Microphones – The Beginning of Every Recording
When discussing sound quality, most people first think of preamps, converters, or loudspeakers. Yet the foundation of every recording is created much earlier: at the microphone.
No other tool has such a direct influence on the tone, spatial impression, transient response, and overall character of a recording. What is captured here can later be refined — but it can never be completely replaced.
The question is rarely which microphone is objectively “the best.” What matters far more is which microphone suits the voice, instrument, room, and intended production goal. That is why we never view microphones in isolation, but always in relation to the source, acoustics, preamplification, and the desired sonic result.
Over the past decades, we have had the opportunity to work with a wide variety of microphones — from classic large-diaphragm condenser microphones and ribbon microphones to specialized small-diaphragm and tube microphones designed for demanding recording situations.
Time and again, we have found that the quality of a recording is rarely determined by the price of a microphone alone. More often, the right combination of microphone type, placement, room acoustics, and signal chain makes the real difference.
For us, a great microphone is not defined by sounding spectacular or overly impressive. Instead, it allows voices, instruments, and acoustic events to be captured accurately, consistently, and with confidence. These are the qualities that lead to recordings that continue to stand the test of time.
That is why you will not find an arbitrary selection of hundreds of microphones at Peakhouse Audio. Our portfolio is based on hands-on experience, direct comparisons, and products that have proven themselves in professional recording, broadcast, and mastering environments.
If you are unsure which microphone is best suited to your application, we are happy to help. The right microphone choice is rarely made through specifications alone, but through experience, comparison, and understanding the context in which it will be used.
Less hype – more microphones that capture music, voices, and instruments with authenticity.
AEA A440
AEA A440 Active Ribbon Microphone The AEA A440 is a high-end active ribbon microphone and the most modern interpretation of the legendary RCA 44 design. It combines classic vintage ribbon tone with modern active electronics and significantly improved performance. As an evolution of the R44 series, the A440 retains the large ribbon construction while adding integrated amplification, making it much easier to use with modern microphone preamps. Its robust construction and high output level make it suitable for both high-end studio applications and professional live use. Sound Character The A440 delivers an extremely rich, warm and open ribbon sound with impressive depth and detail. Low-end: deep, powerful and controlled Mids: full, warm and three-dimensional Highs: smooth, silky yet more open than traditional ribbons Compared to classic R44 models, the A440 sounds slightly more modern and open while maintaining its vintage character. The active circuitry provides a cleaner signal with improved transient response and reduced noise. Highlights ✔ active ribbon microphone based on RCA 44 design ✔ integrated active electronics (48 V phantom powered) ✔ higher output level for modern preamps ✔ large 1.8 µm aluminium ribbon ✔ figure-8 polar pattern ✔ extremely high SPL handling (approx. 165 dB SPL) ✔ improved transient response compared to passive models ✔ rugged, stage-ready construction ✔ handcrafted in the USA Typical Applications ✔ vocals (studio and high-end recording) ✔ strings, brass and orchestral recording ✔ guitar and bass amplifiers ✔ drum overheads and room miking ✔ film, broadcast and premium productions ✔ live recording and stage use Technical Specifications ✔ Microphone type: active ribbon microphone ✔ Polar pattern: figure-8 ✔ Frequency range: approx. 20 Hz – 20 kHz ✔ Sensitivity: approx. 6.3 mV/Pa ✔ Max SPL: approx. 165 dB SPL ✔ Ribbon: 1.8 µm aluminium ✔ Output impedance: approx. 92 Ohm ✔ Power supply: 48 V phantom power ✔ Connector: fixed XLR cable ✔ Weight: approx. 3.2 kg ✔ Design: large-format vintage ribbon microphone
AEA Decca Tree
AEA Decca Tree Stereo Microphone System The AEA Decca Tree is a professional modular stereo microphone system designed for classic Decca Tree configurations in orchestral, film and high-end recording environments. It consists of three 1-meter rails forming a stable T-shaped structure with a total width of up to 2 meters. The integrated slider system allows microphones to be freely positioned along the rails, enabling precise and repeatable stereo configurations. This makes it a highly flexible and accurate solution for large-scale stereo and ambient recording setups. Sound Character The Decca Tree does not directly affect the sound but enables an extremely wide, natural and three-dimensional stereo image through precise microphone placement. Stereo image: wide and immersive Depth: realistic and well-defined Phase response: stable and coherent The Decca Tree technique uses three microphones arranged in a T-formation to achieve a balanced blend of direct sound and ambience. Highlights ✔ professional Decca Tree microphone system ✔ modular T-shaped structure up to 2 m wide ✔ based on 3× 1 m rails ✔ flexible slider system for precise positioning ✔ precision markings for repeatable setups ✔ robust construction for heavy microphones ✔ compatible with AEA SMP system Typical Applications ✔ orchestral and classical recording ✔ film scoring and soundtrack production ✔ large ensemble and choir recording ✔ main Decca Tree microphone setups ✔ ambient and room capture ✔ immersive and multi-channel recording Technical Specifications ✔ Product type: stereo microphone system / Decca Tree ✔ Configuration: T-shaped array ✔ Rails: 3× 1 meter ✔ Total width: up to approx. 2 meters ✔ Sliders: 4× sliders ✔ Thread: 5/8" standard ✔ Markings: yes (precision scale) ✔ Included: Decca Tree clamp, adapter ✔ Weight: approx. 2.7 kg ✔ Construction: metal
AEA KU4
AEA KU4 Unidirectional Ribbon Microphone The AEA KU4 unidirectional ribbon microphone is their newest and perhaps most unique offering. The KU4 is AEA's modern interpretation of the original RCA KU3A, which many engineers consider to be the best ribbon microphone ever made. The increased rear rejection of the supercardioid pattern reduces the amount of room sound, which is often desired in modern production applications, particularly vocal recording. With a custom transformer, strong neodymium magnets and a low-tuned RCA new-old stock ribbon, the KU4 continues AEA's legacy for wide-bandwidth, top-quality ribbon microphones handmade in Pasadena, CA. As always, Front End Audio will bring you more information as it becomes available from AEA. AEA KU4 Unidirectional Ribbon Microphone Features Contemporary realization of the RCA KU3A classic Supercardioid pattern for excellent rear rejection Reduced proximity effect Smooth, high-bandwidth frequency response Authentic New Old Stock RCA ribbon material High-quality anodized & nickel-plated finish Custom AEA transformer, neodymium magnets Consistent Quality Field-tech replaceable ribbon assembly Hand-crafted in Pasadena, California AEA KU4 Unidirectional Ribbon Microphone Specifications Operating Principle: Velocity microphone Frequency Response: Below 30 Hz to above 20 kHz Maximum SPL: 140 + dB SPL above 200Hz for 1% third harmonic Output Sensitivity: 2.8 mV/Pa into unloaded circuit Output Impedance: 300 Ω nominal Recommended Load: 1.2 KΩ or greater Phantom power: Not required or recommended Polarity: Pin 2 high for positive pressure at the front of the microphone. Connector: XLR-3M wired to a 1.5 meter captive cable Polar Pattern: Supercardioid Relative Output at 180° (dB): -12 Angle of Maximum Rejection: 135° Ribbon Thickness: 1.8 microns ( .0000018 meter ) of pure aluminum Ribbon Width: 0.082” (2.1 mm) Ribbon Length: 1.25” (28.6 mm) Included: Custom storage/shipping case, stand adapter, manual and attached 1.5 meter microphone cable Limited Warranty: Three years parts and labor, shipping not included.
