 530Hz - 20kHz, Steilheit: 6dB / 12dB, Cut/Boost: -12dB - +12dBKompressor, Threshold: -40.0dB - +20dBKompressor, Ratio: 1:1 - 10:1Kompressor, Attack: 0,2 ms - 100 msKompressor, Release: 0,05 s - 2 sStromversorgung: 230 V oder 115V bei 50-60Hz, 30VAAbmessungen (B x H x T): 482 x 88 x 270 mmGewicht: 4,2 kg
Drawmer 1979
Drawmer 1979 Channel Strip Der Drawmer 1979 Channel Strip ist die ideale Lösung für analogen Sound in Aufnahmen. Auf nur 1 HE vereint er die Klarheit eines sehr sauberen Vorverstärkers, eine automatische Pegelanhebung über die LIFT-Funktion, einen parametrischen dreibändigen Equalizer sowie den weichen Charakter eines Soft-Knee-Kompressors. Der hochwertige Vorverstärker bietet Mikrofon-, Line- und Instrumenten-DI-Eingänge mit bis zu 66 dB Verstärkung. Die umschaltbare Eingangsimpedanz sorgt für eine optimale Anpassung und präzise klangliche Abstimmung von Mikrofonen, um das Beste aus jedem Mikrofon herauszuholen – egal ob High-End-, Bändchen- oder weniger empfindliche Modelle. LIFT ist ein dynamisches Verstärkungsmodul das Signale unter 0 dB anhebt, während Signale darüber unverändert bleiben. Dadurch wird der Dynamikbereich bei niedrigen Pegeln effektiv reduziert. Durch die automatische Anpassung der Verstärkung, basierend auf dem Eingangspegel des Signals, bietet LIFT eine natürliche und klanglich angenehme Lautstärkeregelung - eine praktische „Set and Forget”-Lösung. Besonders bei dynamischen Quellen wie Gesang, gezupfter Akustikgitarre, Klavier oder anderen ausdrucksstarken Instrumenten zeigt die Funktion ihre Stärken. Der 1979 verfügt über einen echten parametrischen 3-Band Equalizer mit stufenloser Frequenzeinstellung und einem Cut/Boost von +/-12 dB sowie einer umschaltbaren Bandbreite für das Mittenband. Er lässt sich vielseitig einsetzen - von der subtilen Feinabstimmung bis hin zur Klangformung problematischer Aufnahmen. Der umfangreich ausgestattete Kompressor ermöglicht eine präzise Steuerung der Dynamik - von dezenter Gesangskompression bis hin zu kräftigen Drum-Bearbeitungen. Die Ausgangssektion umfasst einen Wet/Dry-Mix-Regler für parallele Bearbeitung, womit sich der Anteil von EQ- und Kompressionsintensität über einen einzigen Regler intuitiv einstellen lässt. Mit dem Output Gain-Regler kann die Aufholverstärkung des Kompressors eingestellt oder der Pegel für nachgeschaltete Geräte angepasst werden. Das beleuchtete VU-Meter gewährleistet eine präzise Pegelüberwachung. Über einen dedizierten Bypass-Schalter können EQ und Kompressor vollständig deaktiviert werden - für einen extrem sauberen Mikrofonsignalweg. Insgesamt bietet der Drawmer 1979 eine moderne Interpretation klassischer Analogtechnik, die umfassende Kontrolle über Klarheit, Klangfarbe und Pegel der Aufnahme ermöglicht – für stets perfekte Klangergebnisse. Eigenschaften Extrem klare Mikrofonvorverstärkerstufe mit Bauteilen von THAT Corporation66 dB Verstärkung48V PhantomspeisungPhasenumkehrschalterUmschaltbare Eingangsimpedanz für exakte MikrofonanpassungSeparate XLR-Eingänge für Line und Mikrofon sowie ein Instrumenten-DI-Eingang Separater XLR-Ausgang für den VorverstärkerFET-Schaltung kann umgangen werden, um ein besonders klares Ausgangssignal zu erhaltenLIFT-Funktion zum Anheben sehr leiser Signale, ohne dass laute Signale übersteuernLow-Cut-Filter zur Entfernung tieffrequenter Störsignale Parametrischer 3-Band-EQ im Vintage-Stil, inspiriert von analogen Geräten aus den 1970er Jahren, mit variabler Frequenzregelung, +/-12 dB Cut und Boost sowie umschaltbarer Bandbreite im MittenbandIntuitiv bedienbarer Kompressor Side-Chain-InsertVariable Reihenfolge und separate Bypass-Funktion von EQ und KompressorVariable Wet/Dry und Output-Gain-Regler bieten eine „Parallel-EQ- und Kompressionsfunktion”Hintergrundbeleuchtetes analoges VU-Meter mit schaltbarem +10dB Skalier ModusZeitgesteuerte Relais am Ausgang für saubere Ein- und AusschaltvorgängeInternes lineares Ringkern-NetzteilGewohnt hohe Drawmer-Fertigungsqualität mit robustem Stahlblechgehäuse und AluminiumfrontblendeEntwickelt und handgefertigt von Drawmer in GroßbritannienTechnische Daten Eingangsimpedanz: 20 kOhm oder höherMaximaler Eingangspegel: +25dBuMikrofon EIN: gewichtetEingangsverstärkung: 0 - +66dB (Mikrofon) oder -24 - +42dB (Instrument)Ausgangsimpedanz: 100 OhmMaximaler Ausgangspegel: +22dBu (10k Ohm Load)Ausgangsverstärkung: -10dB - +12dBFrequenzgang: 20Hz bis 20kHz +/-0.2dBRauschen (Unity Gain, 20Hz - 20kHz): > 91dBVerzerrung (THD+N @ 1kHz): 0,003%/0dBEingang, Hochpassfilter: Off, 30Hz, 80Hz, 110HzEQ Tiefenband: 50Hz - 700Hz, Cut/Boost: -12dB - +12dBEQ Mittenband: 75Hz - 10kHz, Bandbreite: Schmal - Breit, Cut/Boost: -12dB - +12dBEQ Höhenband: 1.25kHz - 12kHz, Cut/Boost: -12dB - +12dBKompressor Threshold: -30.0dB - +20dBKompressor Ratio: 1:1 - 20:1Kompressor Attack: 0,2 ms - 200 msKompressor Release: 0,01 s - 2,5 sStromversorgung: 230 V oder 115V bei 50-60Hz, 15VAAbmessungen (B x H x T): 482 x 44 x 200 mmGewicht: 2,8 kg
