Outboard – Tools for Tone, Dynamics and Better Decisions
When people talk about outboard gear, they often think first of tone, character, or analog warmth. In practice, however, it is about much more: control, decision-making, and a workflow that supports musical results.
Compressors, equalizers, preamps, summing units, and specialized studio hardware can shape, tighten, open up, or deliberately color signals. Used correctly, they are not an end in themselves but help engineers and producers reach clear decisions more quickly.
The question is rarely which piece of gear is objectively “the best.” What matters is which outboard equipment fits your signal chain, musical style, room, monitoring environment, and way of working.
Over the past decades, we have worked with countless analog and hybrid setups— from individual preamps and compressors to complex recording, mixing, and mastering chains. Time and again, one thing becomes clear: outboard gear reveals its true value only in context.
A single unit can inspire, add character, or solve technical challenges. What matters, however, is how it integrates into the overall signal chain. Gain staging, routing, converters, patchbays, monitoring, and usability determine whether a setup truly works in everyday studio practice.
For us, great outboard gear is not defined by sounding as spectacular as possible. It should make decisions easier, deliver repeatable results, and support the creative process— whether during recording, mixing, or mastering.
That is why you will not find a random collection of as many products as possible at Peakhouse Audio. Our selection is based on practical experience, direct comparisons, and equipment that has proven itself over the long term in professional studio environments.
If you are unsure which outboard gear best suits your setup, or how individual units can be integrated effectively, we are happy to help with equipment selection, routing, and system planning.
Less hype — more outboard gear that makes musical decisions easier.
ACME Audio XLA-3
ACME Audio Opticom XLA-3 – All-Tube Optical Compressor / LimiterThe ACME Audio Opticom XLA-3 is a highly characterful optical tube compressor that combines classic LA-2A-style leveling behavior with a much wider sonic range. Its fully tube-based signal path and unique triple opto compression architecture allow everything from smooth, musical leveling to aggressive, harmonically rich dynamic shaping.Designed for modern hybrid studios, the XLA-3 delivers not only precise dynamics control but also substantial analog tone enhancement, making it equally valuable as a compressor and as a dedicated tone-shaping tool.Sound CharacterThe XLA-3 combines fast optical detection with a tube-based gain stage, creating a compression response that ranges from transparent level control to clearly audible tube saturation.At the heart of the unit is ACME’s Triple Opto Circuit, which blends three distinct optical compression behaviors into a single design. This gives the compressor unusual flexibility, allowing different attack and release responses depending on program material and drive level.It is especially appreciated for adding depth, density and analog weight to:✔ Vocals with rich vintage character ✔ Drum room microphones and parallel compression ✔ Bass and guitars with harmonic density ✔ Mix bus material requiring analog glue and saturationHighlights✔ Fully tube-based optical compressor / limiter ✔ Triple Opto Circuit with three distinct compression behaviors ✔ High-speed CdSe photocells for fast optical detection ✔ Cinemag input transformer for harmonic coloration ✔ Fast / Normal / Slow compression modes ✔ Up to 29 dB gain reduction ✔ Up to 34 dB make-up gain ✔ Stereo link capability ✔ Hand-wired signal paths and premium components ✔ Rugged 2U steel rack enclosureTypical Studio ApplicationsThe XLA-3 is often chosen when dynamic control and analog character are equally important.✔ Lead vocals – dense, musical vintage tone ✔ Drum bus / parallel compression – aggressive punch ✔ Bass & synths – controlled dynamics with tube saturation ✔ Mix bus character compression ✔ Guitars and keyboards – added analog textureTechnical Specifications✔ Frequency response: 20 Hz – 20 kHz (±1.4 dB) ✔ Maximum gain reduction: 29 dB ✔ Make-up gain: 34 dB ✔ Compression type: optical tube limiter ✔ Format: 19" rack, 2U ✔ Depth: 8.75" ✔ Weight: approx. 4.8 kg ✔ Power supply: 115 / 230 V
ACME Audio XLA500
ACME Audio Opticom XLA-500 – Tube Optical Compressor / Limiter (500-Series) The ACME Audio Opticom XLA-500 brings the sonic architecture of the acclaimed XLA-3 into the compact 500-Series format. This tube-driven optical compressor combines a triple opto compression circuit, a Class-A gain stage and high-quality CineMag transformers, resulting in a highly versatile dynamics processor with strong analog character. Its sound ranges from subtle, musical leveling to aggressive, harmonically rich compression, making it an ideal tool for modern hybrid studios. Sound Character The XLA-500 uses an optical detection circuit combined with tube make-up gain, delivering smooth and musical compression with pleasant harmonic coloration. At the heart of the unit is the Triple Opto Circuit, which blends the characteristics of three different compression curves into one design. This allows compression responses ranging from slow and gentle to fast and aggressive depending on the material. It is especially favored for: ✔ Vocals with rich analog warmth ✔ Drum parallel compression and room microphones ✔ Bass and synth sources requiring weight and density ✔ Guitar tracks with added harmonic richness Highlights ✔ Tube optical compressor / limiter in 500-Series format ✔ Triple Opto Circuit with three compression characteristics ✔ Class-A gain stage ✔ CineMag input and output transformers ✔ Fast / Normal / Slow compression modes ✔ Compression range from subtle to aggressive ✔ True bypass for quick A/B comparison ✔ Dual-slot 500-Series module Typical Studio Applications The XLA-500 is often chosen when engineers want both dynamic control and analog tone coloration. ✔ Lead vocals – dense vintage character ✔ Drum parallel compression – aggressive punch ✔ Bass & synths – enhanced weight and depth ✔ Guitar tracks – additional harmonic texture Technical Specifications ✔ Processor type: Tube optical limiter ✔ Format: API 500-Series (dual-slot module) ✔ Channels: Mono ✔ Gain stage: Class-A tube make-up gain ✔ Transformers: CineMag input & output ✔ Compression modes: Fast / Normal / Slow ✔ Power: ±16 V via 500-Series rack
AEA 1029
