Small-Diaphragm Microphones – Precision Without Exaggeration
Small-diaphragm microphones are among the most precise tools in professional recording. They often deliver exactly what matters most when capturing acoustic instruments, ensembles and natural room ambience: transparency, transient accuracy and realistic reproduction.
Rather than artificially enhancing or coloring a sound source, high-quality small-diaphragm condenser microphones excel through fast response, exceptional transient handling and a highly controlled representation of the recording environment.
The real question is rarely which small-diaphragm microphone is objectively “the best.” What matters is finding the model that complements the instrument, room, microphone placement and the sound you are aiming to achieve.
Small-diaphragm microphones have become an essential part of professional recording environments. Whenever accuracy, spatial realism and fine detail are priorities, they often prove to be the preferred choice.
Acoustic guitars, strings, brass instruments, piano, percussion, drum overheads, choirs and ensemble recordings frequently benefit from their combination of fast transient response, neutral tonal balance and precise stereo imaging.
At the same time, not all small-diaphragm microphones are designed with the same goals in mind. Some models prioritize maximum neutrality and analytical detail, while others introduce subtle character or offer interchangeable capsules for different polar patterns and applications.
In practice, however, the microphone itself is only one part of the equation. Room acoustics, microphone placement, stereo techniques, preamps and the sound source itself often have a greater influence on the final result than any individual specification.
That is why Peakhouse Audio does not simply offer the largest possible selection. Our range is built around practical studio experience, direct comparisons and microphones that have consistently proven themselves in professional recording, broadcast and classical music productions.
If you are unsure which small-diaphragm microphone best fits your application, we are always happy to help.
Less spectacle – more microphones that capture instruments, spaces and performances with precision and authenticity.
DPA 2012
DPA 2012 Condenser Microphone (Cardioid) The DPA 2012 is a compact professional small-diaphragm condenser microphone featuring a cardioid polar pattern, designed for versatile live and studio applications. It combines DPA’s renowned sound quality with a rugged, tour-ready construction. As a true all-round instrument microphone, the 2012 performs exceptionally well across a wide range of sources—from close-miking individual instruments to demanding live environments. Its precise directionality and high gain-before-feedback make it particularly reliable in loud settings. Sound Character The 2012 delivers a clear, direct and highly detailed sound with excellent transparency. Its cardioid pattern ensures focused pickup while maintaining a natural off-axis response. Low frequencies are tight and controlled, mids are well-defined and present, and highs are open and detailed. Off-axis signals remain natural and well-balanced, contributing to a realistic overall sound image. Its neutral tuning makes it ideal for applications where accurate and uncolored sound reproduction is essential. Highlights ✔ compact small-diaphragm condenser microphone ✔ cardioid pattern for focused sound capture ✔ very high SPL handling (up to approx. 156 dB SPL) ✔ wide dynamic range (approx. 131 dB) ✔ natural and transparent sound reproduction ✔ excellent gain-before-feedback ✔ rugged, tour-ready design Typical Applications ✔ instrument miking (guitar, brass, percussion) ✔ snare, hi-hat and drum recording ✔ guitar and bass amplifiers ✔ acoustic instruments in studio ✔ live sound and touring Technical Specifications ✔ Microphone type: condenser (pre-polarized, pressure gradient) ✔ Polar pattern: cardioid ✔ Frequency range: 20 Hz – 20 kHz ✔ Sensitivity: approx. 8 mV/Pa ✔ Max SPL: up to 156 dB SPL ✔ Self-noise: approx. 20 dB(A) ✔ Dynamic range: approx. 131 dB ✔ Output: XLR ✔ Power supply: 48 V phantom power
DPA 2015
DPA 2015 Condenser Microphone (Wide Cardioid) The DPA 2015 is a professional small-diaphragm condenser microphone featuring a wide cardioid polar pattern, designed for demanding live and studio applications. It combines DPA’s renowned sonic accuracy with a rugged and practical design. Its wide cardioid pattern captures a broader sound field than a standard cardioid microphone while maintaining excellent focus and clarity, making it ideal for complex sound sources and ensemble recordings. Sound Character The 2015 delivers a natural, open and highly detailed sound with excellent transient response. Its wide cardioid pattern provides a balanced blend of direct sound and ambient information. Low frequencies remain tight and controlled, mids are clear and defined, and highs are transparent and natural. Its smooth off-axis response ensures a stable and realistic sound image. Highlights ✔ small diaphragm condenser microphone with wide cardioid pattern ✔ natural and transparent sound reproduction ✔ extended pickup area for complex sources ✔ excellent transient response ✔ high SPL handling (up to approx. 150–153 dB SPL) ✔ rugged, tour-ready construction ✔ compact design for discreet placement Typical Applications ✔ drum overheads and percussion ✔ piano and acoustic instruments ✔ brass sections and ensembles ✔ stereo recording (ORTF, NOS, spaced techniques) ✔ live sound and touring Technical Specifications ✔ Microphone type: condenser (pre-polarized) ✔ Polar pattern: wide cardioid ✔ Frequency range: approx. 40 Hz – 18 kHz ✔ Max SPL: up to approx. 150–153 dB SPL ✔ Dimensions: approx. 94 mm length, 83 g ✔ Output: XLR ✔ Power supply: 48 V phantom power
DPA 2017 Shotgun Microphone
