Large-Diaphragm Microphones – When Every Nuance Matters
Large-diaphragm microphones have been among the most important tools in professional recording studios for decades. They often deliver exactly what matters most for vocals, speech and acoustic instruments: detail, presence and emotional intimacy.
Thanks to their high sensitivity and characteristic way of capturing voices and instruments, they have become an essential part of modern production environments. At the same time, large-diaphragm microphones differ greatly in their sonic character – ranging from neutral and transparent to deliberately colorful vintage-inspired designs.
The real question is rarely which large-diaphragm microphone is objectively “the best.” What matters is finding the model that complements the voice, instrument, room and the sound you are aiming to achieve.
Large-diaphragm condenser microphones have earned their reputation as the industry standard for professional vocal and speech recording. Their ability to capture subtle details, dynamics and spatial information makes them one of the most versatile microphone categories available.
Vocals, podcasts, voice-over work, acoustic guitars, piano and countless other instruments all benefit from the resolution and immediacy that modern large-diaphragm microphones can provide.
Manufacturers also follow very different design philosophies. Some models prioritize maximum transparency and accuracy, while others draw inspiration from legendary studio classics and intentionally introduce character, saturation or additional presence.
In practice, however, the specifications tell only part of the story. Room acoustics, microphone placement, preamps and the individual voice or sound source often have a greater impact on the final result than any single technical measurement.
That is why Peakhouse Audio does not simply offer the largest possible selection. Our range is built around real-world studio experience, direct comparisons and microphones that have proven themselves in professional recording, broadcast and content-production environments.
If you are unsure which large-diaphragm microphone best fits your setup, we are always happy to help.
Less marketing hype – more microphones that capture performances honestly and convincingly.
Chandler Limited REDD.MIC
Chandler Limited REDD.MIC The Chandler Limited REDD.MIC is a unique large-diaphragm tube condenser microphone that combines a microphone and a classic tube preamp into a single device. Developed in collaboration with Abbey Road Studios, it is based on the legendary EMI REDD.47 amplifier design, bringing that iconic sound directly into the microphone itself. At its core is an innovative concept: the capsule is directly coupled to the built-in REDD.47 tube preamp, minimizing the signal path and delivering a highly direct, full-bodied and three-dimensional sound. The REDD.MIC outputs a line-level signal, meaning it can be used without an external preamp, while still allowing integration into traditional studio signal chains. Sound Character The REDD.MIC delivers the classic “Abbey Road REDD sound”—big, rich and musical. Its tone is defined by a powerful low end, warm midrange and a smooth, velvety high-frequency response. Rather than sounding overly bright or clinical, it provides a more organic, three-dimensional character. The integrated tube preamp adds natural harmonic saturation and density, resulting in a larger-than-life sound—especially suited for vocals and acoustic recordings. Highlights ✔ large-diaphragm tube condenser microphone with integrated preamp ✔ based on the legendary EMI REDD.47 tube amplifier ✔ combines microphone + preamp in one unit ✔ no external preamp required (line-level output) ✔ custom platinum diaphragm capsule ✔ dual gain structure: +4 to +33 dB + Drive mode ✔ switchable polar patterns: cardioid / omni ✔ Drive mode for additional harmonic coloration ✔ −10 dB pad and polarity reverse ✔ low-contour and output control via external PSU ✔ includes PSU, Mogami cable, shockmount and case Typical Studio Applications ✔ high-end vocal recording (vintage character) ✔ piano, strings and acoustic instruments ✔ drums (room and overhead microphones) ✔ guitar recording (electric and acoustic) ✔ direct recording without external preamps ✔ creative tone shaping using tube drive Technical Specifications ✔ device type: large-diaphragm tube condenser microphone ✔ circuit: EMI REDD.47 tube mic amplifier ✔ capsule: custom platinum diaphragm ✔ polar patterns: cardioid / omni ✔ gain: +4 to +33 dB (NORM), extended in DRIVE mode ✔ output: line level (integrated preamp) ✔ pad: −10 dB ✔ polarity: switchable ✔ output impedance: 200 ohms ✔ power: external PSU included ✔ connectors: XLR (audio + PSU) ✔ included: shockmount, cable, flight case
Chandler Limited TG MICROPHONE
Chandler Limited TG Microphone The Chandler Limited TG Microphone is a premium large-diaphragm FET condenser microphone that faithfully recreates the iconic sound of EMI TG consoles from Abbey Road Studios. Developed in collaboration with Abbey Road, it combines vintage character with exceptional tonal flexibility. At its core is a fully discrete TG transistor circuit paired with a custom gold-sputtered capsule. The microphone features advanced tone-shaping tools such as the Dual Tone System and the unique TG Tape Equalizer, setting it apart from traditional condenser microphones. Sound Character The TG Microphone delivers the classic “TG sound”—bold, punchy and musically colored with a strong vintage signature. Its Dual Tone System provides two distinct voicings: System A: classic TG tone—mid-forward, punchy and harmonically rich System B: cleaner, more open and with higher headroom for loud sources In addition, the 5-position Tape Equalizer offers multiple tonal curves inspired by historic EMI mastering