AEA 1029 Stereo VCA Compressor The AEA 1029 is a high-end stereo VCA compressor designed for ultra-clean dynamic control in professional studio environments. It is AEA’s first compressor and perfectly complements the TRP and RPQ preamp series. It features a modern feed-forward VCA topology with a discrete op-amp design by Fred Forssell, delivering extremely low distortion and highly transparent signal processing. Its compact half-rack format allows flexible integration into both desktop and rack-based studio setups. Sound Character The 1029 delivers extremely transparent, controlled and musical compression without noticeable coloration. Low-end: tight and stable Mids: clear and neutral Highs: open and detailed Its focus on signal integrity and precision makes it ideal for critical applications such as stereo recording and mix bus processing. Highlights ✔ stereo VCA compressor (2 channels) ✔ ultra-clean, low-distortion compression ✔ discrete op-amp design by Fred Forssell ✔ feed-forward topology ✔ 3 detection modes: Peak Fast, RMS, Peak Slow ✔ variable threshold (-20 dBu to +20 dBu) ✔ ratio from 1:1 to limiting ✔ dry/wet control for parallel compression ✔ up to +20 dB makeup gain ✔ true bypass relay switching ✔ compact half-rack design Typical Applications ✔ stereo microphone recording ✔ drum overheads and room mics ✔ vocal and instrument tracking ✔ mix bus compression ✔ mastering-style processing ✔ broadcast and post-production Technical Specifications ✔ Device type: stereo VCA compressor ✔ Channels: 2 (stereo) ✔ Detection modes: Peak Fast / RMS / Peak Slow ✔ Threshold: -20 dBu to +20 dBu ✔ Ratio: 1:1 to limit ✔ Makeup gain: up to +20 dB ✔ Max level: approx. +26 dBu ✔ Frequency response: up to approx. 200 kHz (dry path) ✔ THD+N: extremely low (approx. 0.001%) ✔ Inputs/Outputs: 2× XLR in / 2× XLR out ✔ Form factor: 9.5" half-rack ✔ Weight: approx. 0.9 kg ✔ Power supply: external PSU
AEA RPQ 3
AEA RPQ3 Microphone Preamp with CurveShaper™ EQ The AEA RPQ3 is a high-end, discrete microphone preamp of reference quality with an integrated CurveShaper™ equalizer. It is specifically designed for optimal performance with ribbon microphones, while also working exceptionally well with dynamic and condenser mics. As the third generation of the RPQ series, the RPQ3 combines ultra-high input impedance with extremely clean gain and musical tone shaping, making it ideal for demanding studio and recording applications. Sound Character The RPQ3 delivers an open, natural and highly detailed sound with exceptional transparency. Low-end: deep and controlled Mids: clear, neutral and uncolored Highs: airy, detailed and refined Its very high input impedance (approx. 63 kΩ) allows ribbon microphones to perform at their full potential without loading effects or tonal loss. The integrated CurveShaper™ EQ enables precise and musical tone shaping without compromising the natural sound. Highlights ✔ high-end microphone preamp ✔ optimized for ribbon microphones ✔ ultra-high input impedance (approx. 63 kΩ) ✔ wide gain range: approx. 0 – 83 dB ✔ ultra-low noise and distortion ✔ CurveShaper™ EQ (LF/HF shelving, ±20 dB) ✔ continuously variable frequency ranges ✔ switchable high-pass filter ✔ polarity reverse switch ✔ +48 V phantom power Typical Applications ✔ ribbon microphones (optimized impedance matching) ✔ high-end vocal recording ✔ acoustic instruments (guitar, piano, strings) ✔ orchestral and classical recording ✔ low-output sources ✔ premium studio signal chains Technical Specifications ✔ Device type: microphone preamp (desktop / rack-mountable) ✔ Gain: approx. 0 – 83 dB ✔ Input impedance: approx. 63 kΩ (phantom off) ✔ EQ: 2-band shelving (LF: approx. 20 Hz – 1.2 kHz / HF: approx. 1 – 20 kHz) ✔ EQ range: ±20 dB ✔ High-pass filter: variable ✔ Noise: very low (approx. -130 dBu) ✔ THD+N: very low ✔ Max output: approx. +27 dBu ✔ Connectivity: XLR in / XLR out ✔ Power supply: external PSU ✔ Form factor: desktop / optional 19" rack mounting
AEA RPQ503
AEA RPQ503 500-Series Microphone Preamp The AEA RPQ503 is a high-end 500-series microphone preamp with integrated EQ, specifically designed for ribbon microphones but equally suitable for dynamic and condenser mics. Based on AEA’s third-generation RPQ circuitry, it combines ultra-high input impedance, extremely clean gain and musical tone shaping directly at the front end of the signal chain, making it ideal for professional recording applications. Sound Character The RPQ503 delivers an open, transparent yet musical sound with excellent detail. Low-end: deep and controlled Mids: clear and natural Highs: open and detailed Its ultra-high input impedance (approx. 68 kΩ) allows ribbon microphones to perform at their full potential without loading effects. The integrated CurveShaper™ EQ provides smooth and musical tone shaping, even with significant adjustments. Highlights ✔ 500-series microphone preamp with integrated EQ ✔ AEA Gen 3 preamp circuitry (RPQ-based) ✔ ultra-high input impedance (approx. 68 kΩ) ✔ wide gain range: approx. 7 – 85 dB ✔ ultra-low noise and distortion ✔ CurveShaper™ EQ (LF/HF shelving, ±20 dB) ✔ continuously variable frequency ranges ✔ mic/line switching ✔ polarity reverse switch ✔ +48 V phantom power Typical Applications ✔ ribbon microphones (optimized impedance matching) ✔ high-end vocal recording ✔ acoustic instruments (guitar, piano, strings) ✔ orchestral and classical recording ✔ low-output sources ✔ premium studio signal chains Technical Specifications ✔ Format: 500-series module (single slot) ✔ Gain: approx. 7 dB – 85 dB ✔ Input impedance: approx. 68 kΩ (phantom off) ✔ EQ: 2-band shelving (LF: approx. 40–675 Hz / HF: approx. 2–28 kHz) ✔ EQ range: ±20 dB ✔ Noise: approx. -130 dBu ✔ THD+N: approx. 0.0018% ✔ Max output: approx. +27 dBu ✔ Power: via 500-series rack ✔ Connectivity: rack-dependent (XLR)
AEA Snaqbox Orange
AEA Snaqbox 2-Slot 500-Series Chassis The AEA Snaqbox is a high-quality compact 2-slot chassis for 500-series modules, designed for maximum signal integrity and flexible routing. It is ideal for desktop setups, portable rigs and minimalist high-end signal chains. Each slot features its own fully isolated power supply with separate linear regulators, effectively reducing noise and crosstalk for ultra-clean performance. Its rugged steel construction combined with transparent or colored acrylic side panels offers both durability and a modern look. Sound Character The Snaqbox is completely transparent and does not color the audio signal. Signal behavior: neutral and clean Noise floor: extremely low due to isolated power design Headroom: depends on installed modules It provides a clean and reliable platform for high-end 500-series gear. Highlights ✔ 2-slot 500-series chassis ✔ compatible with all standard 500-series modules ✔ separate linear regulators per slot for full isolation ✔ external power supply to reduce noise ✔ LINK/CASCADE switch for internal routing ✔ XLR inputs and outputs (Neutrik) ✔ durable steel construction with acrylic side panels ✔ compact desktop form factor ✔ made in the USA Typical Applications ✔ powering 500-series preamps (e.g. RPQ500) ✔ portable recording setups ✔ compact studio rigs ✔ mobile broadcast and live applications ✔ serial processing chains (preamp → EQ → compressor) ✔ high-end desktop signal chains Technical Specifications ✔ Format: 2-slot 500-series chassis ✔ Power per slot: ✔ +16 V / 150 mA ✔ -16 V / 150 mA ✔ +48 V / 13 mA ✔ Routing: LINK/CASCADE switch ✔ Inputs/Outputs: XLR ✔ Power supply: external PSU ✔ Dimensions: approx. 188 × 84 × 150 mm ✔ Weight: approx. 1.0 kg ✔ Design: compact desktop chassis