Elysia channex|studio
Elysia channex|studio The Elysia channex|studio is a high-end Class-A channel strip in a 19” rack format that combines analog signal processing with full digital recall capability. Designed for professional recording, mixing, and hybrid workflows, it integrates preamp, dynamic EQ, compressor/limiter, saturation, and monitoring in a single unit. At its core is a fully discrete Class-A signal path, delivering maximum transparency and sonic quality. The goal of the channex|studio is to produce a “mix-ready” signal directly during recording, reducing the need for extensive post-processing. It features a high-end microphone preamp with up to 64 dB gain, along with mic, line, and Hi-Z inputs. A standout feature is its 4-band dynamic EQ, where each band can operate dynamically—bringing plugin-like flexibility into the analog domain. Sound Character The channex|studio delivers an extremely detailed, open, and high-fidelity sound with excellent depth and clarity. By combining preamp, dynamic EQ, and compression, it produces a controlled, punchy, and polished signal already at the recording stage. The integrated “Flavor” section allows additional tonal shaping—from subtle vintage warmth to more modern and characterful coloration. Thanks to its fully analog signal path, the sound remains natural and artifact-free, while digital control ensures precision and recallability. Highlights ✔ Class-A channel strip with total recall (hardware + plugin) ✔ high-end microphone preamp (mic/line/DI, up to 64 dB gain) ✔ 4-band dynamic EQ with frequency-dependent processing ✔ dual-stage compressor + limiter + soft clipper ✔ “Flavor” section with 5 blendable color modes ✔ fully discrete analog signal path ✔ freely configurable signal routing ✔ hardware insert for external outboard gear ✔ zero-latency monitoring with 3 independent mixes ✔ dual headphone amplifiers + talkback ✔ USB & Ethernet for plugin control and automation ✔ up to 22 presets (hardware + DAW) Typical Applications ✔ high-end recording front end for vocals and instruments ✔ all-in-one channel strip solution ✔ hybrid workflows with DAW recall ✔ mix-ready recording for faster production ✔ advanced monitoring hub during recording Technical Specifications ✔ device type: single-channel channel strip ✔ circuit: discrete Class-A ✔ gain: up to 64 dB (mic/line/DI) ✔ EQ: 4-band dynamic EQ with variable Q ✔ dynamics: compressor + limiter + soft clip ✔ saturation: flavor section (5 modes) ✔ routing: freely configurable with hardware insert ✔ monitoring: 3 independent mixes, talkback, reverb ✔ presets: up to 22 (hardware + DAW) ✔ connections: XLR/TRS, insert I/O, monitoring I/O ✔ interfaces: USB, Ethernet ✔ format: 19” rack ✔ height: 3U ✔ weight: approx. 6.8 kg
Harrison Audio 32Classic MS
Harrison Audio 32Classic MS - Channelstrip Seit 50 Jahren dreht sich bei Harrison alles um den “Beautiful Analog Tone”. Auf Harrison Mischpulten wurden eine unglaubliche Anzahl an Musikalben produziert, die Geschichte geschrieben haben - Michael Jackson, ABBA, Led Zeppelin, Queen, Donald Fagan, um nur einige zu nennen. Die ursprüngliche 3232-Konsole hat Harrison zwischenzeitlich in einer modernen Version 32Classic (inkl. Dante Interface und 7.1.4 Monitoring) vorgestellt. Den legendären Kanalzug dieses ikonischen Mischpults gibt es nun als kaskadierbare 19“ Rack-Variante – inklusive modernen Hybrid-Workflow-Features und einem integrierten Stereomixbus, der mehrere Geräte summieren kann.Basierend auf dem Design der 32Classic-Konsole bietet der 32Classic MS Mix Strip denselben hochwertigen, transformatorgekoppelten Mikrofonvorverstärker (Jensen JT-MB-CPCA), die charakteristischen Harrison Tief- und Hochpassfilter mit einem 3 dB Resonanzpeak sowie den musikalischen Harrison 4-Band-EQ. Außerdem verfügt der Kanalzug über einen symmetrischen Insert-Punkt, um weiteres Outboard-Equipment wie Kompressoren in den Signalweg einzuschleifen. Die zusätzlichen Pre- und Post-Fader-Direktausgänge machen den 32Classic MS Mix Strip zu einem flexiblen, modernen Klassiker. Noch mehr Flexibilität bietet die integrierte Mixbus und Summing Funktion. Die Outputs mehrerer Geräte können über die Rückseitigen „Summing“-Anschlüsse und beiliegende Jumperkabel summiert werden. Signale können mit dem Fader ausbalanciert und über Stereokanäle im Panorama platziert werden. Alternativ ermöglicht die 0 dB-Fader-Taster Mischungen mit Unity Gain. Perfekt für hybride Workflows, als „Sidecar“ zu Ihrem bestehenden Setup oder für mobile Rigs, bietet der integrierte Mixbus den legendären Harrison-Sound mit außergewöhnlicher Flexibilität und sorgt für Wärme und Tiefe bei jeder Aufnahme und Mischung. Technische Daten Jensen JT-MB-CPCA Eingangsüberträger Combo XLR/Klinkeneingang auf der Vorderseite Getrennte Mikrofon-/Instrumenten-Eingänge auf der Rückseite +20 bis +70 dB Gain -20 dB Pad 48V Phantomspeisung Phasenumkehrschalter Hi-Z Impedanz-Wahlschalter Input Overload LED Tief-/Hochpassfilter mit 3 dB Resonanzpeak Parametrischer 4-Band-EQ Pre- und Post-Fader Direct Outs Symmetrischer Insert-Send-Return Mixbus mit Summing-Funktion Mixbus-Regler für Fader, Panorama und 0 dB-Taster Mehrere 32Classic MS sind kaskadierbar 19“-Rack-Format