consoles, enabling a wide range of sonic textures. The result is a highly versatile microphone with depth, controlled low-end and strong midrange presence. Highlights ✔ large-diaphragm FET condenser microphone ✔ inspired by EMI TG12345 console sound (Abbey Road) ✔ Dual Tone System (A/B voicing) ✔ built-in TG Tape Equalizer (5 settings) ✔ switchable polar patterns: cardioid / omni ✔ switchable low-cut filter (50 Hz / 90 Hz) ✔ −10 dB pad for high SPL handling ✔ external power supply (included) ✔ custom gold-sputtered capsule ✔ includes shockmount, Mogami cable and wooden case Typical Studio Applications ✔ high-end vocal recording with vintage tone ✔ guitar amps and creative mic setups ✔ drums (overheads, rooms, close miking) ✔ acoustic instruments (piano, strings, brass) ✔ creative tone shaping directly at the source ✔ versatile “character microphone” for studios Technical Specifications ✔ device type: large-diaphragm condenser microphone (FET) ✔ polar patterns: cardioid / omni ✔ capsule: custom gold-sputtered diaphragm ✔ circuit: EMI TG, solid-state FET ✔ dual tone system: A/B voicing ✔ tape EQ: 5 settings ✔ low-cut: 50 Hz / 90 Hz ✔ pad: −10 dB ✔ output impedance: 200 ohms ✔ power: external PSU ✔ connectors: 4-pin XLR (mic), XLR (PSU) ✔ included: shockmount, cable, wooden case
Chandler Limited TG Microphone Type L
Chandler Limited TG Microphone Type L The Chandler Limited TG Microphone Type L is a premium large-diaphragm FET condenser microphone that brings the iconic sound of EMI TG consoles from Abbey Road Studios into a modern, compact studio tool. Developed in collaboration with Abbey Road, it is designed as a versatile professional “workhorse” microphone. Unlike the larger TG microphone, the Type L is 48V phantom-powered and optimized for flexibility and ease of use. At its core is the Dual Tone System, offering two distinct voicings directly within the microphone for maximum adaptability across different recording scenarios. Sound Character The TG Microphone Type L delivers a classic “TG sound”—bold, musical and characterful, combining vintage coloration with modern clarity. Its A/B voicing system provides two distinct tonal options: System A: mid-forward, harmonically rich and punchy System B: smoother, more open and ribbon-like with high SPL handling This flexibility makes it suitable for a wide range of sources, often replacing combinations of condenser, dynamic and ribbon microphones. Highlights ✔ large-diaphragm FET condenser microphone ✔ inspired by EMI TG12345 console sound (Abbey Road) ✔ Dual Tone System (A/B voicings) ✔ System A: harmonically rich, mid-forward ✔ System B: smooth, transparent, ribbon-like ✔ fixed cardioid polar pattern ✔ custom gold-sputtered capsule ✔ switchable −10 dB pad ✔ compact design, no external PSU required ✔ includes swivel mount and bamboo storage box ✔ “larger-than-solid-state” sonic character Typical Studio Applications ✔ vocals (modern to vintage tones) ✔ guitar amps (alternative to SM57 + ribbon setups) ✔ acoustic instruments (piano, strings, brass) ✔ drums (overheads, room mics) ✔ all-purpose studio microphone ✔ creative tone shaping Technical Specifications ✔ device type: large-diaphragm condenser microphone (FET) ✔ polar pattern: cardioid ✔ capsule: custom gold-sputtered diaphragm ✔ circuit: TG-style, solid-state FET ✔ dual tone system: A/B voicings ✔ pad: −10 dB switchable ✔ output impedance: 200 ohms ✔ power: 48V phantom ✔ connector: XLR ✔ included: swivel mount, bamboo case ✔ form factor: compact body (~6.1")
DPA 4055 Kick Drum Mikrofon
DPA 4055 Kick Drum Microphone The DPA 4055 Kick Drum Microphone is a high-end condenser microphone specifically designed for kick drum and other low-frequency instruments. Unlike traditional dynamic kick mics, the 4055 takes a modern approach, offering maximum accuracy, high dynamic range and full control over the sound. Combining DPA’s precision capsule technology with extremely high SPL handling, it performs equally well in studio and live environments. Its compact, asymmetric design allows easy positioning both inside and outside the bass drum. Sound Character The 4055 delivers a highly natural, punchy and detailed sound. Instead of a pre-shaped tone, it features a linear frequency response, allowing engineers to shape the sound according to their needs. Low frequencies are deep and controlled, mids remain clear and defined, and highs are open and natural. The microphone also handles extreme sound pressure levels without distortion. Thanks to its neutral tuning, it works not only on kick drum but also on toms, snare and bass amps, providing a balanced and spatial sound reproduction. Highlights ✔ high-end condenser kick drum microphone ✔ extremely high SPL handling (up to approx. 159–164 dB SPL) ✔ linear frequency response for full sound control ✔ natural, detailed and punchy sound reproduction ✔ asymmetric design for easy placement ✔ integrated shockmount for vibration isolation ✔ suitable for studio, live and touring use Typical Applications ✔ kick drum (live and studio) ✔ toms and snare as an alternative to dynamic mics ✔ bass amplifiers and low-frequency sources ✔ modern and classical productions ✔ recording, touring and broadcast Technical Specifications ✔ Microphone type: condenser (pre-polarized) ✔ Polar pattern: cardioid ✔ Frequency range: approx. 20 Hz – 20 kHz ✔ Sensitivity: approx. 2 mV/Pa ✔ Max SPL: up to approx. 159–164 dB SPL ✔ Dynamic range: approx. 132 dB ✔ Output: XLR ✔ Power supply: 48 V phantom power
Horch RM2J MKII Set
