AEA Decca Tree Stereo Microphone System The AEA Decca Tree is a professional modular stereo microphone system designed for classic Decca Tree configurations in orchestral, film and high-end recording environments. It consists of three 1-meter rails forming a stable T-shaped structure with a total width of up to 2 meters. The integrated slider system allows microphones to be freely positioned along the rails, enabling precise and repeatable stereo configurations. This makes it a highly flexible and accurate solution for large-scale stereo and ambient recording setups. Sound Character The Decca Tree does not directly affect the sound but enables an extremely wide, natural and three-dimensional stereo image through precise microphone placement. Stereo image: wide and immersive Depth: realistic and well-defined Phase response: stable and coherent The Decca Tree technique uses three microphones arranged in a T-formation to achieve a balanced blend of direct sound and ambience. Highlights ✔ professional Decca Tree microphone system ✔ modular T-shaped structure up to 2 m wide ✔ based on 3× 1 m rails ✔ flexible slider system for precise positioning ✔ precision markings for repeatable setups ✔ robust construction for heavy microphones ✔ compatible with AEA SMP system Typical Applications ✔ orchestral and classical recording ✔ film scoring and soundtrack production ✔ large ensemble and choir recording ✔ main Decca Tree microphone setups ✔ ambient and room capture ✔ immersive and multi-channel recording Technical Specifications ✔ Product type: stereo microphone system / Decca Tree ✔ Configuration: T-shaped array ✔ Rails: 3× 1 meter ✔ Total width: up to approx. 2 meters ✔ Sliders: 4× sliders ✔ Thread: 5/8" standard ✔ Markings: yes (precision scale) ✔ Included: Decca Tree clamp, adapter ✔ Weight: approx. 2.7 kg ✔ Construction: metal

AEA Mini Decca Tree Stereo Microphone System The AEA Mini Decca Tree is a compact modular stereo microphone system designed to create classic Decca Tree configurations in space-saving setups. It combines multiple AEA stereo bars into a stable “T” configuration for precise and repeatable microphone placement. The system consists of a 1-meter bar and an additional 17-inch (approx. 43 cm) bar, connected via a dedicated mounting bracket. Its integrated slider system allows microphones to be freely positioned along the rails, enabling a wide range of stereo and ambient recording techniques. Sound Character The Mini Decca Tree does not directly affect the sound but enables extremely precise, spatially accurate and phase-coherent microphone placement, which is essential for high-end recordings. wide and natural stereo imaging realistic depth and spatial detail stable phase relationships It provides the classic Decca Tree sound in a more compact format, making it ideal for smaller ensembles or tighter spaces. Highlights ✔ compact Decca Tree microphone system ✔ combination of 1 m and 17" bars ✔ enables classic “T” stereo configuration ✔ flexible slider system for adjustable positioning ✔ precision markings for repeatable setups ✔ robust metal construction ✔ compatible with AEA SMP system ✔ compact alternative to full-size Decca Tree Typical Applications ✔ orchestral and classical recording (compact setups) ✔ ensemble and choir recording ✔ film scoring and ambient capture ✔ room and ambience miking ✔ stereo and multi-mic configurations Technical Specifications ✔ Product type: stereo microphone system / Decca Tree ✔ Configuration: T-shaped array ✔ Bars: 1× 1 meter 1× 17 inches (approx. 43 cm) ✔ Sliders: 4× SMP-S sliders ✔ Thread: 5/8" standard ✔ Included: mini tree clamp, adapter ✔ Weight: approx. 1.7 kg ✔ Construction: metal