DPA 2017 Shotgun Microphone The DPA 2017 Shotgun Microphone is a high-precision shotgun microphone designed for professional film, broadcast, and location sound applications. It combines DPA’s renowned natural sound reproduction with excellent directionality and outstanding off-axis linearity, making it ideal for demanding dialogue and ambient recordings. Built on advanced condenser technology, the 2017 delivers exceptionally clean and transparent audio with minimal coloration. Its precisely engineered interference tube design ensures focused pickup while effectively rejecting off-axis sound. With its robust construction and resistance to environmental factors, the microphone is equally suited for studio work and demanding field use. Sound Character The DPA 2017 delivers a highly natural, open, and detailed sound. Speech is reproduced clearly and accurately without the typical nasal coloration often associated with shotgun microphones. Its off-axis response remains exceptionally linear, allowing ambient sound and room tone to be captured in a controlled and natural way. Low frequencies are tight and well-defined, while highs are smooth and detailed—ideal for high-quality dialogue and precise sound design. Highlights ✔ Professional shotgun microphone ✔ Supercardioid / lobar pickup pattern for precise focus ✔ Extremely natural and uncolored sound reproduction ✔ Excellent off-axis linearity ✔ Strong directionality with natural ambience ✔ Low self-noise and wide dynamic range ✔ Robust construction for film and outdoor use ✔ Ideal for boom and camera mounting ✔ Standard XLR connection (48V phantom power) ✔ Compatible with professional accessories (windscreens, shock mounts, etc.) Typical Applications ✔ Film and TV production ✔ On-set dialogue recording (boom operation) ✔ Broadcast and field reporting ✔ Field recording and documentary work ✔ Sound design and ambient recording ✔ Voice capture in real-world environments Technical Specifications ✔ Microphone type: condenser shotgun microphone ✔ Polar pattern: supercardioid / lobar ✔ Frequency range: approx. 20 Hz – 20 kHz ✔ Self-noise: very low ✔ Max SPL: high (professional applications) ✔ Connector: XLR (balanced) ✔ Power: 48V phantom power ✔ Form factor: shotgun / interference tube ✔ Application: film, broadcast, location sound
DPA 4006A
DPA 4006A Condenser Microphone (Omnidirectional) The DPA 4006A Omni Mic is a world-renowned reference small diaphragm condenser microphone with an omnidirectional polar pattern. It is designed for the highest level of accuracy in studio, classical and high-end recording environments. Combining the legendary MMC4006 capsule with the MMP-A preamp, it delivers an exceptionally linear response and outstanding detail. Its pressure-based omnidirectional design captures sound naturally and without directional coloration, making it ideal for realistic spatial recordings. Sound Character The 4006A is known for its extreme neutrality and transparency. Its omnidirectional pattern produces a highly natural, open and three-dimensional sound with excellent depth. Low frequencies extend deeply while remaining tight and controlled, mids are clear and accurate, and highs are detailed and natural. Its consistent off-axis response contributes to a highly realistic spatial image. Highlights ✔ reference small diaphragm condenser microphone ✔ omnidirectional pattern for natural room capture ✔ extremely linear frequency response ✔ modular design (capsule + preamp system) ✔ interchangeable acoustic grids for tonal shaping ✔ very high SPL handling (up to approx. 159 dB SPL) ✔ handmade in Denmark Typical Applications ✔ A-B stereo recording (orchestra, choir, classical) ✔ Decca Tree and ambient recording ✔ acoustic instruments (piano, strings, brass) ✔ film and ambience capture ✔ high-end studio and mastering applications Technical Specifications ✔ Microphone type: condenser (pre-polarized, pressure) ✔ Polar pattern: omnidirectional ✔ Frequency range: 10 Hz – 20 kHz ✔ Sensitivity: approx. 40 mV/Pa ✔ Max SPL: approx. 146–159 dB SPL ✔ Self-noise: approx. 15 dB(A) ✔ Dynamic range: approx. 121 dB ✔ Output: XLR ✔ Power supply: 48 V phantom power
DPA 4011A
DPA 4011A Condenser Microphone (Cardioid) The DPA 4011A is a world-renowned reference small diaphragm condenser microphone, designed for the highest level of accuracy in studio, live and broadcast environments. Combining the legendary MMC4011 capsule with state-of-the-art components, it delivers outstanding neutrality, precise transient response and extremely low distortion. This makes it ideal for both close-miking and critical stereo or orchestral applications. Sound Character The 4011A provides an extremely neutral, detailed and accurate sound. Its cardioid pattern offers excellent focus while maintaining a natural off-axis response. Low frequencies are tight and controlled, mids are clear and transparent, and highs are open and refined. Its excellent phase response results in a highly realistic and spatial sound image. Highlights ✔ reference small diaphragm condenser microphone ✔ cardioid pattern with excellent directionality ✔ extremely linear and transparent sound reproduction ✔ very high SPL handling (up to approx. 159 dB SPL) ✔ low distortion and wide dynamic range ✔ switchable -20 dB pad for added headroom ✔ modular design (compatible with DPA preamps) Typical Applications ✔ drum overheads and percussion ✔ acoustic instruments (guitar, piano, strings) ✔ orchestral and classical recording ✔ spot miking in ensembles ✔ broadcast, film and theatre Technical Specifications ✔ Microphone type: condenser (pre-polarized) ✔ Polar pattern: cardioid ✔ Frequency range: 20 Hz – 20 kHz ✔ Sensitivity: approx. 10 mV/Pa ✔ Max SPL: up to 159 dB SPL ✔ Self-noise: approx. 18 dB(A) ✔ Dynamic range: approx. 120 dB ✔ Output: XLR ✔ Power supply: 48 V phantom power
DPA 4099 Core Drum