Horch RM2J MKII Set The Horch RM2J MKII Set is a high-end large-diaphragm tube microphone system, inspired by classic German and Austrian studio microphones from the 1950s and 60s. Delivered as a complete system with dedicated power supply and cable, it is designed for professional recording environments requiring maximum sonic quality. The MKII version introduces the Horch Impedance Converter (HIC), improving sensitivity and linearity while maintaining the signature tube character. Sound Character The RM2J MKII delivers an open, detailed and warm tube sound with strong musical depth. Typical characteristics: solid, well-defined low end without muddiness smooth and natural high frequencies rich, present midrange with enhanced vocal size in Vocal mode Its selectable modes provide tonal flexibility: Linear mode: neutral and transparent Vocal mode: enhanced proximity effect and presence The Pure Tube Mode allows operation without the impedance converter for a fully classic tube signal path. Highlights ✔ high-end large-diaphragm tube microphone ✔ inspired by classic 1950s/60s studio microphones ✔ continuously variable polar patterns (omni, cardioid, figure-8) ✔ dedicated Vocal mode for enhanced presence ✔ Horch Impedance Converter (HIC) for improved performance ✔ Pure Tube Mode for direct tube signal path ✔ selected 5654W / 6AK5W tube ✔ premium capsule design ✔ versatile tonal range from clean to colored ✔ complete set incl. NT1206 PSU and cable Typical Studio Applications ✔ high-end vocal recording ✔ voice-over and speech ✔ acoustic instruments (guitar, piano, strings) ✔ room and overhead recording ✔ premium analog recording chains Technical Specifications ✔ device type: large-diaphragm tube microphone ✔ circuit: tube + optional impedance converter ✔ tube: 5654W / 6AK5W ✔ polar patterns: continuously variable (omni, cardioid, figure-8) ✔ modes: linear / vocal / pure tube ✔ connection: 7-pin cable → PSU → XLR output ✔ power supply: NT1206 included ✔ output: XLR (3-pin)
Manley Reference Cardioid Microphone
Manley Reference Cardioid Microphone The Manley Reference Cardioid Microphone is a high-end large-diaphragm tube condenser microphone, designed for professional vocal and studio recording. It combines a modern tube circuit with a carefully tuned capsule, delivering exceptional clarity, presence and detail. With its fixed cardioid polar pattern, it provides a focused and direct sound ideal for capturing vocals in professional environments. Sound Character The Reference Cardioid delivers an extremely detailed, present and polished tube sound. Key characteristics include: clear, forward midrange (ideal for vocals) open, airy high frequencies tight and controlled low end Its voicing is intentionally forward, allowing vocals to sit instantly in the mix without heavy processing. Compared to more neutral microphones, it sounds larger, more modern and more present, making it a favorite for contemporary productions. Highlights ✔ large-diaphragm tube condenser microphone (cardioid) ✔ fully discrete Class-A tube circuitry ✔ fixed cardioid polar pattern ✔ specially tuned capsule for vocal clarity ✔ selected 6922 dual-triode tube ✔ custom-wound transformers ✔ high output level and headroom ✔ exceptional high-frequency detail ✔ modern “radio-ready” vocal sound ✔ hand-built in California ✔ complete set includes: external power supply 7-pin cable shock mount & case Typical Studio Applications ✔ high-end vocal recording (pop, R&B, hip-hop) ✔ voice-over and broadcast ✔ singer-songwriter ✔ acoustic instruments ✔ solo instruments in a mix Technical Specifications ✔ device type: large-diaphragm tube condenser microphone ✔ polar pattern: cardioid ✔ circuit: Class-A tube ✔ tube: 6922 dual triode ✔ frequency response: approx. 10 Hz – 30 kHz ✔ sensitivity: approx. 17 mV/Pa ✔ max SPL: approx. 150 dB ✔ connection: 7-pin cable → PSU → XLR output ✔ power supply: external (included)
Manley Reference Silver Microphone
Manley Reference Silver Microphone The Manley Reference Silver Microphone is a high-end large-diaphragm tube condenser microphone, inspired by classic designs such as the Sony C-37A and positioned as the most versatile model in the Manley Reference series. It combines a Josephson Audio capsule with a unique hybrid tube/FET circuit, delivering a warm, open and highly musical sound. With switchable cardioid and omni patterns, it adapts easily to a wide range of recording applications. Sound Character The Reference Silver delivers a rich, smooth and open sonic character. Key characteristics include: deep, powerful low-end response warm and smooth midrange natural, airy highs without harshness Compared to other Manley mics: less forward than the Reference Cardioid less analytical than the Reference Gold → resulting in a classic, balanced and highly versatile tone It excels at taming harsh sources while maintaining clarity and depth. Highlights ✔ large-diaphragm tube condenser microphone (dual pattern) ✔ inspired by the Sony C-37A design ✔ C3-style capsule by Josephson Audio ✔ hybrid FET + 5670 tube amplifier ✔ switchable cardioid / omni patterns ✔ custom Manley IRON® transformer ✔ optimized for loud sources ✔ smooth, ribbon-like tonal character ✔ highly versatile across sources ✔ handcrafted in California ✔ complete set includes: external power supply 7-pin cable shock mount & case Typical Studio Applications ✔ vocals (especially bright or harsh voices) ✔ brass and saxophones ✔ drum overheads and room miking ✔ guitar amps and snare ✔ acoustic instruments ✔ ribbon-mic alternative Technical Specifications ✔ device type: large-diaphragm tube condenser microphone ✔ polar patterns: cardioid / omni ✔ circuit: hybrid (FET + tube) ✔ diaphragm: 1" gold (5 micron) ✔ tube: 5670 vacuum tube ✔ frequency response: 10 Hz – 30 kHz ✔ max SPL: ~150 dB ✔ sensitivity: ~7 mV/Pa ✔ output impedance: ~30–200 Ω ✔ connection: 7-pin cable → PSU → XLR
Neumann M 49 V Set