AEA Snaqbox Transparent
AEA Snaqbox 2-Slot 500-Series Chassis The AEA Snaqbox is a high-quality compact 2-slot chassis for 500-series modules, designed for maximum signal integrity and flexible routing. It is ideal for desktop setups, portable rigs and minimalist high-end signal chains. Each slot features its own fully isolated power supply with separate linear regulators, effectively reducing noise and crosstalk for ultra-clean performance. Its rugged steel construction combined with transparent or colored acrylic side panels offers both durability and a modern look. Sound Character The Snaqbox is completely transparent and does not color the audio signal. Signal behavior: neutral and clean Noise floor: extremely low due to isolated power design Headroom: depends on installed modules It provides a clean and reliable platform for high-end 500-series gear. Highlights ✔ 2-slot 500-series chassis ✔ compatible with all standard 500-series modules ✔ separate linear regulators per slot for full isolation ✔ external power supply to reduce noise ✔ LINK/CASCADE switch for internal routing ✔ XLR inputs and outputs (Neutrik) ✔ durable steel construction with acrylic side panels ✔ compact desktop form factor ✔ made in the USA Typical Applications ✔ powering 500-series preamps (e.g. RPQ500) ✔ portable recording setups ✔ compact studio rigs ✔ mobile broadcast and live applications ✔ serial processing chains (preamp → EQ → compressor) ✔ high-end desktop signal chains Technical Specifications ✔ Format: 2-slot 500-series chassis ✔ Power per slot: ✔ +16 V / 150 mA ✔ -16 V / 150 mA ✔ +48 V / 13 mA ✔ Routing: LINK/CASCADE switch ✔ Inputs/Outputs: XLR ✔ Power supply: external PSU ✔ Dimensions: approx. 188 × 84 × 150 mm ✔ Weight: approx. 1.0 kg ✔ Design: compact desktop chassis
AEA TDI
AEA TDI Instrument DI Box & Preamp The AEA TDI is a high-quality active DI box and instrument preamp designed specifically for passive pickups and low-output signal sources. Based on the proven circuitry of AEA’s TRP/RPQ series, it offers extremely high input impedance and exceptionally clean gain. The TDI is designed to capture instruments directly with maximum fidelity—especially those with passive pickups that benefit from proper impedance matching. It is ideal for studio and high-end recording applications. Sound Character The TDI delivers an extremely natural, open and detailed sound with excellent dynamics and transparency. Low-end: full, deep and controlled Mids: clear, present and uncolored Highs: open, bright and highly detailed Its very high input impedance preserves the full tonal character of the instrument without loading effects or high-frequency loss. Highlights ✔ active DI box with integrated preamp ✔ very high input impedance (up to approx. 1 MΩ) – ideal for passive pickups ✔ wide gain range (up to approx. +30 dB) ✔ ultra-low noise and distortion ✔ optimized for low-output instruments ✔ rugged, road-ready design ✔ balanced XLR output ✔ ground lift to eliminate hum Typical Applications ✔ electric guitars and basses (passive pickups) ✔ acoustic instruments with piezo systems ✔ keyboards and synthesizers ✔ direct recording into DAWs ✔ studio and live setups requiring high fidelity Technical Specifications ✔ Device type: active DI box / instrument preamp ✔ Input impedance: up to approx. 1 MΩ ✔ Gain: up to approx. +30 dB ✔ Frequency range: approx. 20 Hz – 20 kHz ✔ Output: XLR (balanced) ✔ Ground lift: yes ✔ Power supply: external power supply ✔ Form factor: desktop / stage unit
AEA TDI Duo
AEA TDI Duo Stereo DI Box & Instrument Preamp The AEA TDI Duo is a high-end active stereo DI box and instrument preamp based on the proven AEA TDI circuit. It expands the original concept into a dual-channel design, making it ideal for stereo instruments or parallel signal paths. Designed by Fred Forssell, the circuit combines an ultra-low-noise Class A JFET buffer with a transformer-balanced output stage, delivering exceptional clarity, low distortion and excellent transient response. Sound Character The TDI Duo delivers an extremely transparent, open and detailed sound with excellent dynamics and accuracy. Low-end: deep and solid Mids: clear and natural Highs: open and highly detailed Its very high input impedance (approx. 10 MΩ) preserves the full tonal character of passive pickups without loading effects or high-frequency loss. Highlights ✔ active stereo DI box (2 channels) ✔ Class A JFET circuit for ultra-clean signal ✔ transformer-balanced outputs ✔ very high input impedance (approx. 10 MΩ) ✔ ultra-low noise and distortion ✔ switchable 20 dB pad for high-level signals ✔ ground lift to eliminate hum ✔ thru outputs for parallel routing ✔ rugged, road-ready design Typical Applications ✔ stereo keyboards and synthesizers ✔ electric guitars and basses (passive pickups) ✔ acoustic instruments with piezo pickups ✔ parallel DI + amp recording setups ✔ studio and live environments requiring high fidelity Technical Specifications ✔ Device type: active stereo DI box / instrument preamp ✔ Channels: 2 (dual mono / stereo) ✔ Input impedance: approx. 10 MΩ (instrument), approx. 55 kΩ with pad ✔ Frequency response: approx. <10 Hz – 50 kHz (±0.5 dB) ✔ THD: approx. 0.002% ✔ Noise floor: < -114 dBu ✔ Inputs: 2× 1/4" TS (Hi-Z) ✔ Thru: 2× 1/4" TS ✔ Outputs: 2× XLR (transformer-balanced) ✔ Pad: -20 dB ✔ Power: 48 V phantom power ✔ Form factor: desktop / stage unit ✔ Weight: approx. 0.8 kg
AEA TRP3