Hazelrigg Industries VEC (Everything Chain)
Hazelrigg Industries VEC The Hazelrigg Industries VEC is a high-end fully discrete Class-A tube equalizer in a 19” rack format, based on the legendary designs of D.W. Fearn. It combines classic inductor-based EQ topology with modern precision and premium build quality. At its core is a fully tube-driven signal path with transformer-balanced input and output stages. This architecture delivers a warm, open, and three-dimensional sound, making it ideal for high-end recording and mastering applications. The VEC features an inductor-based EQ design with highly musical curves. Its ability to boost and cut simultaneously allows for complex yet natural tonal shaping. Sound Character The VEC delivers a rich, warm, and highly musical sound while maintaining excellent clarity and transparency. The tube circuitry adds harmonic depth and a sense of dimension to the signal. Its inductor-based filters provide smooth, natural EQ curves without harsh artifacts. It excels on vocals, acoustic instruments, and full mixes. The result is elegant tonal enhancement with a vintage character and modern control. Highlights ✔ Class-A tube equalizer in 19” rack format ✔ fully discrete tube signal path ✔ based on D.W. Fearn designs ✔ inductor-based EQ for musical shaping ✔ simultaneous boost and cut capability ✔ transformer-balanced I/O ✔ premium components and build quality ✔ highly transparent and musical sound ✔ ideal for mixing and mastering Typical Applications ✔ high-end mastering EQ ✔ tonal enhancement of vocals and instruments ✔ adding analog warmth to digital productions ✔ bus and mix processing ✔ musical sound shaping with inductor EQ Technical Specifications ✔ device type: tube equalizer ✔ circuit: discrete Class-A (all-tube) ✔ processing: analog ✔ EQ: inductor-based (boost & cut) ✔ signal path: transformer-balanced I/O ✔ connections: XLR inputs and outputs ✔ format: 19” rack
Hazelrigg Industries VLC MKII
Hazelrigg Industries VLC MKII The Hazelrigg Industries VLC MKII is a high-end all-tube channel strip in a 19” rack format, combining microphone preamp, DI, and passive inductor EQ in a single unit. Based on legendary D.W. Fearn designs, it is built for demanding recording, mixing, and mastering applications. At its core is a fully discrete Class-A tube signal path with transformer-balanced input and output stages. The preamp is derived from the renowned VT series, delivering exceptional headroom and highly transparent yet musical amplification. In addition to mic and line inputs, the VLC MKII features a full tube DI stage and a dedicated line input for re-amping or insert processing—making it highly versatile in modern hybrid workflows. The integrated passive LC EQ section provides smooth and musical tone shaping with low/high boost and cut controls, remaining natural even at extreme settings. Sound Character The VLC MKII delivers a large, open, and highly musical sound with rich harmonic content typical of high-end tube designs, while maintaining impressive clarity and detail. The preamp sounds smooth and refined, and the passive EQ remains soft and never harsh. This makes it ideal for critical sources such as vocals, acoustic instruments, and full mixes. The combination of tube amplification and inductor EQ results in a very organic, three-dimensional sound that can range from subtle enhancement to strong tonal coloration. Highlights ✔ all-tube channel strip (preamp + DI + EQ) in 19” rack format ✔ fully discrete Class-A tube circuitry ✔ based on D.W. Fearn VT-series designs ✔ microphone, line, and instrument (DI) inputs ✔ dedicated line input for re-amping / insert use ✔ passive 4-band LC EQ (low cut, low boost, high cut, high boost) ✔ selectable EQ frequencies ✔ transformer-balanced I/O ✔ high headroom and transparent gain ✔ EQ bypass and studio-ready features Typical Applications ✔ high-end recording channel strip for vocals and instruments ✔ tube DI recording ✔ analog enhancement during mixing (insert/re-amping) ✔ processing digital tracks through analog hardware ✔ versatile all-in-one front end for hybrid studios Technical Specifications ✔ device type: channel strip (preamp / DI / EQ) ✔ circuit: fully tube-based Class-A ✔ EQ: passive LC equalizer (4-band) ✔ inputs: mic, line, instrument (DI) ✔ additional: dedicated line input for insert/re-amping ✔ signal path: transformer-balanced I/O ✔ processing: analog ✔ format: 19” rack