DPA 4099 CORE Drum Instrument Microphone (Drums & Percussion) The DPA d:vote Core 4099 Drum is a professional clip-on instrument microphone specifically designed for high-quality drum and percussion miking. As part of the renowned 4099 CORE series, it combines exceptional sound quality with practical flexibility for stage and studio use. The microphone includes a dedicated drum clip that ensures secure and vibration-free mounting directly on drums. Combined with its flexible gooseneck, it allows for fast, precise and repeatable positioning—ideal for dynamic live setups and touring applications. Its compact and discreet design integrates seamlessly into any drum setup without interfering with performance or aesthetics. Sound Character The 4099 CORE Drum delivers a clear, natural and highly detailed sound with excellent presence in the mix. Its supercardioid polar pattern provides focused pickup while effectively reducing bleed. It excels at handling extreme dynamics and high sound pressure levels without distortion, making it ideal for drums and percussion. The sound is punchy and controlled in the low end, with defined mids and crisp highs. Highlights ✔ specifically designed for drums and percussion ✔ CORE / CORE+ technology for extended dynamic range and low distortion ✔ supercardioid pattern for excellent feedback rejection ✔ dedicated drum clip for fast and secure mounting ✔ flexible gooseneck (~140 mm) for precise positioning ✔ handles extremely high SPL (up to approx. 152 dB SPL) ✔ compact and discreet design Typical Applications ✔ snare, toms and percussion instruments ✔ live drum miking ✔ studio drum recording ✔ touring and stage setups ✔ broadcast and festival applications Technical Specifications ✔ Microphone type: miniature condenser ✔ Polar pattern: supercardioid ✔ Frequency range: 20 Hz – 20 kHz ✔ Max SPL: up to approx. 152 dB SPL ✔ Gooseneck length: approx. 140 mm ✔ Cable length: approx. 1.8 m ✔ Connector: MicroDot / XLR (via adapter) ✔ Power supply: 48 V phantom power (via adapter)
DPA 4099-DC-2-199-T
DPA 4099-DC-2-199-T Instrument Microphone (Brass / Trumpet) The DPA 4099-DC-2-199-T is a professional clip-on instrument microphone specifically designed for trumpet, trombone and other brass instruments. As part of the renowned 4099 series, it combines exceptional sound quality with practical flexibility for stage and studio use. The set includes a 4099 CORE microphone and a dedicated mounting clip for brass instruments, ensuring secure and vibration-free attachment directly to the instrument. This guarantees consistent microphone placement even during dynamic performances. Its compact design and quick mounting system make it ideal for live use, touring and orchestral environments. Sound Character The 4099-DC-2-199-T delivers a clear, natural and highly detailed sound with excellent presence in the mix. Its supercardioid polar pattern provides focused pickup while effectively reducing bleed and ambient noise. It excels in handling extremely high sound pressure levels without distortion, making it perfectly suited for loud brass instruments. The result is a balanced sound with tight low-end, defined mids and open highs. Highlights ✔ specifically designed for trumpet, trombone and brass instruments ✔ CORE by DPA technology for extended dynamic range and low distortion ✔ supercardioid pattern for excellent feedback rejection ✔ dedicated clip system for fast and secure mounting ✔ handles extreme SPL levels with ease ✔ flexible gooseneck for precise positioning ✔ compatible with wireless systems via MicroDot adapters Typical Applications ✔ live miking of brass instruments ✔ orchestral and big band productions ✔ touring and stage use ✔ studio recording of brass sections ✔ broadcast and theatre applications Technical Specifications ✔ Microphone type: miniature condenser ✔ Polar pattern: supercardioid ✔ Frequency range: 20 Hz – 20 kHz ✔ Max SPL: up to approx. 152 dB SPL ✔ Sensitivity: approx. 2 mV/Pa ✔ Self-noise: approx. 28 dB(A) ✔ Connector: MicroDot ✔ Power supply: 5–50 V (depending on adapter/wireless system)
DPA 4099-DP-1-101-P
DPA 4099-DP-1-101-P Instrument Microphone (Piano Set) The DPA 4099-DP-1-101-P is a professional clip-on microphone set specifically designed for piano and grand piano applications. As part of the renowned DPA 4099 series, it delivers exceptional sound quality combined with a dedicated mounting system tailored for piano use. Based on the 4099 CORE+ microphone, the set includes a specialized piano mount that allows secure and stable placement inside the instrument. This ensures consistent and repeatable positioning, making it ideal for both live performance and studio recording. Its flexible mounting system allows for various positioning options, enabling different tonal characteristics from direct string capture to more ambient placements. Sound Character The 4099-P delivers a highly natural, balanced and detailed sound with excellent isolation from surrounding noise. Its supercardioid polar pattern provides focused pickup while minimizing bleed. The sound is clear and transparent, with tight low-end, well-defined mids and open highs. Even during dynamic peaks, the signal remains clean and distortion-free, ensuring accurate reproduction of the instrument. Highlights ✔ dedicated microphone set for piano and grand piano ✔ CORE+ technology for extended dynamic range and low distortion ✔ supercardioid pattern for precise capture and feedback rejection ✔ specialized piano mount for secure internal placement ✔ flexible positioning for different tonal results ✔ excellent gain-before-feedback and isolation ✔ MicroLock® connector for secure connection Typical Applications ✔ live piano and grand piano miking ✔ studio recording (close and semi-room techniques) ✔ jazz, pop and classical productions ✔ theatre and musical productions ✔ broadcast and touring applications Technical Specifications ✔ Microphone type: miniature condenser ✔ Polar pattern: supercardioid ✔ Frequency range: 20 Hz – 20 kHz ✔ Sensitivity: approx. 6 mV/Pa ✔ Max SPL: up to 145 dB SPL ✔ Gooseneck length: approx. 140 mm ✔ Cable length: approx. 1.8 m ✔ Connector: MicroLock® ✔ Power supply: 5–50 V (depending on adapter/wireless system)
DPA 4099-DP-1-101-U