Neumann M 49 V Set The Neumann M 49 V Set is a faithful reissue of one of the most iconic studio microphones ever made. Originally introduced in the 1950s, it was one of the first microphones to feature continuously variable remote-controlled polar patterns, revolutionizing studio workflows. The modern version is based on the final M 49 c revision, enhanced with improved noise performance, updated tube technology, and better RF shielding. Sound Character The M 49 V delivers a luxurious, smooth, and highly musical sound: Mids: rich and forward Highs: silky and refined Low-end: full and natural It is often described as “big, three-dimensional, and elegant”, making it one of the most desirable microphones for high-end productions. Highlights ✔ faithful reissue of the legendary M49 ✔ tube large-diaphragm condenser microphone ✔ K49 capsule ✔ continuously variable remote polar pattern control ✔ classic transformer-based output stage ✔ low-noise modern tube design ✔ includes PSU, cable, yoke mount, and case ✔ handcrafted in Germany
Neumann M 50 V Set
Neumann M 50 V Set The Neumann M 50 V Set is a faithful reissue of one of the most important microphones in recording history. Originally introduced in 1951, it became the reference microphone for orchestral recording and played a key role in the development of the Decca Tree technique. The modern version follows the final M 50 c design, enhanced with improved noise performance, modern tube technology, and better RF immunity. Sound Character The M 50 V delivers a natural, spacious, and highly realistic sound: Low-end: deep and full without proximity effect Mids: neutral and transparent Highs: open with extended reach Its unique design results in: omni behavior at low frequencies increasing directionality at higher frequencies This creates exceptional spatial imaging and depth. Highlights ✔ faithful reissue of the legendary M 50 ✔ tube small-diaphragm condenser microphone ✔ unique spherical capsule design ✔ frequency-dependent polar pattern ✔ exceptional transient response ✔ industry standard for orchestral recording ✔ modern low-noise tube design ✔ handcrafted in Germany
Neumann U 47 FET
Neumann U 47 fet (Nickel) The Neumann U 47 fet (nickel) is the solid-state successor to the legendary U47 tube microphone and one of the most iconic studio microphones of the 1970s. The current version is a faithful reissue of the original design, using the same K47 capsule and core circuitry. Sound Character The U 47 fet delivers a powerful, punchy, and full-bodied sound: Low-end: deep, tight, and massive Mids: rich and forward Highs: smooth and controlled It is known for its weight and punch, especially on low-frequency sources. Highlights ✔ large-diaphragm FET condenser microphone ✔ K47 capsule (same as classic U47) ✔ cardioid pattern ✔ extremely high SPL handling (up to 147 dB) ✔ pad and high-pass filter ✔ large output transformer for rich tone ✔ faithful reissue of 1970s classic ✔ classic nickel finish
Neumann U 67 Set Reissue
Neumann U 67 Set Reissue The Neumann U 67 Set Reissue is a faithful reissue of one of the most iconic studio microphones ever made. Originally introduced in the 1960s, the U67 has been carefully recreated using original specifications, combining classic tube sound with modern reliability and precision manufacturing. The set includes the microphone, dedicated power supply (NU 67 V), cable, and shock mount, and is manufactured in Germany to the highest standards. Sound Character The U 67 is known for its musical, balanced, and smooth tone: Mids: warm and forward → perfect for vocals Highs: smooth and controlled, never harsh Low-end: rounded and vintage-like It excels at: silky vocals natural orchestral recordings adding subtle tube richness Compared to the U87, the U67 sounds softer, warmer, and more “three-dimensional.” Highlights ✔ faithful reissue of the classic U67 ✔ tube large-diaphragm condenser microphone (EF86) ✔ K67 dual-diaphragm capsule ✔ 3 polar patterns: cardioid, omni, figure-8 ✔ switchable low-cut filter (100 Hz) ✔ -10 dB pad ✔ classic vintage tone with modern reliability ✔ handcrafted in Germany ✔ complete set with PSU, cable, and shock mount
Neumann U 87 Ai nickel Studio-Set
Neumann U 87 Ai Nickel Studio Set The Neumann U 87 Ai Studio Set (nickel) is one of the most iconic and widely used large-diaphragm condenser microphones in the world. Based on the original 1967 design, it combines a dual-diaphragm capsule with modern FET circuitry for reliability and top-tier sound quality. The studio set includes the microphone, EA87 shock mount, and case, making it ready for professional recording use. Sound Character The U 87 Ai delivers a balanced, natural, and instantly recognizable sound: Mids: forward and musical → perfect for vocals Highs: smooth and refined Low-end: controlled with natural proximity effect It is often described as “mix-ready”, especially for vocals, thanks to its iconic midrange presence. Highlights ✔ legendary large-diaphragm condenser microphone ✔ global studio standard for vocals and speech ✔ 3 polar patterns: cardioid, omni, figure-8 ✔ switchable pad and low-cut filter ✔ extremely versatile across applications ✔ linear response with consistent performance ✔ includes shock mount and case ✔ made in Germany
Soyuz 017 FET