Heritage Audio BritStrip
Heritage Audio BritStrip The Heritage Audio BritStrip is a high-end single-channel channel strip that combines the legendary sound of classic British consoles into a single 19" rack unit. Designed for professional recording, mixing, and hybrid studio environments, it integrates preamp, EQ, DI, and compression into one complete analog signal chain. At its core is a fully discrete Class-A architecture with custom Carnhill transformers, delivering authentic British console tone with modern flexibility and routing options. Sound Character The BritStrip delivers classic 1073-style tone—warm, punchy, and musical. Its three-stage preamp provides up to 80 dB of gain, while the inductor-based EQ allows highly musical shaping even with extreme settings, without phase issues or loss of headroom. The diode-bridge compressor (based on the Successor) adds dense, punchy dynamics—from subtle glue to strong coloration. The result is a complete analog channel strip with vintage character and modern precision. Highlights ✔ full analog channel strip (preamp, EQ, DI, compressor) ✔ based on classic 1073 and British console designs ✔ fully discrete Class-A circuitry ✔ Carnhill St. Ives input and output transformers ✔ microphone preamp with up to 80 dB gain ✔ Class-A JFET DI with thru output ✔ expanded 3-band 73-style EQ with bell modes ✔ inductor-based filters for musical shaping ✔ diode-bridge compressor (Successor design) ✔ blend control for parallel compression ✔ sidechain filter and external sidechain access ✔ switchable EQ/compressor routing ✔ stereo link capability for dual-unit operation ✔ 19" rackmount format (1U) Typical Applications ✔ vocal recording with full analog channel strip ✔ tracking instruments with “record-ready” tone ✔ drum and instrument processing ✔ mono or stereo mix bus processing (dual units) ✔ high-end hybrid and analog studio workflows Technical Specifications ✔ type: single-channel channel strip (preamp + EQ + compressor) ✔ circuit: discrete Class A, transformer-coupled ✔ gain: up to 80 dB (mic) ✔ EQ: 3-band inductor-based (expanded 73 style) ✔ compressor: diode-bridge (Successor design) ✔ ratio: approx. 1.5:1 – 10:1 ✔ attack: fast / slow ✔ release: 50 – 400 ms + auto ✔ inputs: mic (XLR), line (XLR), DI (jack) ✔ outputs: XLR ✔ sidechain: send/return (jack) ✔ format: 19" rack, 1U
Heritage Audio HA-81A ELITE
Heritage Audio HA-81A ELITE The Heritage Audio HA-81A ELITE is a high-end single-channel channel strip that combines two of the most iconic British console designs: a classic 73-style microphone preamp and a versatile 81-style equalizer. Designed for professional recording, mixing, and hybrid studio environments, it delivers the legendary British console sound with modern precision and flexibility. Its fully discrete Class-A circuitry with premium Carnhill and St. Ives transformers provides authentic analog tone with high dynamic range, musical saturation, and detailed signal reproduction. Sound Character The HA-81A ELITE delivers classic British tone—warm, punchy, and musical. The 73-style preamp provides up to 80 dB of gain, adding depth, weight, and harmonic richness, while the 81-style EQ offers precise yet musical tone shaping. The result is a characterful analog sound that ranges from subtle enhancement to strong saturation—ideal for vocals, instruments, and complex mixes. Highlights ✔ single-channel channel strip (preamp + EQ) ✔ 73-style Class-A microphone preamp ✔ 81-style 4-band equalizer with extended control ✔ up to 80 dB gain for demanding sources ✔ Carnhill and St. Ives transformers for classic tone ✔ inductor-based EQ for musical shaping ✔ high-pass and low-pass filters ✔ independent input and output controls ✔ mic, line, and DI inputs ✔ pad, phase, and 48 V phantom power ✔ 19" rackmount format (1U) Typical Applications ✔ vocal recording with analog character ✔ instrument tracking (guitar, bass, keys, DI) ✔ analog tone shaping during mixing ✔ tracking with classic console sound ✔ high-end hybrid studio workflows Technical Specifications ✔ type: single-channel channel strip (preamp + EQ) ✔ circuit: discrete Class A ✔ gain: up to 80 dB ✔ EQ: 4-band semi-parametric, inductor-based ✔ filters: HPF (27–270 Hz), LPF (3.9–18 kHz) ✔ inputs: mic (XLR), line (XLR), DI (jack) ✔ outputs: XLR ✔ functions: pad, phase, phantom power ✔ format: 19" rack, 1U
Manley Core Channelstrip