DPA 4099-DP-1-101-U Instrument Microphone (Universal Set) The DPA 4099-DP-1-101-U is a premium clip-on instrument microphone with a universal mounting system, designed for maximum flexibility in professional live and studio environments. Featuring a universal clip (U-Clip), the microphone can be mounted on a wide range of instruments, making it ideal for changing setups and multi-instrument applications. The flexible gooseneck ensures precise and stable positioning at all times. Equipped with the latest CORE+ technology, it offers extended dynamic range and extremely low distortion across the entire frequency spectrum. Sound Character The 4099 delivers a clear, natural and highly detailed sound with excellent isolation from surrounding noise. Its supercardioid polar pattern ensures focused pickup and strong feedback rejection. The sound is balanced and transparent, with tight low-end, clear mids and open highs. Even at high sound pressure levels, the signal remains clean and distortion-free. Highlights ✔ versatile clip-on microphone with universal mount (U-Clip) ✔ CORE+ technology for extended dynamic range and low distortion ✔ supercardioid pattern for excellent feedback rejection ✔ flexible gooseneck (approx. 140 mm) for precise positioning ✔ suitable for a wide range of instruments ✔ high gain-before-feedback and strong isolation ✔ MicroLock® connector for secure connection Typical Applications ✔ live miking of various acoustic instruments ✔ orchestral and theatre productions ✔ touring and multi-instrument setups ✔ flexible studio recording ✔ broadcast and AV applications Technical Specifications ✔ Microphone type: miniature condenser ✔ Polar pattern: supercardioid ✔ Frequency range: 20 Hz – 20 kHz ✔ Sensitivity: approx. 6 mV/Pa ✔ Max SPL: up to 145 dB SPL ✔ Gooseneck length: approx. 140 mm ✔ Cable length: approx. 1.8 m ✔ Connector: MicroLock® ✔ Power supply: 5–50 V (depending on adapter/wireless system)
DPA 4099-DP-1-199-G
DPA 4099-DP-1-199-G Instrument Microphone (Guitar) The DPA 4099-DP-1-199-G is a professional clip-on instrument microphone specifically designed for acoustic guitar. As part of the high-end DPA 4099 series, it delivers exceptional sound quality combined with a dedicated mounting system for precise and stable positioning. The set is based on the 4099 CORE+ microphone and includes a guitar-specific mount that ensures secure and vibration-free attachment directly to the instrument. This guarantees consistent microphone placement, even during dynamic performances. Its compact design and flexible gooseneck make it ideal for live, studio and touring applications. Sound Character The 4099-G provides a natural, balanced and highly detailed sound with excellent isolation. Its supercardioid polar pattern ensures focused pickup while effectively reducing bleed and feedback. The sound is transparent and accurate, with tight low-end, clear mids and open highs, allowing for an authentic reproduction of the instrument even at high sound pressure levels. Highlights ✔ specifically designed for acoustic guitar ✔ CORE+ technology for extended dynamic range and low distortion ✔ supercardioid pattern for excellent feedback rejection ✔ dedicated guitar mount for secure placement ✔ flexible gooseneck (~140 mm) for precise positioning ✔ high SPL handling (up to approx. 145 dB SPL) ✔ MicroLock® connector for secure and flexible connectivity Typical Applications ✔ live acoustic guitar miking ✔ singer-songwriter performances ✔ studio recording (close-miking) ✔ touring and stage use ✔ broadcast and AV applications Technical Specifications ✔ Microphone type: miniature condenser ✔ Polar pattern: supercardioid ✔ Frequency range: 20 Hz – 20 kHz ✔ Sensitivity: approx. 6 mV/Pa ✔ Max SPL: up to 145 dB SPL ✔ Gooseneck length: approx. 140 mm ✔ Cable length: approx. 1.8 m ✔ Connector: MicroLock® ✔ Power supply: 5–50 V (depending on adapter/wireless system)
DPA 4099-DP-1-199-S
DPA 4099-DP-1-199-S Instrument Microphone (Saxophone) The DPA 4099-DP-1-199-S is a professional clip-on instrument microphone specifically designed for saxophone. As part of the renowned DPA 4099 Series, it delivers exceptional sound quality, flexibility and reliability for both live and studio environments. The set includes the 4099 CORE+ microphone and a dedicated saxophone mounting clip, ensuring secure and vibration-free attachment directly to the instrument. This guarantees consistent and repeatable microphone positioning, even during dynamic performances. Its compact and discreet design makes it ideal for stage, orchestral and broadcast use. Sound Character The 4099-199-S provides a clear, natural and highly detailed sound with excellent isolation. Its supercardioid polar pattern ensures focused pickup while effectively reducing bleed and ambient noise. It delivers a balanced tonal response with warm, controlled low-end, present mids and open highs. Even at high sound pressure levels, the signal remains clean and distortion-free. Highlights ✔ specifically designed for saxophone ✔ CORE+ technology for extended dynamic range and low distortion ✔ supercardioid pattern for excellent feedback rejection ✔ dedicated saxophone mount for secure placement ✔ flexible gooseneck (~140 mm) for precise positioning ✔ high SPL handling (up to approx. 145 dB SPL) ✔ MicroLock® connector for secure connection Typical Applications ✔ live saxophone miking (alto, tenor, baritone) ✔ jazz, pop and big band performances ✔ orchestral and theatre productions ✔ touring and stage use ✔ close-miking in studio environments Technical Specifications ✔ Microphone type: miniature condenser ✔ Polar pattern: supercardioid ✔ Frequency range: 20 Hz – 20 kHz ✔ Sensitivity: approx. 6 mV/Pa ✔ Max SPL: up to 145 dB SPL ✔ Self-noise: approx. 23 dB(A) ✔ Gooseneck length: approx. 140 mm ✔ Connector: MicroLock® ✔ Power supply: 5–50 V (depending on adapter/wireless system)
DPA 4099-DP-1-199-V
DPA 4099-DP-1-199-V Instrument Microphone Set The DPA 4099-DP-1-199-V is a high-end clip-on microphone set from the renowned DPA 4099 Series, designed for precise miking of acoustic instruments in both live and studio environments. Based on the 4099 CORE microphone, the set includes a dedicated mounting solution that ensures secure, vibration-free attachment directly to the instrument. This guarantees consistent microphone placement, even during dynamic performances. Its compact and discreet design makes it ideal for unobtrusive use on stage or in orchestral settings. Sound Character The 4099 delivers a clear, natural and highly detailed sound with excellent isolation from surrounding noise. Its supercardioid polar pattern provides focused pickup with strong feedback rejection. The sound is balanced and transparent, featuring tight low-end, clear mids and open highs, allowing for an authentic reproduction of the instrument in both live mixes and recording applications. Highlights ✔ premium compact clip-on microphone for instruments ✔ CORE by DPA technology for extended dynamic range and low distortion ✔ supercardioid pattern for high feedback rejection ✔ flexible gooseneck for precise positioning ✔ instrument-specific mount for secure attachment ✔ discreet design for stage and orchestral use ✔ compatible with various wireless systems (adapter required) Typical Applications ✔ live miking of acoustic instruments ✔ orchestral and theatre productions ✔ jazz and ensemble performances ✔ close-miking in studio environments ✔ broadcast and touring applications Technical Specifications ✔ Microphone type: miniature condenser ✔ Polar pattern: supercardioid ✔ Frequency range: 20 Hz – 20 kHz ✔ Sensitivity: approx. 6 mV/Pa ✔ Max SPL: up to 142 dB SPL ✔ Self-noise: approx. 23 dB(A) ✔ Connector: MicroDot (adapter required) ✔ Power supply: 5–50 V (depending on adapter/wireless system)