AEA TRP3 Microphone Preamp The AEA TRP3 is a high-end single-channel microphone preamp designed specifically for optimal performance with ribbon microphones. As the successor to the original TRP, it features an ultra-low-noise discrete JFET circuit and extremely high gain capabilities. With its ultra-high input impedance and highly linear signal path, the TRP3 delivers exceptionally clean and transparent amplification, making it ideal for professional recording environments. Its compact desktop design allows flexible integration into modern studio setups. Sound Character The TRP3 delivers an extremely open, natural and transparent sound with outstanding accuracy. Low-end: deep and controlled Mids: clear and uncolored Highs: airy and highly detailed Its focus on pure signal integrity makes it ideal for critical recording and monitoring applications. The very high input impedance allows ribbon microphones to operate at their full potential without tonal loss. Highlights ✔ high-end single-channel microphone preamp ✔ optimized for ribbon microphones ✔ ultra-high input impedance (approx. 63 kΩ) ✔ very wide gain range (up to approx. 85 dB) ✔ discrete JFET circuit ✔ ultra-low noise and distortion ✔ minimal signal path for maximum transparency ✔ switchable high-pass filter (typically 115 Hz / 230 Hz) ✔ polarity reverse switch ✔ +48 V phantom power ✔ compact desktop design Typical Applications ✔ passive ribbon microphones ✔ low-output dynamic microphones ✔ high-end vocal recording ✔ acoustic instruments (guitar, piano, strings) ✔ orchestral and classical recording ✔ low-level signal sources ✔ premium studio signal chains Technical Specifications ✔ Device type: microphone preamp (desktop) ✔ Channels: 1 ✔ Gain: up to approx. 85 dB ✔ Input impedance: approx. 63 kΩ ✔ Circuit: discrete JFET gain stage ✔ High-pass filter: approx. 115 Hz / 230 Hz ✔ Noise: very low (approx. -130 dBu) ✔ THD+N: very low ✔ Max output: approx. +27 dBu ✔ Connectivity: XLR in / XLR out ✔ Power supply: external PSU ✔ Form factor: desktop
AEA TRP500
AEA TRP500 500-Series Microphone Preamp The AEA TRP500 is a high-end single-channel 500-series microphone preamp from AEA’s third-generation lineup, specifically designed for ribbon microphones. It is based on the original TRP circuit and delivers ultra-high gain, extremely low noise and very high input impedance. With its minimal signal path and discrete JFET design, the TRP500 provides highly transparent and direct signal amplification, making it ideal for professional recording environments. Sound Character The TRP500 delivers an open, natural and slightly musical sound with excellent detail. Low-end: deep, warm and controlled Mids: clear and natural Highs: open and detailed Despite its neutral design, it adds a subtle musical richness that complements ribbon microphones. Its ultra-high input impedance ensures optimal microphone performance without loading effects. Highlights ✔ 500-series microphone preamp (single slot) ✔ optimized for ribbon microphones ✔ ultra-high gain: up to approx. 85 dB ✔ very high input impedance (up to approx. 100 kΩ) ✔ discrete DC-coupled JFET circuit ✔ ultra-low noise and distortion ✔ switchable high-pass filter (115 Hz / 230 Hz) ✔ polarity reverse switch ✔ +48 V phantom power ✔ minimal signal path for maximum transparency Typical Applications ✔ passive ribbon microphones ✔ low-output dynamic microphones ✔ high-end vocal recording ✔ acoustic instruments (guitar, piano, strings) ✔ orchestral and classical recording ✔ premium studio signal chains Technical Specifications ✔ Format: 500-series module (single slot) ✔ Channels: 1 ✔ Gain: up to approx. 85 dB ✔ Input impedance: approx. 66 kΩ – 100 kΩ ✔ Circuit: DC-coupled JFET gain stage ✔ High-pass filter: 115 Hz / 230 Hz (6 dB/octave) ✔ Max output: approx. +28 dBu ✔ Noise: approx. -130 dBu ✔ Connectivity: via 500-series rack (XLR) ✔ Power: via 500-series rack
AMS Neve 1073 Classic Horizontal
AMS Neve 1073 Classic Horizontal The AMS Neve 1073 Classic Horizontal is an authentic reissue of the legendary Neve 1073 microphone preamp and EQ module, originally introduced in the early 1970s as part of the famous Neve 80-Series recording consoles. The module is still hand-built and hand-wired in England according to the original design specifications. Designed for 80-Series console frames or compatible rack systems, the module includes the complete signal path with mic preamp, 3-band EQ and high-pass filter, delivering the unmistakable sound that defined countless classic recordings. Sound Character The 1073 is widely regarded as one of the most iconic microphone preamps ever built, known for its rich midrange, powerful low end and smooth high-frequency presence. Its transformer-balanced Class-A design with Marinair® transformers adds musical harmonic coloration and exceptional headroom, creating recordings with depth, clarity and character. With up to 80 dB of gain, it easily accommodates condenser, dynamic and ribbon microphones. Highlights ✔ authentic Neve 1073 Class-A mic preamp and EQ ✔ 3-band inductor EQ design ✔ hand-wired Class-A circuitry ✔ Neve Marinair® input and output transformers ✔ up to 80 dB gain ✔ high-pass filter (50 / 80 / 160 / 300 Hz) ✔ ±16 dB high-shelf at 12 kHz ✔ ±18 dB mid band with selectable frequencies ✔ ±16 dB low-shelf EQ ✔ polarity reverse and phantom power ✔ 80-Series horizontal console module
AMS Neve 1073 Classic Vertical
AMS Neve 1073 Classic Vertical The AMS Neve 1073 Classic Vertical is an authentic reissue of the legendary Neve 1073 microphone preamp and EQ module, originally introduced in the early 1970s as part of the famous Neve 80-Series recording consoles. The module is still hand-built and hand-wired in England to the exact specifications of the original design. The vertical module format is designed for classic 80-Series console frames or compatible rack systems and provides the full signal path including Class-A microphone preamp, 3-band inductor EQ and high-pass filter. Sound Character The 1073 is widely regarded as one of the most iconic microphone preamps ever built, known for its rich midrange, powerful low end and smooth high-frequency presence. Its transformer-balanced Class-A circuitry provides musical harmonic coloration and exceptional headroom. With up to 80 dB of gain, it can easily handle condenser, dynamic and ribbon microphones. Highlights ✔ authentic Neve 1073 Class-A mic preamp and EQ ✔ 3-band inductor EQ design ✔ hand-wired Class-A circuitry ✔ Marinair-spec transformers ✔ up to 80 dB gain ✔ high-pass filter (50 / 80 / 160 / 300 Hz) ✔ ±16 dB high-shelf at 12 kHz ✔ ±18 dB mid band with selectable frequencies ✔ ±16 dB low-shelf EQ ✔ phantom power and polarity reverse ✔ 80-Series vertical console module
AMS Neve 1073 DPA
AMS Neve 1073 DPA The AMS Neve 1073 DPA is a premium 2-channel microphone preamp that brings the legendary sound of the classic Neve 1073 console preamp into a modern rackmount format. Both channels use the original Class-A transformer-balanced circuit, delivering the unmistakable Neve sound with warmth, punch and musical harmonic coloration. Unlike EQ-equipped versions such as the SPX or DPX, the 1073 DPA focuses entirely on pure preamplification and is ideal for high-end recording, broadcast and hybrid studio environments. Sound Character The 1073 DPA delivers the classic Neve sound with powerful mids, solid low end and smooth high frequencies. Its fully discrete Class-A topology provides musical saturation and excellent headroom. With up to 80 dB of gain, the unit is equally suitable for ribbon microphones, dynamic microphones and condenser microphones. The transformer-coupled output stage adds density and depth, making vocals, guitars, drums and acoustic instruments sit naturally in the mix. Highlights ✔ 2-channel Class-A microphone preamp ✔ based on the original Neve 1073 design ✔ Marinair transformers for authentic Neve tone ✔ up to 80 dB gain ✔ Mic and line inputs per channel ✔ 48 V phantom power, phase reverse and pad ✔ switchable input impedance ✔ independent gain and output control per channel ✔ LED signal monitoring ✔ 1U 19" rackmount chassis