Manley CORE Channelstrip The Manley CORE is a high-end tube channel strip, combining microphone preamp, compressor and EQ into a single professional unit. It merges classic Manley tube technology with modern studio functionality, delivering a complete analog signal path for recording and mixing applications. Built around a fully discrete Class-A tube design with custom Manley transformers, the CORE is known for its open, musical yet precise sound. Sound Character The Manley CORE delivers a clean, modern tube sound with excellent detail and control. Key characteristics include: tight, well-defined low end open and airy high frequencies clear, detailed midrange with musical warmth Compared to vintage tube preamps, it offers a more controlled and precise response, while still maintaining harmonic richness. Its integrated processing allows achieving a “finished sound” directly during recording. Highlights ✔ complete channel strip (preamp + compressor + EQ) ✔ fully discrete Class-A tube circuitry ✔ custom Manley IRON® transformers ✔ high-headroom microphone preamp Compressor Section ✔ VCA-based compressor for fast and precise control ✔ adjustable attack and release ✔ suitable from subtle glue to strong compression EQ Section ✔ 4-band EQ with semi-parametric mids ✔ high and low shelving bands ✔ smooth, musical response Additional Features ✔ built-in Hi-Z DI input ✔ high-pass filter ✔ sidechain options ✔ insert point between sections ✔ polarity reverse and +48V phantom power ✔ detailed metering Typical Studio Applications ✔ high-end vocal recording ✔ voice-over and broadcast ✔ guitar and bass (DI) ✔ drum recording ✔ tracking with finished tone ✔ analog front-end for DAW workflows Technical Specifications ✔ device type: channel strip (mic preamp + compressor + EQ) ✔ channels: mono ✔ circuit: Class-A tube ✔ tubes: multiple 12AX7 / 12AT7 types ✔ gain: up to approx. +60 dB Compressor ✔ type: VCA ✔ ratio: variable ✔ attack/release: adjustable EQ ✔ bands: 4 ✔ type: shelving + semi-parametric Connections ✔ mic input: XLR ✔ line input: XLR ✔ DI input: 1/4″ ✔ output: XLR ✔ filter: high-pass ✔ phantom power: +48V ✔ polarity: switchable ✔ format: 19" rack, 2U
Manley VOXBOX
Manley VOXBOX The Manley VOXBOX is a legendary all-tube channel strip, widely regarded as one of the finest vocal processors in professional audio. It combines multiple studio tools in one unit: tube mic preamp, optical compressor, Pultec-style EQ, and de-esser/limiter, all within a fully discrete Class-A tube signal path. Designed primarily for vocals, it has become a go-to solution in top studios worldwide. Sound Character The VOXBOX delivers the signature Manley tube sound—rich, polished and highly musical. Key characteristics include: full and powerful low end silky, extended highs forward, detailed midrange (ideal for vocals) It can range from clean and refined to warm and saturated, depending on gain staging and compression. Its integrated processing allows achieving a finished vocal sound directly during recording. Highlights ✔ complete all-tube channel strip (preamp + comp + EQ + de-esser/limiter) ✔ fully discrete Class-A tube circuitry ✔ industry-standard high-end vocal processor Preamp ✔ based on the Manley Mono Mic Preamp ✔ high headroom & variable feedback gain ✔ mic, line and Hi-Z DI input Compressor ✔ optical compressor (ELOP/Vari-Mu hybrid) ✔ smooth, musical response ✔ adjustable attack & release EQ Section ✔ Pultec-style passive EQ ✔ musical, wide curves Dynamics & Extras ✔ integrated de-esser and limiter ✔ stereo link capability ✔ multi-mode VU metering ✔ flexible routing and inserts Typical Studio Applications ✔ high-end vocal tracking ✔ voice-over and broadcast ✔ rap, pop, singer-songwriter ✔ bass and guitar DI ✔ drum recording ✔ complete analog recording chain Technical Specifications ✔ device type: all-tube channel strip ✔ channels: mono ✔ circuit: Class-A tube, fully discrete Preamp ✔ gain: approx. 40–60 dB ✔ frequency response: 20 Hz – 60 kHz Compressor ✔ type: optical ✔ ratio: approx. 3:1 EQ ✔ type: passive Pultec-style Additional ✔ THD+N: ~0.3 % ✔ max output: up to +31 dBu ✔ I/O: XLR + 1/4" ✔ format: 19" rack, 3U
Retro Instruments Powerstrip
Retro Instruments Powerstrip The Retro Powerstrip recording channel is a high powered "channel strip" or "vintage studio in a box", capturing the tone of a tube mixing desk, Pultec-style tube EQ and British tube compressor all in one compact 2u rack unit. It has all the right inputs and enough gain for every microphone and instrument you can throw at it. It has a balanced line level input for pro-interface instruments and for use during mix time. The performance is purely musical. It is perfect for use in any size recording studio or on stage. Features * Transformer coupled Class-A tube microphone preamplifier with phantom power. * Industry-standard Passive EQ with authentic feel, controls and equalization curves. * Classic British variable-mu tube compression. * Front panel 1/4' instrument jack. * Rear panel XLR mic and line inputs and line output are fully-floating transformer balanced