DPA 4099-DP-1-201-B
DPA 4099-DP-1-201-B Instrument Microphone (Double Bass) The DPA 4099-DP-1-201-B is a professional clip-on instrument microphone specifically designed for double bass. As part of the renowned 4099 CORE+ series, it delivers exceptional sound quality, flexibility and reliability for both live and studio applications. The set combines the 4099 CORE+ microphone with a dedicated bass mounting clip, ensuring secure and vibration-free attachment directly to the instrument. This guarantees consistent and repeatable positioning, even during dynamic performances. The flexible gooseneck allows precise positioning toward the optimal pickup point for maximum tonal control. Sound Character The 4099-201-B delivers a natural, warm and highly detailed sound with excellent isolation. Its supercardioid polar pattern ensures focused pickup while effectively reducing bleed and ambient noise. It excels in low-frequency reproduction, offering depth, clarity and control, while mids remain defined and highs open and natural. Even at high sound pressure levels, the signal remains clean and distortion-free. Highlights ✔ specifically designed for double bass ✔ CORE+ technology for extended dynamic range and low distortion ✔ supercardioid pattern for excellent feedback rejection ✔ dedicated bass mount for stable and repeatable placement ✔ flexible gooseneck (~140 mm) for precise positioning ✔ high SPL handling (up to approx. 145 dB SPL) ✔ MicroLock® connector for secure integration Typical Applications ✔ live double bass miking ✔ jazz, classical and ensemble performances ✔ orchestral and theatre productions ✔ close-miking in studio environments ✔ broadcast and touring applications Technical Specifications ✔ Microphone type: miniature condenser (pre-polarized) ✔ Polar pattern: supercardioid ✔ Frequency range: 20 Hz – 20 kHz ✔ Effective range: 80 Hz – 17 kHz (with slight HF boost) ✔ Sensitivity: approx. 6 mV/Pa ✔ Max SPL: up to 145 dB SPL ✔ Self-noise: approx. 23 dB(A) ✔ Gooseneck length: approx. 140 mm ✔ Cable length: approx. 1.8 m ✔ Connector: MicroLock® ✔ Power supply: 5–50 V (adapter/wireless) or 48 V phantom via XLR adapter
DPA 4099-DP-1-201-C
DPA 4099-DP-1-201-C Instrument Microphone (Cello) The DPA 4099-DP-1-201-C is a professional clip-on instrument microphone specifically designed for cello. As part of the high-end 4099 CORE+ series, it delivers exceptional sound quality combined with a dedicated mounting solution for precise and stable positioning. Based on the 4099 CORE+ microphone, the set includes a cello-specific mounting clip that allows secure, vibration-free attachment directly to the instrument. This ensures consistent and repeatable placement, making it ideal for both live performance and studio recording. The flexible gooseneck allows precise positioning toward the instrument’s sweet spot for optimal tonal balance. Sound Character The 4099-201-C delivers a natural, balanced and highly detailed sound with excellent isolation. Its supercardioid polar pattern ensures focused pickup while effectively reducing bleed. The sound is warm and controlled in the low end, with clear mids and smooth, detailed highs. Even during dynamic passages and high SPL situations, the signal remains clean and distortion-free. Highlights ✔ specifically designed for cello ✔ CORE+ technology for extended dynamic range and low distortion ✔ supercardioid pattern for excellent feedback rejection ✔ dedicated cello mount for secure and repeatable positioning ✔ flexible gooseneck (~140 mm) for precise placement ✔ high SPL handling (up to approx. 145 dB SPL) ✔ MicroLock® connector for secure connection Typical Applications ✔ live cello miking ✔ orchestral and chamber music productions ✔ solo performances and recitals ✔ close-miking in studio environments ✔ theatre, film and broadcast applications Technical Specifications ✔ Microphone type: miniature condenser ✔ Polar pattern: supercardioid ✔ Frequency range: approx. 80 Hz – 17 kHz (with slight HF boost) ✔ Sensitivity: typical for 4099 series (~6 mV/Pa) ✔ Max SPL: up to 145 dB SPL ✔ Gooseneck length: approx. 140 mm ✔ Cable length: approx. 1.8 m ✔ Connector: MicroLock® ✔ Power supply: 5–50 V (depending on adapter/wireless system)
DPA ST2012
DPA ST2012 Stereo Microphone Set The DPA ST2012 is a professional stereo microphone set consisting of two factory-matched DPA 2012 cardioid condenser microphones. It is designed for versatile recording applications where focused capture and effective rear rejection are essential. The 2012 microphones deliver DPA’s signature clarity and natural sound in a robust and flexible design. Their cardioid pattern ensures precise source capture with reduced ambient pickup, making them ideal for controlled stereo setups in both studio and live environments. Sound Character The ST2012 provides a clear, direct and well-balanced sound with excellent detail. The cardioid pattern enables accurate source localization while minimizing unwanted room reflections. Transients are reproduced cleanly, low frequencies remain tight and controlled, and the high end is open and natural without harshness. This makes the set suitable for both precise studio recordings and demanding live applications. Highlights ✔ matched stereo pair of DPA 2012 microphones ✔ cardioid pattern for focused sound capture ✔ clear, natural and detailed sound reproduction ✔ effective rear rejection for reduced ambience ✔ stable stereo imaging across various techniques ✔ durable design for studio and live use ✔ includes stereo accessories and transport solution Typical Applications ✔ stereo recording (XY, ORTF, NOS) ✔ instrument miking (acoustic instruments, amplifiers) ✔ drum overheads and percussion ✔ live recording and stage use ✔ broadcast and content production Technical Specifications ✔ Microphone type: condenser ✔ Polar pattern: cardioid ✔ Frequency range: 20 Hz – 20 kHz ✔ Sensitivity: approx. 15 mV/Pa ✔ Max SPL: up to 139 dB SPL ✔ Self-noise: approx. 20 dB(A) ✔ Output: balanced (XLR) ✔ Power supply: 48 V phantom power