Soyuz 017 FET The Soyuz 017 FET is a high-end large-diaphragm condenser microphone with a FET circuit, combining the classic character of legendary studio microphones with modern precision and reliability. Designed and handcrafted by Soyuz Microphones, it is tailored for professional studio recording applications. Its discrete FET electronics, paired with a carefully tuned capsule, deliver a balanced frequency response with musical warmth and excellent detail. The result is a versatile microphone suitable for both vocals and instruments at the highest level. With its solid build quality and distinctive sonic character, the 017 FET represents a modern interpretation of classic studio microphones. Sound Character The Soyuz 017 FET delivers a warm, full and clearly defined sound. The midrange is present and musical, while the highs are smooth and natural without harshness. Low frequencies are round and controlled, giving vocals and instruments depth and body. Overall, the microphone offers a balanced, slightly vintage-inspired tone with modern clarity. Highlights ✔ large-diaphragm FET condenser microphone ✔ handcrafted by Soyuz Microphones ✔ discrete FET circuit for clear, stable sound ✔ balanced frequency response with musical warmth ✔ ideal for vocals and instruments ✔ robust, high-quality metal construction ✔ classic studio tone with modern precision ✔ cardioid polar pattern ✔ includes mount and carrying case Typical Applications ✔ studio vocal recording ✔ speech and voice-over work ✔ acoustic instruments (guitar, piano, strings) ✔ overheads and room recording ✔ high-end all-purpose microphone Technical Specifications ✔ device type: large-diaphragm condenser microphone (FET) ✔ polar pattern: cardioid ✔ electronics: discrete FET circuit ✔ connection: XLR ✔ power supply: 48V phantom power ✔ construction: handcrafted
Soyuz 023
Soyuz 023Das Soyuz 023 ist ein hochwertiges dynamisches Großmembran-Mikrofon, das speziell für professionelle Studio- und Broadcast-Anwendungen entwickelt wurde. Gefertigt von Soyuz Microphones, kombiniert es robuste Bauweise mit einem außergewöhnlich natürlichen und detailreichen Klangbild.Im Gegensatz zu vielen klassischen dynamischen Mikrofonen bietet das 023 eine erweiterte Frequenzwiedergabe und hohe Auflösung, wodurch es sich hervorragend für anspruchsvolle Recording-Situationen eignet. Die speziell entwickelte Membran sorgt für eine schnelle Transientenabbildung und eine präzise Wiedergabe selbst komplexer Signale.Seine vielseitige Einsetzbarkeit macht das Soyuz 023 zu einer erstklassigen Wahl für Vocals, Instrumente und Sprachaufnahmen.KlangcharakterDas Soyuz 023 liefert einen vollen, direkten und gleichzeitig sehr natürlichen Klang. Die Mitten sind präsent und klar definiert, während die Höhen für ein dynamisches Mikrofon ungewöhnlich offen und detailreich wirken.Das Low-End bleibt straff und kontrolliert, wodurch Stimmen und Instrumente kraftvoll, aber niemals überladen erscheinen. Insgesamt überzeugt das Mikrofon durch eine ausgewogene, moderne Klangsignatur mit hoher Durchsetzungsfähigkeit.Highlights✔ dynamisches Großmembran-Mikrofon für Studio und Broadcast ✔ entwickelt von Soyuz Microphones ✔ erweiterte Frequenzwiedergabe für hohe Detailtreue ✔ schnelle Transientenabbildung ✔ natürlicher, durchsetzungsfähiger Klang ✔ ideal für Vocals, Sprache und Instrumente ✔ robuste Metallkonstruktion ✔ Nierencharakteristik ✔ inkl. Halterung und TransportlösungTypische Anwendungen✔ Gesangsaufnahmen im Studio ✔ Broadcast, Podcast und Voice-Over ✔ Instrumentenaufnahmen (Gitarren, Drums, Bläser) ✔ Live-Recording-Situationen ✔ vielseitige Allround-MikrofonlösungTechnische Daten✔ Gerätetyp: dynamisches Großmembran-Mikrofon ✔ Richtcharakteristik: Niere ✔ Anschluss: XLR ✔ Bauweise: robust, handgefertigt
Telefunken C12
Telefunken C12 If there were ever a microphone that was the epitome of classic, hi-fidelity sound, it would be the Austrian-designed C12. Originally developed by AKG Acoustics in 1953, the C12 is revered for its smooth, airy frequency response. The design of the C12 was unique in its remote capsule polarizing technology. The ability to change the capsule’s polar response variably between cardioid, omnidirectional and figure 8 (and six intermediate patterns between) from the power supply instead of with switches on board the microphone made the C12 the one of most versatile large diaphragm tube microphone of its time. Considered by many to be the finest sounding microphone ever produced, original C12 microphones are still in use in recording studios throughout the world. Sonic Characteristic The large diaphragm vacuum tube-based C12 is a fantastic choice for all types of instruments, lending itself especially well to drum overheads, acoustic guitar, and vocals. Its silky smooth top end provides plenty of air without sounding harsh or artificial. Its midrange speaks clearly and articulately, capturing the source with a natural presence. Its low end is tight and focused, perfectly balanced with the rest of the frequency range. Circuit Design At the heart of every C12 microphone is our coveted CK12 capsule, handcrafted in-house by experienced technicians with meticulous attention to detail. Years of work went into reverse-engineering this legendary capsule design, with backplates machined to match the originals and diaphragms tuned and glued by hand. The amplifier circuit utilizes a German-made Haufe T14 output transformer built to match the original, driven by a microphone grade 6072a vacuum tube. Our circuit design builds upon the original with the implementation of cathode self-biasing operation, a configuration which is quieter, more consistent over the lifetime of the tube, and requires less power supply calibration than the original fixed-bias configuration. Construction Every part of the C12 microphone has been reverse engineered and recreated to preserve the impressive point-to-point construction and aesthetic of the original. This elegant and open design cascades beautifully from top to bottom, revealing every detail of what is truly a handmade instrument. Headgrilles, connectors, capsule mounts, plastic decks and more are all compatible with vintage AKG C12s in need of service. Coveted by an extensive list of professional recording engineers, the TELEFUNKEN Elektroakustik C12 historic reissue is an exceptional microphone that will be a treasured addition to your microphone collection for many decades to come. Accessories Each C12 microphone comes complete with M 910 power supply, M 810 25’ Sommer tube microphone cable, Rycote shockmount, FC10 locking flight case and WB10 wooden microphone box.