AEA KU5A
AEA KU5A Active Ribbon Microphone The AEA KU5A is a modern active ribbon microphone with a supercardioid polar pattern, specifically designed for close-range applications. It combines the classic AEA ribbon sound with a highly focused pickup pattern, making it fundamentally different from traditional figure-8 ribbon microphones. Its directional design captures mainly direct sound while effectively reducing room ambience and bleed, making it ideal for studio and live environments. The built-in JFET active electronics provide higher output, low noise and excellent compatibility with a wide range of microphone preamps. Sound Character The KU5A delivers a direct, punchy and natural ribbon sound with modern clarity. Low-end: full and controlled Mids: forward, warm and focused Highs: smooth yet more open than traditional ribbons Its supercardioid pattern creates a highly focused, upfront sound with minimal room pickup. The proximity effect is carefully controlled, allowing effective close-miking without excessive low-end buildup. Highlights ✔ active ribbon microphone with supercardioid pattern ✔ optimized for close-miking applications ✔ excellent rejection of room sound and bleed ✔ 1.8 µm aluminium ribbon ✔ built-in JFET electronics for higher output ✔ integrated high-pass filter for close-range use ✔ rugged, stage-ready construction ✔ front-address design ✔ handcrafted in the USA Typical Applications ✔ vocals (studio & live) ✔ speech, podcast and broadcast ✔ electric guitar and bass amps ✔ snare, toms and percussion ✔ brass and strings (close-miking) ✔ recording in untreated or noisy environments Technical Specifications ✔ Microphone type: active ribbon microphone ✔ Polar pattern: supercardioid ✔ Frequency range: approx. 30 Hz – 14 kHz ✔ Sensitivity: approx. 7.08 mV/Pa ✔ Max SPL: approx. 135 dB SPL ✔ Ribbon: 1.8 µm aluminium ✔ Output impedance: approx. 92 Ohm ✔ Power supply: 48 V phantom power ✔ Connector: fixed XLR cable ✔ Weight: approx. 0.8 kg ✔ Design: front-address ribbon microphone
AEA Mini Decca Tree
AEA Mini Decca Tree Stereo Microphone System The AEA Mini Decca Tree is a compact modular stereo microphone system designed to create classic Decca Tree configurations in space-saving setups. It combines multiple AEA stereo bars into a stable “T” configuration for precise and repeatable microphone placement. The system consists of a 1-meter bar and an additional 17-inch (approx. 43 cm) bar, connected via a dedicated mounting bracket. Its integrated slider system allows microphones to be freely positioned along the rails, enabling a wide range of stereo and ambient recording techniques. Sound Character The Mini Decca Tree does not directly affect the sound but enables extremely precise, spatially accurate and phase-coherent microphone placement, which is essential for high-end recordings. wide and natural stereo imaging realistic depth and spatial detail stable phase relationships It provides the classic Decca Tree sound in a more compact format, making it ideal for smaller ensembles or tighter spaces. Highlights ✔ compact Decca Tree microphone system ✔ combination of 1 m and 17" bars ✔ enables classic “T” stereo configuration ✔ flexible slider system for adjustable positioning ✔ precision markings for repeatable setups ✔ robust metal construction ✔ compatible with AEA SMP system ✔ compact alternative to full-size Decca Tree Typical Applications ✔ orchestral and classical recording (compact setups) ✔ ensemble and choir recording ✔ film scoring and ambient capture ✔ room and ambience miking ✔ stereo and multi-mic configurations Technical Specifications ✔ Product type: stereo microphone system / Decca Tree ✔ Configuration: T-shaped array ✔ Bars: 1× 1 meter 1× 17 inches (approx. 43 cm) ✔ Sliders: 4× SMP-S sliders ✔ Thread: 5/8" standard ✔ Included: mini tree clamp, adapter ✔ Weight: approx. 1.7 kg ✔ Construction: metal
AEA N22
AEA N22 Active Ribbon Microphone The AEA N22 is a high-quality active ribbon microphone specifically designed for close-range applications. As part of AEA’s NUVO series, it combines classic ribbon tone with modern engineering and a practical design optimized for short microphone distances. Unlike traditional ribbon microphones, the N22 is tailored for close-miking, making it ideal for studio, live and broadcast environments. Its built-in active JFET electronics provide stable output and excellent compatibility with a wide range of microphone preamps. Sound Character The N22 delivers a direct, warm and detailed ribbon sound with modern clarity. Low-end: tight and controlled Mids: warm, present and natural Highs: clear, lively and slightly enhanced Compared to traditional ribbon microphones, the N22 offers a more modern and brighter tonal balance, making it especially suitable for close-miking. Its reduced proximity effect ensures a balanced sound even at very short distances. Highlights ✔ active ribbon microphone (48 V phantom powered) ✔ optimized for close-miking (approx. 2.5 – 40 cm) ✔ integrated JFET electronics for higher output ✔ 1.8 µm aluminium ribbon ✔ reduced proximity effect for consistent tone ✔ high SPL handling (approx. 141 dB SPL) ✔ fast transient response ✔ versatile for studio, live and broadcast use ✔ handcrafted in the USA Typical Applications ✔ vocals and speech ✔ electric guitar and bass amps ✔ snare, toms and percussion ✔ acoustic instruments (guitar, percussion) ✔ brass and strings (close-miking) ✔ recording in challenging acoustic environments Technical Specifications ✔ Microphone type: active ribbon microphone ✔ Polar pattern: figure-8 ✔ Frequency range: approx. 20 Hz – 20 kHz ✔ Sensitivity: approx. 8.3 mV/Pa ✔ Max SPL: approx. 141 dB SPL ✔ Ribbon: 1.8 µm aluminium ✔ Output impedance: approx. 92 Ohm ✔ Power supply: 48 V phantom power ✔ Connector: XLR ✔ Weight: approx. 335 g ✔ Design: compact ribbon microphone
AEA N8