DPA ST2015
DPA ST2015 Stereo Microphone Set The DPA ST2015 is a professional stereo microphone set consisting of two factory-matched DPA 2015 wide cardioid condenser microphones. It is designed for demanding recording situations where precise stereo imaging and controlled room capture are essential. The 2015 microphones combine the natural sound signature of DPA capsules with a moderate directional pattern. This results in a well-balanced blend of direct sound and ambient information, making it ideal for applications requiring focus without complete isolation. Sound Character The ST2015 delivers a natural, balanced and detailed sound. Its wide cardioid pattern provides stable stereo imaging while maintaining a pleasing sense of space. Transients are reproduced accurately, low frequencies remain tight and controlled, and the high end is open and transparent without harshness. The overall sound is musical and versatile, suitable for both classical and modern productions. Highlights ✔ matched stereo pair of DPA 2015 microphones ✔ wide cardioid pattern for controlled ambience ✔ natural and detailed sound reproduction ✔ stable stereo imaging with good depth ✔ highly versatile for various recording scenarios ✔ compact design for discreet placement ✔ includes stereo accessories and transport solution Typical Applications ✔ stereo recording (ORTF, NOS, spaced/near-coincident techniques) ✔ acoustic ensembles and chamber music ✔ drum overheads ✔ live recording and broadcast ✔ instrument and room capture Technical Specifications ✔ Microphone type: condenser ✔ Polar pattern: wide cardioid ✔ Frequency range: 20 Hz – 20 kHz ✔ Sensitivity: approx. 17 mV/Pa ✔ Max SPL: up to 143 dB SPL ✔ Self-noise: approx. 20 dB(A) ✔ Output: balanced (XLR) ✔ Power supply: 48 V phantom power
DPA ST4006A
DPA ST4006A Stereo Microphone Set The DPA ST4006A is a high-end stereo microphone set consisting of two factory-matched DPA 4006A omnidirectional condenser microphones and a complete accessory package for professional stereo recording. Renowned worldwide for their exceptional accuracy and transparency, the 4006A microphones deliver a highly coherent and natural stereo image when used as a matched pair. The result is outstanding depth, spatial precision and tonal balance. Sound Character The ST4006A provides an extremely neutral and uncolored sound reproduction. Thanks to its omnidirectional design, it captures the full acoustic environment with remarkable realism and detail. The sound is open, three-dimensional and highly accurate, with excellent transient response, deep and controlled low frequencies, and smooth, extended highs – ideal for critical stereo recording applications. Highlights ✔ matched stereo pair of DPA 4006A microphones ✔ true omnidirectional pickup for natural room capture ✔ extremely linear frequency response ✔ excellent phase coherence for precise stereo imaging ✔ modular system with optional acoustic accessories ✔ ideal for classical music, orchestras and acoustic recordings ✔ includes stereo accessories and transport solution Typical Applications ✔ stereo recording (AB, Decca Tree, spaced pair) ✔ orchestral and classical productions ✔ ambient and room recordings ✔ piano and acoustic instruments ✔ film scoring and high-end live recording Technical Specifications ✔ Microphone type: condenser, pressure (omni) ✔ Polar pattern: omnidirectional ✔ Frequency range: 10 Hz – 20 kHz (extendable with accessories) ✔ Sensitivity: approx. 40 mV/Pa ✔ Max SPL: up to 146 dB SPL ✔ Self-noise: approx. 15 dB(A) ✔ Output: balanced (XLR) ✔ Power supply: 48 V phantom power
DPA ST4011A
DPA ST4011A Stereo Microphone Set The DPA ST4011A is a reference-grade stereo microphone set consisting of two carefully selected DPA 4011A small-diaphragm condenser microphones. The microphones are factory-matched to ensure exceptional stereo accuracy and consistency. Combining the legendary 4011A capsule with the MMP-A preamp, the system delivers outstanding transparency, precise transient response and extremely low distortion. The microphones are matched within ±1 dB in both frequency response and sensitivity, ensuring a perfectly coherent stereo image. The set includes all essential accessories such as microphone holders, windscreens and a protective transport case. Sound Character The ST4011A provides an extremely neutral, detailed and accurate sound. Its cardioid pattern offers excellent focus while maintaining a natural off-axis response. Low frequencies are tight and controlled, mids are clear and transparent, and highs are open and refined. Its excellent phase response results in a highly realistic and stable stereo image. Highlights ✔ matched stereo pair of DPA 4011A microphones ✔ factory-matched within ±1 dB for precise stereo imaging ✔ cardioid pattern with excellent directionality ✔ extremely linear and transparent sound reproduction ✔ very high SPL handling (up to approx. 159 dB SPL) ✔ switchable -20 dB pad for additional headroom ✔ includes holders, windscreens and transport case Typical Applications ✔ stereo recording (XY, ORTF, NOS) ✔ drum overheads and percussion ✔ acoustic instruments (guitar, piano, strings) ✔ orchestral and classical recording ✔ broadcast, film and theatre Technical Specifications (per microphone) ✔ Microphone type: condenser (pre-polarized) ✔ Polar pattern: cardioid ✔ Frequency range: 20 Hz – 20 kHz ✔ Sensitivity: approx. 10 mV/Pa ✔ Max SPL: up to 159 dB SPL ✔ Self-noise: approx. 18 dB(A) ✔ Dynamic range: approx. 121 dB ✔ Output: XLR ✔ Power supply: 48 V phantom power
Schoeps Mono-Set CMC 6 + MK 2 (Kugel)