AMS Neve 1073 DPD
AMS Neve 1073 DPD The AMS Neve 1073 DPD is a premium dual-channel Class-A microphone preamp with integrated A/D conversion, combining the legendary sound of the classic Neve 1073 console preamp with modern digital connectivity. Each channel features the original discrete Class-A circuitry with transformer-balanced inputs and outputs, delivering the unmistakable Neve tone with warmth, punch and musical harmonic coloration. In addition to its analog signal path, the 1073 DPD includes high-quality 24-bit / 192 kHz A/D conversion with AES digital output, allowing it to function as a high-end recording front-end for modern digital workstations. Sound Character The 1073 DPD delivers the classic Neve sound with powerful midrange, rich low end and smooth high frequencies. Its transformer-balanced Class-A design provides musical saturation and excellent headroom, while the integrated converters allow pristine digital capture of the analog signal. With up to 80 dB of gain, the unit easily handles condenser, dynamic and ribbon microphones. Highlights ✔ dual-channel Class-A microphone preamp ✔ based on the legendary Neve 1073 design ✔ integrated 24-bit / 192 kHz A/D converter ✔ AES digital output for direct DAW integration ✔ simultaneous analog and digital outputs ✔ up to 80 dB gain ✔ switchable input impedance ✔ 48 V phantom power and phase reverse ✔ ±10 dB output trim ✔ Word-clock and AES synchronization ✔ 1U rackmount chassis
AMS Neve 1073 DPX
AMS Neve 1073 DPX – Zweikanal Mikrofon-Vorverstärker mit 3-Band-EQ und Marinair-TransformatorenDer AMS Neve 1073 DPX bringt zwei vollständige Channel-Strips des legendären Neve 1073 Mikrofon-Vorverstärkers in ein modernes 19"-Rackgerät. Jeder Kanal kombiniert einen diskreten Class-A-Vorverstärker, den berühmten 3-Band-Neve-Equalizer sowie einen Hochpassfilter und bietet damit den klassischen Neve-Sound für professionelle Recording-Setups. Durch den Einsatz originaler Neve Marinair® Transformatoren im Ein- und Ausgang liefert der 1073 DPX die charakteristische analoge Klangsignatur – warme Mitten, kraftvollen Bass und musikalische harmonische Sättigung. Highlights auf einen Blick✔ 2 unabhängige Neve 1073 Mic/Line/DI Channel-Strips ✔ Diskrete Class-A-Schaltung nach klassischem 1073-Design ✔ Musikalischer 3-Band Induktor-Equalizer ✔ Original Neve Marinair® Transformatoren an Ein- und Ausgang ✔ Gain bis 80 dB – ideal für Ribbon-Mikrofone ✔ Hochpassfilter mit 18 dB/Oktave ✔ Separate Insert-Schleifen pro Kanal ✔ 19" Rackformat (2U) für professionelle Studiointegration Der legendäre Neve-1073 SoundDer ursprüngliche Neve 1073 gilt als einer der begehrtesten Mikrofon-Vorverstärker der Studiogeschichte. Seit den 1970er-Jahren prägt er den Sound unzähliger Produktionen und steht für einen warmen, musikalischen Klangcharakter mit großer Dynamik und Tiefe. Typische Klangmerkmale:kräftige, präsente Mittenwarme harmonische Sättigungoffenes High-Endgroßer HeadroomDer 1073 DPX überträgt diesen Klang in eine moderne Dual-Channel-Racklösung, die perfekt für Stereo-Aufnahmen oder parallele Recording-Setups geeignet ist. Zwei vollständige 1073 Channel-StripsDer 1073 DPX enthält zwei unabhängige Vorverstärker-Kanäle, die jeweils über eigene Preamp-, EQ- und Filtersektionen verfügen. Typische Anwendungen:Stereo-Mikrofonierung (z. B. Piano oder Overheads)Vocal + Instrument RecordingDrum- und Gitarrenaufnahmenhochwertige analoge Channel-Strips für DAW-RecordingBeide Kanäle können vollständig unabhängig betrieben werden.Hochwertiger Class-A Mikrofon-VorverstärkerDer Vorverstärker basiert auf dem diskreten Class-A-Transistor-Design des originalen 1073 und bietet eine enorme Verstärkungsreserve. Preamp-FeaturesGain: +20 dB bis +80 dBMic-, Line- und DI-Inputs48 V Phantomspeisung-20 dB PadPhasenumschaltungschaltbare Eingangsimpedanz (300 Ω / 1200 Ω) Diese Flexibilität ermöglicht den Einsatz mit nahezu allen Mikrofontypen – von Kondensator- bis zu Ribbon-Mikrofonen.Musikalischer 3-Band-Neve-EqualizerDer Equalizer basiert auf dem klassischen Induktor-Design, das für die charakteristische musikalische Klangformung der Neve-Konsolen bekannt ist. EQ-SektionHigh Shelf±16 dB bei 12 kHzMid Band±18 dBFrequenzen: 0.36 / 0.7 / 1.6 / 3.2 / 4.8 / 7.2 kHzLow Shelf±16 dBFrequenzen: 35 / 60 / 110 / 220 Hz Dieser EQ eignet sich sowohl für subtile Klangkorrekturen als auch für charakterstarkes Sound-Design.Hochpassfilter und Insert-IntegrationZusätzlich verfügt jeder Kanal über einen Hochpassfilter mit 18 dB/Oktave:50 Hz80 Hz160 Hz300 Hz Ein schaltbarer Insert-Punkt ermöglicht außerdem das Einschleifen externer Dynamikprozessoren oder Effekte direkt im Signalweg. Flexible AnschlussmöglichkeitenDer 1073 DPX bietet zahlreiche Konnektivitätsoptionen für moderne Studios.FrontpanelMic / Line / DI InputsInstrument-DI-InputsPegelanzeige und MonitoringRückseiteseparate XLR Mic- und Line-InputsXLR Line OutputsInsert Send / Return pro KanalKopfhörerausgang mit Monitor-Control Technische Daten (Auszug)Typ: Dual Mic Preamp & EQKanäle: 2Gain: bis 80 dBEQ: 3-Band Induktor-EQHochpassfilter: 50 / 80 / 160 / 300 HzTransformatoren: Neve Marinair® Input & OutputFormat: 19" Rack / 2UGewicht: ca. 10 kg
AMS Neve 1073 LBEQ
AMS Neve 1073 LBEQ The AMS Neve 1073 LBEQ is a compact 500-series mono equalizer that brings the legendary EQ section of the classic Neve 1073 console module into a modern lunchbox format. Designed and manufactured in England, it uses the same discrete Class-A circuitry and inductor-based filter design as the original 1073. The module can operate as a standalone EQ in any 500-series rack or as an insert EQ when paired with the Neve 1073LB microphone preamp, creating a complete classic 1073 signal path. Sound Character The 1073 LBEQ delivers the classic Neve EQ tone with powerful low end, musical midrange and smooth high-frequency presence. Its hand-wound inductor filters reproduce the musical EQ curves that made the original 1073 one of the most sought-after studio processors in recording history. Highlights ✔ classic Neve 1073 EQ in 500-series format ✔ three-band inductor-based EQ ✔ discrete Class-A circuitry ✔ hand-wound inductors for authentic Neve tone ✔ high-pass filter (50 / 80 / 160 / 300 Hz) ✔ ±16 dB high-shelf at 12 kHz ✔ ±18 dB mid band with selectable frequencies ✔ ±16 dB low-shelf EQ ✔ EQ bypass switch ✔ signal presence and clip LED ✔ compatible with all 500-series racks