AEA SMP-17 Stereo Microphone Bar The AEA SMP-17 is a high-quality stereo microphone bar designed for precise and flexible stereo microphone placement. With a compact width of 17 inches (approx. 43 cm), it is ideal for professional studio and recording applications. Its design features a solid rail system with movable sliders, allowing accurate positioning of microphones. This enables fast setup and repeatable configurations for a wide range of stereo techniques. Sound Character The SMP-17 does not directly affect the sound but enables precise, repeatable and phase-coherent microphone positioning, which is critical for high-quality stereo recordings. accurate stereo imaging stable phase relationships consistent setup recall Its mechanical precision directly contributes to sonic accuracy in stereo recording. Highlights ✔ professional stereo microphone bar (17” / approx. 43 cm) ✔ flexible slider system for adjustable mic positioning ✔ supports multiple stereo techniques (ORTF, AB, XY, Blumlein) ✔ integrated measurement markings for precision ✔ robust construction – suitable for heavier microphones ✔ standard 5/8" mounting threads ✔ compact and portable design Typical Applications ✔ stereo microphone techniques (ORTF, XY, AB, NOS, Blumlein) ✔ orchestral and classical recording ✔ drum overheads and percussion ✔ acoustic instruments (piano, strings, ensembles) ✔ film sound and location recording ✔ repeatable studio setups Technical Specifications ✔ Product type: stereo microphone bar ✔ Length: 17 inches (approx. 43 cm) ✔ Mounting: movable sliders included ✔ Thread: 5/8" standard ✔ Markings: yes (precision scale) ✔ Construction: metal ✔ Included: bar, sliders, adapter

AEA SMP-1M Stereo Microphone Bar The AEA SMP-1M is a high-quality stereo microphone bar with a width of 1 meter, designed for maximum flexibility and precision in professional stereo microphone setups. Compared to more compact bars, the SMP-1M provides significantly more space for wide microphone spacing and complex configurations. Its integrated slider system allows microphones to be positioned freely along the bar, enabling a wide range of stereo techniques. Its robust construction and precision markings make it an ideal tool for demanding studio and classical recording environments. Sound Character The SMP-1M does not directly affect the sound but enables extremely precise, flexible and phase-coherent microphone positioning, which is crucial for high-quality stereo recordings. accurate stereo imaging with variable spacing stable phase relationships even in wide setups fully repeatable configurations It excels especially in wide-spaced techniques such as AB or orchestral recordings. Highlights ✔ professional stereo microphone bar (1 meter width) ✔ flexible slider system for adjustable positioning ✔ ideal for wide stereo setups and large mic spacing ✔ supports multiple stereo techniques (AB, ORTF, Blumlein) ✔ precision markings for accurate setup ✔ robust construction for heavy microphones ✔ standard 5/8" mounting threads ✔ includes sliders and adapter Typical Applications ✔ wide AB stereo recording ✔ orchestral and classical productions ✔ ambient and room recording ✔ ensemble and acoustic instrument recording ✔ advanced stereo setups and large-scale recording Technical Specifications ✔ Product type: stereo microphone bar ✔ Length: 1 meter (100 cm) ✔ Mounting: movable sliders included ✔ Thread: 5/8" standard ✔ Markings: yes (precision scale) ✔ Construction: metal ✔ Included: bar, 3 sliders, adapter

Coles 4038 Stereo Mount The Coles 4038 Stereo Mount is a dedicated stereo mounting bar designed to hold two Coles 4038 ribbon microphones on a single microphone stand. It allows precise positioning of both microphones for professional stereo recording setups. The mount places the microphones head-to-head on a single stand, enabling accurate stereo microphone configurations without the need for multiple stands. This simplifies setup while maintaining precise alignment for critical recording applications. It is commonly used for Blumlein, XY, or Mid-Side stereo techniques, which benefit from the figure-8 polar pattern of the Coles 4038 ribbon microphones. Highlights ✔ stereo mounting bar for two Coles 4038 ribbon microphones ✔ precise stereo positioning on a single microphone stand ✔ ideal for Blumlein, XY and Mid-Side stereo techniques ✔ robust construction for professional studio use ✔ space-saving stereo microphone setup ✔ designed specifically for Coles 4038 microphones Typical Studio Applications ✔ Blumlein stereo recording with ribbon microphones ✔ Mid-Side stereo setups ✔ drum overhead stereo recording ✔ orchestral and room microphone techniques ✔ stereo recording of acoustic instruments Technical Specifications ✔ device type: stereo microphone mount / stereo bar ✔ compatibility: 2× Coles 4038 ribbon microphones ✔ mounting: standard microphone stand thread ✔ stereo techniques: Blumlein and XY positioning ✔ weight: approx. 1 kg ✔ construction: durable metal frame