Telefunken ELA M 251E
Telefunken ELA M 251E Arguably one the most beautiful microphones ever produced, the TELEFUNKEN ELA M 251E has been featured on countless hits and classic recordings over the decades. Today, prime examples of vintage ELA M 250 / 251 (both "E" and "non E") microphones have become rare and highly sought after jewels, commanding tens of thousands of dollars on the vintage market. TELEFUNKEN Elektroakustik’s historic recreations of the ELA M 251E exemplify the best qualities of the finest specimens of these legendary beasts, and they are true to the heritage of their 50+ year old brethren. Sonic Characteristic By virtue of its smooth, yet present and open sonic character, the ELA M 251E large diaphragm tube microphone is a true classic with very few rivals. Ideal for vocals and acoustic instruments, the ELA M 251E offers an extended and focused low end, a detailed mid-range response and a silky top-end. Circuit Design The TELEFUNKEN ELA M 251E includes an edge terminated, dual backplate CK12 capsule capable of cardioid, omnidirectional and bidirectional polar patterns, a 6072A vacuum tube and a Haufe T14/1 output transformer (the same found in the AKG Acoustics GmbH C12). Modern component choices allow for tighter tolerance specifications, better current handling and a lower self-noise than their vintage counterpart. Each reissue is 100% true in every detail to the original (the parts are interchangeable with the 50+ year old originals), and will deliver the same sonically opulent response that made the ELA M 251E one of the world’s most sought after recording tools. Construction The TELEFUNKEN Elektroakustik recreation of the ELA M 251E large diaphragm tube microphone is exact in every detail, down to the historically accurate cosmetic finish and structural design. The amplifier circuit containing the vacuum tube and output transformer is housed in a molded plastic enclosure, while the capsule is suspended upon a moving polar pattern switch within the head grille. The classic diamond shaped TELEFUNKEN logo badge is attached to the front of the microphone with the ELA M model name engraved at the base of the headgrille. Accessories Each ELA M 251E microphone comes complete with M 950E power supply, M 850E 25’ Sommer tube microphone cable, Rycote shockmount, FC50 locking flight case and WB50 wooden microphone box.
Telefunken ELA M 251T
Telefunken ELA M 251T TELEFUNKEN Elektroakustik introduces the new ELA M 251T, a microphone featuring the newly developed CK-13™ capsule. While based upon the classic ELA M 251 models, the ELA M 251T adds a very modern twist. That twist is the implementation of Alloy 2213™ as the diaphragm membrane material for the CK-13™ capsule. Alloy 2213™ is an amalgam of Titanium and Aluminum, which was originally developed for the aerospace industry. Sonic Characteristic Traditionally gold has been sputtered onto Mylar™ for the diaphragms of the historic CK-12 capsule. By employing Alloy 2213™, which is far more rigid than gold, the capsule that provides greater accuracy in the low frequency range by attaining a higher damping factor to the motion of the membrane. Alloy 2213™ is lighter than gold, and when combined with the edge terminated CK-12 system provides an "airy" and "delicate" representation of the upper frequencies. This affords the user a higher degree of detail in the recorded sound while still providing the depth of audio for which ELA M 251 microphones have been associated for decades. Circuit Design The TELEFUNKEN ELA M 251T includes an edge terminated, dual backplate CK13 capsule, a variation of the traditional CK12. The 251T is capable of cardioid, omnidirectional and bidirectional polar patterns, just like the ELA M 251E. The amplifier circuit features a premium New Old Stock ECC801S vacuum tube and a Haufe T14/1 output transformer, the same found in the 251E and C12. Construction Though the 251T shares the same basic vintage-accurate construction of the 251E, it is wrapped in a sleek sulfamate nickel-plated finish to reflect the proprietary capsule technology. Accessories Each ELA M 251T microphone comes complete with M 950T power supply, M 850T 25' Sommer tube microphone cable, Rycote shockmount, FC50 locking flight case and WB50 wooden microphone box.
Telefunken U47
Telefunken U47 Every great singer deserves an amazing microphone, and for more than 60 years the U47 has been that microphone. Its authoritative mid-range and extended low-end response have made the TELEFUNKEN U47 the “go to” standard for any serious recording studio. The TELEFUNKEN Elektroakustik recreation of the U47 large diaphragm tube microphone is exact in every detail, down to the historically accurate BV8 output transformer and M7 capsule. Sonic Characteristic Whether you're recording a symphony, a "crooner," or any facet of modern music, you'll find a great tool in the U47. Its authoritative mid-range and extended low-end response dance from your ears . . . much as a vintage wine dances from the palate. Everything, from vocals to the loudest of guitar sounds, full on orchestral recording, beautiful backing vocal arrangements, or a chamber ensemble will benefit wildly from the rich and vibrant tone of this stunning microphone. Circuit Design Since its original development in 1946, the TELEFUNKEN U47 has been the microphone of choice for generations of recording professionals. The first condenser microphone to offer selectable polar patterns (cardioid and omnidirectional), the original U47 also featured the famous M7 capsule which had been developed in 1928 by Georg Neumann. To this capsule was added an amplifier built from military surplus VF14 tubes (they had been used in field and aircraft radios), and BV8 output transformers. The combination of these components created a sonic quality that was absolutely unheard of in the English speaking world of the mid-1940s when darker sounding, less detailed ribbon microphones were the standard. The introduction of the U47 brought a new level of fidelity to the audio world, and is still considered to be one of the finest microphones ever produced. Construction Upon first glance of the new U47 from TELEFUNKEN Elektroakustik, it's easy to see the "family resemblance." The large, chrome head grille houses a newly manufactured M7 capsule. Its matte nickel finished body houses a new BV8 output transformer and a newly developed VF14k vacuum tube; a "plug and play" replacement for the rare VF14M tubes found in the original. The classic "TELEFUNKEN" diamond logo proudly adorns the front of the body tube. All of these accoutrements show that this microphone means business. Accessories Each U47 microphone comes complete with M 940H power supply, M840TH 25’ Sommer tube microphone cable, M740 shock mount, FC40 locking flight case and WB40 wooden microphone box.