AMS Neve 1073 OPX
AMS Neve 1073 OPX The AMS Neve 1073 OPX is a premium 8-channel microphone, line and instrument preamp, bringing the legendary sound of the classic Neve 1073 into a modern multi-channel design. Featuring eight independent Class-A preamps with Marinair® transformers and remote control functionality, it combines classic analog tone with modern studio integration. Housed in a 2U rack chassis, the unit provides flexible connectivity for studio, broadcast and live environments. Optional digital expansion cards allow USB, ADAT or Dante connectivity, enabling the unit to function as a multichannel audio interface if required. Sound Character The 1073 OPX delivers the signature Neve sound with powerful midrange, warm low end and musical harmonic coloration. Its Marinair® transformer-coupled inputs provide the harmonic richness and headroom that made the original Neve consoles legendary. With up to 70 dB of gain, the preamps easily handle both modern condenser microphones and low-output ribbon microphones. Highlights ✔ 8-channel Class-A microphone preamp ✔ based on the legendary Neve 1073 design ✔ Marinair® transformer-coupled inputs ✔ Mic / Line / DI inputs ✔ precise 1-dB stepped gain control ✔ remote control software with total recall ✔ front and rear panel connectivity ✔ optional USB, ADAT or Dante digital interface ✔ DB-25 multichannel outputs ✔ 2U rackmount chassis
AMS Neve 1073 OPX + Dante/USB Bundle
AMS Neve 1073 OPX + Dante/USB Bundle The AMS Neve 1073 OPX + Dante/USB Bundle combines eight legendary Neve 1073 Class-A microphone preamps with the powerful Digital I/O Option Card, providing USB and Dante connectivity for modern studio and network-audio workflows. The integrated digital card provides 8 channels of A/D conversion and 2 channels of D/A monitoring at up to 24-bit / 192 kHz, allowing the 1073 OPX to function as a high-end USB audio interface or as a Dante-enabled network preamp. With remote-controlled preamps, Marinair® transformers and Total Recall software, the system combines classic Neve analog tone with modern digital connectivity. Highlights ✔ 8 Neve 1073 Class-A microphone preamps ✔ Dante / USB digital option card included ✔ 8-channel A/D conversion + 2-channel D/A monitoring ✔ USB audio interface functionality ✔ Dante audio-over-IP connectivity with redundancy ✔ Marinair® transformer-coupled inputs ✔ remote control software with total recall ✔ 1-dB stepped gain control ✔ front-panel DI inputs ✔ stereo monitor path and headphone output
AMS Neve 1073 OPX + USB/ADAT-Karte Bundle
AMS Neve 1073 OPX + USB/ADAT Card Bundle The AMS Neve 1073 OPX + USB/ADAT Card Bundle combines eight legendary Neve 1073 Class-A microphone preamps with a powerful digital expansion card, turning the unit into a USB audio interface with ADAT connectivity. This bundle delivers the classic Neve analog tone while integrating seamlessly into modern DAW-based studio workflows. The included USB/ADAT digital option card provides 8 channels of A/D conversion and 2 channels of D/A monitoring, enabling direct DAW connectivity via USB or expansion of existing interfaces through ADAT optical connections. Remote control software allows engineers to adjust gain, routing and settings with Total Recall, and up to eight OPX units can be controlled simultaneously, providing up to 64 remotely controlled 1073 preamps. Highlights ✔ 8 classic Neve 1073 Class-A microphone preamps ✔ USB / ADAT digital option card included ✔ 8-channel A/D conversion + 2-channel D/A monitoring ✔ USB audio interface (up to 16 inputs / 10 outputs) ✔ ADAT expansion for existing audio interfaces ✔ Marinair® transformers for authentic Neve tone ✔ remote control software with total recall ✔ 1-dB stepped gain control ✔ front-panel DI inputs for instruments ✔ headphone output with dedicated level control ✔ expandable to 64 preamps (8 OPX units)
AMS Neve 1073 SPX
AMS Neve 1073 SPX The AMS Neve 1073 SPX is a classic single-channel microphone preamp and 3-band EQ, bringing the legendary sound of the original Neve 1073 console module into a modern rackmount format. Its transformer-balanced Class-A circuitry delivers the iconic Neve tone known for warmth, punch and musical coloration. The 1073SPX retains the original preamp and EQ signal path while adding modern features such as DI input, insert routing, output level control and LED metering, making it highly suitable for modern hybrid studio workflows. Sound Character The Neve 1073 has been one of the most sought-after microphone preamps since the 1970s. Its signature tone is characterized by rich midrange, powerful low end and smooth high frequencies. With up to 80 dB of gain, the 1073SPX easily handles low-output microphones while delivering the distinctive harmonic coloration that defines the Neve sound. Highlights ✔ classic Neve 1073 Class-A microphone preamp ✔ 3-band inductor EQ ✔ up to 80 dB gain ✔ Marinair input and output transformers ✔ Mic / Line / DI inputs ✔ switchable insert loop for external processing ✔ high-pass filter (18 dB/octave) ✔ LED metering and output level control ✔ 1U 19" rackmount chassis
AMS Neve 1073/1084 R2 Rack – 2-Slot 3U Rack mit PSU
AMS Neve 1073/1084 R2 Rack – 2-Slot 3U Rack with PSU The AMS Neve 1073/1084 R2 Rack is a professional 19-inch, 3U rack chassis with integrated power supply, designed to host classic Neve 80-Series modules. The rack provides two horizontal module slots and supports modules such as the Neve 1073, 1084 or 2264A. With built-in power supply, phantom power and full XLR connectivity, the rack allows classic Neve modules to be used as standalone outboard processors in modern studio environments. Its sturdy 3U enclosure provides the necessary power distribution and connectivity required to operate two classic Neve modules in a compact rack configuration. Highlights ✔ 2-slot rack chassis for Neve 80-Series modules ✔ compatible with Neve 1073, 1084 and 2264A modules ✔ 19" rackmount format (3U) ✔ integrated power supply (PSU) ✔ built-in 48V phantom power ✔ XLR input and output connections ✔ output gain control ✔ robust metal chassis for studio installations ✔ enables standalone use of classic Neve channel modules
AMS Neve 1073/1084/2264A Rack 8 Slot 5U
AMS Neve 1073/1084/2264A Rack – 8-Slot 5U The AMS Neve 1073/1084/2264A Rack – 8-Slot 5U is a professional 19-inch rack chassis with integrated power supply, designed to host classic Neve 80-Series modules. The unit provides eight vertical module slots and supports legendary modules such as the Neve 1073, 1084 and 2264A. With built-in power distribution, phantom power and full XLR connectivity, the rack allows classic Neve modules to operate as standalone outboard processors in modern recording and mixing studios. The rugged 5U rack enclosure makes it possible to build multi-channel analog signal chains using authentic Neve modules while maintaining a compact rack format. Highlights ✔ 8-slot rack chassis for Neve 80-Series modules ✔ compatible with Neve 1073, 1084 and 2264A modules ✔ 19" rackmount format (5U) ✔ integrated power supply (PSU) ✔ built-in 48 V phantom power ✔ gain control per module ✔ XLR input and output connections ✔ robust steel chassis for studio installation