AEA N8 Active Ribbon Microphone The AEA N8 is a high-end active ribbon microphone from the NUVO series, specifically designed for far-field applications. As a modern “big ribbon” design, it is inspired by the legendary AEA R88 and optimized for natural room capture and distant microphone placement. Unlike traditional close-range ribbon microphones, the N8 excels at capturing sound from a distance, making it ideal for room recordings, orchestral setups and stereo techniques. Its built-in active electronics provide consistent output and seamless integration with modern studio equipment. Sound Character The N8 delivers an extremely open, natural and spatially accurate sound with classic ribbon warmth. Low-end: deep and full Mids: warm and natural Highs: smooth and refined It stands out for its realistic room capture and depth, especially in far-field recording situations. Even at greater distances, low frequencies remain intact while transients are presented smoothly and musically. Highlights ✔ active ribbon microphone (48 V phantom powered) ✔ optimized for far-field recording ✔ based on the AEA R88 design philosophy ✔ large aluminium ribbon (“big ribbon” design) ✔ integrated active electronics for higher output ✔ excellent spatial imaging and depth ✔ figure-8 polar pattern ✔ high SPL handling (approx. 141 dB SPL) ✔ handcrafted in the USA Typical Applications ✔ orchestral, choir and classical recording ✔ drum overheads and room mics ✔ acoustic ensembles ✔ piano and strings in room ✔ film sound and ambience recording ✔ stereo techniques (Blumlein, M/S, AB) Technical Specifications ✔ Microphone type: active ribbon microphone ✔ Polar pattern: figure-8 ✔ Frequency range: approx. 20 Hz – 20 kHz ✔ Sensitivity: approx. 8.3 mV/Pa ✔ Max SPL: approx. 141 dB SPL ✔ Ribbon: aluminium (big ribbon design) ✔ Output impedance: approx. 92 Ohm ✔ Power supply: 48 V phantom power ✔ Connector: XLR ✔ Weight: approx. 335 g ✔ Design: large ribbon microphone
AEA NUVO N13
AEA NUVO N13 Active Ribbon Microphone The AEA NUVO N13 is a high-end active ribbon microphone designed for mid-field recording applications. It sits between the close-range N22 and the far-field N8, offering a balanced combination of direct sound and ambient capture. Unlike traditional large ribbon designs, the N13 features an ultra-thin 1.2 µm ribbon in a compact structure. This results in faster transient response and a more extended high-frequency range than typical ribbon microphones. Its built-in active JFET electronics provide higher output and excellent compatibility with modern microphone preamps. Sound Character The N13 delivers an open, modern and highly detailed ribbon sound with excellent precision. Low-end: controlled and balanced Mids: clear and natural Highs: bright and airy for a ribbon microphone It stands out with its fast transient response, capturing fine details with high accuracy. Compared to traditional ribbon microphones, the N13 has a slightly brighter tonal balance, making it ideal for sources that benefit from additional presence. Highlights ✔ active ribbon microphone (48 V phantom powered) ✔ optimized for mid-field recording (approx. 20 cm – 1 m) ✔ ultra-thin 1.2 µm ribbon ✔ fast transient response and high detail ✔ brighter, more modern ribbon tone ✔ reduced proximity effect ✔ integrated JFET electronics for higher output ✔ compatible with a wide range of preamps ✔ handcrafted in the USA Typical Applications ✔ drum overheads and percussion ✔ strings, brass and ensembles ✔ acoustic guitar and piano ✔ vocals and speech ✔ stereo techniques (Blumlein, M/S, AB) ✔ film and broadcast recording Technical Specifications ✔ Microphone type: active ribbon microphone ✔ Polar pattern: figure-8 ✔ Frequency range: approx. 20 Hz – 20 kHz ✔ Sensitivity: approx. 11.5 mV/Pa ✔ Max SPL: approx. 139 dB SPL ✔ Ribbon: 1.2 µm aluminium ✔ Output impedance: approx. 92 Ohm ✔ Power supply: 48 V phantom power ✔ Connector: XLR ✔ Weight: approx. 335 g ✔ Design: compact ribbon microphone
AEA NUVO N13 Stereoset
AEA NUVO N13 Stereo Set Active Ribbon Microphone System The AEA NUVO N13 Stereo Set is a high-end active ribbon microphone system consisting of two carefully matched N13 microphones, delivered as a precision stereo pair. The N13 is designed as a mid-field ribbon microphone within AEA’s NUVO series, bridging the gap between the close-range N22 and the far-field N8. It is optimized for medium distances (approx. 20 cm to 1 m) and provides a natural, open sound with excellent detail. Its built-in active JFET electronics ensure higher output and excellent compatibility with a wide range of microphone preamps. The stereo kit includes accessories and a case, making it ready for professional stereo recording applications. Sound Character The N13 stereo set delivers an open, detailed and highly articulate sound with outstanding transient response. Low-end: controlled and balanced Mids: clear and natural Highs: unusually bright and detailed for a ribbon mic Compared to traditional ribbon microphones, the N13 offers a slightly brighter tonal balance, making it ideal for capturing fine detail and fast transients. Its reduced proximity effect and mid-field optimization provide a well-balanced mix of direct sound and ambience. Highlights ✔ active stereo ribbon microphone set (matched pair) ✔ optimized for mid-field recording distances ✔ excellent transient response and clarity ✔ brighter ribbon sound with enhanced high-frequency detail ✔ ultra-thin 1.2 µm aluminium ribbon ✔ built-in active JFET electronics (48V phantom power) ✔ reduced proximity effect ✔ high compatibility with various preamps ✔ handcrafted in the USA Typical Applications ✔ drum overheads ✔ strings, brass and ensembles ✔ acoustic guitar and piano ✔ stereo techniques (Blumlein, XY, M/S, AB) ✔ film and broadcast recording ✔ live orchestral and TV production Technical Specifications (per microphone) ✔ Microphone type: active ribbon microphone ✔ Polar pattern: figure-8 ✔ Frequency range: approx. 20 Hz – 20 kHz ✔ Sensitivity: approx. 11.5 mV/Pa ✔ Max SPL: approx. 139 dB SPL ✔ Output impedance: approx. 92 Ohm ✔ Power supply: 48 V phantom power ✔ Ribbon: 1.2 µm aluminium ✔ Weight: approx. 335 g ✔ Design: compact ribbon microphone
AEA NUVO N22 Stereoset