Universal Audio Bock 167
Universal Audio Bock 167 – Large-Diaphragm Tube Condenser Microphone The Universal Audio Bock 167 is a premium large-diaphragm tube condenser microphone designed by renowned microphone engineer David Bock and handcrafted at the UA Custom Shop in Santa Cruz, California. It delivers the smooth, rich tone associated with classic vintage studio microphones while offering modern flexibility for contemporary recording workflows. Inspired by legendary tube microphones such as the U67-style design, the Bock 167 expands the concept with advanced tone-shaping features and continuously variable polar patterns. Sound Character The Bock 167 provides a warm, detailed tube sound with a lively midrange and smooth high-frequency response. Its combination of dual-symmetrical K67 capsule, NOS EF732 tube, and Lundahl output transformer delivers rich harmonic content and excellent headroom. The microphone features a continuously variable polar pattern, allowing seamless transition between omni, cardioid and figure-8 pickup patterns for precise control over the recording environment. Highlights ✔ Large-diaphragm tube condenser microphone ✔ Designed by David Bock ✔ Hand-built in the UA Custom Shop (California) ✔ Dual-symmetrical K67 capsule ✔ NOS EF732 tube circuitry ✔ Lundahl output transformer ✔ continuously variable polar patterns (omni, cardioid, figure-8) ✔ “Fat” switch for low-frequency boost (10 Hz – 400 Hz) ✔ switchable high-frequency contour options ✔ -10 dB pad for loud sources ✔ external power supply with pattern control Typical Studio Applications ✔ lead vocal recording ✔ acoustic instruments ✔ drum overheads and room microphones ✔ voice-over and broadcast production ✔ professional recording studios Technical Specifications ✔ Type: large-diaphragm tube condenser microphone ✔ Tube: NOS EF732 ✔ Capsule: K67 dual-backplate ✔ Polar patterns: continuously variable omni / cardioid / figure-8 ✔ Frequency response: 10 Hz – 18 kHz (±2 dB) ✔ Sensitivity: 33 mV/Pa ✔ Max SPL: 118 dB SPL ✔ Output impedance: 200 Ω ✔ Power supply: external PSU
Universal Audio Bock 167 - B-Stock
Universal Audio Bock 167 – Large-Diaphragm Tube Condenser Microphone The Universal Audio Bock 167 is a premium large-diaphragm tube condenser microphone designed by renowned microphone engineer David Bock and handcrafted at the UA Custom Shop in Santa Cruz, California. It delivers the smooth, rich tone associated with classic vintage studio microphones while offering modern flexibility for contemporary recording workflows. Inspired by legendary tube microphones such as the U67-style design, the Bock 167 expands the concept with advanced tone-shaping features and continuously variable polar patterns. Sound Character The Bock 167 provides a warm, detailed tube sound with a lively midrange and smooth high-frequency response. Its combination of dual-symmetrical K67 capsule, NOS EF732 tube, and Lundahl output transformer delivers rich harmonic content and excellent headroom. The microphone features a continuously variable polar pattern, allowing seamless transition between omni, cardioid and figure-8 pickup patterns for precise control over the recording environment. Highlights ✔ Large-diaphragm tube condenser microphone ✔ Designed by David Bock ✔ Hand-built in the UA Custom Shop (California) ✔ Dual-symmetrical K67 capsule ✔ NOS EF732 tube circuitry ✔ Lundahl output transformer ✔ continuously variable polar patterns (omni, cardioid, figure-8) ✔ “Fat” switch for low-frequency boost (10 Hz – 400 Hz) ✔ switchable high-frequency contour options ✔ -10 dB pad for loud sources ✔ external power supply with pattern control Typical Studio Applications ✔ lead vocal recording ✔ acoustic instruments ✔ drum overheads and room microphones ✔ voice-over and broadcast production ✔ professional recording studios Technical Specifications ✔ Type: large-diaphragm tube condenser microphone ✔ Tube: NOS EF732 ✔ Capsule: K67 dual-backplate ✔ Polar patterns: continuously variable omni / cardioid / figure-8 ✔ Frequency response: 10 Hz – 18 kHz (±2 dB) ✔ Sensitivity: 33 mV/Pa ✔ Max SPL: 118 dB SPL ✔ Output impedance: 200 Ω ✔ Power supply: external PSU
Universal Audio Bock 187
Universal Audio Bock 187 The Universal Audio Bock 187 is a premium large-diaphragm FET condenser microphone designed by renowned microphone engineer David Bock. Inspired by the classic U87 concept, the microphone combines the familiar studio sound of vintage FET designs with modern improvements in circuitry, transformer design and tonal flexibility. Handcrafted in the UA Custom Shop in Santa Cruz, California, the Bock 187 delivers an open, detailed sound with extended low-frequency response and excellent dynamic range, making it suitable for a wide range of recording applications. A distinctive feature is the Fat mode, which boosts frequencies between approximately 10 Hz and 400 Hz to add weight and fullness to vocals and instruments. Sound Character The Bock 187 delivers a clear, present and warm sound with detailed mids and extended low-end response. Its Class-A FET circuit and large Cinemag output transformer provide strong low-frequency headroom, smooth transient response and low noise performance. The microphone works particularly well on lead vocals, acoustic instruments, guitar amps and room recordings, offering both clarity and musical weight. Highlights ✔ large-diaphragm FET condenser microphone ✔ fixed cardioid polar pattern ✔ Class-A FET circuit with transformer-balanced output ✔ large Cinemag output transformer for extended low end ✔ Fat mode for enhanced low-frequency response ✔ 120 Hz low-cut filter ✔ -10 dB pad for high-level sources ✔ handcrafted in the UA Custom Shop (USA) ✔ includes premium wooden storage case Typical Studio Applications ✔ lead and backing vocals ✔ acoustic instruments (guitar, strings, piano) ✔ guitar amplifier recording ✔ drum overheads and room microphones ✔ voice-over and broadcast recording Technical Specifications ✔ microphone type: FET condenser ✔ polar pattern: cardioid ✔ frequency response: 20 Hz – 16 kHz ✔ maximum SPL: 125 dB SPL (1 % THD) ✔ sensitivity: -42 dB (8 mV/Pa) ✔ output impedance: 200 Ω ✔ power requirement: 48 V phantom power ✔ connector: 3-pin XLR ✔ weight: approx. 725 g