Schoeps Mono Set CMC 6 + MK 2 (Omnidirectional) The Schoeps Mono Set CMC 6 + MK 2 is a high-end modular small-diaphragm condenser microphone system of reference quality. It combines the CMC 6 microphone amplifier with the MK 2 omnidirectional capsule, designed for professional studio, classical, film and high-end recording applications. Part of the renowned Schoeps Colette series, the system offers maximum flexibility through interchangeable capsules. The MK 2 is widely regarded as one of the most neutral omni capsules available, designed for uncompromisingly accurate sound reproduction. The set typically includes mounting accessories, wind protection and a storage case, making it ready for immediate professional use. Sound Character The CMC 6 + MK 2 delivers an extremely natural, open and three-dimensional sound with maximum transparency. Its omnidirectional design captures sound without directional coloration, resulting in a highly realistic sonic image. The tonal balance is exceptionally linear: Low-end: deep, full and precise Mids: completely neutral and uncolored Highs: airy and finely detailed Its perfect off-axis response ensures a highly authentic spatial reproduction, making it ideal for stereo and orchestral recording. Highlights ✔ modular small diaphragm condenser microphone system (Colette series) ✔ CMC 6 amplifier + MK 2 omni capsule ✔ extremely linear and transparent sound reproduction ✔ perfect off-axis response without coloration ✔ very low self-noise and wide dynamic range ✔ ideal for natural ambient and stereo recordings ✔ compatible with all Schoeps Colette capsules ✔ professional-grade German engineering Typical Applications ✔ A-B stereo and ambient recording ✔ orchestral, choir and classical productions ✔ Decca Tree setups ✔ acoustic instruments (piano, strings, brass) ✔ film sound and immersive recording ✔ high-end studio applications Technical Specifications ✔ Microphone type: condenser (modular Colette system) ✔ Polar pattern: omnidirectional ✔ Frequency range: approx. 20 Hz – 20 kHz ✔ Sensitivity: approx. 13 mV/Pa ✔ Self-noise: approx. 11–13 dB(A) ✔ Max SPL: approx. 131 dB SPL ✔ Output: XLR (via CMC 6 amplifier) ✔ Power supply: 12 V / 48 V phantom power ✔ Design: modular capsule + amplifier system
Schoeps Mono-Set CMC 6 + MK 22 (offene Niere)
Schoeps Mono Set CMC 6 + MK 22 (Wide Cardioid) The Schoeps Mono Set CMC 6 + MK 22 is a high-end modular small-diaphragm condenser microphone system of reference quality. It combines the CMC 6 microphone amplifier with the MK 22 capsule (wide cardioid), designed for professional studio, classical, film and broadcast applications. As part of the renowned Schoeps Colette series, it offers maximum flexibility through interchangeable capsules. The MK 22 sits sonically between omnidirectional and cardioid, providing a natural room capture while maintaining useful directionality. The set typically includes mounting accessories, wind protection and a storage case, making it ready for immediate professional use. Sound Character The CMC 6 + MK 22 delivers a very natural, open and spatial sound with balanced directionality. Its wide cardioid pattern provides an ideal blend of direct sound and ambient information. The overall tonal character is highly cohesive: Low-end: full, deep and controlled Mids: smooth, natural and musical Highs: detailed yet unobtrusive Its excellent off-axis response results in a stable and realistic sound image, making it particularly well-suited for stereo and ensemble recordings. Highlights ✔ modular small diaphragm condenser microphone system (Colette series) ✔ CMC 6 amplifier + MK 22 wide cardioid capsule ✔ natural, spacious and musical sound reproduction ✔ balanced mix of direct and ambient sound ✔ excellent off-axis response ✔ low distortion and low self-noise ✔ compatible with all Schoeps Colette capsules ✔ professional-grade German engineering Typical Applications ✔ stereo recording (ORTF, NOS, spaced techniques) ✔ orchestral and classical productions ✔ acoustic instruments (piano, strings, brass) ✔ ensembles and choirs ✔ film sound and ambient recording ✔ high-end studio applications Technical Specifications ✔ Microphone type: condenser (modular Colette system) ✔ Polar pattern: wide cardioid ✔ Frequency range: approx. 40 Hz – 20 kHz ✔ Sensitivity: approx. 14 mV/Pa ✔ Self-noise: approx. 14 dB(A) ✔ Max SPL: approx. 131 dB SPL ✔ Output: XLR (via CMC 6 amplifier) ✔ Power supply: 12 V / 48 V phantom power ✔ Design: modular capsule + amplifier system
Schoeps Mono-Set CMC 6 + MK 4 (Niere)
Schoeps Mono Set CMC 6 + MK 4 (Cardioid) The Schoeps Mono Set CMC 6 + MK 4 is a high-end modular small-diaphragm condenser microphone system of reference quality. It combines the CMC 6 microphone amplifier with the MK 4 cardioid capsule, offering exceptional accuracy and flexibility for professional recording environments. Part of the renowned Schoeps Colette system, it features a modular design that allows expansion with a wide range of interchangeable capsules. The MK 4 is one of the most widely used capsules and is considered a universal reference for studio and live applications. Sound Character The CMC 6 + MK 4 delivers an extremely natural, transparent and balanced sound. Its cardioid polar pattern provides precise focus while maintaining a smooth and consistent off-axis response. Low frequencies are tight and controlled, mids are open and uncolored, and highs are detailed and refined. Its neutral character makes it an ideal foundation for further processing and mixing. The MK 4 is widely regarded as a versatile reference microphone for a broad range of recording situations. Highlights ✔ modular small diaphragm condenser microphone system (Colette series) ✔ CMC 6 amplifier + MK 4 cardioid capsule ✔ extremely transparent and accurate sound reproduction ✔ excellent directionality with natural off-axis response ✔ very low distortion and self-noise ✔ compatible with all Schoeps Colette capsules ✔ durable, professional construction Typical Applications ✔ studio recording (vocals, speech, instruments) ✔ acoustic instruments (piano, guitar, strings, brass) ✔ drum overheads and percussion ✔ orchestral and classical recording ✔ stereo techniques (XY, ORTF, M/S) ✔ film sound, broadcast and location recording Technical Specifications ✔ Microphone type: condenser (modular Colette system) ✔ Polar pattern: cardioid ✔ Frequency range: approx. 40 Hz – 20 kHz ✔ Extended range (capsule): up to approx. 26 kHz ✔ Sensitivity: approx. 13–15 mV/Pa ✔ Self-noise: approx. 14–15 dB(A) ✔ Max SPL: approx. 131–132 dB SPL ✔ Output: XLR (via CMC 6 amplifier) ✔ Power supply: 12 V / 48 V phantom power ✔ Design: modular capsule + amplifier system