AEA NUVO N22 Stereo Set Active Ribbon Microphone System The AEA NUVO N22 Stereo Set is a high-quality active ribbon microphone system consisting of two carefully matched N22 microphones, delivered as a precision stereo pair. Within the AEA NUVO series, the N22 is designed as a near-field ribbon microphone, optimized for close-miking applications at distances from a few centimeters up to approximately 40 cm. Its built-in active JFET electronics provide higher output and excellent compatibility with a wide range of microphone preamps. The stereo kit includes a stereo bar, mounts, accessories and a case, making it ready for professional stereo recording. Sound Character The N22 stereo set delivers a direct, warm and detailed ribbon sound with excellent transient response. Low-end: tight and controlled Mids: warm and natural Highs: lively and slightly enhanced Compared to traditional ribbon microphones, the N22 offers a more modern tonal balance with increased clarity, making it ideal for close-miking. Its reduced proximity effect ensures a balanced sound even at very short distances. Highlights ✔ active stereo ribbon microphone set (matched pair) ✔ optimized for close-miking (approx. 2.5 – 40 cm) ✔ integrated JFET electronics for higher output ✔ ultra-thin 1.8 µm aluminium ribbon ✔ reduced proximity effect for consistent tone ✔ high SPL handling (approx. 141 dB SPL) ✔ fast transient response ✔ versatile for studio and live use ✔ handcrafted in the USA Typical Applications ✔ vocals and speech (close-miking) ✔ electric guitar, bass and amps ✔ snare, toms and kick drum (careful placement) ✔ acoustic instruments (guitar, percussion) ✔ stereo techniques (XY, Blumlein, M/S, AB) ✔ broadcast and live recording Technical Specifications (per microphone) ✔ Microphone type: active ribbon microphone ✔ Polar pattern: figure-8 ✔ Frequency range: approx. 20 Hz – 20 kHz ✔ Sensitivity: approx. 8.3 mV/Pa ✔ Max SPL: approx. 141 dB SPL ✔ Ribbon: 1.8 µm aluminium ✔ Output impedance: approx. 92 Ohm ✔ Power supply: 48 V phantom power ✔ Weight: approx. 335 g ✔ Design: compact ribbon microphone
AEA NUVO N28
AEA NUVO N28 Active Stereo Ribbon Microphone The AEA NUVO N28 is a high-end active stereo ribbon microphone that combines two matched ribbon elements in a single compact housing. The microphones are fixed in a Blumlein configuration (90°), enabling instant phase-coherent stereo recording without the need for complex multi-microphone setups. Within the AEA NUVO lineup, the N28 is designed for near- to mid-field applications, offering a flexible and efficient solution for professional stereo recording. Its built-in active electronics ensure consistent output and easy integration with modern microphone preamps. Sound Character The N28 delivers a large, natural and spatially accurate sound with classic ribbon warmth and modern clarity. Low-end: full and round Mids: present and detailed Highs: smooth yet clear Its Blumlein design creates a highly realistic stereo image with excellent depth and spatial definition. Compared to larger stereo ribbon microphones, the N28 offers a more compact and focused sonic presentation. Highlights ✔ active stereo ribbon microphone in a single unit ✔ fixed Blumlein configuration (dual figure-8, 90°) ✔ instant stereo recording without complex setup ✔ dual 1.8 µm aluminium ribbons ✔ precise stereo imaging and phase coherence ✔ compact and easy to position ✔ integrated active electronics (48 V phantom power) ✔ highly practical for fast recording workflows ✔ handcrafted in the USA Typical Applications ✔ drum overheads and room miking ✔ acoustic guitar and piano ✔ orchestral and ensemble recording ✔ quick stereo capture setups ✔ film sound and ambience recording ✔ live and broadcast applications Technical Specifications ✔ Microphone type: active stereo ribbon microphone ✔ Polar pattern: dual figure-8 (Blumlein) ✔ Frequency range: approx. 20 Hz – 20 kHz ✔ Sensitivity: approx. 6.1 mV/Pa ✔ Max SPL: approx. 135 dB SPL ✔ Ribbon: dual 1.8 µm aluminium ✔ Output impedance: approx. 92 Ohm ✔ Connector: XLR-5 (with Y cable to dual XLR) ✔ Power supply: 48 V phantom power ✔ Weight: approx. 400 g ✔ Design: compact stereo ribbon microphone
AEA NUVO N8 Stereoset
AEA NUVO N8 Stereo Set Active Ribbon Microphone System The AEA NUVO N8 Stereo Set is a high-end active ribbon microphone system consisting of two carefully matched N8 microphones, delivered as a precision stereo pair. The N8 is a modern large-ribbon microphone designed specifically for far-field recording. It shares its design philosophy with the legendary AEA R88 while offering a more compact format. Its built-in active electronics provide higher output and excellent compatibility with a wide range of microphone preamps, eliminating the need for specialized high-gain ribbon preamps. The stereo set includes a stereo bar, mounts, windscreens and a protective case, making it ready for professional use. Sound Character The N8 stereo set delivers an extremely open, natural and spatially accurate sound with classic ribbon warmth and modern detail. Low-end: deep and full Mids: warm and natural Highs: smooth and never harsh Designed for far-field recording, it captures acoustic spaces with exceptional realism and depth. Even at greater distances, low frequencies remain intact and well-defined. Its figure-8 pattern makes it ideal for stereo techniques such as Blumlein and M/S. Highlights ✔ active stereo ribbon microphone set (matched pair) ✔ based on AEA R88 design philosophy ✔ optimized for far-field and ambient recording ✔ built-in active electronics (no special preamp required) ✔ large aluminium ribbon element ✔ high SPL handling (approx. 141 dB SPL) ✔ excellent transient response and smooth highs ✔ includes stereo bar, mounts and case ✔ handcrafted in the USA Typical Applications ✔ drum overheads and room microphones ✔ orchestral, choir and classical recording ✔ acoustic instruments (piano, strings, brass) ✔ stereo techniques (Blumlein, XY, AB, M/S) ✔ film sound and ambience recording ✔ high-end studio and live production Technical Specifications (per microphone) ✔ Microphone type: active ribbon microphone ✔ Polar pattern: figure-8 ✔ Frequency range: approx. 20 Hz – 20 kHz ✔ Sensitivity: approx. 8.3 mV/Pa ✔ Max SPL: approx. 141 dB SPL ✔ Output impedance: approx. 92 Ohm ✔ Power supply: 48 V phantom power ✔ Connector: XLR ✔ Weight: approx. 335 g ✔ Design: large ribbon microphone
AEA R44C