Coles 4071B The Coles 4071B is a dedicated microphone stand adapter designed for the Coles 4038 ribbon microphone. It allows the microphone to be mounted on a standard microphone stand while converting the original Coles connector to a modern XLR output. The Coles 4038 uses a proprietary 4069 three-pin connector originally developed for broadcast equipment. The 4071B adapter converts this connection to standard XLR, allowing the microphone to be used with contemporary audio interfaces, microphone preamps and mixing consoles. The adapter includes a short XLR fly-lead cable (approx. 15 cm) and an integrated stand mount for secure positioning and flexible studio connectivity. The 4071B is a commonly used accessory for the Coles 4038 and is widely found in professional recording studios and broadcast environments. Highlights ✔ stand adapter for Coles 4038 ribbon microphones ✔ converts 4069 three-pin connector to standard XLR ✔ integrated microphone stand mount ✔ XLR fly-lead cable (approx. 15 cm) for easy connection ✔ gold-pin connectors for optimal signal integrity ✔ robust construction for studio and broadcast use Typical Studio Applications ✔ mounting Coles 4038 ribbon microphones ✔ connecting classic ribbon microphones to modern audio interfaces ✔ studio and broadcast recording environments ✔ orchestral and ambient microphone setups ✔ integration of classic BBC microphones into contemporary studios

Coles 4071PB The Coles 4071PB is a dedicated microphone stand adapter designed for the legendary Coles 4038 ribbon microphone. It provides secure stand mounting while integrating a built-in phantom power blocking circuit to protect the delicate ribbon element. Modern audio interfaces and mixing consoles often supply +48 V phantom power by default. Ribbon microphones can be damaged by this voltage if connected without protection. The 4071PB prevents this by blocking phantom power at the connection stage. The adapter also provides a direct XLR connection and secure mechanical mounting, allowing the Coles 4038 to be safely integrated into contemporary studio environments. Highlights ✔ stand adapter designed for Coles 4038 ribbon microphones ✔ integrated phantom-power blocker (+48 V) ✔ secure connection between microphone, stand and preamp ✔ integrated short XLR cable for easy installation ✔ durable construction for studio and broadcast environments ✔ ideal for integrating classic ribbon microphones into modern setups Typical Studio Applications ✔ mounting and protection for Coles 4038 ribbon microphones ✔ preventing accidental +48 V phantom power damage ✔ integration of ribbon microphones with modern interfaces ✔ recording and broadcast studios ✔ orchestral and ambient microphone setups

Coles 4072 The Coles 4072 is a dedicated anti-vibration microphone stand adapter designed for the legendary Coles 4038 ribbon microphone. It allows the microphone to be securely mounted on a standard mic stand while providing reliable connectivity to modern microphone preamps and mixing consoles. The adapter uses the original 4069 connector system of the Coles microphone and features a short XLR fly-lead cable, allowing easy integration with contemporary studio equipment. A key feature of the 4072 is its anti-vibration design, which helps reduce mechanical rumble and handling noise. This isolation helps protect the ribbon element and ensures stable microphone positioning during critical recording sessions. Highlights ✔ microphone stand adapter for Coles 4038 ribbon microphones ✔ anti-vibration design to reduce mechanical noise ✔ integrated 4069 adapter with stand mount ✔ XLR fly-lead cable (approx. 15 cm) for easy connectivity ✔ secure mounting on standard microphone stands ✔ suitable for professional studio and broadcast environments Typical Studio Applications ✔ mounting Coles 4038 ribbon microphones ✔ vibration-isolated microphone positioning ✔ orchestral and room microphone setups ✔ broadcast and high-end recording studios ✔ integration of classic ribbon microphones into modern studio systems