AMS Neve 1073LB
AMS Neve 1073LB The AMS Neve 1073LB is a classic mono microphone preamp in 500-series format, bringing the legendary sound of the original Neve 1073 console preamp into a compact lunchbox module. The unit uses the same discrete Class-A circuit with transformer-balanced inputs and outputs, delivering the unmistakable Neve tone known for warmth, punch and musical harmonic coloration. “LB” stands for Lunchbox, meaning the module fits into any compatible 500-series rack or API lunchbox system, making it a compact solution for high-end analog front-end recording setups. Sound Character The 1073LB delivers the classic Neve sound with powerful midrange, rich low end and smooth high frequencies. Its transformer-coupled design with Marinair-spec transformers and multiple discrete gain stages provides up to 80 dB of microphone gain, making it suitable for condenser, dynamic and ribbon microphones alike. Highlights ✔ classic Neve 1073 Class-A microphone preamp ✔ 500-series lunchbox format ✔ Marinair transformers for authentic Neve tone ✔ up to 80 dB gain ✔ mic and line inputs ✔ switchable input impedance ✔ 48 V phantom power and polarity reverse ✔ front combo XLR/TRS input ✔ signal presence LED
AMS Neve 1081 Horizontal
AMS Neve 1081 Classic Horizontal The AMS Neve 1081 Classic Horizontal is a legendary microphone preamp and equalizer module originally introduced in the early 1970s for Neve’s modular 80-Series recording consoles. The unit combines a high-gain mic/line preamp with a versatile four-band EQ and high-/low-pass filters, making it one of the most flexible classic Neve channel modules. The horizontal version is designed for rack-mount installations or modular rack systems, while maintaining the original discrete circuitry and transformer-balanced signal path. AMS Neve continues to hand-build the module to the original specifications, including custom Neve transformers. Sound Character The 1081 delivers the classic Neve sound with detailed transients, strong midrange presence and musical analog coloration. With up to 80 dB of microphone gain, the preamp easily handles low-output microphones such as dynamic and ribbon models. The transformer-balanced architecture contributes subtle harmonic saturation and excellent headroom. Its four-band EQ features two fully parametric mid bands with Hi-Q options, allowing both broad tonal shaping and precise frequency correction. Highlights ✔ classic Neve 80-Series microphone preamp and EQ module ✔ based on the original 1972 Neve 1081 channel design ✔ discrete Class-A/B signal path ✔ custom Neve transformers ✔ up to +80 dB microphone gain ✔ four-band equalizer with parametric mid bands ✔ Hi-Q option for precise midrange shaping ✔ switchable shelf or bell filters ✔ high-pass and low-pass filters ✔ 48 V phantom power and polarity reverse ✔ hand-built in the UK to original specifications
AMS Neve 1081 Rack 2-Slot – 3U Rack mit PSU
AMS Neve 1081 Rack 2-Slot – 3U Rack with PSU The AMS Neve 1081 Rack 2-Slot (3U) is a professional 19-inch rack chassis designed to house two Neve 1081 Classic modules. It allows engineers to integrate legendary Neve microphone preamp and EQ modules into modern rack-based studio setups while providing a dedicated power supply and professional connectivity. The rack is supplied without modules and serves as a power and mounting solution for classic Neve modules such as 1081, 1073, 1084 and 2264A. The modules are installed horizontally and powered via the integrated PSU including 48 V phantom power for microphone inputs. Its robust construction and professional connectivity make the rack ideal for high-end recording studios and hybrid production environments using classic Neve outboard equipment. Highlights ✔ 2-slot rack chassis for Neve 1081 Classic modules ✔ compatible with Neve 1081, 1073, 1084 and 2264A modules ✔ 19-inch rack format (3U) ✔ integrated power supply unit (PSU) ✔ 48 V phantom power support ✔ balanced XLR inputs and outputs ✔ output level control ✔ robust metal rack construction ✔ horizontal installation for Neve 10-series modules
AMS Neve 1081 Vertical
AMS Neve 1081 Classic Vertical The AMS Neve 1081 Classic Vertical is a legendary microphone preamp and equalizer module originally introduced in 1972 for Neve’s modular 80-Series recording consoles. The unit combines a high-gain mic/line preamp with a versatile four-band equalizer and high-/low-pass filters, making it one of the most flexible classic Neve channel modules ever produced. Modern AMS Neve versions are hand-built to the original specifications, featuring transformer-balanced input and output stages and discrete amplifier circuitry that preserve the iconic Neve console sound. The Vertical version replicates the layout of the original console modules and is intended for classic Neve console installations or compatible rack systems. Sound Character The 1081 delivers the classic Neve sound with strong midrange presence, musical saturation and exceptional headroom. The preamp provides up to 80 dB of gain, making it suitable for low-output microphones such as dynamic and ribbon models. Its four-band EQ with dual parametric midrange bands and Hi-Q options allows both subtle tonal shaping and precise frequency correction. Highlights ✔ classic Neve 80-Series microphone preamp and EQ module ✔ based on the original 1972 Neve 1081 channel design ✔ discrete Class-A/B signal path ✔ Marinair transformer-balanced input and output ✔ up to +80 dB microphone gain ✔ four-band equalizer with Hi-Q mid bands ✔ switchable shelving or bell filters ✔ high-pass and low-pass filters ✔ 48 V phantom power and polarity reverse ✔ hand-built in the UK to original Neve specifications
AMS Neve 1081R Rack 12-Slot – 4U Rack mit PSU