to eliminate ground-induced hum and noise. * Interstage-coupled Subsonic High-Pass Filter provides Peaking LF Boosts with alternate tonal characteristics. * LF Boost Settings of 20, 30, 60 and 100 Hz Complementary LF Cut settings of 20, 30, 60 and 100 Hz. * HF Boost Settings of 1.5 kHz, 3 kHz, 4 kHz, 5 kHz, 6 kHz, 8 kHz, 10 kHz, 12 kHz, 14 kHz and 16 kHz. * Complementary HF Cut Settings of 5 kHz, 10 kHz and 20 kHz. * Six selectable compressor attack/release time-constants. * 90 / 250 Hz compressor high-pass sidechain filter. * Easily recallable 100-position knob scales. * The compressor and equalizer can be independently bypassed. * Phase reversal switch. * Front panel meter zero adjustment. * IEC power inlet with 120/240VAC 50/60Hz power mains standard. * Ability to use current production and new-old-stock tubes. * Tube enthusiasts have many options and resulting tone variations. * Tube changes require no alignment. * The instrument input loops to a rear panel jack for stage amplifier. * Rear panel line level XLR output and low-level balanced output for processed stage amplifier. * Design minimizes tube heat generation. * High stability components used throughout. * Steel Chassis built to last. * Manufactured in the USA. * Full factory support.
Rupert Neve Designs 5034 Newton Channel
Rupert Neve Designs 5034 Newton Channel The Rupert Neve Designs 5034 Newton Channel is a modern analog channel strip combining microphone preamp, equalizer, compressor and harmonic coloration in a compact 19-inch rack unit. Designed as a versatile recording front-end, it delivers the classic Rupert Neve sound with a streamlined workflow suitable for contemporary studios. The unit integrates a discrete Class-A microphone preamp, a musical 3-band EQ section, a VCA compressor, and transformer-coupled outputs with variable Silk harmonic saturation. This combination provides complete analog signal shaping for vocals, instruments and line-level sources. Sound Character The Newton Channel delivers the classic Rupert Neve tone with clarity, musical dynamics and harmonic richness. The Class-A preamp provides up to 72 dB of gain, making it suitable for a wide range of microphones including low-output ribbons. The integrated compressor controls dynamics smoothly, while the Silk circuit introduces adjustable harmonic coloration: Silk Red emphasizes upper-harmonic content Silk Blue enhances low-frequency warmth and density The Texture control adjusts the amount of transformer saturation applied to the signal. Highlights ✔ analog channel strip with preamp, EQ and compressor ✔ fully discrete Class-A microphone preamp ✔ up to 72 dB microphone gain with fine trim ✔ 3-band discrete equalizer ✔ VCA compressor with up to +20 dB make-up gain ✔ switchable pre-EQ / post-EQ compressor routing ✔ variable high-pass filter (20–250 Hz) ✔ Silk Red / Silk Blue harmonic modes ✔ Texture control for transformer saturation ✔ separate main and -6 dB transformer outputs ✔ stereo link capability for two units ✔ 1U rackmount chassis
Rupert Neve Designs 5035 Shelford Channel
Rupert Neve Designs 5035 Shelford Channel The Rupert Neve Designs 5035 Shelford Channel is a premium analog channel strip combining microphone preamp, inductor equalizer, diode-bridge compressor and harmonic saturation in a single rack unit. The design merges key circuit concepts from Rupert Neve’s classic console modules such as the 1073, 1064 and 2254, updated with modern engineering for contemporary studio environments. The unit features a transformer-gain Class-A microphone preamp, a musical 3-band inductor EQ, a characterful diode-bridge compressor, and a transformer-coupled output stage with variable Silk harmonic saturation. Together, these elements provide a complete analog signal chain suitable for recording, tracking and mix processing. Sound Character The Shelford Channel delivers the classic Rupert Neve tone with strong midrange presence, smooth top end and dense analog compression. A custom input transformer provides the first 15 dB of gain, while discrete Class-A amplifier stages deliver the remaining amplification, creating the distinctive tone associated with vintage Neve modules. The diode-bridge compressor recreates the punchy character of classic Neve dynamics processors, while the Silk circuit introduces adjustable harmonic coloration. Silk Red enhances high-frequency harmonic content Silk Blue emphasizes warmth and low-mid density The Texture control adjusts the amount of transformer saturation applied to the output stage. Highlights ✔ complete analog channel strip with preamp, EQ and compressor ✔ transformer-gain Class-A microphone preamp ✔ up to approx. 66–72 dB microphone gain ✔ 3-band inductor EQ inspired by classic Neve circuits ✔ diode-bridge compressor with flexible timing controls ✔ blend control for parallel compression ✔ switchable EQ / compressor signal order ✔ sweepable high-pass filter (20–250 Hz) ✔ Silk Red / Silk Blue harmonic modes ✔ Texture control for transformer saturation ✔ dual-tap transformer output with additional -6 dB output ✔ VU meter for output or gain reduction ✔ sidechain insert and stereo link ✔ 1U rackmount chassis