AEA R44C Passive Ribbon Microphone The AEA R44C is a high-end passive ribbon microphone and a faithful recreation of the legendary RCA 44BX. It represents the reference standard for classic ribbon sound and is handcrafted according to original specifications. As the core model of the R44 series, the R44C delivers the authentic vintage character of early broadcast and studio recordings, making it ideal for users seeking a pure, traditional ribbon tone. It features an original 1.8 µm aluminium ribbon and closely follows the construction and sonic behavior of the historic design. Sound Character The R44C delivers an extremely warm, smooth and full-bodied ribbon sound with strong vintage character. Low-end: deep and very full Mids: rich, smooth and musical Highs: rolled-off, dark and silky Its tonal balance is intentionally dark and classic, effectively smoothing harsh transients and high frequencies. The pronounced proximity effect allows for powerful and full-bodied close-miking. Highlights ✔ passive ribbon microphone based on original RCA 44BX ✔ authentic recreation of classic ribbon sound ✔ original 1.8 µm aluminium ribbon ✔ figure-8 polar pattern ✔ extremely high SPL handling (approx. 165 dB SPL) ✔ dark and smooth vintage tone ✔ handcrafted in the USA ✔ compatible with original RCA components Typical Applications ✔ vocals (vintage, jazz, broadcast) ✔ strings, brass and orchestral recording ✔ classical music production ✔ guitar and bass amplifiers ✔ drum room and overheads ✔ film and retro sound design Technical Specifications ✔ Microphone type: passive ribbon microphone ✔ Polar pattern: figure-8 ✔ Frequency range: approx. 20 Hz – 20 kHz ✔ Sensitivity: approx. 2.25 mV/Pa ✔ Max SPL: approx. 165 dB SPL ✔ Output impedance: approx. 270 Ohm ✔ Ribbon: 1.8 µm aluminium ✔ Connector: fixed XLR cable (approx. 3 m) ✔ Weight: approx. 3.0 kg ✔ Design: large-format vintage ribbon microphone
AEA R44CE
AEA R44CE Passive Ribbon Microphone The AEA R44CE is a high-end passive ribbon microphone and part of the legendary R44 series. It is based on the classic RCA 44BX design and delivers the iconic vintage ribbon sound in its most authentic form. As the “Classic Edition” (CE), the R44CE represents the original output level and tonal character, making it ideal for users seeking the pure, traditional ribbon sound. It is handcrafted using an original 1.8 µm aluminium ribbon based on historic specifications. Sound Character The R44CE delivers an extremely warm, full and classic ribbon sound with strong vintage character. Low-end: deep, round and rich Mids: full, smooth and musical Highs: soft, rolled-off and silky Compared to the R44CX, the R44CE has a lower output and a darker tonal balance, resulting in a softer and more traditional sound. Its strong proximity effect allows for powerful and full-bodied close-miking. Highlights ✔ passive ribbon microphone based on RCA 44BX ✔ “Classic Edition” with original output level ✔ original 1.8 µm aluminium ribbon ✔ figure-8 polar pattern ✔ extremely high SPL handling (approx. 165 dB SPL) ✔ darker and softer vintage tone ✔ handcrafted in the USA ✔ compatible with original RCA components Typical Applications ✔ vocals (vintage, jazz, broadcast) ✔ strings, brass and orchestral recording ✔ classical music production ✔ guitar and bass amplifiers ✔ drum room and overheads ✔ film and retro sound design Technical Specifications ✔ Microphone type: passive ribbon microphone ✔ Polar pattern: figure-8 ✔ Frequency range: approx. 20 Hz – 20 kHz ✔ Sensitivity: approx. 2.25 mV/Pa ✔ Max SPL: approx. 165 dB SPL ✔ Output impedance: approx. 270 Ohm ✔ Ribbon: 1.8 µm aluminium ✔ Connector: fixed XLR cable (approx. 3 m) ✔ Weight: approx. 3.0 kg ✔ Design: large-format vintage ribbon microphone
AEA R44CX
AEA R44CX Passive Ribbon Microphone The AEA R44CX is a high-end passive ribbon microphone and a modern evolution of the legendary RCA 44BX. It combines original vintage construction with improved output for modern studio use. As the high-output version of the R44 series, the R44CX provides approximately 6 dB more output than the standard R44C, making it more compatible with a wide range of microphone preamps. It features a traditional design with an original 1.8 µm aluminium ribbon element based on classic specifications. Sound Character The R44CX delivers an extremely rich, warm and three-dimensional ribbon sound with unmistakable vintage character. Low-end: deep and powerful Mids: full, warm and musical Highs: smooth and natural Its strong proximity effect enhances low-end response in close-miking, while naturally smoothing harsh transients and high frequencies. The result is a classic broadcast-style tone that blends beautifully in complex mixes. Highlights ✔ passive ribbon microphone based on RCA 44BX ✔ high-output version (+6 dB over R44C) ✔ original 1.8 µm aluminium ribbon ✔ figure-8 polar pattern ✔ extremely high SPL handling (approx. 165 dB SPL) ✔ authentic vintage sound with modern usability ✔ handcrafted in the USA ✔ compatible with original RCA components Typical Applications ✔ vocals (vintage / broadcast tone) ✔ strings, brass and orchestral recording ✔ guitar and bass amps ✔ drum overheads and room miking ✔ jazz, classical and film scoring ✔ high-end studio production Technical Specifications ✔ Microphone type: passive ribbon microphone ✔ Polar pattern: figure-8 ✔ Frequency range: approx. 20 Hz – 20 kHz ✔ Sensitivity: approx. 4.47 mV/Pa ✔ Max SPL: approx. 165 dB SPL ✔ Output impedance: approx. 270 Ohm ✔ Ribbon: 1.8 µm aluminium ✔ Connector: fixed XLR cable (approx. 3 m) ✔ Weight: approx. 3.0 kg ✔ Design: large-format vintage ribbon microphone
AEA R44CXE
AEA R44CXE Passive Ribbon Microphone The AEA R44CXE is a high-end passive ribbon microphone and an enhanced version of the R44CX. Based on the legendary RCA 44BX design, it delivers the iconic vintage ribbon sound with extended low-frequency response. The “Extended Low End” (CXE) version is specifically designed for applications requiring deeper and more powerful bass reproduction, making it ideal for modern productions that demand both classic tone and enhanced low-end depth. Like all R44 models, it is built using traditional construction methods and features an original 1.8 µm aluminium ribbon. Sound Character The R44CXE delivers an extremely full, warm and powerful ribbon sound with extended low-end response. Low-end: deeper, heavier and more pronounced Mids: rich, warm and musical Highs: smooth, soft and controlled Compared to the R44CX, the CXE version offers a more pronounced low-frequency response while maintaining the classic vintage character. Its strong proximity effect further enhances low-end presence in close-miking applications. Highlights ✔ passive ribbon microphone based on RCA 44BX ✔ extended low-end version for enhanced bass response ✔ high-output design for improved preamp compatibility ✔ original 1.8 µm aluminium ribbon ✔ figure-8 polar pattern ✔ extremely high SPL handling (approx. 165 dB SPL) ✔ classic vintage tone with added depth ✔ handcrafted in the USA Typical Applications ✔ vocals requiring depth and warmth ✔ bass instruments and low-frequency sources ✔ orchestral and film scoring ✔ drum room and overheads ✔ cinematic sound design ✔ high-end studio production Technical Specifications ✔ Microphone type: passive ribbon microphone ✔ Polar pattern: figure-8 ✔ Frequency range: approx. 20 Hz – 20 kHz ✔ Sensitivity: approx. 4.47 mV/Pa ✔ Max SPL: approx. 165 dB SPL ✔ Output impedance: approx. 270 Ohm ✔ Ribbon: 1.8 µm aluminium ✔ Connector: fixed XLR cable (approx. 3 m) ✔ Weight: approx. 3.0 kg ✔ Design: large-format vintage ribbon microphone