Coles 4072PB The Coles 4072PB is a dedicated microphone stand adapter designed for the legendary Coles 4038 ribbon microphone. It combines a secure mounting solution with built-in phantom power blocking and anti-vibration isolation to protect the delicate ribbon element. The adapter allows safe mounting of the 4038 on standard microphone stands while ensuring reliable connectivity to modern preamps and mixing consoles. Its integrated phantom-power blocking circuitry prevents accidental +48 V power from reaching the microphone, eliminating the risk of ribbon damage. In addition, the anti-vibration construction reduces handling noise and mechanical rumble, helping preserve the microphone’s natural sound in professional recording and broadcast environments. Highlights ✔ stand adapter designed for Coles 4038 ribbon microphones ✔ integrated phantom-power blocker for ribbon protection ✔ anti-vibration isolation to minimize mechanical noise ✔ secure mounting on standard microphone stands ✔ integrated XLR fly-lead cable connection ✔ suitable for professional studio and broadcast environments ✔ durable construction for long-term studio use Typical Studio Applications ✔ mounting and protection for Coles 4038 ribbon microphones ✔ preventing accidental +48 V phantom power damage ✔ vibration-isolated microphone mounting ✔ broadcast, orchestral and studio recording environments ✔ integrating classic ribbon microphones into modern studio setups

Latch Lake micKing 1100 Dem 1100 kann man ruhigen Gewissens seine besten Mikrofone anvertrauen. Die massiven Beine sorgen für einen ungewöhnlich tiefen Schwerpunkt – ideal, um auch schwere Mikrofone sicher zu halten. Wie bei allen Latch Lake Stativen ermöglichen Schnellspanner die Höhe und den Galgenauszug in Sekunden anzupassen. Der Winkel des Galgens wird mit Scheibenbremsen fixiert, die auf Langlebigkeit und Zuverlässigkeit über Jahrzente regelmäßiger Nutzung ausgelegt sind. Ein 1 kg Gegengewicht wird mitgeliefert, weitere sind optional erhältlich und lassen sich an das vorhandene schrauben. Features Höchste Metallverabeitungs-Qualität Ideal für teure und schwere Mikrofone wie Gesangs-, Overheads- und Raum-Mikrofone Scheibenbremse zur Arretierung des Galgen – sicher und langlebig Schwerpunkt extrem tief dank massiver Beine und hohler Rohre Einfach zu bedienende Schnellspanner mit variabler Zugspannung Extrem positionstreu – über Jahrzehnte 1kg Gegengewicht im Lieferumfang, optional weitere verschiedenen Größen möglich Kerben zum einklemmen von Kabeln für sehr sauberes Kabelmanagement Portabel: Passt zusammengeklappt in eine normale Dreibeiner-Transporttasche Lebenslange Garantie auf Einzelteile

Latch Lake micKing 2200 Der 2200 hat eine überraschend große Reichweite und eignet sich damit perfekt für schwere Mikrofone über einem Drumkit oder für ein Gesangs-Setup. Der Sockel ist einzigartig konstruiert: 90% des Gewichts befindet sich im äußeren Ring. Das sorgt für große Stabilität bei gleichzeitig geringer Basisfläche. Zum Justieren werden überall einfach zu bedienende und super zuverlässige Schnellspanner verwendet, außer beim Galgen, der von einer Scheibenbremse gehalten wird – designed und gebaut für Langlebigkeit und Zuverlässigkeit über Dekaden täglicher Nutzung. Features Höchste Metallverabeitungs-Qualität Ideal für schweren Mikros, große Reichweite und Höhe bei einem Maximum an Sicherheit Scheibenbremse zur Arretierung des Galgen – sicher und langlebig Standsicher trotz geringer Grundfläche. Einfach zu bedienende Schnellspanner mit variabler Zugspannung Extrem positionstreu – über Jahrzehnte Spin Grip Mic Mount für 295° Mikrofon-Positionierung inklusive 3kg Gegengewicht im Lieferumfang (optional weitere erhältlich) Kerben zum einklemmen von Kabeln für sehr sauberes Kabelmanagement Lebenslange Garantie auf Einzelteile erhältlich in schwarz oder chrom