Universal Audio Bock 251
Universal Audio Bock 251 The Universal Audio Bock 251 is a premium large-diaphragm tube condenser microphone designed by renowned microphone engineer David Bock. Inspired by the legendary ELA M 251, one of the most revered microphones in recording history, the Bock 251 combines vintage tube microphone tone with modern precision manufacturing and upgraded components. Each microphone is handbuilt in the UA Custom Shop in Santa Cruz, California, featuring a German-made CK12 capsule, a large Cinemag output transformer and a NOS ECC85 vacuum tube for authentic classic microphone performance. With switchable polar patterns and extended low-frequency response, the Bock 251 is designed for premium vocal recordings and high-end studio applications. Sound Character The Bock 251 delivers a smooth, open tube sound with airy high frequencies and deep, full low-end response. Its combination of CK12 capsule, tube circuitry and large output transformer produces a natural transient response and a wide, three-dimensional soundstage. The microphone’s extended low-frequency response down to approximately 10 Hz allows recordings to retain depth and weight. This tonal character makes the microphone particularly suitable for lead vocals, acoustic instruments, strings and room recordings. Highlights ✔ large-diaphragm tube condenser microphone ✔ inspired by the legendary ELA M 251 design ✔ German-made CK12 capsule ✔ NOS ECC85 vacuum tube circuitry ✔ large Cinemag output transformer ✔ switchable polar patterns Omni / Cardioid / Figure-8 ✔ handcrafted in the UA Custom Shop (USA) ✔ extended low-frequency response down to 10 Hz ✔ includes external PSU, shock mount, cable and vintage case Technical Specifications ✔ microphone type: large-diaphragm tube condenser ✔ polar patterns: omnidirectional / cardioid / figure-8 ✔ frequency response: 10 Hz – 18 kHz (±2 dB) ✔ maximum SPL: 118 dB SPL (1% THD) ✔ sensitivity: -34 dB (19 mV/Pa) ✔ output impedance: 150 Ω ✔ tube type: NOS ECC85 ✔ connection: Tuchel connector (mic) to XLR via PSU ✔ power supply: external PSU included
Universal Audio Sphere DLX
Universal Audio Sphere DLX The Universal Audio Sphere DLX is a professional large-diaphragm modeling condenser microphone that recreates the sound of 38 legendary studio microphones in a single microphone system. Using advanced dual-capsule technology and the Sphere modeling plug-in, it accurately emulates classic condenser, ribbon and dynamic microphones. The system allows engineers to change microphone model, polar pattern and position even after recording, providing exceptional flexibility during mixing and production. Because the microphone itself captures audio with a neutral tonal response, the software can faithfully reproduce iconic microphone models such as U47, U67, C12, SM7B or C800G. Sound Character The Sphere DLX operates as a transparent dual-capsule condenser microphone, allowing the modeling engine to recreate the tonal behavior of classic microphones with high accuracy. By capturing both sides of the capsule simultaneously, the system allows users to adjust polar pattern, mic angle, distance and off-axis response inside the Sphere plug-in after recording. In Dual Mode, two microphone models can be blended together to create entirely new microphone sounds. Highlights ✔ large-diaphragm modeling condenser microphone ✔ emulates 38 legendary microphones ✔ dual-capsule design for accurate modeling ✔ change microphone model after recording ✔ Dual Mode to blend two mic models ✔ stereo recording with a single microphone ✔ Off-Axis Correction to reduce room coloration ✔ works with any audio interface (requires two mic inputs) ✔ real-time workflows with UA Apollo interfaces ✔ includes shock mount, dual XLR cable and carrying case
VOX-O-RAMA C12
VOX-O-RAMA C12 The VOX-O-RAMA C12 is a high-end large-diaphragm tube condenser microphone designed as a faithful interpretation of the legendary AKG C12. The microphone is built by renowned German microphone technician Andreas Grosser, who is widely known for restoring and recreating classic vintage tube microphones. Like the historic original, the VOX-O-RAMA C12 follows the traditional tube microphone architecture and uses a CK12-style large-diaphragm capsule. The design closely reflects the engineering principles of the original AKG C12 from the 1950s, a microphone famous for its open top end and exceptional clarity. Each microphone is hand-built using carefully selected components and classic tube technology to recreate the sonic character associated with vintage studio microphones. Sound Character The VOX-O-RAMA C12 captures the characteristic sound of the classic C12 microphone. Its tone is open, highly detailed and extremely airy in the high-frequency range, while maintaining transparent mids and natural dynamics. This makes the microphone particularly well suited for vocals and acoustic instruments. The combination of tube circuitry and a CK12-style capsule provides a three-dimensional sound with silky highs and precise transient response, characteristics that made the original C12 one of the most iconic studio microphones ever built. Highlights ✔ large-diaphragm tube condenser microphone inspired by the AKG C12 ✔ designed by microphone engineer Andreas Grosser ✔ classic tube microphone circuitry ✔ CK12-style dual-diaphragm capsule ✔ open and airy high-frequency response ✔ high-quality output transformer ✔ handcrafted in Germany ✔ vintage-style construction based on classic studio microphones ✔ includes power supply, microphone cable and mount Typical Studio Applications ✔ professional vocal recording ✔ acoustic instruments such as guitar and piano ✔ overhead and room microphone applications ✔ jazz and classical recording ✔ high-end pop and film scoring productions Technical Specifications ✔ microphone type: large-diaphragm tube condenser ✔ capsule: CK12-style dual diaphragm ✔ circuit topology: classic tube microphone design ✔ tube type: 6072 / 12AY7-style architecture (C12 type) ✔ polar patterns: multiple patterns via external PSU (C12 style) ✔ frequency response: approx. 30 Hz – 20 kHz ✔ connection: 7-pin microphone cable ✔ power supply: external tube microphone PSU ✔ included: microphone, power supply, cable and mount