AEA R84
AEA R84 Passive Ribbon Microphone The AEA R84 is a high-quality passive ribbon microphone that delivers the classic sound of vintage RCA ribbons in a more compact and versatile format. It shares the sonic heritage of the R44 series but offers a more modern and flexible approach for everyday studio use. Compared to the R44, the R84 is lighter, easier to position and better suited for close to mid-field applications, making it a highly practical ribbon microphone for a wide range of recording situations. It features a hand-crafted 1.8 µm aluminium ribbon and is fully manufactured in the USA. Sound Character The R84 delivers a warm, natural and well-balanced ribbon sound with classic character and modern openness. Low-end: full and rounded Mids: warm, detailed and musical Highs: smooth and slightly more open Compared to the R44, the R84 has a slightly more open tonal balance, making it more versatile across different sources. Its strong proximity effect allows for powerful close-miking, while naturally smoothing harsh transients. Highlights ✔ passive ribbon microphone with classic AEA tone ✔ more compact and versatile than R44 models ✔ original 1.8 µm aluminium ribbon ✔ figure-8 polar pattern ✔ very high SPL handling (approx. 165 dB SPL) ✔ balanced vintage sound with modern usability ✔ handcrafted in the USA ✔ compatible with standard microphone stands Typical Applications ✔ vocals and speech ✔ acoustic instruments (guitar, piano, strings) ✔ brass and woodwinds ✔ guitar and bass amplifiers ✔ drum overheads and room miking ✔ studio and live recording Technical Specifications ✔ Microphone type: passive ribbon microphone ✔ Polar pattern: figure-8 ✔ Frequency range: approx. 20 Hz – 20 kHz ✔ Sensitivity: approx. 2.5 mV/Pa ✔ Max SPL: approx. 165 dB SPL ✔ Output impedance: approx. 270 Ohm ✔ Ribbon: 1.8 µm aluminium ✔ Connector: XLR ✔ Weight: approx. 2.0 kg ✔ Design: medium-size ribbon microphone
AEA R84A
AEA R84A Das AEA R84A unterscheidet sich von anderen Mikrofonen. Einmal gehört, besticht das AEA R84A durch seinen großen, klaren Klang. Es ist ein ideales Stützmikrofon mit seiner engen Richtcharakteristik, glatt verlängertem top und weniger Nahbeschprechungseffekt, als bei dem R44 und A440. Das AEA R84A verarbeitet mühelos eine breite Palette von Anwendungen, vom leise gehauchten Akzent bis hin zu einem ganzen Ensemble. AEA AEA R84A Merkmale: High Output Kompatibilität mit allen Vorverstärkern und Eingangsquellen Geringes Eigenrauschen von 17,5 dB (A) Schnelle, präzise Reproduktion von Transienten Hohe Leistungsfähigkeit der SPL 141 dB Single-Membran mit gut kontrollierten, native Figur-8-Richtcharakteristik Wide-Band-Antwort von unter 20 Hz bis über 20 kHz Das AEA R84A und andere AEA Big Bändchenmikrofone sind hervorragende digitale Aufnahme-Tools. Digitale Aufnahmen haben andere Einschränkungen als analoge. Der digitale Aufnahme-Prozess ist in der Lage gestochen scharfe Details für Generationen zu erhalten. So macht es Sinn, Mikrofone, die sich gut in den finalen Mix einfügen lassen, von Anfang an nutzen. AEA Big Ribbon Mikrofone mit ihrem weichen, natürlichen, easy-to-EQ Sound erleben im Zuge der Digitalisierung eine Wiedergeburt. Über 30 Jahre Erfahrung mit Bändchenmikrofonen hat AEA gezeigt worauf es wirklich ankommt und was die Nutzer wollen. Und sie alle lieben den großen Klang des RCA 44. Die Erhaltung und Wiedereinführung dieses Sounds wurde für AEA zur Mission. Die AEA R44 und A440s sind robust, schwer und teuer in der Herstellung. Jetzt sind sie im täglichen Einsatz weltweit. Aber das ist erst der Anfang der Geschichte. Wie kann AEA den Big Ribbon Sound zu einem erschwinglichen Preis bewahren und aktualisieren in Zeiten dieser neuen Technologien? Das AEA R84A nutzt die gleichen, großen Bändchen wie das A440, ist jedoch 5 Kilo leichter und weniger sperrig. Aufgrund seiner aktiven JFET Impedanz Puffer-Schaltung ist das neue AEA R84A unempfindlich gegen niedrige Preamp Eingangsimpedanzen. Die hohe Leistungs-Empfindlichkeit reduziert Störgeräusche und ermöglicht lange Kabel Strecken. Dies erlaubt Ihnen, Ihre Lieblings-Röhrenvorstufe zu verwenden ohne dabei auf den klassischen Bändchen Sound verzichten zu müssen. Konzipiert für Akzent-und Solo-Arbeit, ist sein Bass Nahbesprechungseffekt weniger ausgeprägt und die obere 10 bis 20 kHz Oktave wird besser wiedergegeben als bei dem A440. Warum klingen die AEA Big Bändchenmikrofone verglichen mit anderen Mikrofonen deutlich anders? Klassische Kondensator Membranen sind radial gestreckt. Sie haben typischerweise eine scharfe, schmale Resonanz im 8 bis 12 kHz-Bereich, die Klangqualität wird als "Tizz" bezeichnet. AEA Big Bändchenmikrofone haben eine lange rechteckige Membran, die nur an den Enden eingespannt ist und dadurch nur eine leichte Resonanz unter 20 Hz. Weniger als 80 Millionstel Zentimeter dick, haben AEA's Ultra Low Mass Transducer einen erweitertem Bass Bereich, ein ausgezeichnetes Impulsverhalten und wenig Resonanzen. Es ist eine der empfindlichsten und präzisesten Übertragungen möglich. Viele haben kommentiert, dass AEA Mikrofon Aufnahmen genau das wiedergeben, was das menschliche Ohr hört. Hervorragende Kopffreiheit und geringe Verzerrungen ermöglichen eine enge Mikrofonierung mit einem A840, ohne dabei spröde zu klingen. Zusätzlich werden die glatten, nicht-resonanten High-End-EQs verbaut, die Ingenieuren eine beträchtliche Flexibilität bieten. Probieren Sie es aus, Sie werden es genießen.