Latch Lake micKing 3300 Der 3300 hat eine extrem große Reichweite und deckt das gesamte Spektrum von Einsätzen für Mikrofonstative ab, glänzt aber natürlich v.a. in der Chor- und Orchesterwelt, wo häufig große horizontale und vertikale Reichweiten gebraucht werden.Der Sockel ist einzigartig konstruiert: 90% des Gewichts befindet sich im äußeren Ring. Das sorgt für große Stabilität bei gleichzeitig geringer Basisfläche.Zum Justieren werden überall einfach zu bedienende und super zuverlässige Schnellspanner verwendet, außer beim Galgen, der von einer Scheibenbremse gehalten wird – designed und gebaut für Langlebigkeit und Zuverlässigkeit über Dekaden täglicher Nutzung. Features Höchste Metallverabeitungs-Qualität Ideal für schweren Mikros, große Reichweite und Höhe bei einem Maximum an Sicherheit Scheibenbremse zur Arretierung des Galgen – sicher und langlebig Standsicher trotz geringer Grundfläche. Einfach zu bedienende Schnellspanner mit variabler Zugspannung Extrem positionstreu – über Jahrzehnte Spin Grip Mic Mount für 295° Mikrofon-Positionierung inklusive 3kg Gegengewicht im Lieferumfang (optional weitere erhältlich) Kerben zum einklemmen von Kabeln für sehr sauberes Kabelmanagement Lebenslange Garantie auf Einzelteile erhältlich in schwarz oder chrom

Pauly P120 T-35 Black Die klassische Variante. Der Filterring wird mit dem 35 cm langen Schwanenhals mit Haltelasche und Feststellmutter geliefert. Die Lasche am Schwanenhals, die der Befestigung am Gewinde des Mikrofonstativs dient, gibt es für Europa mit einem 3/8 Loch und für USA, Kanada, China, Australien u.a. mit einem 5/8 Loch. Bei Bestellungen aus dem Ausland sollte angegeben werden, welche Laschen-Variante gewünscht wird.

Pauly P120 T-35 Nickel Die klassische Variante. Der Filterring wird mit dem 35 cm langen Schwanenhals mit Haltelasche und Feststellmutter geliefert. Die Lasche am Schwanenhals, die der Befestigung am Gewinde des Mikrofonstativs dient, gibt es für Europa mit einem 3/8 Loch und für USA, Kanada, China, Australien u.a. mit einem 5/8 Loch. Bei Bestellungen aus dem Ausland sollte angegeben werden, welche Laschen-Variante gewünscht wird.

Royer Labs FlexBar The Royer Labs FlexBar is a high-quality stereo microphone mounting bar designed for precise and flexible stereo recording techniques. It allows accurate positioning of two microphones and is ideal for setups such as Blumlein, XY, or ORTF. With its solid construction and finely adjustable mounting points, the FlexBar enables quick and repeatable microphone alignment—an essential feature in professional recording environments. Especially when used with ribbon microphones or matched stereo pairs, it provides maximum control over stereo imaging and spatial accuracy. Features The FlexBar offers precise adjustability and rugged construction. Two independently movable and rotatable microphone mounts allow accurate control of angle and spacing. This makes it easy to implement a wide range of stereo techniques with consistency and precision. Its durable design ensures reliable use in both studio and live environments, even with high-end microphones. Highlights ✔ stereo microphone mounting bar for professional use ✔ ideal for Blumlein, XY, ORTF, and similar stereo techniques ✔ two adjustable microphone mounts ✔ precise control of angle and spacing ✔ solid and rugged construction ✔ fast and repeatable positioning ✔ compatible with standard microphone stands ✔ ideal for matched microphone pairs Typical Applications ✔ stereo recording in studio environments ✔ classical and ensemble recording ✔ drum overheads and room miking ✔ acoustic instruments ✔ broadcast and field recording Technical Specifications ✔ type: stereo microphone bar ✔ capacity: 2 microphones ✔ adjustability: variable spacing and angle ✔ mounting: standard microphone stand thread ✔ construction: metal design