SSL Revival 4000
Solid State Logic SSL Revival 4000 The Solid State Logic SSL Revival 4000 is a fully analog channel strip in a 1U rack format, bringing the legendary SSL 4000 console sound into a modern standalone unit. It combines key elements from both the SSL 4000B and 4000E series, delivering one of the most iconic studio sounds in a compact format. The unit integrates a transformer-based mic preamp, full dynamics section (compressor, gate, expander), a B-Series-style de-esser, and the classic 4-band EQ with switchable Brown/Black characteristics. This makes it a complete SSL channel strip in a single device. Additional features include high-pass and low-pass filters as well as flexible insert and routing options, allowing seamless integration into modern workflows. Sound Character The Revival 4000 delivers the classic SSL 4000 tone: punchy, forward, and highly controlled. Key characteristics: Tight and punchy low-end Focused, mix-forward midrange Clear, open highs Compared to Neve-style gear, the sound is more precise, direct, and mix-focused rather than warm. It works equally well for subtle shaping and more aggressive processing. Highlights ✔ fully analog SSL channel strip (1U rack) ✔ based on SSL 4000B & 4000E consoles ✔ transformer-based mic preamp ✔ up to approx. 70–90 dB gain ✔ 4-band SSL EQ with Brown/Black modes ✔ full dynamics section (compressor, gate, expander) ✔ integrated de-esser ✔ high-pass and low-pass filters ✔ flexible routing and insert options ✔ classic SSL channel strip design Typical Applications ✔ vocal tracking with full channel processing ✔ drum recording and shaping ✔ guitar and bass processing ✔ mixing individual tracks with SSL tone ✔ analog recording workflows Technical Specifications ✔ device type: analog channel strip ✔ format: 19” rack (1U) ✔ circuit: fully analog ✔ preamp: transformer-balanced ✔ gain: up to approx. 70–90 dB ✔ EQ: 4-band SSL E-Series (Brown/Black switchable) ✔ dynamics: compressor / gate / expander ✔ de-esser: integrated ✔ filters: high-pass & low-pass ✔ insert: yes ✔ processing: analog
SSL Super 9000
Solid State Logic SSL Super 9000 (Channel Strip) The Solid State Logic SSL Super 9000 is a modern analog channel strip in a compact 1U rack format, bringing the sound and workflow of SSL 9000 consoles into a single-channel outboard unit. It combines mic preamp, EQ, and dynamics processing in one device. At its core is a SuperAnalogue™ mic preamp with Variable Harmonic Drive (VHD), allowing both ultra-clean amplification and controlled harmonic saturation. It also includes a full dynamics section (compressor and gate/expander) and a flexible 4-band EQ. Sound Character The Super 9000 offers two distinct tonal approaches: SuperAnalogue mode: clean, transparent, and highly accurate VHD mode: adds harmonic color from subtle warmth to aggressive saturation The overall sound is modern, detailed, and flexible, making it suitable for both precision recording and creative tone shaping. Highlights ✔ fully analog channel strip (1U rack) ✔ SSL SuperAnalogue™ mic preamp ✔ VHD harmonic drive control ✔ VCA compressor + gate/expander ✔ soft/hard knee compression + fast attack ✔ 4-band parametric EQ (Pink/Black modes) ✔ high-pass and low-pass filters ✔ flexible processing order ✔ external sidechain + stereo link Typical Applications ✔ vocal tracking with full channel processing ✔ drum and instrument recording ✔ mixing individual tracks with SSL tone ✔ hybrid studio workflows ✔ tone shaping during recording Technical Specifications ✔ device type: analog channel strip ✔ format: 19” rack (1U) ✔ channels: 1 ✔ preamp: SuperAnalogue™ + VHD ✔ EQ: 4-band parametric ✔ dynamics: compressor + gate/expander ✔ filters: HPF / LPF ✔ insert: yes ✔ sidechain: external ✔ processing: analog
Thermionic Culture Rooster 2