AEA R88 mk2
AEA R88 MK2 Stereo Bändchenmikrofon The new R88 MK2 features the same pure BigRibbon sound in a new shockmount that is easier to position. The AEA R88 MK2 Stereo Ribbon Microphone is a stereo pair of AEA R84's in one capsule! It utilizes the same basic LRG and acoustic structure as the AEA R44CNE, and delivers that "big ribbon" sound for Stereo applications. Wes Dooley has extensive experience in multi-mic and stereo recording. His experiences in North America, Europe, Africa and New Zealand led him to develop portable recording tools such as multi-channel microphone arrays, MS stereo processors, stereo phase displays and very tall microphone stands. Now he has developed an exceptional stereo ribbon mic! The AEA R88 MK2 is designed to be a higher performance microphone with less internal shielding since it's not intended for close micing situations. The R88 MK2 has been optimized for stereo instrument and ensemble recording. The R88's two ribbon motors are oriented at 90 degrees, and have excellent off-axis frequency response. The R88 MK2 uses the large ribbon configuration of the classic RCA 44 series mics, which gives the mic solid 20Hz bass response and a smooth high end which is flattering to complex tones such as cymbals, strings, and woodwinds. The R88 MK2 is very useful for chamber music, drum overheads, stereo piano pickup, horn sections, and most any coincident stereo pickup application. The high quality passive electronics in the R88 MK2 ensure a huge dynamic range with minimal distortion, but the R88 will sound best with a preamp that has at least 60dB of clean gain, low noise floor (-127dB EIN or better) and input impedance of at least 1.5 kOhm. The R88 MK2 is minimally protected from wind blasts for the most natural sound quality possible, so a pop filter should be used when making close vocal recordings. The R88 MK2 may be used for both Blumlein stereo and M-S Stereo recording techniques. The mic is finished in Stealth black to reduce visibility in live recording situations, and features an integral shock suspension to reduce noise coupled through the mic stand. AEA R88 MK2 Stereo Ribbon Microphone Features New shock mount suspension for easy positioning Matched pair of Large Ribbon Geometry figure-eight mics for Blumlein or MS stereo 20 hz to 20 kHz response Captive 4 meter cable to two A3M connectors Supplied with a locking angle adapter for flexible positioning Designed to fly overhead for large venue installations Three pounds plus the cable weight 2.5" diameter and 14" tall Black stealth finish Sturdy zippered case AEA R88 MK2 Stereo Ribbon Microphone Specifications Transducers: dual 2" ribbons oriented at 90 degrees Sensitivity: -52dBV/Pa Frequency Response: 20Hz–15kHz (± 3dB) Output Impedance: 270 ohms SPL Handling: 165dB SPL at 1 kHz
AEA R88A
AEA R88A Stereo Bändchenmikrofon The new stereo R88A active ribbon microphone with custom toroid transformers captures sound as your ears hear it with an honest, open tonality. The R88A effortlessly records the sonic intricacies of drums, strings, piano, and other instruments that produce complex transients. The extra 12dB of transformer gain is advantageous when recording quiet sources like vocals or soft acoustic guitars. The active impedance buffers help prevent noise interference on long cable runs or when operating near large lighting rigs. The R88A requires standard 48V phantom power to operate. AEA R88A Stereo Ribbon Microphone Features Same award-winning stereo perspective as the passive R88mk2 Phantom powered (48V) version of AEA's classic R88mk2 with 12dB more transformer gain Compatible with any preamp and input impedance Fast, accurate transient reproduction Stereo ribbon microphone that offers a natural sound Captures amazingly precise stereo imagery with a single mic Larger-than-normal ribbon elements handle high SPLs with ease Figure-8, Blumlein Configuration (90 degrees) polar pattern 141dB Max SPL
AEA R92
AEA R92 Passive Ribbon Microphone The AEA R92 is a high-quality passive ribbon microphone specifically designed for close-miking loud sound sources. Unlike traditional ribbon microphones, it features an asymmetrical voicing between the front and rear sides, offering increased versatility. Its compact design and rugged construction make it ideal for modern studio and live applications, particularly for high-SPL instruments. The microphone uses a hand-crafted 1.8 µm aluminium ribbon and is fully manufactured in the USA. Sound Character The R92 delivers a direct, warm and controlled ribbon sound with flexible tonal options depending on orientation. Front side (logo side): Low-end: tighter and reduced Mids: focused and present Highs: clear and defined Rear side: Low-end: fuller and more powerful Mids: warmer and rounder Highs: smoother and more classic This dual-voicing design allows the microphone to be adapted easily to different sound sources. The proximity effect is well controlled, ensuring a defined sound even at close distances. Highlights ✔ passive ribbon microphone with dual-voicing design ✔ different tonal character on front and rear sides ✔ ideal for close-miking loud sources ✔ 1.8 µm aluminium ribbon ✔ figure-8 polar pattern ✔ high SPL handling (approx. 165 dB SPL) ✔ compact and rugged design ✔ handcrafted in the USA Typical Applications ✔ electric guitar and bass amps ✔ snare, toms and percussion ✔ close drum overheads ✔ brass and loud acoustic instruments ✔ studio and live recording ✔ creative sound design Technical Specifications ✔ Microphone type: passive ribbon microphone ✔ Polar pattern: figure-8 ✔ Frequency range: approx. 20 Hz – 20 kHz ✔ Sensitivity: approx. 2.5 mV/Pa ✔ Max SPL: approx. 165 dB SPL ✔ Output impedance: approx. 270 Ohm ✔ Ribbon: 1.8 µm aluminium ✔ Connector: XLR ✔ Weight: approx. 0.7 kg ✔ Design: compact ribbon microphone
AEA SMP-17 Stereoschiene