AMS Neve 1081R Rack 12-Slot – 4U Rack with PSU The AMS Neve 1081R Rack (12-slot) is a professional 19-inch rack chassis designed to house up to twelve Neve 1081R microphone preamp modules. The system allows engineers to integrate classic Neve preamps into modern recording environments while maintaining full remote control over all channels. The rack includes an integrated power supply unit (PSU) and supports installation of up to twelve 1081R or Air Montserrat microphone preamp modules. By placing the rack close to the microphones in the recording space, engineers can minimize microphone cable runs and preserve signal integrity. All operational parameters such as gain, polarity and pad can be controlled from a computer, Neve console or Encore system, with settings stored and recalled via software. Highlights ✔ 12-slot rack for Neve 1081R or Air Montserrat preamp modules ✔ 19-inch 4U rack chassis ✔ integrated power supply unit (PSU) ✔ remote control via computer or Neve console ✔ microprocessor-controlled channel management ✔ software recall for gain, phase and pad settings ✔ ideal for remote placement in recording rooms ✔ minimizes microphone cable length ✔ compatible with Neve Encore systems and 88RS consoles ✔ RS485 serial control interface (9-pin)
AMS Neve 1084 Classic Horizontal
AMS Neve 1084 Classic Horizontal The AMS Neve 1084 Classic Horizontal is a legendary Class-A microphone preamp and equalizer based on the design of the classic Neve 80-Series recording consoles from the 1970s. Developed as an expanded version of the famous Neve 1073, the 1084 offers a more flexible EQ section and additional filtering options. The horizontal version is designed for installation in 80-series racks and modular rack systems, matching the layout of the original console modules. Its discrete Class-A circuitry and Marinair transformer-balanced stages deliver the classic Neve tone known from countless recordings. Sound Character The 1084 provides the classic Neve sound with strong midrange presence, warm harmonic coloration and excellent headroom. Its transformer-balanced signal path produces musical saturation and detailed transient response. Compared with the 1073, the 1084 includes additional EQ frequencies, a high-Q switch in the mid band and integrated high-pass and low-pass filters for more precise tonal shaping. With up to 80 dB of microphone gain, the preamp can easily drive low-output dynamic and ribbon microphones. Highlights ✔ classic Neve Class-A microphone preamp with EQ ✔ derived from the Neve 80-Series console architecture ✔ discrete Class-A signal path ✔ Marinair transformer-balanced input and output ✔ up to +80 dB microphone gain ✔ 3-band equalizer with expanded frequency options ✔ high-Q switch for precise midrange shaping ✔ high-shelf frequencies: 10 / 12 / 16 kHz ✔ low-shelf frequencies: 35 / 60 / 110 / 220 Hz ✔ high-pass filter: 45 / 70 / 160 / 360 Hz ✔ low-pass filter: 6 / 8 / 10 / 14 / 18 kHz ✔ 180° polarity reverse ✔ hand-built in the UK to original Neve specifications
AMS Neve 1084 Classic Vertical
AMS Neve 1084 Classic Vertical The AMS Neve 1084 Classic Vertical is a legendary Class-A microphone preamp and equalizer originally designed for the classic Neve 80-Series recording consoles of the 1970s. The modern AMS Neve version is still hand-built to the original specifications and combines the iconic Neve preamp design with an expanded EQ section and flexible filtering options. While sharing the same preamp architecture as the famous Neve 1073, the 1084 expands its tonal capabilities with additional EQ frequency options, switchable Q settings and integrated high-pass and low-pass filters. The Vertical version is designed for installation in classic Neve 80-series consoles or compatible rack systems, matching the layout of the original console modules. Sound Character The 1084 delivers the classic Neve sound with strong midrange presence, warm harmonic saturation and excellent headroom. Its transformer-balanced Class-A signal path with original Marinair transformers provides musical coloration and detailed transient response. The expanded EQ section allows even greater tonal flexibility compared to the 1073. Highlights ✔ classic Neve Class-A microphone preamp with EQ ✔ derived from the Neve 80-Series console architecture ✔ discrete Class-A signal path ✔ Marinair transformer-balanced input and output ✔ up to +80 dB microphone gain ✔ 3-band equalizer with expanded frequency options ✔ high-Q switch for precise midrange shaping ✔ high-shelf frequencies: 10 / 12 / 16 kHz ✔ low-shelf frequencies: 35 / 60 / 110 / 220 Hz ✔ high-pass filter: 50 / 80 / 160 / 300 Hz ✔ low-pass filter: 6 / 8 / 10 / 18 kHz ✔ 180° phase reverse ✔ hand-built in the UK to original Neve specifications
AMS Neve 2254/R
AMS Neve 2254/R The AMS Neve 2254/R is a classic mono limiter/compressor based on the legendary Neve 2254 dynamics processor introduced in the late 1960s. The modern version retains the original discrete Class-A design and diode-bridge compression circuit while adding modern workflow features such as USB-based recall. Hand-built in Burnley, England, the unit uses transformer-coupled stages and classic Neve circuit architecture to recreate the distinctive analog tone of vintage Neve compressors. Sound Character The 2254/R delivers the classic Neve compression sound with strong midrange character, controlled transients and musical saturation. Its diode-bridge gain-reduction circuit produces a unique compression curve ranging from subtle leveling to aggressive dynamic shaping, making it suitable for both tracking and mix-bus applications. Highlights ✔ classic mono limiter / compressor ✔ based on the original Neve 2254 design ✔ diode-bridge compression circuit ✔ discrete Class-A signal path ✔ transformer-coupled input and output stages ✔ independent compressor and limiter sections ✔ five ratio settings ✔ variable attack and recovery controls ✔ USB Total Recall software support ✔ link capability for stereo setups
AMS Neve 33609N
AMS Neve 33609N The AMS Neve 33609N is a legendary stereo compressor/limiter widely used in professional recording, mixing and mastering studios. Based on Neve’s classic diode-bridge compression design, the unit combines musical compression with precise peak limiting for detailed dynamic control. Each channel includes independent compressor and limiter sections, allowing the device to operate in dual-mono or stereo-linked modes. Its discrete Class-A/B circuitry and Marinair® transformers provide the rich harmonic character that defines classic Neve analog equipment. Sound Character The 33609N delivers the classic Neve compression sound with strong midrange presence, controlled transients and musical saturation. Its diode-bridge gain-reduction circuit produces a unique compression curve ranging from smooth leveling to aggressive limiting, making it a versatile processor for mixing and mastering applications. The compressor is especially famous for adding subtle mix-bus “glue”, gently tightening mixes while preserving musical dynamics. Highlights ✔ classic stereo compressor / limiter ✔ diode-bridge compression design ✔ Marinair® transformers throughout the signal path ✔ discrete Class-A/B amplification ✔ independent compressor and limiter sections ✔ dual-mono or stereo-link operation ✔ stepped controls for recall ✔ true bypass switching ✔ dual gain-reduction meters ✔ multiple recovery and auto-release modes