Thermionic Culture ROOSTER 2 The Thermionic Culture ROOSTER 2 is a high-end dual-channel valve microphone preamp with integrated EQ and harmonic distortion control, designed for professional recording environments. Built by the British manufacturer Thermionic Culture, the unit combines classic tube amplification with flexible tone shaping and controllable analog saturation. The ROOSTER 2 features a fully valve-based signal path with transformer-balanced inputs and outputs, delivering high headroom and the characteristic warmth associated with analog tube circuitry. Each channel can process microphone, line-level or instrument signals via a dedicated DI input. A distinctive feature is the “Attitude” circuit, which allows engineers to control the amount and type of harmonic distortion. Switching between triode and pentode modes changes the harmonic structure of the distortion, offering a range of tones from subtle warmth to aggressive tube coloration. Sound Character The ROOSTER 2 is designed for flexible tonal shaping with classic valve character. The preamp stage provides clean gain with excellent dynamic range, while the Attitude circuit introduces harmonic saturation that can range from gentle warmth to heavy tube distortion. In triode mode the circuit emphasizes second-order harmonics, while pentode mode introduces stronger third-order harmonics for a more aggressive tone. The integrated EQ section with Varislope bass and treble boost allows musical frequency shaping, making the unit a versatile recording tool for a wide variety of sources. Highlights ✔ dual-channel valve microphone preamp with EQ ✔ fully tube-based signal path ✔ Sowter transformer-balanced inputs and outputs ✔ Attitude control for harmonic distortion shaping ✔ switchable triode / pentode distortion modes ✔ integrated EQ with Varislope bass and treble boost ✔ parametric mid-cut section ✔ switchable low-pass and high-pass filters ✔ mic, line and DI inputs per channel ✔ switchable 48V phantom power ✔ phase invert switch and output level control ✔ LED output level monitoring Typical Studio Applications ✔ microphone preamplification during recording ✔ tube saturation for vocals and instruments ✔ DI preamp for guitars, bass and synthesizers ✔ analog front-end for DAW production systems ✔ creative harmonic distortion and tone shaping Technical Specifications ✔ Device type: dual-channel valve microphone preamp with EQ ✔ Signal path: fully tube-based design ✔ Gain: up to approx. 79 dB (mic) / 45.5 dB (line) ✔ Frequency response: approx. 20 Hz – 45 kHz (±1 dB) ✔ THD: ≤ 0.05 % ✔ Maximum output level: ≥ +25 dBu ✔ Input impedance: Mic: approx. 1 kΩ Line: approx. 10 kΩ DI: approx. 100 kΩ ✔ Connections: balanced XLR I/O + DI input ✔ Format: 19-inch rack / approx. 2U
Thermionic Culture THE KITE
Thermionic Culture THE KITE The Thermionic Culture THE KITE is a high-end stereo valve equalizer designed for professional mixing, mastering and hybrid studio environments. Developed by the British manufacturer Thermionic Culture, it combines musical analog EQ circuitry with rich tube saturation, providing engineers with a powerful tone-shaping tool for stereo bus processing. The design is derived from the EQ section of the Fat Bustard summing mixer and was developed as a dedicated stereo outboard processor. All tone-shaping controls operate simultaneously on both channels for quick and intuitive stereo adjustments, while independent output trim controls allow precise left/right balance. In addition to traditional equalization, THE KITE features the unique “Attitude” circuit, which introduces controllable valve harmonics. This circuit can be set from extremely clean operation to more pronounced harmonic coloration and saturation. ⸻ Sound Character THE KITE is designed to provide musical tonal shaping combined with classic tube character. The EQ section offers smooth bass and high-frequency shaping, while the valve circuitry can add subtle compression and harmonic richness. On the stereo mix bus this often results in greater depth, warmth and cohesive “glue.” Additional Air and Attitude controls extend the tonal range from transparent enhancement to clearly audible analog coloration. ⸻ Highlights ✔ stereo valve equalizer for mixing and mastering ✔ fully tube-based signal path ✔ broad bass and high-shelf tonal shaping ✔ dedicated Air control for open high frequencies ✔ Attitude control for valve harmonic saturation ✔ bass boost and bass cut usable together for mid-cut shaping ✔ switchable high-pass filter at 20 Hz and 40 Hz ✔ independent output trim controls ✔ stepped knobs for easy recall ✔ available with standard or transformer-balanced outputs ✔ handcrafted in the United Kingdom ⸻ Typical Studio Applications ✔ stereo bus equalization during mixing ✔ analog tone enhancement before mastering ✔ summing-bus processing in hybrid studios ✔ tube coloration for digital mixes ✔ tonal shaping of stem or subgroup mixes ⸻ Technical Specifications ✔ Device type: stereo valve equalizer ✔ Signal path: all-tube design ✔ High-pass filter: 20 Hz / 40 Hz (12 dB per octave) ✔ Bass boost / cut: two selectable frequencies each ✔ High shelf: two frequency selections ✔ Air control: high-frequency lift above 20 kHz ✔ Attitude control: up to ~5 % second-harmonic saturation ✔ Input impedance: 10 kΩ ✔ Output impedance: 220 Ω ✔ Maximum output level: approx. +25 dBu @ 1 % THD ✔ THD: ≤ 0.015 % @ +4 dBu (Attitude 1) ✔ Format: 19" rack / 2U ✔ Weight: approx. 5.1 kg