Royer Labs R-DB20 dBooster The Royer Labs R-DB20 dBooster is a high-quality active inline microphone preamplifier designed to provide clean gain for passive microphones. It delivers low-noise amplification, allowing ribbon and dynamic microphones to reach their full performance potential. With its transparent gain stage, the dBooster enhances microphone performance in demanding recording situations without altering the natural tonal character. It also reduces the load on downstream preamps and helps maintain optimal gain structure throughout the signal chain. Sound Character The R-DB20 is extremely neutral and transparent. It boosts the signal without changing its tonal balance, preserving the original character of the microphone. Transients remain accurate, noise performance improves, and overall clarity is enhanced. The result is a cleaner, more stable, and professional input signal. Highlights ✔ active inline microphone preamp (signal booster) ✔ ideal for passive ribbon and dynamic microphones ✔ clean, low-noise gain (approx. +20 dB) ✔ transparent sound with no coloration ✔ improves gain structure and headroom of downstream preamps ✔ compact inline XLR design ✔ rugged metal construction ✔ easy integration into existing setups Typical Applications ✔ gain boost for passive ribbon microphones ✔ improving performance of dynamic microphones (especially on low-level sources) ✔ enhancing signal quality before audio interfaces ✔ recording with lower-gain preamps ✔ broadcast and podcast applications Technical Specifications ✔ type: active inline microphone preamplifier ✔ gain: approx. +20 dB ✔ power: phantom power required (48 V) ✔ connections: XLR (in/out) ✔ compatibility: passive microphones (not required for active mics) ✔ format: inline

Royer Labs R-DB22 dBooster2 The Royer Labs R-DB22 dBooster2 is a high-end dual-channel in-line microphone booster and DI box, designed for professional studio and live applications. It expands the concept of the R-DB20 by adding a second channel and DI functionality, acting as a signal booster, impedance buffer and instrument interface. Sound Character The dBooster2 is designed to be completely transparent. Key characteristics include: no coloration – pure signal amplification improved signal-to-noise ratio increased headroom and clarity Highlights ✔ dual-channel in-line signal booster & DI ✔ ideal for ribbon and dynamic microphones ✔ powered via 48V phantom power ✔ +12 dB / +20 dB gain (mic mode) ✔ 0 dB / +8 dB gain (DI mode) ✔ independent dual channels ✔ Class-A input stage ✔ ultra-low noise and distortion ✔ high headroom ✔ high input impedance ✔ low output impedance for long cable runs ✔ protects ribbon microphones from phantom power Typical Applications ✔ ribbon microphones ✔ dynamic microphones ✔ stereo mic setups ✔ DI recording (guitar/bass) ✔ low-output sources ✔ live and studio use Technical Specifications ✔ device type: dual-channel signal booster & DI ✔ gain: mic: +12 / +20 dB DI: 0 / +8 dB ✔ frequency response: 20 Hz – 20 kHz ✔ THD: ~0.001–0.0015 % ✔ self-noise: <11–15 dBA ✔ input impedance: mic: ~3.6 kΩ DI: ~230 kΩ ✔ output impedance: ~300 ohms ✔ connectors: XLR + 1/4" DI ✔ power: 48V phantom ✔ weight: ~289 g

Royer Labs SM21 Axe-Mount The Royer Labs SM21 Axe-Mount is a purpose-built microphone mounting solution designed for direct attachment to guitar and bass amplifiers. It allows precise and stable microphone placement directly in front of the speaker—ideal for both professional studio recording and live performance setups. By eliminating the need for traditional floor stands, the SM21 saves space and enables consistent mic positioning. This makes it especially useful in tight stage environments or compact studio setups. Features The SM21 Axe-Mount combines stability with ease of use. It attaches directly to an amplifier or cabinet and allows flexible adjustment of microphone distance and angle. This makes it easy to quickly find and reliably reproduce the desired sound position. Its rugged construction ensures secure mounting—even with heavier microphones and high sound pressure levels. Highlights ✔ microphone mount for direct attachment to guitar/bass amplifiers ✔ space-saving alternative to traditional mic stands ✔ stable and vibration-resistant mounting ✔ flexible adjustment of distance and angle ✔ fast and repeatable positioning ✔ ideal for studio and live applications ✔ compatible with various microphone types (including ribbon mics) ✔ durable construction Typical Applications ✔ guitar amplifier miking ✔ bass amp recording ✔ live setups with limited space ✔ quick repositioning in studio environments ✔ consistent amp miking across sessions Technical Specifications ✔ type: amplifier microphone mount ✔ mounting: direct attachment to amp / cabinet ✔ adjustability: variable distance and angle ✔ compatibility: standard microphone thread ✔ construction: metal design