AEA SMP-17 Stereo Microphone Bar The AEA SMP-17 is a high-quality stereo microphone bar designed for precise and flexible stereo microphone placement. With a compact width of 17 inches (approx. 43 cm), it is ideal for professional studio and recording applications. Its design features a solid rail system with movable sliders, allowing accurate positioning of microphones. This enables fast setup and repeatable configurations for a wide range of stereo techniques. Sound Character The SMP-17 does not directly affect the sound but enables precise, repeatable and phase-coherent microphone positioning, which is critical for high-quality stereo recordings. accurate stereo imaging stable phase relationships consistent setup recall Its mechanical precision directly contributes to sonic accuracy in stereo recording. Highlights ✔ professional stereo microphone bar (17” / approx. 43 cm) ✔ flexible slider system for adjustable mic positioning ✔ supports multiple stereo techniques (ORTF, AB, XY, Blumlein) ✔ integrated measurement markings for precision ✔ robust construction – suitable for heavier microphones ✔ standard 5/8" mounting threads ✔ compact and portable design Typical Applications ✔ stereo microphone techniques (ORTF, XY, AB, NOS, Blumlein) ✔ orchestral and classical recording ✔ drum overheads and percussion ✔ acoustic instruments (piano, strings, ensembles) ✔ film sound and location recording ✔ repeatable studio setups Technical Specifications ✔ Product type: stereo microphone bar ✔ Length: 17 inches (approx. 43 cm) ✔ Mounting: movable sliders included ✔ Thread: 5/8" standard ✔ Markings: yes (precision scale) ✔ Construction: metal ✔ Included: bar, sliders, adapter
AEA SMP-1M Stereoschiene
AEA SMP-1M Stereo Microphone Bar The AEA SMP-1M is a high-quality stereo microphone bar with a width of 1 meter, designed for maximum flexibility and precision in professional stereo microphone setups. Compared to more compact bars, the SMP-1M provides significantly more space for wide microphone spacing and complex configurations. Its integrated slider system allows microphones to be positioned freely along the bar, enabling a wide range of stereo techniques. Its robust construction and precision markings make it an ideal tool for demanding studio and classical recording environments. Sound Character The SMP-1M does not directly affect the sound but enables extremely precise, flexible and phase-coherent microphone positioning, which is crucial for high-quality stereo recordings. accurate stereo imaging with variable spacing stable phase relationships even in wide setups fully repeatable configurations It excels especially in wide-spaced techniques such as AB or orchestral recordings. Highlights ✔ professional stereo microphone bar (1 meter width) ✔ flexible slider system for adjustable positioning ✔ ideal for wide stereo setups and large mic spacing ✔ supports multiple stereo techniques (AB, ORTF, Blumlein) ✔ precision markings for accurate setup ✔ robust construction for heavy microphones ✔ standard 5/8" mounting threads ✔ includes sliders and adapter Typical Applications ✔ wide AB stereo recording ✔ orchestral and classical productions ✔ ambient and room recording ✔ ensemble and acoustic instrument recording ✔ advanced stereo setups and large-scale recording Technical Specifications ✔ Product type: stereo microphone bar ✔ Length: 1 meter (100 cm) ✔ Mounting: movable sliders included ✔ Thread: 5/8" standard ✔ Markings: yes (precision scale) ✔ Construction: metal ✔ Included: bar, 3 sliders, adapter
Chandler Limited REDD.MIC
Chandler Limited REDD.MIC The Chandler Limited REDD.MIC is a unique large-diaphragm tube condenser microphone that combines a microphone and a classic tube preamp into a single device. Developed in collaboration with Abbey Road Studios, it is based on the legendary EMI REDD.47 amplifier design, bringing that iconic sound directly into the microphone itself. At its core is an innovative concept: the capsule is directly coupled to the built-in REDD.47 tube preamp, minimizing the signal path and delivering a highly direct, full-bodied and three-dimensional sound. The REDD.MIC outputs a line-level signal, meaning it can be used without an external preamp, while still allowing integration into traditional studio signal chains. Sound Character The REDD.MIC delivers the classic “Abbey Road REDD sound”—big, rich and musical. Its tone is defined by a powerful low end, warm midrange and a smooth, velvety high-frequency response. Rather than sounding overly bright or clinical, it provides a more organic, three-dimensional character. The integrated tube preamp adds natural harmonic saturation and density, resulting in a larger-than-life sound—especially suited for vocals and acoustic recordings. Highlights ✔ large-diaphragm tube condenser microphone with integrated preamp ✔ based on the legendary EMI REDD.47 tube amplifier ✔ combines microphone + preamp in one unit ✔ no external preamp required (line-level output) ✔ custom platinum diaphragm capsule ✔ dual gain structure: +4 to +33 dB + Drive mode ✔ switchable polar patterns: cardioid / omni ✔ Drive mode for additional harmonic coloration ✔ −10 dB pad and polarity reverse ✔ low-contour and output control via external PSU ✔ includes PSU, Mogami cable, shockmount and case Typical Studio Applications ✔ high-end vocal recording (vintage character) ✔ piano, strings and acoustic instruments ✔ drums (room and overhead microphones) ✔ guitar recording (electric and acoustic) ✔ direct recording without external preamps ✔ creative tone shaping using tube drive Technical Specifications ✔ device type: large-diaphragm tube condenser microphone ✔ circuit: EMI REDD.47 tube mic amplifier ✔ capsule: custom platinum diaphragm ✔ polar patterns: cardioid / omni ✔ gain: +4 to +33 dB (NORM), extended in DRIVE mode ✔ output: line level (integrated preamp) ✔ pad: −10 dB ✔ polarity: switchable ✔ output impedance: 200 ohms ✔ power: external PSU included ✔ connectors: XLR (audio + PSU) ✔ included: shockmount, cable, flight case