Schoeps Mono-Set CMC 6 + MK 41 (Superniere)
Schoeps Mono Set CMC 6 + MK 41 (Supercardioid) The Schoeps Mono Set CMC 6 + MK 41 is a high-end modular small-diaphragm condenser microphone system of reference quality. It combines the CMC 6 microphone amplifier with the MK 41 supercardioid capsule, designed for demanding professional applications in studio, film and broadcast. As part of the Schoeps Colette series, the system offers maximum flexibility through interchangeable capsules. The MK 41 is specifically optimized for applications requiring strong directionality and effective rejection of ambient noise. The set typically includes mounting accessories, wind protection and a storage case, making it ready for immediate professional use. Sound Character The CMC 6 + MK 41 delivers a highly focused, natural and extremely detailed sound. Its supercardioid pattern provides stronger side rejection than a standard cardioid while maintaining tonal accuracy. The sound signature is exceptionally neutral: Low-end: tight and controlled Mids: clear and transparent Highs: detailed and refined A key advantage is its natural off-axis response, ensuring that off-axis sound remains free of coloration—an important benefit over shotgun microphones. Highlights ✔ modular small diaphragm condenser microphone system (Colette series) ✔ CMC 6 amplifier + MK 41 supercardioid capsule ✔ precise directionality with strong ambient rejection ✔ natural off-axis response ✔ low self-noise and high dynamic range ✔ compatible with all Schoeps Colette capsules ✔ professional-grade German engineering Typical Applications ✔ film dialogue and location sound (shotgun alternative) ✔ speech and voice recording ✔ orchestral spot miking ✔ acoustic instruments in challenging environments ✔ broadcast and field recording ✔ studio and live applications Technical Specifications ✔ Microphone type: condenser (modular Colette system) ✔ Polar pattern: supercardioid ✔ Frequency range: approx. 40 Hz – 26 kHz ✔ Sensitivity: approx. 16 mV/Pa ✔ Self-noise: approx. 14 dB(A) ✔ Max SPL: approx. 131 dB SPL ✔ Output: XLR (via CMC 6 amplifier) ✔ Power supply: 12 V / 48 V phantom power ✔ Design: modular capsule + amplifier system
Schoeps Mono-Set CMC 6 + MK 5 (Niere, Kugel)
Schoeps Mono Set CMC 6 + MK 5 Condenser Microphone The Schoeps Mono Set CMC 6 + MK 5 (cardioid / omnidirectional) is a high-end modular small-diaphragm condenser microphone system of reference quality. It combines the CMC 6 amplifier with the versatile MK 5 capsule, which can be switched between cardioid and omni polar patterns. Designed for professional studio, classical, film and broadcast applications, this system offers maximum flexibility while maintaining exceptional sonic accuracy. Its modular design allows expansion with other Schoeps capsules at any time. Sound Character The CMC 6 + MK 5 delivers an extremely natural, open and detailed sound. The MK 5 capsule offers two distinct characteristics: Cardioid: focused, precise and directional Omnidirectional: open, natural and highly spatial Low frequencies are tight and controlled, mids are transparent and uncolored, and highs are smooth and finely detailed. Its excellent off-axis response ensures a realistic and immersive sound image. Highlights ✔ modular small diaphragm condenser microphone system ✔ CMC 6 amplifier + MK 5 capsule (switchable cardioid / omni) ✔ reference-grade transparency and accuracy ✔ very low distortion and self-noise ✔ excellent off-axis response ✔ compatible with all Schoeps Colette capsules ✔ rugged and reliable construction Typical Applications ✔ classical and orchestral recording ✔ stereo and ambient recording (AB, ORTF, XY) ✔ acoustic instruments (piano, strings, brass) ✔ film sound and location recording ✔ broadcast and high-end studio use Technical Specifications ✔ Microphone type: condenser (modular Colette system) ✔ Polar pattern: cardioid / omnidirectional (switchable) ✔ Frequency range: approx. 20 Hz – 20 kHz ✔ Max SPL: up to approx. 131 dB SPL ✔ Self-noise: approx. 13 dB(A) ✔ Sensitivity: approx. 13 mV/Pa ✔ Output: XLR (via CMC 6 amplifier) ✔ Power supply: 48 V phantom power
Schoeps Mono-Set CMC 6 + MK 8 (Acht)
Schoeps Mono Set CMC 6 + MK 8 (Figure-8) The Schoeps Mono Set CMC 6 + MK 8 is a high-end modular small-diaphragm condenser microphone system of reference quality. It combines the CMC 6 microphone amplifier with the MK 8 figure-8 capsule, designed for professional studio, classical, film and broadcast applications. As part of the renowned Schoeps Colette series, it offers maximum flexibility through interchangeable capsules. The MK 8 is a precision pressure-gradient capsule with a bidirectional polar pattern, ideal for advanced stereo and specialized recording techniques. The set typically includes mounting accessories, wind protection and a storage case, making it ready for immediate professional use. Sound Character The CMC 6 + MK 8 delivers a natural, balanced and highly detailed sound with clearly defined front and rear pickup. Its figure-8 pattern allows symmetrical capture of sound sources from both sides while effectively rejecting sound from the sides. The tonal response is precise: Low-end: tight and controlled Mids: clear and well-defined Highs: smooth and detailed Its excellent phase coherence and symmetrical response make it ideal for demanding stereo applications. Highlights ✔ modular small diaphragm condenser microphone system (Colette series) ✔ CMC 6 amplifier + MK 8 figure-8 capsule ✔ precise bidirectional pickup pattern ✔ symmetrical front and rear sound capture ✔ excellent phase accuracy ✔ low distortion and low self-noise ✔ compatible with all Schoeps Colette capsules ✔ professional-grade German engineering Typical Applications ✔ M/S (mid/side) stereo recording ✔ Blumlein stereo technique ✔ duet and dialogue recording ✔ acoustic instruments in stereo setups ✔ ambient and room recording ✔ broadcast, film and studio use Technical Specifications ✔ Microphone type: condenser (modular Colette system) ✔ Polar pattern: figure-8 (bidirectional) ✔ Frequency range: approx. 40 Hz – 20 kHz ✔ Sensitivity: approx. 12 mV/Pa ✔ Self-noise: approx. 17 dB(A) ✔ Max SPL: approx. 131 dB SPL ✔ Output: XLR (via CMC 6 amplifier) ✔ Power supply: 12 V / 48 V phantom power ✔ Design: modular capsule + amplifier system